Dell Archives - Robot 6 @ Comic Book Resources
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 (big “if” this week!), I’d take a break from the struggles of adult life and find sanctuary in the pages of high mythology thanks to Jason Aaron and Esad Ribic’s Thor: God of Thunder #4 (Marvel, $3.99). Aaron and Ribic have really build up an excellent foil for Thor in the God-Killer, and also snuck in the idea of Young Thor and Old Thor – something I’d love to see expounded upon in their own series or one-shot (hint-hint). Second up would be the startling potent promise of Star Wars #1 (Dark Horse, $2.99). I never thought I’d see Brian Wood do a Star Wars comic, but I’m so glad he is – and seemingly doing it on his own terms. Thinking of him writing Princess Leia, and the potential there specifically has been rolling around in my brain for weeks. Third, I’d get two promising artist-centric series (at least for me) in B.P.R.D.: Hell On Earth — Abyss Time #1 (Dark Horse, $3.50) and TMNT: Secret of the Foot Clan #1 (IDW, $3.99). James Harren and Mateus Santolouco, respectively, are two artists I’ve been keen on for the past year and both of these books look like potential breakouts to a bigger stage. On the TMNT side, I’ve always thought Shredder and the Foot Clan to be one of the most overlooked great villains in comics, so I’m glad to see some focus on that and some potential answers.
If I had $30, I’d continue my super(comic)market sweep with Womanthology: Space #4 (IDW, $3.99). This series has two things I love: new, young creators and a space theme. I’ve been on a space opera/sci-fi kick for a while now thanks to Saga and re-reading some Heinlein, so this anthology series comes to me most fortuitously. Next up would be Legend of Luther Strode #2 (Image, $3.50). Luther Strode is a real down-and-out kind of hero, like some sort of action-based Charlie Brown. Tradd Moore’s artwork really makes this sing, too. Finally, I’d get two Marvel books with Secret Avengers #36 (Marvel, $3.99) and Wolverine and the X-Men #23 (Marvel, $3.99). I’m gritting my teeth on the latter – not because it’s bad, but because it isn’t as good for me as the previous arcs. For Secret Avengers, I feel Rick Remender and Matteo Scalera’s run on this has been sadly overlooked in the wave of Marvel NOW books, but this mega-arc about the Descendents and now Black-Ant has been great. I’d love to see Black-Ant as a permanent part of the Marvel U.
If I could splurge, I’d throw practicality out the door and shell out big bucks for the Black Incal deluxe hardcover (Humanoids, $79.95). There’s few times I’d spend nearly 80 bucks on a comic, but this classic story by Alejandro Jodorowsky and Moebius is one of those once-in-a-blue-moon kind of things. This has been reprinted numerous times (I have an older one), but I’m re-buying the story here for the deluxe treatment this volume has with its large size.
Disney artist Del Connell, who received the Bill Finger Excellence in Comic Book Writing Award during this year’s Eisner Award ceremonies just three weeks ago, has died at the age of 93. The Bakersfield Californian has a nice article about Connell, who could not attend the ceremony due to failing health, and Glen Weldon posts an appreciation at NPR’s Monkey See blog describing how Connell’s creation, Goofy’s alter ego Super Goof, changed his life. Mark Evanier, who worked down the hall from Connell for a while and was instrumental in getting him the award, adds his own memories of Connell.
Working at a time when artists and writers seldom signed their work, Connell wrote Disney, Dell, and Gold Key comics for 30 years but is still an unfamiliar name to most comics readers. “He did a three-panel gag for Mickey Mouse every day of his life, including Sundays, for 20 years,” his wife Ruth told the Californian. In addition to Super Goof, he came up with Space Family Robinson, which became the television series Lost in Space, as well as Wacky Witch. Yet few people (including the Eisner judges) knew his name, partly because his work was unsigned, and perhaps also because he was humble about it anyway—and when he retired from comics, he stepped away from the industry entirely.