Axel-In-Charge: "Secret Wars" Jam Session Talking "A-Force," "Ultimate End" and More
If you’ve ever done a random browse of webcomics over the past decade, chances are you ran into a sprite comic.
The sprite comic uses aesthetics from the early generations of video games, an era spanning the rise of Pac-Man and Donkey Kong to the video game crash of 1983 to the rebirth under Mario and Mega Man once Nintendo came to dominate the market. The aesthetic itself has evolved and flourished in a variety of media. A lot of it is deeply rooted in nostalgia, as when Community aired an episode in which the characters are sprites in an ’80s-style RPG.
Digital comics | In today’s Amazon-acquires-comiXology article, Rachel Edidin deflates much of the hype, and the panic, surrounding the deal, pointing out that comics distribution is already a monopoly, large corporations already run the comics market, and comics have been available on Kindle all along: “Is the concern […] a distribution monopoly? If so, the direct market is in no position to criticize: over the last 15 years, Diamond Comics Distributors has consumed almost all independent print distribution in comics, and dictates practices and policy to retailers and publishers alike. The idea that print comics are somehow more independent than their digital cousins — or a scrappy underdog fighting the good fight against evil corporate profiteers — is frankly ridiculous.” [Wired]
Awards | Michael Cavna talks with Kevin Siers of the Charlotte Observer about winning the Pulitzer Prize in cartooning. [Comic Riffs]
Every week the Robot 6 crew gathers together to see what looks good in each week’s comics in a playfully titled feature called “Food or Comics?” But now that eternal debate can be laid to rest thanks to the food-themed comic ‘zine Burgermancer.
“Burgermancer #1 is the most spectacularly weird thing I’ve read this year,” said Diesel Sweeties‘ R. Stevens, who introduced this book to me.
Described by creator/publisher Jason Fischer as “the burger lover’s zine,” this 12-page self-published ‘zine has comics, recipes, reviews and articles all about hamburgers. It even has an interview with burger connoisseur and curator at the Hamburger Museum, Hamburger Harry.
Here’s a sample page from the book to wet your taste buds:
Comic-Con International kicked into full gear Friday in a bustling second day that was capped off last night with the presentation of the 24th annual Will Eisner Comic Industry Awards. Here’s the highlights of the announcements emerging from the second day — and a few holdovers from the first day — of the San Diego convention:
• During its annual “Cup O’ Joe” panel, Marvel teased post-Avengers Vs. X-Men plans that include: A+X, described as “the opposite of [AvX: VS],” by such creators as Jeph Loeb, Dan Slott, Dale Keown and Ron Garney; Avengers Vs. X-Men: Consequences, a five-issue miniseries written by Kieron Gillen that addresses the effects of the summer crossover; Marvel NOW! Point One, featuring Nick Fury Jr.; and an October one-shot called Avengers Vs. X-Men: Babies, by Skottie Young.
• After initially dismissing Kickstarter as a potential source of money for the stalled Goon animated movie, creator Eric Powell teased he plans to launch a campaign on the crowd-funding website.
Oni Press announced Friday at Comic-Con International that it will publish print collections of popular webcomics Diesel Sweeties and Double Fine Action Comics, and teased new online projects by Jamie S. Rich and Natalie Nourigat, and Ananth Panagariya and Tessa Stone.
In April, Scott C’s long-running Double Fine Action Comics, which follows the adventures of the Two-Headed Baby, Knight and Muscleman, will receive a new edition of its scarce 2008 volume, followed by new-to-print volumes 2 and 3. “I am getting super pumped about Oni Press, you guys,” Scott C. said in a statement. “I think Oni Press and the Double Fine Action Comics will make an incredibly powerful team worthy of any battle against anything.”
The publisher also will collect R. Stevens’ beloved Diesel Sweeties in a series of volumes based not on when they appeared during the comic’s 12-year run, but rather by subject matter and sensibilities. The first themed collection will debut next summer.
Crime | Michael Lewis, owner of Rocket Comics in Pensacola, Florida, is being held on a $11,000 bond after his store was raided by police for allegedly selling “Spice,” a synthetic form of cannabis. [WEAR ABC]
Publishing | The Economist’s Babbage blog takes a look at R. Stevens’ successful Kickstarter for his webcomic Diesel Sweeties, which raised $60,000, far overshooting his initial goal of $3,000. [The Economist]
Creators | Gary Groth previews his interview with renowned children’s author and illustrator Maurice Sendak, who passed away last week at age 83. The interview, conducted in October, is scheduled to appear in the next issue of The Comics Journal. [TCJ.com]
The Diesel Sweeties eBook-Stravaganza 3000 is a cut above the average Kickstarter campaign, both in the breadth of the project being considered and the originality of the prizes being offered.
The Kickstarter drive (which has already garnered over $10,000 worth of pledges, over three times its original goal) will pay for Stevens to compile a downloadable e-book of all his Diesel Sweeties strips. While the strip is a free webcomic, and Stevens has made smaller collected editions in a variety of formats, this would be a 3,000-page book that would include every strip; Stevens plans to correct typos and other errors, do some minor editing, and index them—in other words, this would be the definitive edition of Diesel Sweeties.