Luke Cage History: From Hero for Hire to Hollywood
TV, Comic Books
It’s fast becoming Jamaica Dyer week here at Robot 6. Yesterday she contributed to the weekly What Are You Reading column, and today she is the subject of an interview. Dyer joined me in this email interview mostly to discuss the serialization of her graphic novel, Fox Head Stew (at MTV Geek), the tale of two twentysomethings–Dee and Sam (aka Bunny Boy)–making their way through life. But she was also enthused to discuss the Isotope Comics-arranged Live Art Show as part of San Francisco’s Noise Pop Music Festival 20th Anniversary. My thanks to Dyer for her time.
Tim O’Shea: While Fox Head Stew is being serialized at MTV Geek, I am curious are you looking to release it through a traditional publisher at some point?
Jamaica Dyer: Yes, I would love to see Fox Head Stew printed as a book. I don’t have a publisher for it yet but I’m definitely on the market! I did some print-on-demand copies last year and it looks amazing on paper. Finding a publisher for it is difficult, because while it’s the sort of story that indie publishers like, they typically only print black and white books, and I have to insist on having it printed in color. It’s my own fault for insisting on painting the whole thing!
My hope is that through exposure on MTV Geek, the audience might decide that a book about girls experimenting in college, glam rock bands, and psychedelic fantasy sequences rendered in watercolor are the sort of stories they want to read in comics! There’s a definite perception in mainstream comics of superheros and action stories, but this is an exciting opportunity to change that perception and expose new genres to the MTV audience.
Every once and awhile an email interview evolves far beyond my basic questions. But never has an email interview grown into something as constructive, candid and insightful as this email interview with Joshua Cotter. Longtime readers of Talking Comics with Tim may remember my email interview with Cotter last year. Back then we discussed Skyscrapers of the Midwest as well as the (then upcoming) Driven by Lemons (a 13-page preview of which AdHouse offers here). Cotter was such a fun interview then I wanted to catch up with him again this year. I wanted to discuss Driven by Lemons some more (now having had a chance to take it all in). I sent Cotter my questions and waited. Soon he replied with the following. I was amazed that after pouring all of this effort into his initial reply he was also still willing to reply to my (compared to what he had to say) inadequate questions. I can’t agree with everything Cotter writes (nor do I think he expects or wants anyone to agree with him). Where I most disagree is his assessment of himself. He’s an acutely astute and informed observer of the human condition who does not give himself enough credit for his emotional and intellectual efforts to get to a better place, literally and figuratively.
Hey, Tim. I bet you weren’t expecting this. Below is something that came out of my brain this afternoon. I started answering the questions, but I’ve been writing for hours and wanted to send it to you, since it may take the interview in an entirely different direction than you intended. And if you’d rather just ignore the pre-question rambles, I’d completely understand. I can find an outlet for it somewhere… but like I said, I’m tired. Here goes…