digital comics Archives - Page 2 of 71 - Robot 6 @ Comic Book Resources
Legal | Artists from around the world are drawing in support of Tunisian cartoonist Jabeur Mejri, who is serving a seven-and-a-half-year prison sentence for posting caricatures of the Prophet Muhammad online. Just two weeks after Tunisia adopted a new constitution that protects freedom of expression, Jabeur’s supporters have launched a “100 Cartoons for Jabeur” website and released a statement saying, “While freedom of expression and conscience are guaranteed in this founding text, the continued detention of Jabeur Mejri is contrary to the spirit and the text of the constitution.” [Yahoo News]
Publishing | Andrews McMeel’s AMP! division will publish Reading With Pictures: The Graphic Textbook, a collection of graphic stories on a number of topics, including math, history and social studies, that is designed to fit into the Common Core standards. The creators involved include Roger Langridge, Fred Van Lente and Ryan Dunlavey. While this is big news for Reading With Pictures, the organization behind the book, it’s also an interesting move for AMP!, which has been focusing on kid-friendly reprint collections of its parent company’s newspaper strips. [The Beat]
Digital comics | ComiXology has released an update for its Comics iOS app with a few fixes and a new feature: a Wish List. The app also now supports Manga Fixed Format. [App Advice]
Digital comics | Rob Salkowitz takes a look at the issues surrounding digital comics platforms for libraries and discusses one possible solution, iVerse’s Comics Plus Library Edition. [ICv2]
Digital comics | Tyler James offers some solid advice for creators planning to use comiXology Submit. [Comix Tribe]
Conventions | Steve Duin has a largely tepid assessment of last weekend’s Wizard World Comic Con, declaring, “Thank God for Emerald City.” [The Oregonian]
Fifty-one percent of comiXology users are outside the United States, the New York City-based company revealed overnight. The announcement was accompanied by a global heat map (below) illustrating the popularity of the digital comics platform by country.
Following last week’s news that comiXology was the top-grossing non-games iPad app last year in the United States, the company added that it’s the top-grossing iPad book app in France, Belgium, Germany, Spain and the United Kingdom. It’s also currently the No. 1 iOS book app in Australia, Brazil, Canada, Chile, India, Mexico, The Netherlands, New Zealand, The Philippines and other countries.
ComiXology expanded its international reach in 2013 with the opening of a Paris-based European division, followed by distribution agreements with French publishers Delcourt, Glénat and a dozen others, as well as with Viz Media Europe.
Passings | Animator and blogger Michael Sporn died Sunday in New York City from pancreatic cancer. He was 67. Sporn’s short film Doctor DeSoto, based on William Steig’s book, was nominated for an Oscar, and his The Man Who Walked Between the Towers won several awards. He created animated adaptations of a number of children’s books, including Lyle Lyle Crocodile and Goodnight Moon, for HBO. In comics circles, he was also known as a blogger who turned up cool bits and pieces of animation and art. [Variety]
Publishing | Torsten Adair crunches some numbers from The New York Times 2013 bestseller lists, looking at each category and, in some cases, each publisher separately and breaking down the charting books into easy-to-follow pie charts. [The Beat]
Saturday is the deadline to get your order form for this month’s Previews catalog to your local comic book shop. With that date looming, Edison Rex co-creators Chris Roberson and Dennis Culver are hoping to make Edison Rex, Vol. 2: Heir Apparent one of the most-wanted trade paperbacks.
In fact, writer Roberson and artist Culver concocted an eye-catching wanted poster to drum up interest in the upcoming collection, which includes issues 7-12 of the Monkeybrain Comics digital series. The creative team was quite willing to discuss the latest news with me about the villain turned superhero.
Digital comics | ComiXology CEO David Steinberger dicusses the growth of the digital-comics platform, which was the top-grossing non-game iPad app for the third year in a row. “We’re finding that a larger and larger percentage of our user base — our new user base — is people who are buying comics for the very first time with us,” he tells Wired. Steinberger also hints at a next step for comiXology: curation. [Wired.com]
Comics | Torsten Adair looks back at some comics trends in from 2013 and looks ahead to what we can expect in 2014. [The Beat]
Comics | Dark Horse Editor-in-Chief Scott Allie discusses the relaunch of the publisher’s Alien, Predator and Alien vs. Predator series and the debut of Prometheus. [io9]
ComiXology was the top-grossing non-game iPad app in the iTunes App Store in 2013, coming in at No. 11, just ahead of The New York Times. They were the only non-game apps to crack the Top 20.
In addition, the digital-comics platform announced it has served more than 6 billion pages — that figure includes both paid and free — since its launch four years ago. ComiXology trumpeted 2 billion pages just slightly more than a year ago.
“In a billion-dollar marketplace with competition between over a million apps, it’s gratifying to rank as the Top Grossing non-game iPad App in the entire iTunes App Store,” comiXology CEO David Steinberger said in a statement. “This past year has been a great year for comics and comiXology!”
Last year saw the company further expand its industry domination with distribution deals with the likes of UDON Entertainment, Viz Media Europe, Avatar Press, and 15 French publishers, partnered with eBay, and introduced gift cards. In October, comiXology also released findings from a survey that found its female readership has grown from 5 percent to 20 percent.
