Conventions | More than 30,000 people descended upon the 24th annual Motor City Comic Con over the weekend, with attendees reportedly waiting for up to two hours just to get into the parking lot, and then another one to four hours to get in the doors of Novi, Michigan’s Suburban Collection Showplace. Comics legend Stan Lee and The Walking Dead star Norman Reedus apparently contributed to the long lines, but the site was also hosting two other events and undergoing construction of a hotel, leading to a parking shortage. According to The Oakland Press, some fans parked as much as a mile away; traffic was backed up for miles. For the first time, the convention offered advance tickets, allowing attendees to pay extra in exchange for not having to wait in line. However, because of a mess-up, even those who pre-ordered had to wait in line. Related: Lee talks to USA Today during the convention. [The Oakland Press]
Superheroes | Writer Jim Zubkavich tackles the burning question of why there are so few Canadian superheroes: “We don’t have a long standing superhero tradition in this country. We don’t have a long-standing focal point character people recognize (I like Captain Canuck, but the average person on the street does not know who he is). We’re not a country galvanized by heavy-duty patriotic pride that lends itself to a Superman, Captain America or even a Batman. We don’t have the kind of rampant crime that ‘needs’ a heroic symbol to fight back against.” [Zub Tales]
Digital comics | The first issue of Mark Millar’s Jupiter’s Legacy sold more than 100,000 copies in stores, but was that because he refused to allow it to be sold in digital format the same day? Steve Bennett is doubtful, because so many people (including himself) didn’t realize until the last minute it would be print-only for now. [ICv2]
Task Force Rad Squad is a comic about friendship. And alien monsters. And friends coming together to fight alien monsters inside a giant robot.
If you grew up watching Power Rangers, or are at least familiar with them, you’ll probably dig this comic. Creators Caleb Goellner, Buster Moody and Ryan Hill have taken the concept and spun it on its head, creating something that shows their love for the Power Rangers while also being unique unto itself. The trio is selling it online, both digitally and in print, and took the time to answer my questions about the series, its inspiration and their approach to selling it.
Publishing | Calvin Reid looks at Archie Comics’ growing book-market presence, which has exploded since the publisher signed Random House as its distributor in 2010. [Publishers Weekly]
Creators | Matt Kindt, author of Red-Handed, writes about how becoming a comics creator has made it impossible for him to enjoy reading comics for their own sake. [The Huffington Post]
Awards | Animal Land, by Zatch Bell creator Makoto Raiku, took the Best Children’s Manga honors in Kodansha’s 37th annual manga awards. The sports manga Gurazeni won the overall award for best manga. [Anime News Network]
Happy Mother’s Day and welcome to What Are You Reading?, our weekly look at the comics, books and what have you we’ve been checking out lately. Joining us today is Allison Baker, co-publisher of Bandette, Edison Rex and all the other Monkeybrain Comics you can find on comiXology.
To see what Allison and the Robot 6 crew have been reading, click below.
Two to three years ago, it seemed inevitable: Single issue comic books, derisively called “floppies,” were on the way out. Graphic novels were the future for most publishers, and floppies weren’t even working as loss-leaders. But over the past year, the single issue is on the rebound and flourishing.
While I love graphic novels, the episodic consumption of comics is one of its unique strengths. Comics can excel in either form, but they aren’t interchangeable. Just as TV shows and movies present stories differently, so too do comic book series and original graphic novels. For a time, it seemed like The Walking Dead was the last great monthly comic book because it knew how to grab with the first issue, it knew how to use the monthly cliffhanger, it knew how to utilize those 30-some odd pages, it knew how to keep the status quo shifting. It still does, and now it’s being joined by more and more comics that are embracing the episodic nature of the format. It wasn’t always that way, though, in part due to creative patterns and economic changes in the industry.
In 2010, only an estimated 69 million comic books were ordered by North American specialty stores, the lowest quantity in nearly a decade. For publishers not backed by large entertainment corporations (i.e., not Marvel and DC), single issues were starting to look like the next horse and buggy, something from a soon-to-be bygone era.
