Ryan Reynolds Debuts Official "Deadpool" Suit
Crunchyroll, which rose to prominence as a streaming anime site and added digital manga last year, is launching a new line of original webcomics called Crunchyroll Originals, which will feature Japanese creators. The debut comic will be HYPERSONIC music club, a collaboration between writer Patrick Macias and artist Hiroyuki Takahashi. Here’s the pitch:
In the world of tomorrow… when technology has reached it limits… a group of young cyborgs must battle the extra-dimensional monster girls for final control of the enigmatic force known only as…The Mystery Frequency!
The free comic will be updated with two pages a month. There’s an interview with Takahashi at the Crunchyroll, and we asked Macias to talk a bit more about this comic and the Crunchyroll Originals line.
Robot 6: Will all the Crunchyroll Originals comics be collaborations between a Japanese and a non-Japanese creator, or is yours unique?
Patrick Macias: Right now, we have several projects in active development. Some of them are collaborations between Japan and U.S. staff, and others are coming purely from Japanese creators. The main thing is that we’re open to pretty much anything right now, including other formats besides webcomics, as long as it is a project that seems interesting and has creative potential.
Archie Comics has partnered with Humble to launch the first Archie Comics Humble Bundle, featuring more than a dozen digital titles, including The Death of Archie, Afterlife With Archie and Chilling Adventures of Sabrina.
Humble allows you to name your price for DRM-free downloads, with a portion going to charity, in this case the Comic Book Legal Defense Fund and The Hero Initiative.
To celebrate its third anniversary of going digital, Shonen Jump is offering four issues for free in the next four weeks, as well as a discounted price of $19.99 for a one-year subscription. The free issues are available via the Shonen Jump website and the Viz Manga and Weekly Shonen Jump iOS and Android apps.
The nice thing about an anthology is the variety, and the Jan. 19 issue, the first to be offered for free, has a good mix of stories. There’s One Piece, the long-running pirate tale; if you’re not particular about understanding the details of the plot, you can jump right in and enjoy the kinetic, cartoony battle scenes.
Toriko is another classic Shonen Jump story, about a group of “gourmet hunters” who travel the world looking for foods that are rare, hard to get, and uniquely delicious. It’s an odd combination of battle and foodie manga, and it’s fun to see big, over-muscled guys get all weepy over a salad, as happens in this week’s chapter, or watch a gourmet dig into a bowl of “Ojiya-style eyeball porridge.” It’s amazingly imaginative, and well worth a read.
Editorial cartoons | The leaders of Pakistan, Turkey and the Taliban on Thursday condemned the new Charlie Hebdo cover depicting the Prophet Muhammad. “If someone is printing a cartoon insulting the prophet, there is a provocation,” Turkish Prime Minister Ahmet Davutoglu told reporters. The lower house of the Pakistan parliament unanimously approved a resolution condemning the cartoons, and the Tailban emailed a statement saying, “We strongly condemn this repugnant and inhumane action,” which is “opening the door to provoking the sensitivities of nearly one and a half billion Muslims.” Also, several people were injured when police broke up an anti-Charlie Hebdo protest outside the French Consulate in Karachi. [Bloomberg]
Manga | Manga accounted for almost 80 percent of Japan’s digital book market in the 2013 fiscal year, according to a report released by the Yano Research Institute. The marketing research company predicts the country’s larger digital market, which is worth about $710 million, will see a 23.5 percent growth in the 2014 fiscal year. [Anime News Network]
Publishing | Tom Devlin, creative director of Drawn and Quarterly, talks about the unlikely success of Tove Jansson’s Moomin comics. [Montreal Gazette]
Comics | Noah Berlatsky writes about Wonder Woman the character and Wonder Woman the comic. [The Atlantic]
When the first few pages of Wonder Woman ’77‘s inaugural installment finds the Amazon Princess squaring off against a trio of Soviet roller-derby assassins, clearly it’s setting a very specific tone. DC’s latest digital-first series borrows its core conceit from the successful Batman ’66, presenting new comics stories from the world of an old TV adaptation.
