Denis Kitchen Archives - Robot 6 @ Comic Book Resources
Digital comics | Japanese publisher Kadokawa plans on March 22 to launch ComicWalker, a digital comics service that will carry manga in three languages: Japanese, English and Chinese. The stories will include some well-known classics (Sgt. Frog, Neon Genesis Evangelion, Gundam: The Origin) as well as new manga, and apparently they will be free. The launch will include 150 titles, 40 of which will be translated, so it sounds like not everything will be available in English right away. [Anime News Network]
Conventions | Lewis Trondheim, a former winner of the Grand Prix d’Angoulême and therefore a member of the academy that chooses each year’s winners, provides an insider’s view of the voting and the causes and effects of the changes that have been made over the past two years: “In its forty-three years, the festival has had, I believe, three Americans, one Argentine, one Swiss, three Belgians, and over thirty Frenchmen. This doesn’t seem to correspond with the reality of the comics world to me.” [The Comics Journal]
Columbia University Libraries’ Rare Book & Manuscript Library has acquired the archives of Kitchen Sink Press, comprised of more than 50,000 letters, plus 30 years’ worth of draft artwork and published and unpublished story ideas.
Operating from 1969 to 1999, Kitchen Sink Press published the work of cartoonists ranging from Al Capp and Will Eisner to Trina Robbins and Art Spiegelman. According to the library, publisher Denis Kitchen meticulously date-stamped virtually every letter he received, kept the envelope and even attached a copy of his own response.
“Apparently I am a natural-born archivist,” Kitchen said in a statement. “I will miss the rows of file cabinets full of handwritten letters, illustrated letters, and even letters that came out of devices called typewriters, all created before the digital age made traditional correspondence all but obsolete, but I hope they provide scholars with insights into the development of underground comix and the work of the multiple generations of creators I had the distinct pleasure of working with.”
Creators | Jeff Kinney, author of Diary of a Wimpy Kid, was traveling the day a tornado devastated Moore, Oklahoma, and he saw the damage on a news broadcast while waiting for a flight. The images stuck with him, so he rounded up fellow creators Lincoln Peirce (Big Nate), Stephan Pastis (Pearls Before Swine, Timmy Failure) and Dav Pilkey (Captain Underpants), all of whom he describes as “novelists whose DNA is in comics,” to hold a benefit to rebuild the town’s school libraries. The quartet will meet in Norman, Oklahoma, for a panel discussion and will raffle off original art and sell autographed copies of their books this weekend, with all proceeds going to the Moore Public Schools Foundation, earmarked for the school libraries. [Oklahoma Gazette]
Creators | Joe Sacco, author of Palestine, Footnotes in Gaza and, most recently, The Great War, talks about his work day, his process and the places he’s been. [The Telegraph]
Conventions | Boston Comic Con is coming this weekend, and founder Nick Kanieff talks about how it has grown from 900 attendees at the first con, in 2007, to an expected 15,000 for this year’s event, which was rescheduled because of the Boston Marathon bombings. [MetroWest Daily News]
Publishing | Denis Kitchen discusses the return of Kitchen Sink Press to publishing as an imprint of Dark Horse. It kicks off in December with an anthology, The Best of Comix Book. [Publishers Weekly]
Creators | Peter Steiner’s cartoon, captioned “On the internet, nobody knows you’re a dog,” is the most-reproduced cartoon in the history of The New Yorker. On the 20th anniversary of its publication, Steiner looks back on its creation, which came about almost by chance, and the ways the world has changed in the interim. One interesting nugget: The most-reproduced cartoon in The New Yorker has brought its creator a total of $50,000 in royalties over the past 20 years. [Comic Riffs]
Publishing | Lions Forge Comics announced a partnership this morning with NBC Universal to create digital comics based on five television series from the 1980s and 1990s: Knight Rider, Airwolf, Miami Vice, Punky Brewster and Saved by the Bell. The comics will be released on a variety of e-book platforms, including Kindle, Nook and Kobo, but there was no mention of comics apps such as comiXology. [USA Today]
Publishing | Denis Kitchen’s Kitchen Sink, long a packager whose comics were published by others, will now be an imprint of Dark Horse, releasing four to six books a year. The imprint will include art books, reprints of archival material, and new graphic novels; it will kick off with The Best of Comix Book: When Marvel Went Underground!, a collection of works from the Marvel magazine, which was edited by Kitchen and Stan Lee. [ICv2]
Hello and welcome to What Are You Reading? It’s an abbreviated edition this week — maybe everyone’s doing their taxes, like I am today — so let’s just get to it …
Digital comics | So, your $3.99 comic comes bundled with a download code for a free digital copy, but you’re strictly a paper person. What to do? Todd Allen has a fascinating article about the secondary market in unused download codes, not just the fact that they are being sold fairly openly but also what that market tells us about the true value of comics: “Outside of eBay it’s relatively easy to use Google to find somewhere to swap or purchase Ultraviolet codes. The Home Theater Forum’s classified ad section has codes sprinkled in, with a low $2-$3 looking like a common price. Codes are also easy to find on Reddit, including a dedicated subreddit, though codes on Reddit are swapped or given away, not sold.” [The Next Web]
Conventions| Small Press Expo announced its first round of guests for the Sept.14-15 convention: Seth, Gary Panter, Lisa Hanawalt, Gene Yang and Frank Santoro. [SPX]
Hello and welcome once again to What Are You Reading? This week our special guest is Elisabeth Forsythe, marketing manager for online comic shop Things From Another World and frequent contributor to The Blog From Another World.
To see what Elisabeth and the Robot 6 crew have been reading lately, read on.
Warning: Pretty much every image in the linked article is flagrantly, joyously NSFW. If your eyeballs disintegrate and hair grows on the palms of your hands when you click the link, well, don’t say we didn’t warn you.
