"Supergirl" Casts its Lucy Lane
Political cartoons | Cartoonist Ted Rall, who was cut loose last week by the Los Angeles Times after the Los Angeles Police Department cast doubt on a blog post he wrote for the newspaper about being stopped in 2001 for jaywalking, has posted an enhanced version of the audiotape of that incident, which he says backs his version of the story. [aNewDomain]
Creators | Stan Lee waxes philosophical in an interview conducted at Boston Comic Con: “I think people need somebody to look up to as a role model, you know? Just like people need to believe in God, you need to feel there’s someone somewhere who can help you because you’re aware this is not a perfect world.” [Boston Herald]
The latest Humble Bundle book bundle has been unveiled, and it’s a musical mix of novels and graphic novels that are either by or about musicians.
The Humble Bundle deal lasts for two weeks, and it works like this: For the first tier, you pay what you want — as little as a penny. This gets you seven items, including three graphic novels: The first volume of Kieron Gillen and Jamie McKelvie’s gods-as-rock-stars series The Wicked + The Divine, the first volume of Rick Spears and Chuck BB’s Black Metal and This Is a Souvenir: Songs of Spearmint & Shirley Lee, an anthology of short stories based on the songs of the British group Spearmint, plus three prose novels (two by Rush drummer Neil Peart) and an audio collection of Pete Seeger’s spoken-word pieces.
Passings | Archie Comics artist Tom Moore died yesterday at the age of 86. Moore got his start as an artist in the Navy, where he served during the Korean War: His captain found a caricature that Moore had drawn, and instead of calling him on the carpet, he assigned him to be staff cartoonist. Moore’s comic strip, Chick Call, ran in military publications, and after the war he studied cartooning in New York, with help from the GI Bill. Moore signed on with Archie Comics, drawing one comic book a month, from 1953 until 1961, when he left cartooning for public relations. “It’s important to create characters that can adapt to anything, but whose personalities are consistent,” Moore said in a 2008 interview. “Establish that, and don’t deviate. Betty doesn’t act like Veronica, and Charlie Brown doesn’t act like Lucy.” He returned to cartooning in 1970, drawing Snuffy Smith, Underdog, and Mighty Mouse, and then went back to Archie to help reboot Jughead, staying on until his retirement in the late 1980s. After retiring, Moore taught at El Paso Community College and was a regular customer at All Star Comics. [El Paso Times]
Publishing | DC co-publishers Jim Lee and Dan DiDio talk about the comics market as a whole, variant covers, and their move to Burbank, among many other topics, in a three-part interview. [ICv2]
Commentary | Christopher Butcher discusses the way the comics audience has diversified, and the way that parts of the industry (the parts that aren’t involved, basically) have refused to acknowledge the enormous popularity of newer categories of comics by “othering” them: “‘Manga aren’t comics,’ went the discussion. They were, and are in many ways, treated as something else. The success that they had, the massive success that they continue to have, doesn’t ‘count’. All those sales and new readers were just ‘a fad’, and not worthy of interest, respect, or comparison to real comics. It was the one thing that superhero-buying-snobs and art-comics-touting-snobs could agree on (with the exception of Dirk Deppey at TCJ, bless him): This shit just isn’t comics, real comics, therefore we don’t have to engage it.” Butcher sees these attitudes changing at last, though, thanks to the massive commercial and critical success of books like Raina Telgemeier’s Smile (three years on the New York Times graphic novel best-seller list!) and Mariko and Jillian Tamaki’s This One Summer. [Comics212]
Passings | Artist and writer Alan Kupperberg has died of thymus cancer at the age of 62. Kupperberg got his start writing dummy letters for Marvel in the late 1960s, then moved to the production department at DC and in 1974 was hired by the short-lived Atlas/Seaboard comics, where he played a variety of roles, including letterer, colorist, and editor. That company folded after a year, and he went to Marvel, where he worked on a number of different titles, including The Incredible Hulk, Iron Man, Savage Sword of Conan, and Amazing Spider-Man. He created the one-shot comic Obnoxio the Clown vs. the X-Men working entirely solo, and he drew the weekly Howard the Duck newspaper comic as well as the comic-strip version of The Incredible Hulk and Little Orphan Annie. His magazine work included National Lampoon, Cracked, and Spy. Kupperberg also taught at the School for Visual Arts, and he was the brother of writer Paul Kupperberg. [ICv2]
