X-POSITION: Phoenix, Upstarts & More Tear Up Bowers & Sims' "X-Men '92"
Graphic novels | BookScan’s Top 20 graphic novels sold in bookstores in July has a decidedly different makeup than usual, with the 1988 one-shot Batman: The Killing Joke topping the list, and seven other DC Comics titles making the cut as well (however, just one of those, Batgirl, Vol. 1, is a new release). Other entries include hardy perennials American Born Chinese and Fun Home make the chart, perhaps as summer reading, and as always, the first volume of Attack on Titan. [ICv2]
Conventions | Denver, already home to one of the larger comics and pop culture conventions, is getting its own independent comics festival, the Denver Independent Comic and Art Expo (DINK), which will launch in March. The show will be held in the Sherman Street Event Center, which organizer Charlie LaGreca describes as “like something out of a Wes Anderson movie,” and is looking for sponsors with ties to the community. “The pop-culture, big-box cons are amazing and incredible, and we have them in spades now. They provide such a huge array [of options],” said LaGreca, a Denver Comic Con co-founder who exited the organization last year in a highly publicized dispute. “What’s cool about this is we can bring the focus back to just art and comics and the cross-pollination of what it means for art. It’s really embracing all comics genres, not [just] focused on sci-fi and superheroes and stuff like that.” [Westword]
The late writer Harvey Pekar, often called Cleveland’s unofficial poet laureate, was celebrated Saturday in Cleveland Heights, Ohio, with the dedication of a park in his name.
Located at the northwest corner Coventry Road and Euclid Heights Boulevard, Harvey Pekar Park was welcomed with a comic festival, jazz music, storytelling and an outdoor screening of American Splendor, featuring an introduction by the writer’s widow Joyce Brabner.
I spent some time in May at Book Expo America, the annual trade show for the retail book business, checking out the graphic novel offerings. BEA is light duty for a comics blogger, as graphic novels are a tiny part of the retail book universe, but it’s a good way to get an advance look at the books that publishers are promoting for this summer and fall, as well as what they think will have appeal for mainstream bookstores.
Here are a half-dozen books you’re likely to hear about in the coming months:
Censorship | The Tanzanian government has banned a regional newspaper, The EastAfrican, apparently because of a cartoon by Godfrey Mwampembwa (GADO) that was critical of President Jakaya Kikwete. [The Washington Post]
Creators | “My idea is that if you want to defend Islam against cartoons, you do it by drawing cartoons, not by killing the cartoonists,” says Palestinian cartoonist Mohammed Sabaaneh, who is back on the job after being suspended for a cartoon that some interpreted as being a likeness of the Prophet Muhammad (Sabaaneh insists it was not). This profile of Sabaaneh includes an interview with the creator and a nuanced look at the milieu in which he works. [The Independent]
Legal | Palestinian Authority President Mahmoud Abbas has ordered an investigation into a cartoon he claims depicts the Prophet Muhammad. The cartoonist, Mohammed Sabaaneh, denied that on his Facebook, saying, “The intention was not to represent the prophet. [It was to] symbolise Islam and its role of disseminating light and love on the human race.” It was a reaction to the Charlie Hebdo cartoons, not an attempt to imitate them: “My point was to defend religion in the face of attempts to distort it, by using the same means: a caricature,” he said. The newspaper that ran the cartoon, Al-Hayat Al-Jadeeda, apologized and stated that the cartoon was not supposed to be an image of Muhammad. Sabaaneh, who spent several months in an Israeli prison on charges of “contacts with a hostile organization,” has been summoned by the Palestinian Authority for questioning. [Middle East Eye]
As a part of our sixth anniversary, Abrams ComicArts has provided ROBOT 6 with previews of two more books from its 2015 lineup — The Age of Selfishness: Ayn Rand, Morality, and the Financial Crisis by Darryl Cunningham and Trashed by Derf Backderf.
Tracing the emergence of Ayn Rand’s philosophy of objectivism in the 1940s to her present-day influence, Darryl Cunningham’s latest work of graphic-nonfiction investigation leads readers to the heart of the global financial crisis of 2008. Cunningham uses Rand’s biography to illuminate the policies that led to the economic crash in the United States and in Europe, and how her philosophy continues to affect today’s politics and policies.
