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Comics A.M. | Tezuka Productions and Diamond ink distribution deal

Astro Boy

Manga | Tezuka Productions, which handles the works of Osamu Tezuka, has signed a deal for Diamond Comic Distributors to distribute its comics, toys, T-shirts and other products outside of Japan. [Previews World]

Comics | Sean Howe, author of Marvel Comics: The Untold Story, discusses the clash between the creative drive and the corporate interest, as it played out at the House of Ideas: “There’s certainly a cautionary tale in there, but I think it’s inevitable — because Marvel Comics is a really rich example of the way that pop culture works and that the Marvel story really gets to the way that art and commerce are always going to be battling it out in pop culture. If you’re trying to have mass appeal and artistic expression at the same time, there are going to be compromises. And when you bring powerful corporate interests into the equation, it’s pretty predictable what will happen.” [The Phoenix]

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Comics A.M. | Rise of graphic novels at Miami Book Fair International

Miami Book Fair International

Events | Richard Pachter surveys the graphic novel scene at Miami Book Fair International, which this year will include appearances by Chris Ware, Derf Backderf, Marjorie Liu, Dan Parent and Chip Kidd, among others. [The Miami Herald]

Events | A group of Canadian creators and publishers are in Tokyo right now for the International Comics Festa, where they are selling an anthology that includes work by Darwyn Cooke, Bryan Lee O’Malley, and Seth. Manga blogger Deb Aoki is there too, and she has all the details. [About.com]

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Comics A.M. | Marvel NOW! ‘ain’t a reboot,’ it’s a ‘refresh’

Captain America #1

Comics | Ahead of Joe Quesada’s appearance tonight on ABC’s Jimmy Kimmel Live, and the debut Wednesday of Uncanny Avengers, Marvel unpacks its Marvel NOW! initiative for the national press. “This ain’t a reboot, we’re simply hitting the refresh button. ‘Marvel NOW!’ simply offers a line-wide entry-point into the Marvel Universe that you’re already reading about,” Editor-in-Chief Axel Alonso says. Tom Brevoort, senior vice president of publishing, calls it “a game of musical chairs” for creators, who will be switched around to make things interesting. [The Associated Press]

Creators | Writer Gail Simone discusses the coming battle between Batgirl and Knightfall in Batgirl #13, as well as the impending return of The Joker: “The Joker is really the Elvis of comic-book villains. There’s no one with his primal star power, there’s no one else anywhere who has sent more chills up the spines of readers, because there genuinely is something terrifying about him.” [USA Today]

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Comics A.M. | ‘Digital doesn’t cannibalize the industry'; geezer noir

Comic-Con and the Business of Pop Culture

Digital comics | Rob Salkowitz, who’s making the rounds to promote his new book Comic-Con and the Business of Pop Culture, has the best summary yet of the digital comics phenomenon: “Digital doesn’t cannibalize the industry; it grows it by encouraging fandom.” (Robot 6 contributor J. Caleb Mozzocco reviewed Salkowitz’s book this week.) [Flip the Media]

Creators | Christos Gage may have created a new genre, “geezer noir,” with his graphic novel Sunset, the tale of an old soldier and former hitman who sets off after his old boss when he fears his ex-wife and child are in peril: “‘He’s got this craggy face and you see his life written in the lines of his face, and black and white makes that so much more powerful,’ the writer says. He credits artist Jorge Lucas for giving him all the facial expressions that stand in for a lot of talking: ‘He was never going to have interior monologues. I don’t think he overanalyzes what he does all that much.'” [USA Today]

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Comics A.M. | Longtime New York cartoonist Al Ross passes away

Al Ross' 1944 self-portrait

Passings | Al Ross, the longtime New Yorker cartoonist who had more than 600 gag cartoons published in the magazine, passed away March 22 in the Bronx. He was 100. Ross had his first cartoon published in The New Yorker in 1937. Tom Spurgeon offers an obituary, while The New Yorker cartoon editor Bob Mankoff posts his own tribute. [The New York Times]

Creators | Underground cartoonist S. Clay Wilson underwent surgery last week due to complications from an accumulation of spinal fluid on the brain. According to cartoonist Justin Green, the prognosis is good, “meaning that he can be expected to stay alive without drastic cognitive impairment in the near future.” Green also shares details on a trust fund that’s been set up for Wilson and his wife Lorraine. Wilson fell and suffered a severe head injury in November of 2008. [Justin Green Cartoon Art] Continue Reading »

Comics A.M. | Single-issue sales jump 22% in February

Justice Legaue #6

Publishing | Single-issue comics sales last month were up 22.26 percent over February 2011, and graphic novels were up 15.6 percent, making for a good month for publishers and retailers. (Of course, there were five Wednesdays in February, which may have something to do with it.) As in previous months, DC sold the most comics but Marvel, with higher cover prices, topped its competitor in terms of dollar share. [ICv2]

Publishing | The top-selling graphic novel in bookstores last month was part one of Avatar: The Last Airbender: The Promise, written by Gene Luen Yang (American Born Chinese). The Walking Dead books took four of the top 20 spots, or a healthy 20 percent of the list, and 13 of the bestsellers were manga. [ICv2]

Publishing | Marvel is cutting costs on its $2.99 comics by going with “self covers,” which just means that the covers are the same paper as the inside of the comic, rather than heavier stock. As the insides are glossy paper anyway, Todd Allen feels the difference is barely noticeable—and that the real news is that Marvel is finding it necessary to cut costs once more. [The Beat]

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