"Preacher" Adds Jackie Earle Haley In Villain Role
Digital comics | Japanese publisher Kadokawa will relaunch its English-language e-book service BookWalker on Oct. 8 with 700 new manga and light novel titles. BookWalker, which includes a website and iOS and Android apps, debuted last year with a library of Kadokawa books, including Sgt. Frog and Neon Genesis Evangelion, some of which have also been published by Viz Media and Dark Horse. The new site will include a wider range of books from other Japanese and North American publishers. Kadokawa also runs ComicWalker site, which offers free chapters of manga in English. [Anime News Network]
Creators | Colin McEnroe interviews Zippy creator Bill Griffith about his new book, Invisible Ink, which is the story of his late mother’s affair with a cartoonist — or, as McEnroe puts it, “Zippy Meets Freud.” [NPR]
Manga | Kodansha Comics is teasing the “Biggest ‘Attack on Titan’ Manga Announcement Ever” for its Oct. 8 panel at New York Comic Con. Considering the worldwide popularity, and sales, of Hajime Isayama’s post-apocalyptic fantasy, that’s certainly a bold claim. The series has more than 50 million copies in circulation around the world; 2.5 million of those are in the United States. Kodansha also publishes the manga spinoffs Attack on Titan: Before the Fall and Attack on Titan: Junior High. [Anime News Network, Deb Aoki]
Manga | Attack on Titan has changed the manga market, Kodansha Comics’ top brass tell Deb Aoki, showing that manga can still sell in the millions even after the market slumped, and give publishers a new multimedia model, with spinoff manga and light novels, to build on its success. Hiroaki Morita, editor-in-chief of Shonen Magazine when Attack on Titan debuted, also talks about his early impressions and how he knew the manga would be a hit. Alvin Lu of Kodansha Advance Media also discusses plans for the company’s new digital division, which is publishing digital editions of Kodansha Comics’ current manga but will expand to do digital-first books as well. [Anime News Network]
With Labor Day behind us, for most folks it’s back to work. But by the time you read this I will be out of town, well into a two-day seminar. Naturally I take comics with me for the down time, and more often than not I take a couple of thick reprint books. Picking out specific volumes got me thinking about the changing nature of DC Comics’ reprints.
Now, I’ll try not to let this descend into some nostalgic pining, and I recognize that reprint formats aren’t the most exciting things. However, while today’s comics are available in print or digitally, and are collected routinely into more durable books, I’m not sure the older material is getting as much attention as it once did. To be certain, the older material is getting older all the time, with more added to it as the years go by; and modern audiences might well be satisfied with, say, just the past 20 years’ worth of DC’s output. Still, there’s value in those older stories, even if it’s just on an academic level; and I think it’s helpful to see how DC has treated it.
Conventions | After a profitable 2014, Wizard World Inc. is reporting a $1.8 million loss in the second quarter of 2015 (in contrast to a $760,000 profit during the same period last year), owing much to the rapid increase in the number of conventions it’s producing. However, as ICv2.com notes, the company is also seeing a drop in revenue per show. Wizard World also reports that its inaugural convention in China, held May 30-June 1, “was not as successful as we anticipated.” [ICv2]
Creators | Masashi Kishimoto says he’s done with Naruto and his friends, now that the manga has ended its 15-year run, and he’s also not eager to return to the grind of a weekly series. However, that doesn’t mean he’s putting away his pen and ink. On the contrary, he has already created character designs for a new sci-fi series, and he’s interested in working with the digital magazine Shonen Jump Plus, which would be more flexible with regard to the story’s length and schedule. “Since Naruto was a bigger hit than I could ever imagine,” he said, “I’d like to aim for the next hit. I don’t know when I can announce the next manga, but because I plan on challenging myself to surpass Naruto, please wait for it.” [Kotaku]
Political cartoons | The Association of American Editorial Cartoonists is calling for an independent review of the audio tape provided by the LAPD to the Los Angeles Times to refute Ted Rall’s claim he was treated roughly by an officer when he was stopped for jaywalking. “Determining the truth in this matter is important to Mr. Rall’s personal and professional reputation, and to the rights of journalists to freely express themselves,” the statement said, adding that the newspaper “should have demanded a higher standard of proof in this matter.”