Digital comics | Moulinsart, the company that holds the rights to Herge’s works, has released the complete Tintin comics in digital form. The iOS app is free, and it looks like the comics are $5.99 each, which is pretty reasonable. The catch is that they are all in the original French; it doesn’t appear as if translations are available yet. [Idboox]
Passings | Filipino komiks creator Jesse Santos died April 27 at the age of 83. Santos began his career in 1946 as an artist for the first serialized comic in the Philippines, Halakhak, and moved to the U.S. in the 1960s. He drew the sword-and-sorcery character Dragar the Invincible and took over from Dan Spiegle as artist for The Occult Files of Doctor Spektor. [Komikero Dot Com]
Conventions | Last week’s Chicago Comic & Entertainment Expo drew 53,000 attendees, the largest crowd yet for the Chicago-based show, which is in its fourth year. Reed Exhibitions Group Vice President Lance Fensterman talks about the high points of the show and plans for the next couple of years. [ICv2]
Graphic novels | Heidi MacDonald tracks the rise in popularity of graphic novels among librarians, whose support has been integral to the growth of the industry. Her well-researched article includes interviews with public librarians, school librarians, and academic librarians, as well as publishers and others in the field. It’s a comprehensive overview of one of the most important, and least reported-on, areas of our world. [Publishers Weekly]
Comics | Alex Hern looks at three comics that have long been out of print but are now back, or possibly on their way back: Flex Mentallo, Marvelman and Zenith. [The New Statesman]
If the purpose of Free Comic Book Day is to raise awareness of comics, well, mission accomplished! The mass media has taken note, and newspapers large and small have been running articles about comics in general and what is going on in their communities in particular. Here’s a selection of the meatier articles; you can find out what’s going on near you at the FCBD website, and Steve Morris has compiled a list of additional lists at The Beat.
Comics | Matt Moore takes the wide view, talking to Joe Field, organizer of the first FCBD, and looking at the increase in comics sales in the past year as well as the print-digital divide. Moore talks to DC’s Dan DiDio, Marvel’s Dan Buckley, and an assortment of retailers and customers about the convenience of digital and the pleasures of brick-and-mortar comics shops. [Associated Press]
Advice | Allison Babka offers a “virgin’s guide” to making the most of FCBD. [The Riverfront Times]
Comics | Whitney Matheson lists the ten FCBD comics you won’t want to miss, as well as some tips for first-timers. [USA Today]
Here’s Mark Millar explaining why he doesn’t want his creator-owned comics to be released in digital the same day as print:
Digital comics are like TV rights to me in that they’re the tertiary phase of all this. These are for the most casual, mainstream readers or viewers and much cheaper than the primary or secondary waves. They’re a great way of pulling people in for the next product coming out in theatres or in comic stores, but absolutely not the bedrock of your business. The fact they’re not on paper doesn’t matter as these guys aren’t collectors as such and the lower price point is very attractive to them.
That was in November 2011, when same-day release of digital comics was still something of a novelty. Now it is so commonplace that, as Rich Johnston noted, Twitter was full of confused readers last week who couldn’t figure out why the first issue of Millar and Frank Quitely’s new series Jupiter’s Legacy wasn’t available digitally.
You can’t fault Millar for not being able to see the future. It’s pretty counterintuitive to think that sales in the direct market would go up in tandem with the rise of digital media, but that’s exactly what has happened. There’s zero evidence that digital sales are hurting comics shops.
What really bugs me about Millar’s comment, though, is that he seems to be giving the back of his hand to readers who get their comics digitally. Someone should tell him there’s a large audience out there that’s fully engaged, to the point where they are willing to pay full cover price for digital comics in order to get them the day the print editions come out. Those fans seem to me to be precisely “the bedrock of the business.”
