Comics | Rupp’s Comics in Fremont, Ohio, will display a rare comic this weekend as part of the store’s 22nd-anniversary celebration: Detective Dan: Secret Operative No. 48, published in 1933, is the first comic book to contain a single original story (as opposed to several strips, or a compilation of reprints from newspapers). The new format was not an immediate success, and the series was canceled after just one issue. [The News-Messenger]
Creators | It’s old but it’s good: The Comics Journal dips into the archives for a 1989 interview with Calvin and Hobbes creator Bill Watterson. [The Comics Journal]
Creators | John Porcellino reflects on 25 years of King-Cat Comics. [du9]
Passings | Lew Stringer reports that British artist Charles Grigg died Wednesday at age 97. Grigg is probably best known for drawing Korky the Cat, whose adventures graced the cover of the weekly comic The Dandy for decades, and he drew a number of other strips for The Dandy and The Topper as well. After he retired he had a second career drawing naughty postcards. [Blimey!]
Retailing | The direct-market trade organization ComicsPRO has announced its annual membership meeting will be held Feb. 26-March 1 in Atlanta. [ICv2.com]
Creators | Art Spiegelman talked to students at Lakeland College recently and then sat down to answer some questions about his love of comics, how his depression affected his work, and whether he has any regrets about the way he portrayed his father in Maus. [The Lakeland Mirror]
Auctions | Comics industry legend Maggie Thompson plans to put up for auction 524 comics from her personal collection. Thompson, who with her late husband Don was a longtime editor of the Comics Buyer’s Guide, estimates that she has 10,000 comics, all stored in a special vault-like addition to her home, which she built using the money from a previous sale, of Amazing Fantasy #15 (the first appearance of Spider-Man) and the first 100 issues of The Amazing Spider-Man. Bidding on the first batch of comics, which includes The Avengers #1, Journey into Mystery #83 (first appearance of Thor), The Incredible Hulk #1, and original cover art from Conan #4, begins today. [The Associated Press]
Comics | ICv2 releases the results of its White Paper (previously reported at Comic Book Resources), which tracks comics and graphic novel sales in all channels. Briefly, the report shows that sales of comics and graphic novels are up, manga is up dramatically, and digital comics sales continue to increase — although growth is slowing a bit, which is to be expected as the base increases. [ICv2]
Retailing | Fans of the Fall River, Massachusetts, retailer StillPoint Comics, Cards & Games kicked in $5,000 in a GoFundMe campaign to keep the store in business. The shop, which opened in 1997, had to close for 10 days last month after its power was shut off. [The Herald News]
Publishing | Following confirmation last month of a Space Mountain graphic novel series, Heidi MacDonald talks with executives from Disney Publishing Worldwide about the expansion of the new Disney Comics imprint. [Publishers Weekly]
Events | Sean Kleefeld reports on Day 1 of the Billy Ireland Cartoon Library & Museum Grand Opening Festival of Cartoon Art in Columbus, Ohio. [Kleefeld on Comics]
Owner Dish Network, which bought the already-struggling company in a 2011 bankruptcy auction announced this morning it will also end the Blockbuster By Mail service in mid-December and shutter its distribution centers. According to Reuters, 2,800 employees will lose their jobs.
As with the decline of music stores that preceded it, the death of Blockbuster is being attributed to the rise of digital (in particular, Netflix), which curiously enough — and despite fears to the contrary — hasn’t appeared to harm another specialty channel: direct-market comic stores. In fact, all indications appear to point to digital helping print sales. Could it be that comic shops, long the subjects of apocalyptic predictions, end up as the last ones standing?
