digital piracy

Comics A.M. | Superheroes’ big-screen struggle for diversity; Z-Cult FM returns

Green Lantern

Movies | National Public Radio commentator John Ridley critiques Hollywood for being even less diverse than the Big Two when it comes to diversity in lead characters, and demolishes their blame-the-audience theory that white people won’t go to see a movie with a black lead by pointing to a study by Indiana University professor Andrew Weaver: “Weaver found that white audiences tended to be racially selective with regard to romantic movies, but not necessarily when it came to other genres. So, sorry, Hollywood. You can’t blame it on the ticket buyers.” [NPR]

Piracy | Comic-book torrent tracker Z-Cult FM, which was threatened with legal action by Marvel in 2007 and eventually shut down in 2009, has re-opened its virtual doors. [Facebook]

Creators | Becky Cloonan talks about the joys and the hardships of being a full-time comics creator: “Comics are hard work. Comics are relentless. Comics will break your heart. Comics are monetarily unsatisfying. Comics don’t offer much in terms of fortune and glory, but comics will give you complete freedom to tell the stories you want to tell, in ways unlike any other medium. Comics will pick you up after it knocks you down. Comics will dust you off and tell you it loves you. And you will look into its eyes and know it’s true, that you love comics back.” [Becky Cloonan: Comics or STFU]

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Ken Akamatsu invites downloaders to do penance for their sins

Image from Akamatsu's announcement, presumably of a guilty party

It’s Lent, the time of penance and atonement, and manga creator Ken Akamatsu (Love Hina, Negima) is inviting file-sharers to purify their purloined manga. Anime News Network has helpfully translated his message of hope, which was originally posted in Japanese.

Akamatsu has been experimenting with online manga, and last year he launched a Japanese comics site called J-Comi that features out-of-print manga, including his own Love Hina. Akamatsu has gotten some of the big publishers to play along, but in Japan, the creators often hold the digital rights and they get to call the shots.

Now he has come up with an interesting twist that combines his business plan with private expiation of guilt: He asks readers who have downloaded manga illegally through file-sharing services such as Winny to forward the files to him. (Reassuringly, he says, “everyone has done this at least once.”) Interestingly, he also asks people who merely know of such files to go ahead and download them and send them to him. Akamatsu and his crew will contact the creators, and if they get the go-ahead, insert ads and post the files on J-Comi. All the ad revenue will go directly to the creator, J-Comi gets the benefit of the added content, and the downloader stop feeling guilty and start sleeping better.

If the creators don’t choose to play along, of course, nothing will change:

“However, if the creators do not give their OK, the files will be abandoned and the files will continue to drift through hell (Winny). Perhaps forever….”


Has pirated manga become ‘property of the internet’?

Akamatsu's legit manga download site

A blog called Welcome Datacomp has translated a discussion of manga piracy between manga creators Ken Akamatsu (Love Hina, Negima), Minako Uchida, and Kazumi Tojo that took place on the Japanese social media site Togetter about the prevalence of scanned and fan-translated manga on the internet. Akamatsu is experimenting with his own free manga site, but even so, he sounds pessimistic: “Am I too late? I get the feeling that [my project to release free manga PDFs] won’t be enough at this point.” He goes on to say

Hasn’t illegally scanned manga, propagated so casually like this, fallen into the category of “property of the Internet”? You won’t be able to eliminate it. The only thing we can do at this point is [launch our own free websites with the] “advertising model”. (Because charging people would be difficult.)

The most recent illegal scans are very high quality, and the translations are exceedingly accurate. (^^;) If there’s no respect for original authors on the net, then obviously the official versions will lose out.

The creators express dismay that people who would not shoplift from a physical store have no compunction about reading pirated manga; as Tojo says, “It seems like people will pay for things they can touch like vegetables, but they think it’s a waste to pay for intangible data.”

It seems like the creators are talking about both scans in Japanese, which are read locally, and fan-translated manga for other markets; they cite one example of a publisher being told by fans to change a name to the one selected by a scanlator. And there’s an interesting side discussion on the decline of the cell phone, which was once a popular platform for yaoi and erotic manga. As people switch to smart phones, the options dwindle: Apple doesn’t allow adult manga in the iTunes store, and Akamatsu says Kindle doesn’t either (I’m not so sure about that), but the fans reassure him that Android allows it, making that the platform of choice for ero manga fans.

