Diamond Comic Distributors Archives - Page 2 of 19 - Robot 6 @ Comic Book Resources
Retailing | Diamond Comic Distributors runs the numbers on Free Comic Book Day: 1.2 million fans went to 2,000 participating comics shops and picked up 4.6 million free comics, generating $2.2 million worth of publicity along the way. And fans reported on their experience with more than 66,000 tweets with the FCBD hashtags. [ICv2]
Conventions | The Philadelphia Daily News previews this weekend’s Wizard World Philadelphia, which marks the return of Marvel after a several-year absence. [Philadelphia Daily News]
Comics sales | Is Mark Millar on to something after all? The first issue of Jupiter’s Legacy sold more than 105,000 copies to direct market stores in April; the only other Image comic to reach those numbers in recent years is The Walking Dead. ICv2 runs the numbers and also posts the Top 300 comics and graphic novels for April. [ICv2]
Passings | Matt Groening’s mother has died at the age of 94. Although she always went by Margaret, Groening borrowed her name for Marge Simpson in his animated series The Simpsons. [Comic Riffs]
Retailing | Amanda Emmert has resigned after nine years as executive director of ComicsPRO, the direct-market trade organization. [ComicsPRO]
Retailing | The direct market is looking good, with first-quarter sales up 29 percent over last year, according to figures released at the Diamond Retailer Summit. Heidi MacDonald reports, “There was no single element which seemed to be behind to surge, although sales of The Walking Dead comics and graphic novels were frequently mentioned. The general interest in “nerd culture” seems to be driving much of the merchandise and publishing growth, with more offerings in the housewares category a standout: Diamond is now offering their own line of such things as bottle openers and ice cube trays, such as a Walking Dead themed ice cube tray in the shape of body parts.” [Publishers Weekly]
Conventions | CBR and Robot 6 are covering C2E2 in depth, but for a quick overview, check out Christopher Borrelli’s recap and photo gallery. [Chicago Tribune]
Publishing | Image Comics provided the retail news and analysis website ICv2 with worldwide pre-order figures for 15 of its March titles, allowing for comparison with estimates of Diamond Comic Distributors sales to U.S. direct market stores. [ICv2.com]
Creators | Mark Waid pens a tribute to the late Carmine Infantino. [Hero Complex]
Creators | Gilbert Hernandez distinguishes between autobiography and art in his new graphic novel, Marble Season, which takes on a 1960s suburban childhood not unlike his own. [Chicago Reader]
Comics sales | The direct market continued its rise last month, with comics and graphic novel sales up 22.59 percent compared to March 2012, according to Diamond Comic Distributors. Marvel routed DC Comic in this month’s sales, claiming 40 percent of the market to DC’s 27 percent. [ICv2]
Conventions | The fire marshal had to turn away hundreds of people Sunday from the DoubleTree Hotel in Tampa, Florida, where the two-day Tampa Bay Comic Con was being held. An estimated crowd of 4,000 were crammed into the lobby and the ballroom (which is designed to hold a maximum of 1,200 people), with many hoping to see The Walking Dead star Lauren Cohan. Organizers conceded they need a larger venue for the twice-yearly event. [Tampa Bay Times]
Comic books are not only only awesome and filled with amazing characters and great art,” the Punisher star says, “but they’re also filled with vitamin B. And, as you know, vitamin B is essential for brain function and nerves and all kinds of good stuff. We’re trying to encourage kids to read. It’s a great way to get kids to expand their minds. You know, in the ’50s, horror and science fiction comics were banned in the state of New York. I’m of a mind that anything society wants to ban is probably good for you.”
You’ll notice that Jane also stealthily works in a plug for Bad Planet, the 2006 miniseries he created with Steve Niles, Tim Bradstreet and Lewis LaRosa. Free Comic Book Day is Saturday, May 4.