Announced almost a year ago, Trashed started in 2002 as a comic from SLG Publishing and was revived in 2010 by Backderf as a webcomic. It’s a memoir of the year he spent as a garbageman in his rural hometown, with added fictional characters and situations. As he explained on his website, “It didn’t really happen but, trust me, it’s all too real.”
Check out the previews below. Our thanks to Abrams.
Auctions | An original 1939 drawing of Tintin created by Herge for the cover of the weekly magazine Le Petit Vingtième sold Sunday for $673,468 at an auction of French and Belgian comics art held simultaneously in Paris and Brussels. The auction featured 101 works, of which 86 were purchased for a total of $2.4 million. [Agence France-Presse]
Auctions | A copy of The Hulk #181, featuring the first appearance of Wolverine, fetched $8,000 at an auction held Saturday at Back to the Past comics store in Redford, Michigan. [My Fox Detroit]
Retailing | System of a Down drummer John Dolmayan, who shuttered his online store Torpedo Comics in 2010 after about three years in business, is looking to open a brick-and-mortar shop. A brief story notes that while Las Vegas store Comic Oasis, owner Derrick Taylor is partnering with Dolmayan to open Torpedo Comics in January at 8775 Lindell Road, Building H, Suite 150. [Vegas Inc.]
Derf Backderf spent the first 40 years of his life aiming, and ultimately succeeding, to become one of the top cartoonists in alternative newspapers. However, he then realized that niche industry was failing, and he needed something else; that’s when he found graphic novels.
Since switching his focus from newspaper strips to graphic novels in 2000, Backderf has transformed from a virtual unknown to a curiosity to an international star, with books like Punk Rock & Trailer Parks and his most famous work, My Friend Dahmer. He’s now working on on a graphic novel for Abrams about his time working as a garbageman, as well as a pseudo-sequel to Punk Rock & Trailer Parks that explores his time growing up in the Midwest punk scene.
Backderf’s opinion on comics as a fan and as a professional has changed over the years as he’s witness the decline of the once-thriving alternative weeklies, the rise of graphic novels and the changing face of American comics. I spoke with Backderf about his experiences, his acceptance in Europe, and his own opinions on comics.
Derf Backderf, author of My Friend Dahmer, has a poignant post on his blog marking the 11th anniversary of the end of his cancer treatment:
On that grey day in November when I walked out of the Radiology Department in the basement of University Hospitals for the final time, I was exhausted, sporting several ghastly scars and missing a few chunks of my body, battered and roasted to a crisp, but happy. I’d made it.
Cancer messes with your head. I always thought I’d live to a ripe old age like my grandfather, who lived to 105 (his brother lived to 108!), but my body started to fall apart at age 35 like a Chevy Vega. On that November 18th, I was determined to make the most out of whatever time I had left.
And he did; in the past 11 years he has completed three graphic novels, including the award-winning My Friend Dahmer, published five minicomics, two webcomics and numerous other works, traveled to France and Belgium, won multiple comics awards, and, on a personal note, watched his children grow up and his parents grow old.
Derf Backderf, creator of the acclaimed memoir My Friend Dahmer, has ended his weekly comic strip The City after 24 years.
“I’m ending the strip so I can concentrate full-time on graphic novels,” he announced today on his blog. “It’s all good. I’m not slinking away from a failed endeavor as a washed-up has-been. I’m leaving it behind in a blaze of glory, as a newly minted, internationally-best-selling comix creator. The past couple years have been the best of my career. After 30 years of toil as a (at best) cult favorite to suddenly find success? I’m loving every fucking minute of it! I simply no longer have the time, nor, quite frankly, the desire, to devote to The City. Typically, it takes almost two full workdays to write and draw one strip. That’s time better devoted to other projects.”
Last week, when I was packing my bags to go to the Angoulême International Comics Festival, I kept having to explain to people — even comics people — what it was.
Now that I’m back, it’s not a problem any more.
This year’s selection of Bill Watterson as the winner of the Grand Prix d’Angoulême, and the president of next year’s festival, has put Angoulême on the map for more U.S. readers — or at least, it has sent the cartoonist’s fans scurrying to the map to see where it is.