Graphic novels | Graphic novel sales are up 6.59 percent in comics shops, and they are also up in bookstores, according to the latest issue of ICv2′s Internal Correspondence. Sales have been increasing in the direct market for a while, but this is the first uptick in bookstore sales since the economy crashed in 2008. There seem to be several factors, including the popularity of television and movie tie-ins — the success of DC’s graphic novel program linked to Man of Steel is singled out — and a turnaround in manga sales. The article winds up with lists of the top properties in a number of different categories. [ICv2]
Digital comics | Here’s today’s news article on Crunchyroll’s new digital manga service, which offers same-day releases of 12 Kodansha manga titles for free and an all-you-can-eat service for $4.99 a month. Tomohiro Osaki interviews Japanese publishing insiders, who are upfront about the fact that this is an attempt to compete with pirate sites, and translator Matt Thorn, who says that better translations on the official site may lure readers away from scanlations. [The Japan Times]
A retailer who last week ripped a copy of Pretty Deadly #1 in half in front of customers, triggering heated online reaction as well as responses from Image Comics and writer Kelly Sue DeConnick, has apologized for his actions.
“A small group of long time customers who know me well asked me what I really thought of the book,” Steven LeClaire, owner Comics Ink in Culver City, California, explained in a post on the Bleeding Cool forum (it was deleted and made into a standalone article). “For dramatic effect, I ripped a copy of the book after giving my review. I personally found the book lacking a coherent storyline and the art too muddy to follow. That was my opinion. The book was still on the shelves for sale for all those who wanted it. I made a mistake of thinking I was having a private talk with a small group of friends. I apologize for my actions.”
The incident was first mentioned Thursday by CBR columnist Hannibal Tabu in “The Buy Pile,” where he wrote that he agreed with the retailer’s assessment of the issue — by DeConnick, Emma Rios, Jordie Bellaire and Clayton Cowles — although he didn’t mention LeClaire by name. Word of the comic’s destruction quickly spread online, with Zero writer Ales Kot questioning whether the act was prompted merely by “anger about the product, or also by misogyny,” and leading Image Comics Publisher Eric Stephenson to offer to take back the remaining copies of Pretty Deadly #1 from Comics Ink and have Diamond Comic Distributors cancel orders for subsequent issues.
Manhattan retailer Midtown Comics. which last year opened a boutique inside the Fifth Avenue flagship location of FAO Schwarz, has now expanded into the Times Square Toys”R”Us. Located frighteningly close to the T-rex in the Jurassic Park display (above), the boutique sells graphic novels, hardcover books and apparel.
“We are thrilled to bring our brand to Toys“R”Us, and to share the excitement of comics, graphic novelsl, and related collectibles with the mainstream public,” Midtown co-owner Gerry Gladston said in a statement.
Midtown Comics opened its first store in 1997, and now boasts three locations in Manhattan (in addition to the two boutiques).
(Photo courtesy of the Midtown Comics Tumblr)
After teasing the number last week in USA Today, Image Comics officially announced The Walking Dead #115 — the 10th-anniversary issue that kicks off the storyline “All Out War” — immediately sold out on the distributor level its day of release, shipping more than 352,000 copies to the direct market. That makes the issue the top comic of the year to date in specialty shops, beating the estimated 308,000 copies sold in February by Justice League of America #1.
The landmark 100th issue of the series, by Robert Kirkman, Charlie Adlard and Cliff Rathburn, was the top-selling comic in the direct market in 2012, setting set a new record for highest orders for a comic in a single month with an estimated 366,000 copies.