Publishing | DC’s 52-variant-cover gimmick with Justice League of America #1 seems to have paid off, as ICv2 estimates Diamond Comic Distributors sold more than 300,000 copies to comics shops last month. That adds up to more than $1 million in retail sales, a rare height last passed by in January by The Amazing Spider-Man #700. ICv2 also posts the Top 300 comics and graphic novels for February. [ICv2]
Kickstarter | Gary Tyrrell talks to Holly Rowland, who with husband Jeffrey has launched a business called Make That Thing to help comics creators fulfill their Kickstarter pledges. The Rowlands are also the team behind the webcomics merchandise retailer TopatoCo. [Fleen]
In “By the Numbers,” ROBOT 6 takes a look back at the events of the past five days … in numbers. Our starting point this week is Wednesday’s announcement that retailers ordered a record-breaking number of comics for Free Comic Book Day, an international event that will draw millions of customers into specialty shops on May 4.
However, there was another figure that’s almost as impressive: the print run for the latest volume of the hit manga One Piece.
Retailers ordered more than 4.6 million comic books for the May 4 Free Comic Book Day, a 34-percent increase from last year — and a staggering 70-percent jump from 2011. Needless to say, that’s a record high for the 11-year-old event.
According to Diamond Comic Distributors, this year also will see nearly 2,000 retail accounts participating, still another record. The event coincides with the North America premiere of Marvel Studios’ Iron Man 3.
Gold-level comics include Marvel’s Infinity, by Jonathan Hickman and Jim Cheung, described as “the opening shots of the war that will be heard around the galaxy” — likely to appeal to those Iron Man 3 audiences — and DC’s Superman Special Edition, which boasts a preview of Scott Snyder and Jim Lee’s Superman Unchained.
Other offerings range from The Walking Dead (a new Tyreese story, paired with reprints of Michonne, The Governor and Morgan stories) and Ape Entertainment’s Sesame Street & Strawberry Shortcake to Archaia’s Mouse Guard/Rust flip book and Dark Horse’s Star Wars/Captain Midnight/Avatar sampler.See the complete list on the Free Comic Book Day website.
Comics | The Wall Street Journal takes a look at comics as investments. Interestingly, while the rare, old issues bring in the big money, some more recent comics, like the first issue of Saga, have appreciated quite a bit. There’s also an accompanying video. [The Wall Street Journal]
Retailing | ComicsPRO, the comics retailers’ association, held its annual meeting over the weekend in Atlanta, where the group bestowed its Industry Appreciation Award on Cindy Fournier, vice president of operations for Diamond Comic Distributors. Thomas Gaul, of Corner Store Comics and Beach Ball Comics in Anaheim, California, also was elected as president of the board of directors. [ComicsPRO]
Activate cartwheels. The North American comics industry has crawled out of the hole it’s been in to raise estimated profits of $715 million, the best it’s been since 1993 or 1994, according to cautiously optimistic numbers analyst John Jackson Miller.
But hold on. We haven’t quite recovered from the mid-’90s crash quite yet.
While a number of sites are running with the two-decade comparison, it’s not quite as clear cut, or as celebratory as it might suggest.
Miller himself notes the ’93 and ’94 figures aren’t adjusted for inflation, and he added an update to his original post that went into this more. “The most frequently cited figure for sales in 1993, the market’s all-time peak, is $850 million,” he writes. “That amounts to an inflation-adjusted $1.35 million, nearly double the size of the current market.” Once you add in increased cover prices and other factors, Miller notes, “we’re still quite a lot behind the early 1990s in adjusted dollars.”
Miller also briefly touches on something I’ve long thought, that to truly measure the health of the industry, we should be making more comparisons based on units, not dollars. Sure, it’s awesome to make money, and I realize it’s pretty standard in business to focus on the dollars, but just looking at a stack of money doesn’t really tell the whole story of how that money came to be. How many people are putting money into the industry? The most accurate way to do it would be to know how many eyeballs are reading each issue, but that would probably break some privacy laws or get into 1984 territory. So knowing how many copies are sold is the next best thing. This information is available for more recent sales records, but whenever we get to these year-end analyses or compare year-to-year figures, we usually focus on the dollar amount. But by just considering inflation alone, that’s just not an accurate gauge.