What follows is a series of first impressions from my first trip to Angoulême; check out Publishers Weekly (which provided me with a press badge) for more solid coverage, and of course no one can capture an event like Heidi MacDonald.
There are a lot of reasons to go to Angoulême — the international array of creators and publishers who are there, the opportunity to get the hottest new BDs and of course, French food, scenery and wine all spring to mind — but to me, the most impressive thing about it was that I was in a place where comics really mattered. Comics aren’t a niche product in France; they are available everywhere, they are widely read, and they are taken seriously. In my previous sojourns in France, long before I was a comics journalist, I was accustomed to seeing a rack of hardcover, full-color comics at the grocery store, train station, and bookstore.
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Calvin & Hobbes creator Bill Watterson received the Grand Prix award this weekend in France at the 41st annual Angoulême International Comics Festival, honoring his lifetime achievement.
The prize is awarded to a living comics creator, and traditionally the winner serves as president of the jury for the following year’s festival; previous honorees have included Robert Crumb and Art Spiegelman. Watterson, Alan Moore and Katsuhiro Otomo (who incidentally received a lifetime achievement award of his own this weekend) were the three finalists this year, with Alan Moore stating late last week that if he won, he would decline the prize. It will be interesting to see if Watterson accepts the prize or attends next year. Tom Spurgeon has some additional commentary on the win.
My Friend Dahmer cartoonist Derf Backderf is a longtime fan who, while downsizing his collection, wandered upon the uniquely placed Certified Guaranty Company (CGC). The avowed comic fan who followed his hobby into a career was shocked at the degree to which comics collecting had subsumed the readability of comics, especially given that “true collectors” would hermetically seal their comics in CGC “slabs,” leaving them unable to be read — you know, the original intent for the comic.
“For someone who has devoted his life to making comics, and who takes several years to painstakingly craft each one … to be FUCKING READ! … this is an abomination,” Derf wrote in a long post on his blog. “For baseball cards, fine. because you can still read everything on the card. With a comic book, 90 percent of the contents are lost forever! Most of these “collectors” wouldn’t know the difference between Wally Wood and Wally Walrus. They’re just collecting a number. It’s an affront to everything I hold dear.”
Derf, who has been reading comics since the mid-1970s, covers the growth of the secondhand comics market and the rise of collectability through the Overstreet Price Guide and now through CGC. Because of this severe leaning toward collectability limiting the readability of comics, the cartoonist has started what he calls a “one-man crusade against slabbing” by buying CGC books and “then free[ing] them from their plastic coffins.”
“This past summer, I took down most of the Trashed Webcomic, announced it was permanently retired and instead unveiled an entirely new webcomic, The Baron of Prospect Ave.,” he wrote on his blog. “What I couldn’t reveal at the time was that Abrams had approached me about turning the Trashed Webcomic into a full-fledged graphic novel! I already had a couple new episodes written at that point, with the intention of starting the project up anew this past summer. So those became part of the new book. I spent the remainder of 2013 writing and drawing.”
Trashed, in its original form, was released in 2002 by SLG Publishing; it’s a comic memoir of the year he spent as a garbageman in his rural hometown. When he revisited the project in 2010 as a webcomic, he added fictional characters and situations. As he explained on his website, “It didn’t really happen but, trust me, it’s all too real.”
Manga | Hayao Miyazaki’s samurai manga will be serialized in the Japanese magazine Model Graphix, but progress is reportedly slow: Miyazaki, the director of classic animated films including My Neighbor Totoro and Spirited Away, has completed just three pages. [Anime News Network]
Creators | Veteran Archie artist Stan Goldberg, who most recently has been drawing Nancy Drew graphic novels for Papercutz, was in a serious car accident recently, along with his wife Pauline. Tom Spurgeon suggests you send them a car. [The Comics Reporter]
Conventions | Cleveland’s small-press comics convention Genghis Con is this weekend, with a guest list that includes Derf Backderf (My Friend Dahmer) and Mike Sangiacomo (Tales of the Starlight Drive-In). [The Plain Dealer]