digital comics Archives - Robot 6 @ Comic Book Resources

Comics A.M. | Wizard World reports $1.8 million loss

Wizard World

Wizard World

Conventions | After a profitable 2014, Wizard World Inc. is reporting a $1.8 million loss in the second quarter of 2015 (in contrast to a $760,000 profit during the same period last year), owing much to the rapid increase in the number of conventions it’s producing. However, as ICv2.com notes, the company is also seeing a drop in revenue per show. Wizard World also reports that its inaugural convention in China, held May 30-June 1, “was not as successful as we anticipated.” [ICv2]

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Comics A.M. | ‘Naruto’ creator’s next project will be a sci-fi manga

Naruto

Naruto

Creators | Masashi Kishimoto says he’s done with Naruto and his friends, now that the manga has ended its 15-year run, and he’s also not eager to return to the grind of a weekly series. However, that doesn’t mean he’s putting away his pen and ink. On the contrary, he has already created character designs for a new sci-fi series, and he’s interested in working with the digital magazine Shonen Jump Plus, which would be more flexible with regard to the story’s length and schedule. “Since Naruto was a bigger hit than I could ever imagine,” he said, “I’d like to aim for the next hit. I don’t know when I can announce the next manga, but because I plan on challenging myself to surpass Naruto, please wait for it.” [Kotaku]

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Comics A.M. | Cartoonists call for review of tape in Ted Rall firing

Ted Rall

Ted Rall

Political cartoons | The Association of American Editorial Cartoonists is calling for an independent review of the audio tape provided by the LAPD to the Los Angeles Times to refute Ted Rall’s claim he was treated roughly by an officer when he was stopped for jaywalking. “Determining the truth in this matter is important to Mr. Rall’s personal and professional reputation, and to the rights of journalists to freely express themselves,” the statement said, adding that the newspaper “should have demanded a higher standard of proof in this matter.”

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Comics A.M. | OneBookShelf experiences credit card breach

DriveThruComics

DriveThruComics

Crime | OneBookShelf, which operates the digital-comics website DriveThruComics and several other retail sites, has suffered a data breach. “A hacker found a crack in our defenses and got in,” the company said in a Q&A on its websites. Hackers stole credit card information from transactions processed between July 10 and Aug. 6, and used the OneBookShelf’s servers to launch DDOS attack on other sites. It’s not clear which numbers were exposed, but the company recommends customers who made transactions, or had credit card information stored on the site during that time, get new cards. [ICv2]

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Comics A.M. | Edinburgh Zoo names Cartoonist in Residence

By Cameron McPhail and the Kartoon Faktory

By Cameron McPhail and the Kartoon Faktory

Creators | The Royal Zoological Society of Scotland has named its first Cartoonist in Residence: Cameron McPhail, who left his job in 2002 as chief executive of wealth management at the Royal Bank of Scotland  to become a full-time cartoonist. He and his colleagues in the Kartoon Faktory collective will produce books about the animals in the zoo and possibly a comic strip as well. [Edinburgh News]

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Comics A.M. | Kodansha launches ‘Magazine Pocket’ manga app

Magazine Pocket

Magazine Pocket

Digital comics | Japanese publisher Kodansha has launched a free Magazine Pocket manga app for iOS and Android devices, which in addition to titles already serialized in Weekly Shonen Magazine features two exclusive spinoffs: Fairy Tail Spinoff: Twin Dragons of Sabertooth, springing out of Fairy Tail, and Brass of Diamond! Seidō High School Wind Instrument Club, based on Ace of Diamond. The app boasts more than 30 titles, with some chapters offered for free and others requiring a fee. [Anime News Network]

Retailing | “In Hungary there is little or nil culture for comics,” says Arpád Barabás, owner of the Budapest comic shop Trillian. “The main reason is that between 1946 and 1989 there was nothing except for the Boy Scout propaganda publications in this genre, all other things having been prohibited.” Barabás, who goes by the nickname Grif, is working hard to fill that vacuum, mostly with imported comics, but because of the cost, very few have been translated into Hungarian. [The Budapest Times]

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Comics A.M. | Ted Rall claims he’s ‘vindicated’ by enhanced LAPD tape

Ted Rall

Ted Rall

Political cartoons | Cartoonist Ted Rall, who was cut loose last week by the Los Angeles Times after the Los Angeles Police Department cast doubt on a blog post he wrote for the newspaper about being stopped in 2001 for jaywalking, has posted an enhanced version of the audiotape of that incident, which he says backs his version of the story. [aNewDomain]

Creators | Stan Lee waxes philosophical in an interview conducted at Boston Comic Con: “I think people need somebody to look up to as a role model, you know? Just like people need to believe in God, you need to feel there’s someone somewhere who can help you because you’re aware this is not a perfect world.” [Boston Herald]

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The latest Humble Bundle is music to our ears

From "The Wicked + The Divine" #4

From “The Wicked + The Divine” #4

The latest Humble Bundle book bundle has been unveiled, and it’s a musical mix of novels and graphic novels that are either by or about musicians.