Manga | Hiromi Bando has translated Keiji Nakazawa’s Barefoot Gen into Chinese and is looking for a publisher, but she has been told the Chinese government will not approve its publication. Bando, who is Japanese, was inspired to translate the manga, an eyewitness account of the bombing of Hiroshima and its aftermath, after hearing of her father’s experiences fighting in China during World War II. The manga is taught in the original Japanese in a few universities in China. [Asahi Shimbun]
Comics | In advance of a radio show titled “White Men in Capes,” to be broadcast Tuesday, BBC News looks at diversity in comics and finds it lacking; as DC Entertainment Co-Publisher Dan DiDio says, there “doesn’t seem to really be a proper representation of ethnic characters across the entire industry.” He talks about DC’s efforts to bring diversity to its line, and he explains why: “There’s a very hungry audience, excited audience and the reason why we know that exists is because we go to the conventions and we hear from our stores and you hear the make-up of the people shopping in those stores.” [BBC News]
Political cartoons | While speaking to a youth leadership group, Maine Gov. Paul LePage was asked by Nick Danby, the son of Bangor Daily News cartoonist George Danby, what he thought of his father’s work. LePage’s response: “I’d like to shoot him.” The audience laughed, but the joke triggered a storm of criticism in the media, coming as it does in the wake of the Charlie Hebdo shootings. The elder Danby certainly didn’t find it funny, saying that while he is critical of the governor, it’s well within the boundaries of satire. And, he added, “My other thought was, what if this was reversed? If I had made a comment. I’d be in big trouble today.” [The Huffington Post]
Manga | Vernieda Vergara examines the way Attack on Titan reflects Japanese politics and history as well as the current sense of social anxiety experienced by young people of creator Hajime Isayama’s generation: “One of the biggest criticisms levied against Japan’s youth is that they lack the ambition of previous generations. But if the majority have no hope of advancement due to a corporate wall, why is that a surprise? In the manga, most people are content to live inside the walls. It’s safe. But as the manga’s protagonist, Eren, says, that’s like living in a cage. There’s no hope for something more. Eren, along with his allies, don’t accept this fate as easily. They fight against it actively.” [Women Write About Comics]
Legal | Inventor Stephen Kimble, who was dealt a final loss Monday by the Supreme Court in his years-long fight with Marvel over royalties for a Spider-Man toy, is of course disappointed by the 6-3 decision. However, he seems hopeful that there might be a legislative solution to the outdated patent law. “We can take this opinion, go to the legislators … and say, ‘Look, the court is saying that if this needs to be changed, you’re the guys to change it,’” he said. “And there is a huge body of evidence out there that this needs to be changed.” [Tucson Sentinel]
Manga | Kathryn Hemmann looks at the ways publishers courted female readers in the early days of manga, and how their strategies led to permanent changes in the comics landscape. [Contemporary Japanese Literature]
Manga | Is former manga powerhouse Tokyopop coming back? Once the largest publisher of manga in North America, the company stopped publishing new manga in 2011, but didn’t go bankrupt and never really went away. Tokyopop is selling many of its “global manga” titles digitally and in print, on demand, and it ‘s planning panels at both Anime Expo in Los Angeles and Comic-Con International in San Diego. On his blog, CEO Stu Levy drops a few hints, saying he’s “rebuilding” Tokyopop. [Tokyopop]
Digital comics | Rob Salkowitz analyzes the latest news from Amazon and comiXology and suggests there’s more to the story than meets the eye. While fans may view the renewal of Marvel’s deal with comiXology as a story about a digital comics service, Salkowitz says it’s really about bringing comics to the mass market through Amazon: “Kindle isn’t Amazon’s platform for reaching comic book readers. It’s Amazon’s platform for reaching all readers. comiXology counts its revenues in millions. Amazon counts its revenues in billions. Moving these titles from a superior specialty app to an inferior mainstream app isn’t a big deal for existing fans but it’s a huge potential expansion of the market.” [ICv2]
