BookExpo America takes place the Javits Center, just like New York Comic Con, but it’s a completely different kind of show. It’s a trade show, not a consumer show, so the folks in the aisles aren’t fans looking for a fix, they are potential customers to be wooed. And what you see there is a pretty reliable guide to what everyone will be talking about in a couple of months.
So if you happened into the little graphic novel enclave at the right time, you might see Gene Luen Yang sitting there, pen in hand, ready to autograph a free Avatar graphic novel for you, or maybe Rep. John Lewis, the civil rights pioneer, sitting next to Andrew Aydin, with ashcans of their graphic novel about Lewis’ life, March, and while you might have to wait a few minutes for your turn, you wouldn’t have to stand on the sort of long lines they might draw at San Diego. The pace is more leisurely than a comic convention — the creators chat as they sign your comics — and the blasting noise of video game and movie displays is blissfully absent.
It’s true there aren’t a lot of comics publishers at BEA, although there are a fair number of book publishers who include comics in their lines. Abrams didn’t send their ComicArts people, but if you consider Diary of a Wimpy Kid to be a comic (I’m always happy to claim that one for our side), then they were well represented, and many attendees had Wimpy Kid stickers on their badges.
Conventions | The Tokyo Big Sight convention center in May will lift the ban on events associated with the manga Kuroko’s Basketball. Creator Tadatoshi Fujimaki and numerous venues that were hosting manga and doujinshi (fan comics) shows have received threatening letters, some containing liquid or powder, and as a result, Kuroko’s Basketball fan events have been canceled and doujinshi tables have been banned from several comics events. (More background here.) [Kotaku]
Publishing| Marvel Editor-in-Chief Axel Alonso talks about bringing more Latino characters — and more diversity in general — to the Marvel lineup: “People out there reading our comic books are of all sizes, creeds and colors and it’s our responsibility to make them feel included. This isn’t some PC initiative, this is capitalism. This is about supply and demand.” [Fox News Latino]
Creators | Grant Morrison discusses winding up his run on Action Comics: “Symbolically I’m not a big fan of dealing with politics in superhero comics because I think it diminishes both sides of the argument, but I do have my own take on things. I’ve got my own politics and so they do tend to find their way in. And really for me, its more symbolic, the way story winds up to tackle all those issues and looks at them through the perspective of Superman and Red Kryptonite and weirdness. So it’s gone underground. I think the early Superman was very much more aligned with the anti-establishment, anti-authoritarian current, because I think when Superman started out that he was what entered into.” [Comics Alliance]
Manga | Tezuka Productions, which handles the works of Osamu Tezuka, has signed a deal for Diamond Comic Distributors to distribute its comics, toys, T-shirts and other products outside of Japan. [Previews World]
Comics | Sean Howe, author of Marvel Comics: The Untold Story, discusses the clash between the creative drive and the corporate interest, as it played out at the House of Ideas: “There’s certainly a cautionary tale in there, but I think it’s inevitable — because Marvel Comics is a really rich example of the way that pop culture works and that the Marvel story really gets to the way that art and commerce are always going to be battling it out in pop culture. If you’re trying to have mass appeal and artistic expression at the same time, there are going to be compromises. And when you bring powerful corporate interests into the equation, it’s pretty predictable what will happen.” [The Phoenix]
Diamond has released its Silver Sponsor comics for Free Comic Book Day, meaning that the full array of FCBD comics is now before us. There’s quite a variety: Judge Dredd, Buffy, Gilbert Hernandez’s Marble Season, Smurfs, Donald Duck, Voltron, My Favorite Martian. There’s an anthology of Middle Eastern comics and a (censored) Howard Cruse comic. Over at The Beat, commenter Torsten Adair points out that BOOM! Studios is putting out a Dune comic that hasn’t been announced anywhere else—although the solicit text makes it clear that this is just the first of a series: “a must-have precursor to the epic launch of the adaptation of Dune books from BOOM! starting in July!” And Marble Season was only announced on Thursday. On the other side of the news cycle, the Oni Press selection, Bad Medicine, was first announced in 2008 and is just now coming to the surface—it isn’t even on Oni’s website. The writers are the extremely busy team of Nunzio DeFilippis and Christina Weir, and the art is by Christopher Mitten.
A few other observations: The Gossamyr comic from Th3rd World Studios features art by “talented newcomer Sarah Ellerton.” I don’t know who let that by, but Ellerton is anything but a newcomer; she has been making webcomics (Inverloch, The Phoenix Requiem) for close to a decade now, although it’s clear from the cover that her art has matured quite a bit. Viz is back in the FCBD game but not with their Shonen Jump samplers of years gone by; this year they are all about Voltron Force, and they were pretty excited about these graphic novels at NYCC this year. Yen Press is highlighting their adaptation of Cassandra Clare’s The Infernal Devices, which was announced at NYCC.
“We had a record amount of entries from publishers this year with more than forty-five different titles” said FCBD spokesperson Leslie Jackson. “Retailers on the committee had a tough time deciding on which titles to choose for Gold sponsorship, but we’re sure fans will be pleased with the line-up for next year.”
While the choices may have been difficult, it’s hard to imagine that someone couldn’t come up with something more enticing than what Image has to offer: “An anthology featuring all-new stories with a mix of Image’s old and new best loved characters!” Could you possibly get any vaguer than that? They don’t even have a cover design. If my comic got bumped for that, I’d be steaming. On the other hand, Archaia’s 48-page hardcover, featuring new material (not reprints or bits of something to come) looks mighty sweet, all the more so because they name names: A Mouse Guard story from David Petersen, a Jim Henson’s Labyrinth story by Ted Naifeh and Cory Godbey, a side story from Royden Lepp’s new graphic novel Rust, a Cursed Pirate Girl story from Jeremy Bastian, a Cow Boy story by Chris Eliopoulos and Nate Crosby, and a Dapper Men tale from Jim McCann and Janet Lee. There’s this year’s wow factor.
The line-up actually seemed pretty obvious to me, so I went back and looked at the Gold Sponsors for the past five years. Sure enough, six of the publishers are there every year: Archie, Dark Horse, DC, IDW, Image, Marvel. Since five of these are also Diamond’s premier publishers, and Archie is a newsstand juggernaut, there’s no surprise there. BOOM! Studios has been a Gold Sponsor for the past four years and Archaia for the past three. The other slots vary: Ape Entertainment was a Gold Sponsor in 2011 and 2010 but is missing this year, and Bongo and Oni are back after a two-year absence. Others who have popped up once or twice in the past five years: NBM/Papercutz (2011), Drawn & Quarterly (2010), Viz (2008 and 2009), Dynamite (2008), Virgin (2008), Gemstone (2007), and Tokyopop (2007).
There’s more to come: The Silver Sponsors will be announced next week.