Underground comics are by their nature transgressive, so it comes as no surprise that the Comix Classics: Underground Comics app produced by Toura, an app platform often used by museums, and Comic Art Productions and Exhibits, ran afoul of Apple’s content guidelines. As Kim Munson, who designed the app, explained to Michael Dooley of Imprint Magazine, the app is not a digital comic but “more of an interactive art exhibit.” It’s based on James Danky and Denis Kitchen’s book Underground Classics: The Transformation of Comics into Comix, and it contains all the comics from the book and the exhibit plus some new graphics.
Oddly, when the app was submitted to Apple, the iPad version was accepted as is (with a string of warnings to potential consumers about sex, nudity, etc.) but the iPhone version was rejected for “excessively objectionable or crude content.” Munson removed 16 images, which apparently shifted the ratio enough to make the Apple folks happy. (For those who like to skip straight to the good stuff, the deleted images are at the link.) Munson noted that “The deletions were plainly based purely on the visual representation, not the context of the pieces.”
Welcome to Food or Comics?, where every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on what we call our “Splurge” item.
Check out Diamond’s release list for this week if you’d like to play along in our comments section.
If I had $15 this week, IDW would be seeing a lot of it. It’s a cheat, because I’ve actually already read both Doctor Who Vol. 2 #1 and GI Joe: Cobra II #12 (both $3.99), but both are licensed comics done right in my opinion; Who in particular really catches the tone of the TV show in a way that the last series, as fun as it was, didn’t quite do (despite the writer, Tony Lee, being the same for both), and Joe has an ending that’ll get the nostalgics in the audience jumping up and down. It’s a weird mix of anti-nostalgia and art appreciation that gets me looking at my other pick of the week, Marvel’s Invincible Iron Man #500, which I’ll be picking up less for the story – although I like the “What if this really was #500 of the current series, and set 40-odd years in the future?” idea behind it – than the art, seeing as the wonderful Nathan Fox, KANO and Carmine Di Giandomenico join the okay-if-you-like-photo-tracing Sal Larroca for this oversized issue.
Technology | Apple said it is adding new security measures to its iTunes store after a developer reportedly hacked into numerous customer accounts to boost the ranking of his comic apps, which briefly dominated the book category. The company claims the weekend incident was an isolated — about 400 of its 150 million iTunes users were affected — but customers tell The Wall Street Journal that hackers have hijacked accounts before, with Apple doing little to stop them. [The Wall Street Journal]
Conventions | Heidi MacDonald looks at the tug of war between San Diego, Los Angeles and Anaheim for Comic-Con International, and the tough decision facing event organizers. “This has been by far the most challenging thing we’ve ever done,” said David Glanzer, the convention’s director of marketing and public relations. “Nobody thought we wouldn’t have a decision by June.” The board hopes to make a decision before this year’s event kicks off in two weeks. “If we don’t [make an announcement],” Glanzer said, “a lot of the focus is going to be on that.” [Publishers Weekly]
Comics College is a monthly feature where we provide an introductory guide to some of the comics medium’s most important auteurs and offer our best educated suggestions on how to become familiar with their body of work.
Today it’s time (long pat time actually) to take a look at one of the most influential and undisputed masters of the comics medium, Harvey Kurtzman.
Via press release, Dark Horse Comics and Denis Kitchen announced this week that the publisher plans to release a collection of Kitchen’s past work, including his comix, paintings, covers for underground newspapers and comix, rare strips and illustrations, and historic photos of Kitchen and many of his contemporaries. The Oddly Compelling Art of Denis Kitchen is due in June.
While many probably remember Kitchen as the longtime publisher of Kitchen Sink Press and the founder of the Comic Book Legal Defense Fund, he was also a comix artist in his own right. He’s also currently working with BOOM! Town to distribute projects like Harvey Kurtzman’s The Grasshopper & The Ant and a set of Robert Crumb trading cards.
The complete press release from Dark Horse can be found after the jump.
A few weeks ago we learned that BOOM! Studios, publisher of everything from Mark Waid’s Irredeemable series and Farscape to Disney/Pixar comics like The Incredibles and Cars, was branching out into the alt.comix arena. Their new imprint, BOOM! Town, will publish and market “literary comics,” selective reissues of out-of-print works and merchandise.
Their first few projects include:
- A Too Much Coffee Man mug.
- A political satire/collection of prose pieces and artwork called Repuglicans.
- I Thought You Would be Funnier, a collection of Shannon Wheeler’s rejected New Yorker cartoons.
- A reissue of a set of 36 trading cards by R. Crumb that were originally released by Kitchen Sink Press in 1991.
- A reissue of The Grasshopper and the Ant by Harvey Kurtzman.
The line is being overseen by BOOM! publisher/co-founder Ross Richie and their marketing director Chip Mosher. I interview Mosher via email over the last week about the new imprint, what their plans are for it and the online reactions to one project in particular. My thanks to Chip for his time.
IDW announced yesterday their next big strip collection project for their Library of American Comics imprint — Al Capp’s L’il Abner. Volume One will cover 1934-36 and feature an essay by Bruce Canwell, and an introduction by Denis Kitchen. It will be a 288 page hardcover, retail for $49.99 and be available in stores in April.
Those with long memories will recall that Kitchen had attempted to publish Abner’s complete run back in the 1990s via his Kitchen Sink Press, but never completed the project due to the company’s going under. The strip, about a colorful group of hillbillies, ventured frequently into political and social satire, and was one of the most popular comics of its day. Capp’s eventual turn into hardline conservatism, however, left a bad taste in the mouths of a lot of cartoonists and critics in following generations, and the strip has fallen a bit out of favor in recent decades. It will be interesting to see how this new attempt at collecting the material is received.
Read the full press release after the jump: