"Supergirl" Casts its Lucy Lane
Legal | Witnesses testified Wednesday in a preliminary hearing that driver Matthew Pocci honked his horn and drove through the crowd of spectators last year during the annual SDCC ZombieWalk: San Diego, despite attempts by spectators stop him. Pocci, who is deaf, has been charged with felony reckless driving causing serious injury. But Pocci’s fiancee, April Armstrong, said the crowd had mostly passed when he started the car, and that the people surrounding them were frightening: “People then started laughing at us. People were getting close to us. I started to freak out. I couldn’t understand what was going on. I was looking back at my son, he was scared. I told Matt, ‘please let’s go.'” Armstrong also testified, however, she had told a neighbor she felt she couldn’t tell the true story because of her relationship with Pocci. [San Diego Union-Tribune]
About a year and a half ago, the founders of Medium did something that was both totally old-school and daringly novel: They set up a dedicated cartoon site, The Nib, hired editorial cartoonist Matt Bors to run it, and gave him a budget to pay the contributors. At a time when even venerable institutions like The Atlantic expect writers to pitch in their articles for free, this was a welcome sight — a publication with enough respect for its contributors to offer them paying work.
It showed, too; some of the most remarkable comics of the past year and a half have appeared on The Nib, including work by Leela Corman, Mike Dawson, Eleanor Davis, Shannon Wheeler and Sarah Glidden. Those are just the creators who appear on the front page today.
And now, just like that, it’s gone, to be replaced by … well, it’s not clear. Bors posted an announcement Friday that things would be different going forward:
Passings | Underground comics artist Michele Wrightson has died. As Michele Brand, she was a contributor to the first all-women underground comics anthology, It Ain’t Me Babe, with a story titled “Tirade Funnies” that still rings true 45 years later. That comic spawned the ongoing Wimmen’s Comix, to which she was also a contributor. Wrightson was also a colorist for Marvel and several other publishers and was married first to cartoonist Roger Brand and then to artist Bernie Wrightson, with whom she collaborated on the Creepshow graphic novel. Stephen Bissette has more in a Facebook post, including the fact that she helped Louise Simonson get her first job in comics. [The Beat]
Ahead of its launch of 24 new series, beginning this week with Batman Bey0nd, The Omega Man and Midnighter, DC Comics is kicking off a digital sale it calls its biggest ever.
Throughout June, the publisher will roll out more than 1,200 digital comics for 99 cents each as part of its “New DC Universe Sale.” It all starts Tuesday with Week 1, featuring more than 600 issues from the New 52, with titles ranging from Aquaman to Batgirl to Harley Quinn.
If neither Cerebro nor the Eye of Agamatto can provide the information you’re looking for, it’s time to turn to iMarvel.
Libraries | Digital media distributor Midwest Tape has announced a new e-book and comics service for libraries, which will be accessed via its hoopla platform. Unlike the widely used Overdrive, the service will allow multiple checkouts for a single book, rather than limiting checkouts to one user at a time. [Publishers Weekly]
Legal | The trial began Tuesday for Iranian cartoonist Atena Farghadani on charges of spreading propaganda and insulting members of parliament, stemming from a cartoon she posted on Facebook depicting politicians as monkeys and other animals. Farghadani has been an activist in other ways as well, meeting with the families of people killed during the 2009 presidential elections. She was arrested last August and sent to prison, released, and then arrested again after posting a video online describing beatings by prison guards. She has been in solitary confinement since January and suffered a heart attack in February, after being on a hunger strike for three weeks. [The Washington Post]
Creators | Saying his job has become “too much to bear,” cartoonist Renald Luzier (Luz) is leaving the French satirical magazine Charlie Hebdo. He said he worked too hard in the aftermath of the January attack on the Charlie Hebdo offices in which 12 people, most of them his co-workers, were killed, and he did not give himself time to grieve. “I needed time but I carried on for solidarity and not to let anyone down,” he said. However, the loss is taking its toll: “Each issue is torture because the others are gone.” He had previously announced he would no longer draw cartoons of the Prophet Muhammad, saying it no longer interested him, and he is tired of the media attention. “We are not heroes, we have never been, we never meant to be,” he said. “Everyone evokes the spirit of Charlie for anything and everything now.” [The Independent]
Passings | Inker Rick Ketcham has passed away. Details are sparse, but Ketcham’s Facebook quickly filled with tributes from friends and colleagues who hailed his kindness, his professionalism, and his willingness to mentor others. Ketcham worked on a number of titles for DC Comics, Marvel, Dark Horse, Image Comics and other publishers, including The Amazing Spider-Man, Buffy the Vampire Slayer, G.I. Joe, New X-Men, Runaways and Venom. [Tsunami Studios Facebook]
Creators | Responding to the removal of Maus from Moscow bookstores as the Russian government cracks down on Nazi symbols, Art Spiegelman said, “It’s a real shame because this is a book about memory. We don’t want cultures to erase memory.” Retailers fear the swastika on the graphic novel’s cover may be enough to run afoul of a new law prohibiting “Nazi propaganda” as the country prepares to celebrate the 70th anniversary of the Soviet victory over Germany. “I don’t think Maus was the intended target for this, obviously,” the cartoonist told The Guardian. “But I think [the law] had an intentional effect of squelching freedom of expression in Russia. The whole goal seems to make anybody in the expression business skittish.” [The Guardian]
The British sci-fi anthology 2000AD was one of the first publishers to offer digital comics, and it ofers readers a choice: They can buy single issues and graphic novels within their iOS and Android apps or as direct downloads from their web store.