Auctions | The Leicestershire (England) Police are auctioning about 1,200 comics — most of them are post-2000 DC Comics titles, described as in mint condition — seized as criminal assets in Dorset (the police force doesn’t have its own eBay account). “Some are signed by the artists and they are mainly Superman and Spider Man, that sort of thing,” said Dave Hargrave, proceeds of crime asset realization manager. “[...] The person who had the comics was obviously a collector.” About 400 comics have been sold, bringing in £600 (about $985 U.S.). [Leicester Mercury]
Publishing | Avatar Press has returned to Diamond Book Distributors as its distributor to bookstores, the mass market, library services, and other markets. Avatar left DBD in 2011 to sign on with BOOM! Studios to distribute its books through Simon & Schuster in the United States and HarperCollins in Canada. [ICv2]
Time once again to revisit some thoughts about the year just ended, and offer some thoughts on the year to come.
First, let’s see how I did with 2013:
1. Man of Steel. Last year I asked “a) how well will it do with critics and moviegoers; and b) yes, of course, will it help set up Justice League?” It got a 55 percent (i.e., Rotten) ranking from Rotten Tomatoes (although 76 percent of RT visitors who cared to vote said they liked it). Financially, Box Office Mojo called it a “toss-up,” putting it in the same category as Star Trek Into Darkness, World War Z, The Wolverine, The Hangover Part III, Pacific Rim and, uh, The Smurfs 2. I liked it well enough — I seem to like a lot of things “well enough” — but perhaps Super-fan Jerry Seinfeld’s musings about missed opportunities speak best to the film’s reception. MOS itself didn’t help set up a Justice League movie, at least not as expressly as, say, Nick Fury talking about the Avengers; but I think it’s safe to say that the sequel will go a long way in that regard.
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Tentative categories — they may be altered at the discretion of the judges — are: best short story, best single issue, best continuing comic book series, best limited series, best new series, best publication for kids, best publication for teens, best humor publication, best anthology, best digital comic, best graphic album–new material, best graphic album–reprint, best reality-based work, best archival collection, best U.S. edition of foreign material, best writer, best writer/artist, best penciler/inker (individual or team), best painter (interior art), best lettering, best coloring, best comics-related book, best scholarly/academic work, best comics journalism periodical or website and best publication design.
Publishers who wish to submit entries must send one copy each of the comics or graphic novels, along with a cover letter that includes what’s being nominated, and in what categories, and the names of the creators. Creators may submit works for consideration if their publisher is no longer in business or is unlikely to submit nominations itself.
Entries should be mailed to: Jackie Estrada, Eisner Awards Administrator, Comic-Con International, P.O. Box 128458, San Diego, CA 92112. Submissions for the best digital comic category can be emailed to Estrada. The full list of nominees will be announced in April.
Additional details can be found on the Eisner Awards website.
Graphic novels | Image Comics had a strong December in bookstores, snagging nine slots on BookScan’s Top 20 chart: Eight volumes of The Walking Dead (including the very first one, at No. 4), plus the first Saga collection, which was originally released in October 2012. The first two volumes of Attack on Titan, which are more than a year old, were also on the chart. [ICv2]
Legal | Colleen R. LaRose, aka “Jihad Jane,” was sentenced Monday to 10 years in prison for her role in a failed conspiracy to murder Swedish cartoonist Lars Vilks, who drew images of the Prophet Mohammed that offended many Muslims. [The New York Times]
I work in a comic shop (Metro Entertainment in Santa Barbara, California — cheap plug!), so to say that I’m wary of digital comics is an understatement. My livelihood depends on people wanting a physical copy of a comic book; if everything went digital, no more retail job. My store happens to work very hard at providing those physical copies of comics in every form we can put under one roof, including the rare opportunity for a deep back-issue selection. I can’t say it’s very cost effective, but having back issues from decades gone by available to customers has made many people happy and seek out our shop when traveling through California.
Buying comics from an actual person behind the register is a little like talking to a bartender: They know your name and what you like, and they can chit-chat about your woes with the business and give a few words of advice. I know the customer base, so I can provide off-the-cuff information about who’s on what book, when a title might be ending or, say, offer to save a Warren Ellis fan a copy of Moon Knight #1. I’m not saying that all this information isn’t online, but it’s nice to get that personal touch that we secretly crave. From a pile of 50-cent issues for a school art project to a rare copy of Amazing Fantasy #15, physical comics are still needed and wanted.
But for how long?
Digital comics | Google was granted a patent this week for “Self-creation of comic strips in social networks and other communications,” which means the Internet giant apparently has patented a mechanism for creating comics about your status updates and chats and sharing them via social media. This sounds a lot like the wildly popular, but widely reviled, Bistrips. [Geekwire]
Best of the year | Brian Truitt takes a look back at the year in comics, picking out some significant events and offering his nominations for best creator, best comic book movie, and best comic in a variety of genres and formats. [USA Today]
Best of the year | Writing for The Advocate, cartoonist Brian Andersen reflects on the year’s 10 greatest LGBT moments in mainstream comics. [Advocate.com]
We’ve been hearing about what comics various industry folks enjoyed in 2013 in our Looking Forward, Looking Back series, and now it’s our turn: ROBOT 6 contributors share their favorites from 2013, which include Hawkeye, Marble Season, East of West and Batman.
Business | Bitstrips co-founder and CEO Jacob “Ba” Blackstock, whose DIY avatar and comic strip app exploded in 2013, reflects on the lessons of the year, and sketches out the Toronto company’s goals for 2014. Unsurprisingly, those include finding more uses for its comics and, y’know, making money (earlier this month, Bitstrips confirmed a $3 million injection of venture capital, which will go toward more engineers, artists and designers). [Entrepreneur]
Creators | Tom Spurgeon interviews Nate Powell about his work on March, the graphic novel memoir of Rep. John Lewis’ experiences in the civil rights movement, and one of the most acclaimed books of the year. [The Comics Reporter]