Indeed, so far it’s fairly faithful to the show’s then-present-day setting, with Diana Prince and Steve Trevor working for a fictional government intelligence agency (the IADC) and getting their exposition from IRA the computer. Accordingly, in terms of period pieces, it’s not exactly The Americans, but writer Marc Andreyko and artist Drew Johnson have done a great job capturing both the look of the show and the style of its leads. Their Lynda Carter is spot-on, and their Lyle Waggoner evokes TV-Steve’s sparkly toothed swagger perfectly. Johnson (with colorist Romulo Fajardo Jr.) draws an especially detailed 1977, from the subtleties of Wonder Woman’s costume to the crowds at Studio 52. (Of course it’s “Studio 52.”)
Tentative categories — they may be altered at the discretion of the judges — are: best short story, best single issue, best continuing series, best limited series, best new series, best publications for kids and teens, best humor publication, best anthology, best digital comic, best graphic album–new material, best graphic album–reprint, best reality-based work, best adaptation from another medium, best archival collection, best U.S. edition of foreign material, best writer, best writer/artist, best penciler/inker (individual or team), best painter (interior art), best lettering, best coloring, best comics-related book, best scholarly/academic work, best comics journalism periodical or website, and best publication design.
Publishers who wish to submit entries must send one copy each of the comics or graphic novels, along with a cover letter that includes what’s being nominated, and in what categories, and the names of the creators. Creators may submit works for consideration if their publisher is no longer in business or is unlikely to submit nominations itself.
Entries should be mailed to: Jackie Estrada, Eisner Awards Administrator, Comic-Con International, P.O. Box 128458, San Diego, CA 92112. Submissions for the best digital comic category can be emailed to Estrada. The full list of nominees will be announced in April.
Additional details can be found on the Eisner Awards website.
Publishing | The French satire magazine Charlie Hebdo will be published next week, to demonstrate that “stupidity will not win,” according to columnist Patrick Pelloux. Ten of the magazine’s staff members were among those killed Wednesday when three armed men attacked their Paris headquarters, apparently because Charlie Hebdo published cartoons mocking the Prophet Muhammad. [The Guardian]
Political cartoons | Adam Taylor looks at the history of controversies regarding depictions of the Prophet Muhammad. [The Washington Post]
Political cartoons | Cartoonist and syndicator Daryl Cagle pens a remembrance four of the slain Charlie Hebdo cartoonists, some of whom he knew personally, and also talks about the importance of editorial cartooning in France. [Darylcagle.com]
Publishing | In a three-part interview, First Second Books Editorial Director Mark Siegel talks about 2014, the upcoming year, and the emergence of a “new mainstream.” In Part 1 he discusses the 2014 releases and ends with some numbers (print runs rather than sales); the imprint’s top books are Ben Hatke’s Zita the Spacegirl and Jillian and Mariko Tamaki’s This One Summer, both of which have 30,000 copies in print. In Part 2 he looks at the importance of the library market and support from librarians, especially for children and teens, as well as the emergence of a new category of graphic novels that he calls “new mainstream.” Part 3 focuses on First Second’s planned releases for 2015, including Scott McCloud’s The Sculptor, which will have a print run of 100,000. [ICv2]
Conventions | Vendors who paid the $60 deposit to exhibit at Cherry City Comic Con are clamoring for a refund after word circulated that the Salem, Oregon, convention won’t happen this spring as planned. (There appears to have been some discussion about the con being canceled on Facebook, but the convention’s Facebook page now states, “A marketing solutions company is helping us start the new year right and get us back on track to make this a successful show everyone can love.” No other posts appear on the page.) This isn’t the first round of controversy for the con: Last May, organizer Mike Martin called an exhibitor “batshit insane” on Facebook when she asked for a refund and expressed concern that the con would not be a “safe place for female cosplayers.” Martin is also the organizer of a craft fair that was canceled; some exhibitors for that event were denied refunds because of “a locked PayPal account.” [KOIN]
Creators | Garry Trudeau has some straight talk for those who criticized him for basing Sunday’s Doonesbury on the controversial Rolling Stone expose of the University of Virginia’s handling of rape cases — or thought maybe the strip was submitted before a number of commentators cast doubt on the lead anecdote in that article. The cartoonist insists that’s not the point: “We had some internal discussion about whether the flaws in the [Rolling Stone] reporting mattered here, and we concluded they didn’t. UVA is only used as setup to get the reader to consider the larger problem of institutions prioritizing their reputations over the welfare of those they’re charged with safeguarding.” [Comic Riffs]
The hours are ticking down not just on 2014, but also on Dark Horse’s Star Wars license. However, before the publisher says goodbye to a galaxy far, far away, it’s having one epic final sale, dubbed the “Star Wars Farewell Megabundle.”