The Humble Bundle deal lasts for two weeks, and it works like this: For the first tier, you pay what you want — as little as a penny. This gets you seven items, including three graphic novels: The first volume of Kieron Gillen and Jamie McKelvie’s gods-as-rock-stars series The Wicked + The Divine, the first volume of Rick Spears and Chuck BB’s Black Metal and This Is a Souvenir: Songs of Spearmint & Shirley Lee, an anthology of short stories based on the songs of the British group Spearmint, plus three prose novels (two by Rush drummer Neil Peart) and an audio collection of Pete Seeger’s spoken-word pieces.

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Comics A.M. | Archie artist Tom Moore passes away

Tom Moore

Tom Moore

Passings | Archie Comics artist Tom Moore died yesterday at the age of 86. Moore got his start as an artist in the Navy, where he served during the Korean War: His captain found a caricature that Moore had drawn, and instead of calling him on the carpet, he assigned him to be staff cartoonist. Moore’s comic strip, Chick Call, ran in military publications, and after the war he studied cartooning in New York, with help from the GI Bill. Moore signed on with Archie Comics, drawing one comic book a month, from 1953 until 1961, when he left cartooning for public relations. “It’s important to create characters that can adapt to anything, but whose personalities are consistent,” Moore said in a 2008 interview. “Establish that, and don’t deviate. Betty doesn’t act like Veronica, and Charlie Brown doesn’t act like Lucy.” He returned to cartooning in 1970, drawing Snuffy Smith, Underdog, and Mighty Mouse, and then went back to Archie to help reboot Jughead, staying on until his retirement in the late 1980s. After retiring, Moore taught at El Paso Community College and was a regular customer at All Star Comics. [El Paso Times]

Publishing | DC co-publishers Jim Lee and Dan DiDio talk about the comics market as a whole, variant covers, and their move to Burbank, among many other topics, in a three-part interview. [ICv2]

Commentary | Christopher Butcher discusses the way the comics audience has diversified, and the way that parts of the industry (the parts that aren’t involved, basically) have refused to acknowledge the enormous popularity of newer categories of comics by “othering” them: “‘Manga aren’t comics,’ went the discussion. They were, and are in many ways, treated as something else. The success that they had, the massive success that they continue to have, doesn’t ‘count’. All those sales and new readers were just ‘a fad’, and not worthy of interest, respect, or comparison to real comics. It was the one thing that superhero-buying-snobs and art-comics-touting-snobs could agree on (with the exception of Dirk Deppey at TCJ, bless him): This shit just isn’t comics, real comics, therefore we don’t have to engage it.” Butcher sees these attitudes changing at last, though, thanks to the massive commercial and critical success of books like Raina Telgemeier’s Smile (three years on the New York Times graphic novel best-seller list!) and Mariko and Jillian Tamaki’s This One Summer. [Comics212]

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Comics A.M. | Alan Kupperberg passes away, Staples talks “Archie” redesigns

Alan Kupperberg

Passings | Artist and writer Alan Kupperberg has died of thymus cancer at the age of 62. Kupperberg got his start writing dummy letters for Marvel in the late 1960s, then moved to the production department at DC and in 1974 was hired by the short-lived Atlas/Seaboard comics, where he played a variety of roles, including letterer, colorist, and editor. That company folded after a year, and he went to Marvel, where he worked on a number of different titles, including The Incredible Hulk, Iron Man, Savage Sword of Conan, and Amazing Spider-Man. He created the one-shot comic Obnoxio the Clown vs. the X-Men working entirely solo, and he drew the weekly Howard the Duck newspaper comic as well as the comic-strip version of The Incredible Hulk and Little Orphan Annie. His magazine work included National Lampoon, Cracked, and Spy. Kupperberg also taught at the School for Visual Arts, and he was the brother of writer Paul Kupperberg. [ICv2]