Comics A.M. | Spider-Man producer fires back; more from Gareb Shamus

Spider-Man: Turn Off the Dark

Broadway | Michael Coehl, lead producer of Spider-Man: Turn Off the Dark, has responded to the thrashing the $65-million production received this week from some of the country’s top theater critics. The Julie Taymor-directed show, which finally opens on March 15,  was labeled by The New York Times and The Washington post as one of the worst musicals in Broadway history. “Any of the people who review the show and say it has no redeeming value are just not legitimate reviewers, period,” Coehl told Entertainment Weekly. [PopWatch]

Publishing | Wizard World CEO Gareb Shamus gives another interview about the abrupt closing of Wizard and ToyFare magazines, his expanding stable of regional conventions, plans for a weekly online magazine, and the state of the industry: “The market’s changed. When I started 20 years ago, I was pioneering in the publishing world in terms of creating a product that got people excited about being involved in the comic book and toy and other markets, and we could do a lot of really cool and innovative things. Unfortunately right now being involved in the print world is very stifling, in terms of being able to leverage your content and your media and your access to the world out there.” Meanwhile, Tom Spurgeon and Martin Wisse comment on Shamus’ previous interview, which is pretty much the same as the new one. [ICv2.com]

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Comics A.M. | Essex County voted off Canada Reads, NYCC tickets on sale

Essex County, Vol. 1

Awards | Jeff Lemire’s acclaimed Essex County was the first finalist eliminated Monday in the Canada Reads literary debates to select the essential Canadian novel of the decade. Despite a defense by musician Sara Quin, the graphic novel was voted down by the five-person celebrity panel after the first hour, not because of content but because of format: Four of the judges just couldn’t get past Essex County‘s “lack of words.” This year marked the first time that a graphic novel had been a finalist for the prestigious Canada Reads program.

“Well, I was the first book voted off of the Canada Reads competition today, and I’ll admit that it stings a bit more than I thought it would,” Lemire wrote on his blog. “But, in the end I am really proud of the accomplishment of making it to the final 5. It’s a great sign for the future of graphic novels in this country, and their continued acceptance mainstream literary circles on a whole.” [Afterword, CBC News]

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Comics A.M. | Bad January for direct market; online piracy helps anime sales?

Fantastic Four #587

Publishing | Direct-market sales plummeted last month, down nearly 23 percent in units and more than 20 percent in dollars from January 2010.  Marvel’s heavily promoted Fantastic Four #587 was, unsurprisingly, the top-selling comic, while Vertigo’s Jack of Fables, Vol. 8, led the graphic novel list. Retailer news and analysis site ICv2.com puts part of the blame for the year-over-year decline on the weather. However, John Jackson Miller notes that Diamond Comic Distributors shipped 23 percent fewer comics last month — 555 different comics and trades (including variants), compared to 683 in January 2010. “This is more than can be explained by the holiday difference; this would appear to simply be the old pattern of publishers holding fire at this time of year and releasing fewer items,” Miller writes. “Some years, that effect is more in evidence than others; this could potentially be one of the bigger years for this kind of positioning.” [ICv2.com, The Comichron]

Digital piracy | A Japanese government think tank has released a study that concludes online piracy of anime series actually increases sales of DVDs. “One point of critique based on the main conclusions of the study, is that the observed relation only appears to be correlational,” TorrentFreak cautions. “This may mean that the results could in part be influenced by significant third variables such as promotion and overall popularity. Since the report is only available in Japanese we were unable to confirm whether this was taken into account.” [TorrentFreak]

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Comics A.M. | Borders bankruptcy looms; ‘Mystery Men’ trademark issues?

Borders

Retailing | Citing unnamed sources, Bloomberg reports that Borders Group may file for bankruptcy protection as early as next week. Additionally the struggling book chain, the second-largest in the United States, will likely close at least 150 of its 500 remaining namesake stores. Company stock plunged in the wake of the news. A Borders spokeswoman declined comment, but referred to a Jan. 27 statement from President Mike Edwards in which he raised “the possibility of an in-court restructuring.” [Bloomberg]