How epic? How about digital versions of every Star Wars comic published by Dark Horse over the past two decades, for $300? That amounts to about 50 percent off the entire digital library. That’s everything from 1991’s Star Wars: Dark Empire to 2014’s The Star Wars, and everything in between – Legacy, The Clone Wars, The Old Republic. All of them.
Legal | Illustrator Greg Theakston tells The Comics Journal that during his Christmas vacation, he plans to file a police complaint against the Jack Kirby Museum and Research Center, alleging it stole about 3,000 photocopies of Kirby’s pencil work. Theakston gave the photocopies to the museum, but he contends it was intended to be a loan, while the museum says it was an outright donation. If this sounds vaguely familiar, it’s because Theakston has been threatening legal action since August. [The Comics Journal]
Creators | Paul Tumey posts a charming series of letters from Pogo creator Walt Kelly to a young pen pal (who had a pet alligator named Albert), along with plenty of backstory. [The Comics Journal]
Crime | Police in San Antonio, Texas, arrested two men on Friday on charges of stealing $5,000 worth of comics from a local collector. After the robbery, the collector contacted local comic shops and asked them to keep an eye out for the stolen goods. Several retailers gave police information, including a license plate number, that led to the arrests of Gino Saenz and Jose Gonzalez on charges of theft. [San Antonio Express-News]
Digital comics | Humble Bundle sold $3 million worth of DRM-free digital comics in 2014, the first year in which the company included e-books and comics in its bundles. Total e-book revenues were $4.75 million, of which $1.2 million went to charity (including the Comic Book Legal Defense Fund). That may sound like a lot of money, but as director of e-books Kelley Allen said, “The numbers generated by the book bundles look like a rounding error in comparison to video games,” because the audience for the latter is so vast. Humble Bundle’s e-books are DRM-free, which has been a stumbling block for traditional book publishers, but comics publishers are more flexible, Allen said. [Publishers Weekly]
Crime | Artist Josh C. Lyman reports that thieves broke into his car sometime on Monday or Tuesday and stole about 40 pieces of original art (some of it commissioned), 1,200 prints, plus convention setup materials, art supplies and clothes. “I’m more devastated in the fact my originals are all gone … some of my better non-commissioned work of the last 3 years … along with all of my tools I have earned and acquired during the aforementioned periods. Tshirts and the like I can slowly replace … but it’s the matter of having all this potential art for shows gone; along with all the posters I had left,” he writes. Lyman contacted police and has notified local comic shops to keep an eye out for the missing work, and he has posted images of the stolen art. [Facebook, via Bleeding Cool]
Censorship | Rachael Jolley takes a long and wide view of the pressures that political cartoonists are subject to, looking at several recent attempts to suppress editorial cartoonists as well as the history of tensions between creators of political cartoons and those they portray; the article also includes comments from Neil Gaiman on the topic of censorship. [The New Statesman]