Manga | Hiromi Bando has translated Keiji Nakazawa’s Barefoot Gen into Chinese and is looking for a publisher, but she has been told the Chinese government will not approve its publication. Bando, who is Japanese, was inspired to translate the manga, an eyewitness account of the bombing of Hiroshima and its aftermath, after hearing of her father’s experiences fighting in China during World War II. The manga is taught in the original Japanese in a few universities in China. [Asahi Shimbun]

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Comics A.M. | Audience ‘hungry’ for diverse characters, DiDio says

We Are Robin #1

We Are Robin #1

Comics | In advance of a radio show titled “White Men in Capes,” to be broadcast Tuesday, BBC News looks at diversity in comics and finds it lacking; as DC Entertainment Co-Publisher Dan DiDio says, there “doesn’t seem to really be a proper representation of ethnic characters across the entire industry.” He talks about DC’s efforts to bring diversity to its line, and he explains why: “There’s a very hungry audience, excited audience and the reason why we know that exists is because we go to the conventions and we hear from our stores and you hear the make-up of the people shopping in those stores.” [BBC News]

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Comics A.M. | Maine governor jokes about shooting cartoonist

Maine Gov. Paul LePage

Maine Gov. Paul LePage

Political cartoons | While speaking to a youth leadership group, Maine Gov. Paul LePage was asked by Nick Danby, the son of Bangor Daily News cartoonist George Danby, what he thought of his father’s work. LePage’s response: “I’d like to shoot him.” The audience laughed, but the joke triggered a storm of criticism in the media, coming as it does in the wake of the Charlie Hebdo shootings. The elder Danby certainly didn’t find it funny, saying that while he is critical of the governor, it’s well within the boundaries of satire. And, he added, “My other thought was, what if this was reversed? If I had made a comment. I’d be in big trouble today.” [The Huffington Post]

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Comics A.M. | ‘Attack on Titan’ as a reflection of Japan’s politics, history

Attack on Titan, Vol. 1

Attack on Titan, Vol. 1

Manga | Vernieda Vergara examines the way Attack on Titan reflects Japanese politics and history as well as the current sense of social anxiety experienced by young people of creator Hajime Isayama’s generation: “One of the biggest criticisms levied against Japan’s youth is that they lack the ambition of previous generations. But if the majority have no hope of advancement due to a corporate wall, why is that a surprise? In the manga, most people are content to live inside the walls. It’s safe. But as the manga’s protagonist, Eren, says, that’s like living in a cage. There’s no hope for something more. Eren, along with his allies, don’t accept this fate as easily. They fight against it actively.” [Women Write About Comics]

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Comics A.M. | Spider-Man toy inventor disappointed by ruling

webblaster

Legal | Inventor Stephen Kimble, who was dealt a final loss Monday by the Supreme Court in his years-long fight with Marvel over royalties for a Spider-Man toy, is of course disappointed by the 6-3 decision. However, he seems hopeful that there might be a legislative solution to the outdated patent law. “We can take this opinion, go to the legislators … and say, ‘Look, the court is saying that if this needs to be changed, you’re the guys to change it,’” he said. “And there is a huge body of evidence out there that this needs to be changed.” [Tucson Sentinel]

Manga | Kathryn Hemmann looks at the ways publishers courted female readers in the early days of manga, and how their strategies led to permanent changes in the comics landscape. [Contemporary Japanese Literature]

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Comics A.M. | Is Tokyopop planning a comeback?

Tokyopop

Tokyopop

Manga | Is former manga powerhouse Tokyopop coming back? Once the largest publisher of manga in North America, the company stopped publishing new manga in 2011, but didn’t go bankrupt and never really went away. Tokyopop is selling many of its “global manga” titles digitally and in print, on demand, and it ‘s planning panels at both Anime Expo in Los Angeles and Comic-Con International in San Diego. On his blog, CEO Stu Levy drops a few hints, saying he’s “rebuilding” Tokyopop. [Tokyopop]

Digital comics | Rob Salkowitz analyzes the latest news from Amazon and comiXology and suggests there’s more to the story than meets the eye. While fans may view the renewal of Marvel’s deal with comiXology as a story about a digital comics service, Salkowitz says it’s really about bringing comics to the mass market through Amazon: “Kindle isn’t Amazon’s platform for reaching comic book readers. It’s Amazon’s platform for reaching all readers. comiXology counts its revenues in millions. Amazon counts its revenues in billions. Moving these titles from a superior specialty app to an inferior mainstream app isn’t a big deal for existing fans but it’s a huge potential expansion of the market.” [ICv2]

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