Digital comics | Declaring that “the mainstreaming of digital publishing is nearly complete,” veteran technology writer Andy Ihnatko outlines three major steps the industry still needs to take: a move by Dark Horse to comiXology; the adoption of ePUB as an industry standard; and the abandonment of digital rights management. “We should be grateful to DRM,” Ihnatko writes. “‘What about piracy?’ wasn’t Marvel or DC’s only qualm about digital publishing, but it was a question that needed to be addressed before the major publishers could go all-in. But now that comiXology is up and running, and people have been ‘trained’ to use the new infrastructure, DRM is becoming less and less valuable with each passing quarter.” [Chicago Grid]
Digital comics | For readers only now discovering digital comics, Jeffrey L. Wilson provides a guide that covers the basics, from what they are to where they can be found and how much they cost. [PC Mag]
Conventions | A even bigger obstacle than the San Diego Chargers to the proposed $520 million expansion of the San Diego Convention Center could be the California Coastal Commission, which must approve the project before it can proceed (the stage agency has regulatory oversight of land use and public access to the California coastal zone). The commission’s 11 members are meeting today through Friday in Mission Valley, where they’re expected to consider staff objections about reduced access to the bay; a bridge, estimated to cost about $42 million, from the foot of Fourth Avenue in the Gaslamp Quarter has been floated as a solution. A public hearing is being held Thursday. The expansion of the convention center is viewed as critical to keeping Comic-Con International in the city past 2015. [U-T San Diego]
Creators | Jeff Smith, who was named last week to the board of the Comic Book Legal Defense Fund, talks briefly about the importance of the organization, and the 2010 challenge to his all-ages graphic novel Bone in a Minnesota school. [Comic Riffs]
Comics | Archie Co-CEO Jon Goldwater, writer Roberto Aguirre-Sacasa and artist Francesco Francavilla have a few things to say about the new zombie series Afterlife With Archie. “We are taking a series of characters known to be lighthearted and young adult-oriented and doing a horror comic with them, so the mood, atmosphere, and setting are very important to make this a believable horror and not a comedy horror,” says Francavilla, who’s also the creator of The Black Beetle. “Fortunately, I am really good at making things dark and ominous.” [The Associated Press]
When DC Comics announced Villains Month, it got people talking and not always in a good way. For every person saying it was a cool idea, there seemed to be at least one proclaiming it a jump-off point for various series if not the entire New 52. Business as usual for comics fandom.
What was different this time was the additional complaints from retailers about the way DC handled the event. The extra time needed to create the fancy, lenticular covers meant that they had to go into production before DC knew how many copies it needed. And unfortunately, when orders came in, the publisher discovered it had estimated too low, which created problems with meeting demand.
Brian Hibbs wrote about the situation for Comic Book Resources as well as on his own blog, and CBR ran a roundup of general reactions from store owners, but now that Villains Month is behind us, I wanted to get a deep perspective from a retailer on what worked, what didn’t, how readers actually responded with their money, and what lessons could be learned to make similar events less frustrating in the future. To that end, I contacted Mike Sterling, manager of Seth’s Games and Anime/Ralph’s Comic Corner in Ventura, California.
Sterling has been writing on the Internet about comics for longer than most of us. His Progressive Ruin blog has been running since December 2003, combining Sterling’s sense of humor and love of comic book weirdness with sharp observations about the direct market. He manages what used to be called simply Ralph’s Comic Corner, a shop that’s been active since 1980, but was purchased in 2009 by Seth’s Games and Anime. Sterling remains manager while the titular Ralph still handles the old comics business. It was because of his long-standing knowledge of comics retailing and his ability to be equally funny and frank when discussing it that I asked Sterling to talk with me about his experiences with Villains Month.
Creators | Jeff Kinney, author of Diary of a Wimpy Kid, was traveling the day a tornado devastated Moore, Oklahoma, and he saw the damage on a news broadcast while waiting for a flight. The images stuck with him, so he rounded up fellow creators Lincoln Peirce (Big Nate), Stephan Pastis (Pearls Before Swine, Timmy Failure) and Dav Pilkey (Captain Underpants), all of whom he describes as “novelists whose DNA is in comics,” to hold a benefit to rebuild the town’s school libraries. The quartet will meet in Norman, Oklahoma, for a panel discussion and will raffle off original art and sell autographed copies of their books this weekend, with all proceeds going to the Moore Public Schools Foundation, earmarked for the school libraries. [Oklahoma Gazette]
Creators | Joe Sacco, author of Palestine, Footnotes in Gaza and, most recently, The Great War, talks about his work day, his process and the places he’s been. [The Telegraph]
Awards | Gilbert Hernandez is the recipient of the 2013 PEN Center USA award for outstanding body of work in graphic literature. Drawn and Quarterly announced the honor along with news that it will publish Hernandez’s next graphic novel, Bumperhead. [The Comics Reporter]
Conventions | “SPX is all about the hugs,” says Heidi MacDonald, who relegates her business piece on the Small Press Expo to Publishers Weekly and turns to her blog to discuss not only her impressions but what folks were saying on social media. [The Beat]