Publishing | This wrap-up of the third annual India Comic Con, which drew an estimated 50,000 attendees (up from 15,000 last year), doubles as a snapshot of that country’s $22 million comics industry. The growth of the market is attributed in large part to the rise of graphic novels, which are luring young-adult readers. [The Times of India]
Comics | Writing for The Atlantic, Noah Berlatsky weighs in on the backlash over DC Comics hiring Orson Scott Card in an article titled “The Real Reason to Fear a Homophobe Writing a Superman Comic”: “It’s disturbing to have Orson Scott Card writing Superman, then, in part because Superman is supergood, and the supergood shouldn’t hate gay people. But it’s also disturbing, perhaps, because Superman is a violent vigilante — and because violent vigilantism in the name of good is often directed not against injustice, but against the powerless.” [The Atlantic]
Taking into account the Bookscan figures supplied last week by CBR columnist Brian Hibbs, numbers-cruncher John Jackson Miller estimates that print sales in North America of comic books and graphic novels reached $715 million in 2012, a high not seen since 1993 or 1994.
Miller breaks down his math, so there’s no great mystery as to how he arrived at that number: Bookscan tracks about 75 percent of bookstore sales. Add to that the rest of the book market, direct market sales of periodicals and graphic novels, and newsstand estimates, and voila. He acknowledges it’s a little rough, and doesn’t take into account graphic novel sales to libraries (or, clearly, the digital and U.K. markets); there’s also the big caveat, the rate of inflation that would put those 1993-1994 sales at about $1.1 billion in 2012.
Stills, it provides a fascinating snapshot of the state of the North American comics market last year, which grew by about $35 million from 2011.
Jackson also singles out another interesting number: “For what I think may be the first time in years, the Direct Market’s graphic novel dollar orders exceeded the value of the Bookscan orders (but not the entire mass market). I attribute it at least in part to the huge traffic in Walking Dead trades: comics shops ordered at least 74,000 copies of the first volume in 2012, versus 38,000 copies through Bookscan’s retailers. That’s a big difference.”
Publishing | Comics sales were up 22 percent in the direct market over January 2012, and graphic novels increased by nearly 38 percent. This good news is tempered a bit by the fact there were five Wednesdays in this January (or 25 percent more Wednesdays, if you want to look at it that way), but that fifth week is usually a quiet one for new releases, so I think we can call this a win. The retail news and analysis site ICv2 credits Marvel NOW! and a strong backlist for the boost. [ICv2]
Publishing | Dark Horse’s video-game art book The Legend of Zelda: Hyrule Historia last week was the No. 1 book in the United States, according to Nielsen BookScan — not merely in the graphic novel category, but in any category. The initial print run was 400,000 copies. (Comic Book Resources interviewed the book’s editor Patrick Thorpe last month.) [ICv2]
Publishing| Marvel Editor-in-Chief Axel Alonso talks about bringing more Latino characters — and more diversity in general — to the Marvel lineup: “People out there reading our comic books are of all sizes, creeds and colors and it’s our responsibility to make them feel included. This isn’t some PC initiative, this is capitalism. This is about supply and demand.” [Fox News Latino]
Creators | Grant Morrison discusses winding up his run on Action Comics: “Symbolically I’m not a big fan of dealing with politics in superhero comics because I think it diminishes both sides of the argument, but I do have my own take on things. I’ve got my own politics and so they do tend to find their way in. And really for me, its more symbolic, the way story winds up to tackle all those issues and looks at them through the perspective of Superman and Red Kryptonite and weirdness. So it’s gone underground. I think the early Superman was very much more aligned with the anti-establishment, anti-authoritarian current, because I think when Superman started out that he was what entered into.” [Comics Alliance]