Devin Grayson Archives - Robot 6 @ Comic Book Resources

SDCC ’13 | A roundup of pre-convention news

robotech-voltronPreview Night doesn’t begin for another 11 hours, but judging from the flurry of announcements, Comic-Con International has been well under way since, oh, about Monday. So, if it feels like you’re already falling behind, that’s because you probably are.

To help you catch up, we’ve rounded up early news from DC Comics, Dynamite Entertainment, Madefire and Marvel, along with a few other convention-related items.

• Dynamite Entertainment came out of the gate running this week with news that Steve Niles and Dennis Calero will reboot Army of Darkness, James Robinson will launch his crime romance Grand Passion, the Legends of Red Sonja miniseries will team Gail Simone with an all-female creative team that includes Marjorie M. Liu, Nancy A. Collins, Kelly Sue DeConnick, Mercedes Lackey, Nicola Scott and Devin Grayson, Peter Milligan will debut his sci-fi action series Terminal Hero, Duane Swiercyznski will expand the publisher’s crime line with Ex-Con, Howard Chaykin will return to The Shadow with the miniseries Midnight in Moscow, NBC’s Heroes will get a “fifth season” in a series written by Cullen Bunn, the acquisition of the Robotech license spawns a Robotech/Voltron crossover, and The Heart of the Beast, the graphic novel by Dean Motter, Judith Dupré and Sean Phillips, will receive a 20th-anniversary prestige-format edition.

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Steampunk meets manga in Westerfeld’s Uglies

Del Rey, once the otaku favorite, no longer publishes manga, but they still have a line of global manga, and the newest announcement is causing a bit of a stir.

Leviathan author Scott Westerfeld is the latest prose writer to make the leap over to graphic novels. Sci-fi site io9 has the scoop on Westerfeld’s SDCC announcement: Del Rey will produce four manga-style graphic novels based on his Uglies novels, which are set in a future where all teenagers have plastic surgery to make them beautiful when they are 16. Westerfeld will come up with the storylines, which will change the point of view of the story from the character Tally Youngblood to Shay. Devin Grayson (USER, Nightwing) will script the graphic novels, and Steven Cumming will handle the art. Watch for the first volume in May 2012. Oh, and there’s a movie in the works as well.

Talking Comics with Tim | Dale Eaglesham

Dale Eaglesham's Variant Cover: Alpha Flight 2

Today marks the release of the second issue of Marvel’s new Alpha Flight eight-issue miniseries. Given how committed and enthused the creative team of writers Greg Pak and Fred Van Lente (on evidence in the two writers’ May 2011 CBR interview) along with artist Dale Eaglesham are about the project, I hope it becomes a regular series, quite honestly. To mark the release of the latest issue, Eaglesham agreed to an email interview. I never tire of conducting discussions of this type, where I can find out the approach an artist takes in certain scenes or with particular characters. If you’re as much a fan of this latest incarnation of Alpha Flight as I clearly am, do Eaglesham the favor of following his marching orders (detailed in the last part of this interview) so that the book can hopefully become an ongoing. In addition to discussing Alpha Flight, I was pleased to learn more about the local charity that Eaglesham supports: Refuge RR, a local animal refuge.

Tim O’Shea: Your art clearly meshes well when in collaboration with writers like Van Lente and Pak, it seems like they give you opportunity to stretch the boundaries of what you can do as an artist. For example, in the shocking reveal of issue 1, I was struck by the flock of birds flying behind Heather. Was that something specifically requested in the script or was that totally your idea?

Dale Eaglesham: That was actually my idea. It was just a casual symbol I put in there, referring to lost freedom, for Mac, but also for the whole country. It foreshadows what’s coming for Alpha Flight and Canada, and creates a sense of foreboding. You know when all the birds fly away, there’s danger nearby… I love when I get a big shot like that, it allows me to add layers to the art.

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