I won’t pay $3.99 for a single-issue digital comic, but there is apparently a substantial audience out there who will. Publishers and digital distributors aren’t in the business of losing money, and they wouldn’t maintain that full cover price if people weren’t paying it. Someone who will pay top dollar to get a comic right away, rather than wait a couple of months for the price to drop? That’s an engaged fan.
Legal | Singapore cartoonist Leslie Chew was arrested last week on charges of sedition, held over the weekend, and released on S$10,000 bail. His cellphone and computer were also confiscated. The charges stem from two cartoons on Chew’s Demon-cratic Singapore Facebook page. [Yahoo! News Singapore]
Crowdfunding | Chris Sims tells the truly bizarre tale of a crowdfunding scam: Someone copied Ken Lowery and Robert Wilson IV’s Kickstarter campaign for Like a Virus, including the video, and made it into an IndieGoGo campaign, presumably planning to pocket the money and run. [Comics Alliance]
Legal | The final chapter of The Oatmeal vs. Charles Carreon has been completed (we hope), and it’s not a shining moment for Carreon: A judge has ordered him to pay $46,000 in attorney’s fees to the creator of a Satirical Charles Carreon website, whom he threatened with legal action. Carreon eventually dropped his suit, but the whole dispute escalated anyway, and the judge cited his “malicious conduct” in awarding the fees. [Ars Technica]
Digital comics | Amazon has quietly launched Kindle Comic Creator, which allows creators to upload various types of files and make them into e-books to be sold in the Kindle store; the software has its own system for creating panel-by-panel view, and the finished product can be read on a wide variety of Kindles and Kindle apps. [Good E-Reader]
We’ve been following the progress of the free U.K. street-press anthology Off Life since July, before the launch of the first issue, and now it’s up to its fourth. It’s released today in its home city of Bristol (for a cross-cultural comparison, we’ll call it “the U.K.’s Portland”), with the digital edition arriving on Thursday; the print version hits London on Saturday.
It may also be their best issue yet, featuring work by such stalwarts of the U.K. indie scene as Warwick Johnson-Cadwell, Dan Berry, Oliver East and Sean Azzopardi; a very entertaining group interview with three more of the best new cartoonists in the U.K., Hannah Berry, Jack Teagle and Isabel Greenberg; and fulfills editor Daniel Humphry’s mission statement of breaking some interesting-looking new talent, most of which I’ll definitely be keeping an eye on after this. How about some preview art after the break?
Publishing | Image Comics provided the retail news and analysis website ICv2 with worldwide pre-order figures for 15 of its March titles, allowing for comparison with estimates of Diamond Comic Distributors sales to U.S. direct market stores. [ICv2.com]
Creators | Mark Waid pens a tribute to the late Carmine Infantino. [Hero Complex]
Creators | Gilbert Hernandez distinguishes between autobiography and art in his new graphic novel, Marble Season, which takes on a 1960s suburban childhood not unlike his own. [Chicago Reader]
As the trend accelerates toward publishing manga simultaneously in Japan and North America, Yen Press has scored a coup: This week, the company released the long-awaited 30th chapter of Highschool of the Dead digitally on the same day it came out in Japan.
That’s big news for fans of the series, which follows a group of high-school students and their nurse through a zombie apocalypse. It’s serialized in Dragon Age magazine but has been on hiatus for two years, which has given Yen Press time to catch up with the Japanese releases; the seventh volume was released in the United States in July.
Chapter 30 was published Tuesday in Japan, and Yen quickly made it available on a number of e-book platforms: iTunes Bookstore, Kindle, Nook and Google Play. Interestingly, they didn’t put it in their app, although the first seven volumes are available there. UPDATE: Yen Press publishing director Kurt Hassler says that the chapter will be available in the app shortly.
Highschool of the Dead is one of Yen’s more popular manga, so the decision to make the new chapter widely available at a reasonable price on release day makes an enormous amount of sense — especially with the long break since the last chapter. Thanks to Shonen Jump, there seems to be a mini-trend toward chapter-by-chapter, rather than volume-by-volume, releases. This makes a lot of sense, as that’s how most series come out first in Japan.