Digital comics | To celebrate One Piece’s new Guinness World Record, Shueisha’s Shonen Jump+ digital manga app has released the entire July 1997 issue of Weekly Shonen Jump for free. That’s the issue that launched Eiichiro Oda’s wildly successful fantasy adventure. The publisher has also unveiled a One Piece app (in Japanese only) that updates daily with a new chapter in color, starting from the very beginning of the series. [Anime News Network]
Digital comics | The online sales platform Selz has informed creator Dale Lazarov that it won’t sell his gay comics (despite previous assurances that it would) because its banking partner won’t permit the sale of adult materials. Lazarov reproduces the company’s letter and his response on his Facebook. ComiXology, Gumroad and Ribbon have also declined to carry his comics. [Bleeding Cool]
Digital comics | Tom Spurgeon reports that Bongo Comics has quietly left comiXology and will be putting its comics in a new Simpsons Store app instead. While users won’t be able to buy new Bongo comics on comiXology, they will still be able to access those they already purchased. [The Comics Reporter]
Political cartoons | The American Freedom Defense Initiative has a new advertising campaign, placing Bosch Fawstin’s cartoon of the Prophet Muhammad on billboards around St. Louis. Transit systems in several cities, including New York and Washington, D.C., have stopped accepting political advertising rather than carry the group’s ads depicting the Prophet Muhammad. In St. Louis, they have drawn mixed reactions: Dr. Ghazala Hayat of the Islamic Foundation of Greater St. Louis says she would like to see the signs removed but not at the cost of violence or property damage, while Jim Hanson, the executive vice president of the Center for Security Policy, said that freedom of speech is more important than avoiding offense. [WKRC]
Manga | Remember when Kadokawa published a manga based on the BBC’s popular Sherlock television series? Well, maybe not, because the manga hasn’t been licensed for English-language countries. But now the first volume has been translated: Kadokawa, the publisher of the original manga, has released a bilingual Japanese and English version of “A Study in Pink” intended for students of English. [Anime News Network]
Conventions | Attendance at ReedPOP’s second annual Special Edition: NYC, held June 6-7, reportedly increased 40 percent from the first year. [Publishers Weekly]
Gilbert Shelton, creator of the Fabulous Furry Freak Brothers, recently turned 75, and the digital comics app Sequential is celebrating with a free collection of his work.
It includes some classic Freak Brothers strips, covers and a history of the comic, as well as a few interesting bits of ephemera such as the package design for the Fabulous Furry Freak Brothers rolling papers and the label for Tall Toad ale, Fat Freddy’s favorite brew. The sampler is available for free through the end of June.
Shelton was one of the pillars of the underground comics movement of the 1960s and early 1970s, a co-founder of Rip Off Press as well as the creator of the Freak Brothers and Wonder Wart-Hog. He was inducted into the Eisner Hall of Fame in 2012 (I was proud to be one of the judges that year).
Manga | Viz Media announced Friday it will publish a print edition of One-Punch Man, which managed to garner an Eisner nomination in its digital-only format. Zainab Akhtar provides some background on the book and reproduces a review by David Brothers. [Comics and Cola]
Conventions | Scott Eric Kaufman follows Devin Pike, one of the organizers of Dallas Comic Con, throughout the three-day event and gets a good look at what goes on behind the scenes: “As I witnessed these lines [of fans] snakes down corridors and spill into causeways, they began to seem like a physical manifestation of the passion fans have invested in these individuals and the iconic characters they’ve played, and it’s up to people like Devin to ensure that that passion is rewarded with an experience that is, if not equal to it, at least a reflection of it.” [Salon]
Legal | Witnesses testified Wednesday in a preliminary hearing that driver Matthew Pocci honked his horn and drove through the crowd of spectators last year during the annual SDCC ZombieWalk: San Diego, despite attempts by spectators stop him. Pocci, who is deaf, has been charged with felony reckless driving causing serious injury. But Pocci’s fiancee, April Armstrong, said the crowd had mostly passed when he started the car, and that the people surrounding them were frightening: “People then started laughing at us. People were getting close to us. I started to freak out. I couldn’t understand what was going on. I was looking back at my son, he was scared. I told Matt, ‘please let’s go.'” Armstrong also testified, however, she had told a neighbor she felt she couldn’t tell the true story because of her relationship with Pocci. [San Diego Union-Tribune]