Legal | Rich Johnston and retailer news and analysis site ICv2 look at potential trademark issues surrounding Marvel’s “Who Are the Mystery Men?” They note that cartoonist Bob Burden owns the trademark to the one-word “Mysterymen,” while Dark Horse and Universal Pictures control the two-word “Mystery Men” — both relating to the characters created by Burden and the 1999 movie adaptation. Dynamite Entertainment also has laid claim to “Super-Mysterymen” for its Project Superpowers series. “I have not heard from Universal yet, but I’m sure Universal will proceed in an orderly and propitious manner,” Burden said. [Bleeding Cool, ICv2.com]

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2010: The year in piracy

If this was the year that publishers started taking legitimate digital comics seriously, it was also the year they started taking bootleg digital comics seriously. A group of American publishers banded together to take down HTMLComics.com, while American and Japanese publishers banded together to target bootleg manga scan sites. Six months later, HTMLComics.com is still down (and likely to stay that way, as the authorities have confiscated their servers), while the manga sites are back in business—in part, perhaps, because many are hosted overseas and thus out of the reach of American and Japanese authorities.

January

Kicking off a year in which piracy and creators’ rights took center stage, Colleen Doran reveals that former clients have released some of work to the Kindle and Google Books without her consent, and despite the fact that they have no right to do so.

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Manga piracy moves to the Kindle

It was inevitable that someone would try manga piracy on the Kindle. It’s actually coming a bit late: The iTunes store is riddled with manga apps that pick up files from pirate sites like OneManga.com.

The Kindle is more of a closed system, so you have to hack it a bit, but an entrepreneur has figured it out. Manga on the Kindle is a subscription service; for $5 a month, you can download your choice of manga to your Kindle. It sounds legit, until you look at the list of available manga: Naruto, Bleach, Fullmetal Alchemist, Air Gear. No way is any American manga publisher going to let properties like that go to an obscure multi-comic app like this.

So how do they do it? At first I thought this might be published as a blog or e-zine on Amazon’s Kindle service, but it’s not. Basically, it’s just downloads that can be configured to go on a Kindle. There’s something touchingly old-school about the instructions page; it reminds me of the beginner’s guides to IRC (Internet Relay Chat) that scanlation sites used to feature, back when you still had to download. It’s written in the same friendly, reassuring tone, and it explains absolutely everything that will happen.

It’s pretty blatant piracy, but Manga on the Kindle gets a lot of things right. Continue Reading »

Notes on digital piracy

At the Content Protection Summit (yes, there is such a thing) in LA a few weeks ago, a Warner Brothers exec, Ben Karakunnel, discussed some insights into digital piracy that the company has gleaned through its reseach. Apparently WB has been tracking both P2P and streaming of their movies, and they have come to some interesting conclusions—which may have implications for comics as well.

One key insight, which vindicates the indignant comments whenever a site like scans_daily, HTMLcomics.com, or Onemanga.com is shut down, is that people who use pirate sites also pay for their media.

Even the most diehard pirates spend some money, though less than more casual infringers. “One of the main things we’re doing is looking at why they do things legitimately on certain products and not on others,” said Karakunnel.

Another is that people are finding their free media via specialty sites that link to it rather than search engines. That’s also significant for comics. Publishers have been doing a better job lately of making their own sites rank ahead of pirate sites on search engines, but if everyone is heading over to Surfthechannel to see what’s new, it really doesn’t matter. In fact, the difference here seems to be between looking for something you already know exists and looking for something new to watch—which means those link sites could have considerable promotional value.

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Comics A.M. | Spider-Man resumes tonight, One Piece creator makes $24M

Spider-Man: Turn Off the Dark

Broadway | The Broadway musical Spider-Man: Turn Off the Dark canceled both Wednesday performances to test new safety measures following the Monday-night fall that left a stuntman hospitalized with broken ribs and internal bleeding. The cancellation of the sold-out evening show was announced just three hours before showtime at the Foxwoods Theatre. Tonight’s performance is expected to go on as planned.

Producers and creators met privately on Tuesday with the entire company to address safety concerns about the $65-million musical, the most expensive and technically complex in Broadway history. Although accidents in theater productions aren’t uncommon, it’s unusual for there to be four injuries before a show has officially opened. MTV offers some context. [The New York Times, The Associated Press]

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Comics A.M. | Spider-Man musical resumes, amid criticism, after fall

Spider-Man: Turn Off the Dark

Broadway | The fall that seriously injured an actor Monday night in the musical Spider-Man: Turn Off the Dark was the result of human error, the Actors’ Equity Association said. Christopher Tierney, the 31-year-old aerialist who doubles for Spider-Man and two villains, remains in serious but stable condition after the cable to his safety harnesses snapped, sending him tumbling as far as 30 feet into the orchestra pit. As we reported on Tuesday, today’s matinee has been canceled while the show enacts additional safety measures. However, tonight’s performance will go on as scheduled.