Crime | OneBookShelf, which operates the digital-comics website DriveThruComics and several other retail sites, has suffered a data breach. “A hacker found a crack in our defenses and got in,” the company said in a Q&A on its websites. Hackers stole credit card information from transactions processed between July 10 and Aug. 6, and used the OneBookShelf’s servers to launch DDOS attack on other sites. It’s not clear which numbers were exposed, but the company recommends customers who made transactions, or had credit card information stored on the site during that time, get new cards. [ICv2]
Creators | The Royal Zoological Society of Scotland has named its first Cartoonist in Residence: Cameron McPhail, who left his job in 2002 as chief executive of wealth management at the Royal Bank of Scotland to become a full-time cartoonist. He and his colleagues in the Kartoon Faktory collective will produce books about the animals in the zoo and possibly a comic strip as well. [Edinburgh News]
Digital comics | Japanese publisher Kodansha has launched a free Magazine Pocket manga app for iOS and Android devices, which in addition to titles already serialized in Weekly Shonen Magazine features two exclusive spinoffs: Fairy Tail Spinoff: Twin Dragons of Sabertooth, springing out of Fairy Tail, and Brass of Diamond! Seidō High School Wind Instrument Club, based on Ace of Diamond. The app boasts more than 30 titles, with some chapters offered for free and others requiring a fee. [Anime News Network]
Retailing | “In Hungary there is little or nil culture for comics,” says Arpád Barabás, owner of the Budapest comic shop Trillian. “The main reason is that between 1946 and 1989 there was nothing except for the Boy Scout propaganda publications in this genre, all other things having been prohibited.” Barabás, who goes by the nickname Grif, is working hard to fill that vacuum, mostly with imported comics, but because of the cost, very few have been translated into Hungarian. [The Budapest Times]
Political cartoons | Cartoonist Ted Rall, who was cut loose last week by the Los Angeles Times after the Los Angeles Police Department cast doubt on a blog post he wrote for the newspaper about being stopped in 2001 for jaywalking, has posted an enhanced version of the audiotape of that incident, which he says backs his version of the story. [aNewDomain]
Creators | Stan Lee waxes philosophical in an interview conducted at Boston Comic Con: “I think people need somebody to look up to as a role model, you know? Just like people need to believe in God, you need to feel there’s someone somewhere who can help you because you’re aware this is not a perfect world.” [Boston Herald]
The latest Humble Bundle book bundle has been unveiled, and it’s a musical mix of novels and graphic novels that are either by or about musicians.
The Humble Bundle deal lasts for two weeks, and it works like this: For the first tier, you pay what you want — as little as a penny. This gets you seven items, including three graphic novels: The first volume of Kieron Gillen and Jamie McKelvie’s gods-as-rock-stars series The Wicked + The Divine, the first volume of Rick Spears and Chuck BB’s Black Metal and This Is a Souvenir: Songs of Spearmint & Shirley Lee, an anthology of short stories based on the songs of the British group Spearmint, plus three prose novels (two by Rush drummer Neil Peart) and an audio collection of Pete Seeger’s spoken-word pieces.
