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Denys Cowan has recovered all 27 pieces of original art lost early last month by UPS en route to the Geppi Entertainment Museum in Baltimore.
“I’m elated,” the artist wrote Friday on his Facebook page, “but also dismayed because of the condition of some of the artwork.”
The art had been headed to “Milestones: African Americans in Comics Pop Culture & Beyond,” an exhibit curated by Milestone co-founder Michael Davis, who revealed the loss, and his frustrations with UPS, last month. The box of Cowan’s original art, along with a separate package belonging to Davis, were sent for overnight delivery; however, Cowan’s shipment was delayed en route, with no explanation. When the package arrived, with new tape used to reseal it, just one of the 28 pieces of artwork remained — leading Davis and others to conclude that they weren’t “lost,” but rather stolen.
Among the missing art were interior pages from Hardware and Steel, concept pieces for Static, Rocket and Hardware, and pieces featuring Batman.
Davis was joined by museum owner Steve Geppi, who’s also CEO of Diamond Comic Distributors, and museum president Melissa Geppi-Bowersox in pressuring UPS for an explanation, and in contacting art dealers and collectors to spread the news of the loss.
In an open letter posted Friday on his Facebook page, Cowan offered his thanks to everyone who offered support and provided help:
CEO Steve Geppi is putting the weight of Diamond Comic Distributors behind the search for 27 pieces of original art by Denys Cowan lost earlier this month by UPS in transit to Geppi’s Entertainment Museum in Baltimore.
“Over the next few days, we will be reaching out to as many people as possible,” Geppi said on the Diamond Galleries Scoop blog, which notes the comics distributor is a UPS customer. “Our goals are to let people know exactly what art is missing. […] Not only will be using our various email newsletters and social media, we’ll be personally contacting comic art collectors and dealers and asking them to help spread the word. In fact, that effort is well under way.”
The art was headed to “Milestones: African Americans in Comics Pop Culture & Beyond,” an exhibit curated by Milestone co-founder Michael Davis, who revealed the loss, and his frustrations with UPS, on Wednesday. The box of Cowan’s original art, along with a separate package belonging to Davis, were sent for overnight delivery; however, Cowan’s shipment was delayed en route, with no explanation. When the package arrived, with new tape used to reseal it, just one of the 28 pieces of artwork remained — an interior page from Wolverine #125 by Cowan and Bill Sienkiewicz.
Among the missing art — a partial rundown can be found at the Scoop — are interior pages from Hardware and Steel, concept pieces for Static, Rocket and Hardware, and pieces featuring Batman. Davis has received little response from UPS.
(via The Beat)
Twenty-seven pieces of original art by Denys Cowan were lost in shipment earlier this month to “Milestones: African Americans in Comics Pop Culture & Beyond,” an exhibit at the Geppi Entertainment Museum in Baltimore.
Milestone co-founder Michael Davis, curator of the show, writes that when they handed off the box for delivery by UPS, it contained 28 pieces of art; when it arrived in Baltimore, it contained just one.
“Included were irreplaceable work from original Milestone concept drawings to Batman #400 pages other works from both before and after those career highlights,” Davis explains. Now they’re gone, he writes, “Perhaps, forever.”
“The art was either stolen or ‘fell out,'” he concludes. “I’m sure it was stolen, someone opened the box, opened the plastic took the art except for one, resealed the box, badly and sent it along it’s merry way. I can’t say that for a fact because I was not there when it went missing. I also can’t say for fact slavery is bad as I’ve never been a slave but I’m pretty sure it is.”
The “Milestones” exhibit continues through April.
Hello and welcome to What Are You Reading? This week our special guest is artist Ivan Anaya, one of the winners of the winner of the Skullkickers Tavern Tales Contest. He’ll join the other winner, writer Aubrey Sitterson, on a story for Skullkickers #18.
To see what Ivan and the Robot 6 crew have been reading, click below.
Even as the ax falls on three more DC Universe titles — Captain Atom, Resurrection Man and Voodoo — Vertigo’s September solicitations reveal the DC Comics imprint is canceling Dominique Laveau: Voodoo Child with Issue 7.
Announced in October at New York Comic Con, the series by Selwyn Seyfu Hinds and Denys Cowan followed Dominique Laveau, heir to the voodoo queenship of New Orleans and the prime suspect in the murder of the previous 1ueen.
“I’d call it a dark fantasy that engages real world pathologies, crime being just one,” Hinds, former editor-in-chief of The Source magazine, told Comic Book Resources last fall. “I’m just as interested in the character, quirks and travails of the very real city of New Orleans and the people who call it, and have called it, home as I am in the supernatural elements that we’ve constructed in our story world.”
The title premiered in March with sales of only about 12,800 copies, a figure that fell to about 8,300 by the second issue — only slightly more than the recently canceled iZombie. The only Vertigo comics to appear lower than those two on April’s sales chart were the final issue of Northlanders and the 32nd issue of Sweet Tooth, which ends in December.
Rumors of Vertigo’s demise, it seems, were greatly exaggerated. Following the major announcement this morning that it will adapt Stieg Larsson’s bestselling Millennium trilogy, the DC Comics imprint has unveiled plans for a new ongoing series from author/journalist Selwyn Seyfu Hinds and legendary artist Denys Cowan.
Debuting in February, Dominique Laveau: Voodoo Child follows on Dominique Laveau, half-breed, outcast and heir to the Voodoo Queenship of New Orleans … who’s the prime suspect in the murder of the previous Queen. Here’s the official description:
The cover, above, is by Paul Pope, and as previously reported, the first issue will include a chapter of Spaceman by Brian Azzarello and Eduardo Risso, which will get its own series from Vertigo in the fall. Other contributors include Jeff Lemire, Ross Campbell, Kevin Colden, Peter Milligan, Paul Cornell, Denys Cowan and many others. You can find the complete table of contents after the jump.
Cully Hamner is an artist who never disappoints me. So I was immensely pleased that he and I were able to finalize this email interview in the chaos of the holiday season just in time for our one-year anniversary at Robot 6. We start the interview discussing his current collaboration with Greg Rucka on The Question co-feature in Detective Comics. From there, due to the film that is currently in production and the trade paperback collection that was released in mid-2009, we discussed his 2003/2004 Homage/Wildstorm collaboration with writer Warren Ellis, RED. There’s so many projects I could have discussed with Hamner, but I’m grateful he was willing to discuss RED to the degree he did. Hamner is clearly an artist who looks forward, not back–which makes me appreciate his indulging my RED interest in this discussion.
Tim O’Shea: How hard is it to convey emotion with the Question, the face is taken out of the dynamics, but you do still give a hint of her facial dynamics in certain scenes?
Cully Hamner: It’s a matter of considering that, even though you see no specific facial features, the planes of the face are still there and will react to light and shadow. It’s not a total blank, you know, Renee’s real face is under there, along with a range of expressions. So, when I look at it like that, it becomes a much simpler thing than you might think. So, what I do is just go ahead and draw an outline of the modeling on the face, and Dave McCaig (and before him Laura Martin) colors over that, and then drops my linework into a color. It’s not a full range of emotion like a detailed face would have, but I’ve been able to get across a few things well enough. Seems to work.