Amid criticism from Broadway actors and calls for the plug to be pulled on the $65-million production — Tierney is the fourth Spider-Man performer to be injured — director Julie Taymor issued a statement, calling the accident “heartbreaking”: “I am so thankful that Chris is going to be alright and is in great spirits. Nothing is more important than the safety of our Spider-Man family and we’ll continue to do everything in our power to protect the cast and crew.” Meanwhile, the New York Post — home to theater columnist Michael Riedel, who’s gleefully chronicled the musical’s many setbacks — quotes one unnamed investor as saying, “We should cut our losses and just get out,” while another worries about potential lawsuits. The Daily Beast provides a timeline of the delay-plagued production, while Mark Evanier offers commentary. [Spider-Man: Turn Off the Dark]

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Comics A.M. | Another actor injured in Spider-Man musical mishap

Spider-Man: Turn Off the Dark

Broadway | A fourth actor was injured Monday night during a performance of Spider-Man: Turn Off the Dark, the $65-million musical that’s been plagued by delays and technical mishaps. Aerialist Christopher Tierney, who serves as a stunt double for Spider-Man and the villains Meeks and Kraven, fell about 30 feet when the cable to his harness snapped during the closing minutes of the show. Some equipment reportedly dropped into the audience as well. The performance was put on hold and then canceled as an ambulance arrived at the Foxwoods Theatre to take Tierney to Bellevue Hospital. Tierney is in stable condition, but no further information has been released. [BroadwayWorld, The Associated Press, CNN]

Publishing | Fantagraphics has laid off Dirk Deppey,The Comics Journal‘s online editor, former managing editor, and longtime writer of the Journalista! blog. His final day is Wednesday: “No regrets: The last ten years have kicked ass. I’ve done great things and meet interesting people, and was paid it. How great is that?” [Twitter]

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Comics A.M. | Witness testifies in George case, publishers rebuke Apple

Legal

Legal | Michael Renaud, the only witness who can place retailer Michael George at his comic store around the time his first wife Barbara George was killed, testified Monday that a meeting with detectives shortly after the 1990 murder detailed in a recently published book did take place, despite its lack of mention in police files. Defense attorney Carl Marlinga questioned during the evidentiary hearing whether Renaud, who admitted to smoking marijuana, has a reliable memory of events. [Detroit Free Press]

Digital piracy | Four publishing groups in Japan, including the Digital Comic Association, is demanding that Apple stop selling pirated works of Japanese authors in its App Store. Apple says that it removes pirated material upon notification by the copyright holder. [The Wall Street Journal]

Publishing | Although a bill to further restrict the sale in metropolitan Tokyo of manga and anime depicting “extreme” sex won’t be voted on until Wednesday, some creators say the legislation has already had a chilling effect. For instance, one boys love artist contends her publisher is refusing to release works set in schools or featuring school uniforms. [Sankaku Complex]

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Comics A.M. | Pirate Bay convictions upheld, digital piracy debated

The Pirate Bay

Legal | A Swedish court last week upheld the copyright convictions of three founders of The Pirate Bay, billed as “the world’s most resilient bittorrent site.” Peter Sunde, Fredrik Neij, Carl Lundstrom and Gottfrid Svartholm Warg were convicted in April 2009 of copyright infringement, fined and sentenced to one year in prison. On Thursday the appeals court reduced the sentence to between four months and 10 months each for Sunde, Nij and Lundstrom while increasing the fine by about $2 million to $6.4 million. A decision regarding Warg’s appeal was postponed because of the defendant’s poor health. [CNET]

Legal | The Japan P.E.N. Club writers group and the Tokyo Bar Association last week announced their opposition to the Tokyo Metropolitan Government’s latest effort to tighten regulations on the sexual depictions of minors in manga, anime and video games. [Anime News Network]

Piracy | Johanna Draper Carlson and Tim Geiger wade into Colleen Doran’s recent argument against digital piracy. [Comics Worth Reading, Techdirt]

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