Passings | Archie Comics artist Tom Moore died yesterday at the age of 86. Moore got his start as an artist in the Navy, where he served during the Korean War: His captain found a caricature that Moore had drawn, and instead of calling him on the carpet, he assigned him to be staff cartoonist. Moore’s comic strip, Chick Call, ran in military publications, and after the war he studied cartooning in New York, with help from the GI Bill. Moore signed on with Archie Comics, drawing one comic book a month, from 1953 until 1961, when he left cartooning for public relations. “It’s important to create characters that can adapt to anything, but whose personalities are consistent,” Moore said in a 2008 interview. “Establish that, and don’t deviate. Betty doesn’t act like Veronica, and Charlie Brown doesn’t act like Lucy.” He returned to cartooning in 1970, drawing Snuffy Smith, Underdog, and Mighty Mouse, and then went back to Archie to help reboot Jughead, staying on until his retirement in the late 1980s. After retiring, Moore taught at El Paso Community College and was a regular customer at All Star Comics. [El Paso Times]
Publishing | DC co-publishers Jim Lee and Dan DiDio talk about the comics market as a whole, variant covers, and their move to Burbank, among many other topics, in a three-part interview. [ICv2]
Commentary | Christopher Butcher discusses the way the comics audience has diversified, and the way that parts of the industry (the parts that aren’t involved, basically) have refused to acknowledge the enormous popularity of newer categories of comics by “othering” them: “‘Manga aren’t comics,’ went the discussion. They were, and are in many ways, treated as something else. The success that they had, the massive success that they continue to have, doesn’t ‘count’. All those sales and new readers were just ‘a fad’, and not worthy of interest, respect, or comparison to real comics. It was the one thing that superhero-buying-snobs and art-comics-touting-snobs could agree on (with the exception of Dirk Deppey at TCJ, bless him): This shit just isn’t comics, real comics, therefore we don’t have to engage it.” Butcher sees these attitudes changing at last, though, thanks to the massive commercial and critical success of books like Raina Telgemeier’s Smile (three years on the New York Times graphic novel best-seller list!) and Mariko and Jillian Tamaki’s This One Summer. [Comics212]
Passings | Artist and writer Alan Kupperberg has died of thymus cancer at the age of 62. Kupperberg got his start writing dummy letters for Marvel in the late 1960s, then moved to the production department at DC and in 1974 was hired by the short-lived Atlas/Seaboard comics, where he played a variety of roles, including letterer, colorist, and editor. That company folded after a year, and he went to Marvel, where he worked on a number of different titles, including The Incredible Hulk, Iron Man, Savage Sword of Conan, and Amazing Spider-Man. He created the one-shot comic Obnoxio the Clown vs. the X-Men working entirely solo, and he drew the weekly Howard the Duck newspaper comic as well as the comic-strip version of The Incredible Hulk and Little Orphan Annie. His magazine work included National Lampoon, Cracked, and Spy. Kupperberg also taught at the School for Visual Arts, and he was the brother of writer Paul Kupperberg. [ICv2]
Manga | Hiromi Bando has translated Keiji Nakazawa’s Barefoot Gen into Chinese and is looking for a publisher, but she has been told the Chinese government will not approve its publication. Bando, who is Japanese, was inspired to translate the manga, an eyewitness account of the bombing of Hiroshima and its aftermath, after hearing of her father’s experiences fighting in China during World War II. The manga is taught in the original Japanese in a few universities in China. [Asahi Shimbun]
Comics | In advance of a radio show titled “White Men in Capes,” to be broadcast Tuesday, BBC News looks at diversity in comics and finds it lacking; as DC Entertainment Co-Publisher Dan DiDio says, there “doesn’t seem to really be a proper representation of ethnic characters across the entire industry.” He talks about DC’s efforts to bring diversity to its line, and he explains why: “There’s a very hungry audience, excited audience and the reason why we know that exists is because we go to the conventions and we hear from our stores and you hear the make-up of the people shopping in those stores.” [BBC News]
Political cartoons | While speaking to a youth leadership group, Maine Gov. Paul LePage was asked by Nick Danby, the son of Bangor Daily News cartoonist George Danby, what he thought of his father’s work. LePage’s response: “I’d like to shoot him.” The audience laughed, but the joke triggered a storm of criticism in the media, coming as it does in the wake of the Charlie Hebdo shootings. The elder Danby certainly didn’t find it funny, saying that while he is critical of the governor, it’s well within the boundaries of satire. And, he added, “My other thought was, what if this was reversed? If I had made a comment. I’d be in big trouble today.” [The Huffington Post]