The advantage to the latter has always been that direct downloads are free of digital rights management (DRM) — they are simply files that can be freely moved from device to device — while comics purchased within the apps can only be read within the apps. Each way of buying comics has its advantages; the apps allow the user to store comics in the cloud and keep them organized in a single place on their tablet or computer, while PDF and CBZ files come with no strings attached.
Libraries | Michael Cavna talks to Drama creator Raina Telgemeier and Charles Brownstein of the Comic Book Legal Defense Fund about graphic novel challenges in libraries and why Drama made the American Library Association’s 2014 list of 10 most challenged books. [The Washington Post]
Political cartoons | The East African cartoonist Gado has been let go from the Kenyan newspaper The Nation, apparently due to pressure from the government. The move came after the newspaper’s owner met with President Uhuru Kenyatta, who’s been pushing the publication to drop some its contributors critical of his government. Gado’s cartoons about various scandals, and his depictions of the president as a prisoner with a ball and chain and as a turbaned Sikh (following an attempted land grab that involved four entrepreneurs named Singh) have clearly hit a nerve. [Spy Ghana] Continue Reading »
Passings | Michael S. Bradley, owner of Collectors Kingdom in Huntington Station, New York, has died at age 48. The comic shop was destroyed in a fire in January, and Bradley, who had no insurance, lost all his stock. An IndieGoGo campaign to revive the store failed to meet its $25,000 goal, and Bradley’s last post on the store’s Facebook page thanked his customers and said he was “blessed to be allowed to be [the store’s] guardian.” He was rushed to the hospital on March 21 and passed away on April 6. No cause of death has been released. [ICv2]
Manga | The first printing of One Piece, Vol. 77, may have dropped below 4 million, but its sales aren’t slacking. According to Japanese market research firm, the latest volume of Eiichiro Oda’s hit manga has sold nearly 1.67 million copies since its release on Friday, more than seven times that of the No. 2 title on the weekly sales chart, the 67th volume of Tite Kubo’s Bleach. That’s marks a new weekly sales record for the year, surpassing the 67th volume of One Piece, which sold 1.6 million copies upon its release in January. [Crunchyroll]
Business | Indian digital comics and animation producer Graphic India has raised $2.8 million in seed financing, led by CA Media, the Asian investment arm of the Chernin Group (which previously acquired “a large minority stake” in the company). Founded in 2013 as a subsidiary of Liquid Comics, Graphic India is perhaps best known for the Stan Lee-created Chakra: The Invincible. The funding will be used to create content in English, Hindi, Tamil and other Indian languages for mobile devices. [Variety]
Creators | Geoff Johns says he returned to Superman because he was interested in giving the Man of Steel a new confidante: “When I was just thinking about the character and thinking about the story possibilities, every time my brain started to picture him talking to somebody with a problem he was having … or dealing with Clark and Superman, it always was just with another superhero. I quickly realized [Superman] didn’t really have anyone normal in his life that he could talk to again, because no one knew his secret.” The other reason: The opportunity to work with John Romita Jr. [Comic Riffs]
Lianne Sentar is a member of the generation that came to comics through manga and stuck with it, moving from reading to creating to publishing. The author of Tokyo Demons, she was writing Sailor Moon novels for Tokyopop when she was still a teenager and later worked as an adaptor and editor.
Two years ago, Sentar teamed up with former Tokyopop senior editor Lillian Diaz-Przybyl and two other women to create Chromatic Press, an independent publisher of comics, fiction and audio dramas. Their flagship publication, Sparkler Monthly, is a digital magazine that is based on the Japanese model of serialized stories. They caught the attention of manga fans immediately by getting the rights to one of the best-regarded graphic novels from Tokyopop’s global manga line, Jen Lee Quick’s Off*Beat. Their lineup also includes Christy Lijewski (RE:play) and rem (Priscilla Hamby), who won the Japanese Morning International Manga Competition for non-Japanese creators. Jason Thompson just dedicated his weekly “House of 1000 Manga” column to an in-depth review of the magazine.