Comics| Brian Brown, president of the National Organization for Marriage, expressed dismay about the backlash to DC Comics hiring sci-fi author, and outspoken gay-rights opponent, Orson Scott Card to write Adventures of Superman. Card is a board member of the organization, which works against the legalization of same-sex marriage. “This is completely un-American and it needs to be stopped,” Brown said. “Simply because we stand up for traditional marriage, some people feel like it’s OK to target us for intimidation and punishment.” NOM last year launched boycotts of Starbucks and General Mills because of their support of same-sex marriage initiatives. [The Huffington Post]
Retailing | Gabi Shepherd, owner of Olympic Cards and Comics in Lacey, Washington, talks about the importance of courting teenagers, who are often not welcome in other retail stores: “I have found that if I am going to make this the community center that I want to make it then the kids are a big part of that. It makes them feel good when they come in and someone knows who they are. It’s important. It’s respect.” [ThurstonTalk]
Publishing | Todd Allen analyzes the sales of DC Comics’ New 52 titles from their September 2011 launch to the past month. Sales of any series tend to drop off from one issue to the next — Allen compares it to radioactive decay — and when the numbers drop below 18,000 for a couple of titles, DC tends to cancel them in batches and start up new titles to replace them. That plus crossovers and strong sales of some flagship titles has kept the line fairly stable until recently, but as Allen notes, the replacement titles tend to crash and burn pretty quickly, and overall sales have dipped a bit. [Publishers Weekly]
History | David Brothers has a great column for Black History Month, featuring Krazy Kat, All-Negro Comics and other titles by black creators. [Comics Alliance]
As the calls grow for DC Comics to drop Ender’s Game author and outspoken gay-rights opponent Orson Scott Card from its digital-first Adventures of Superman, the first retailer has stepped forward to say he won’t order the print edition of the new anthology.
“Zeus Comics will not be carrying the print edition of writer Orson Scott Card’s Superman,” Richard Neal, owner of the Dallas store, wrote this afternoon on his Facebook page. “Card sits on the board of the National Organization of Marriage which fights against marriage equality. His essays advocate the destruction of my relationship, that I am born of rape or abuse and that I am equated with pedophilia. These themes appear in his fiction as well. It is shocking DC Comics would hire him to write Superman, a character whose ideals represent all of us.”
He continued, “If you replaced the word ‘homosexuals’ in his essays with the words ‘women’ or ‘Jews,’ he would not be hired. But I’m not sure why its still okay to ‘have an opinion’ about gays? This is about equality.”
Zeus Comics was the recipient of the 2006 Will Eisner Spirit of Comics Retailer Award, presented to a store “that has done an outstanding job of supporting the comic art medium both in the community and within the industry at large.”
Adventures of Superman debuts online April 29 and in print May 29.
Publishing | Comics sales were up 22 percent in the direct market over January 2012, and graphic novels increased by nearly 38 percent. This good news is tempered a bit by the fact there were five Wednesdays in this January (or 25 percent more Wednesdays, if you want to look at it that way), but that fifth week is usually a quiet one for new releases, so I think we can call this a win. The retail news and analysis site ICv2 credits Marvel NOW! and a strong backlist for the boost. [ICv2]
Publishing | Dark Horse’s video-game art book The Legend of Zelda: Hyrule Historia last week was the No. 1 book in the United States, according to Nielsen BookScan — not merely in the graphic novel category, but in any category. The initial print run was 400,000 copies. (Comic Book Resources interviewed the book’s editor Patrick Thorpe last month.) [ICv2]
Comics | A Columbus, Ohio, entertainment weekly lays out a case for the city — home of Jeff Smith, the Billy Ireland Cartoon Library & Museum and the Small Press and Alternative Comics Expo — becoming, like Portland, Oregon, a hub for comic books. “Comics in Columbus is a weird underground, sort of hip-hop thing,” indie publisher Victor Dandridge Jr. says. “We’re like hip-hop in the Bronx in ’79, just on the corner doing our thing.” [Columbus Alive]
Conventions | Bart Beaty files a final report on this year’s Angouleme International Comics Festival, and his verdict is … meh. “There was a consensus all around that the show was flat. People would throw around adjectives like “fine,” “good,” and “okay.” It wasn’t a disaster (as were some of the shows disrupted by construction), but it also wasn’t that memorable either” [The Comics Reporter]
Publishing | The X-Files is in the headline, but this interview with IDW Publishing Editor-in-Chief Chris Ryall covers a lot of ground, including the logistics of continuing a defunct TV franchise as a comic, the standouts among IDW’s young creators, and the challenges of being a comics writer. [Hero Complex]
Publishing | Alvin Lu has left his position as executive vice president of the manga publisher Viz Media. Lu had been at Viz for 13 years and was one of the top executives in the company, reporting directly to CEO Hidemi Fukuhara. [ICv2]
Comics | The graphic novel Metro, once banned in Egypt, is available in Cairo once more. [The Comics Reporter]
ComicsPRO, the trade organization for comics retailers, has announced the nominees for its fourth annual Industry Appreciation Awards recognizing those who make the direct market “more successful for all of us.”
The awards are divided into two categories, one for professionals still active in the industry, and a Memorial Award for those who have passed away. The nominees are:
Industry Appreciation Award
- Scott Dunbier, senior editor of special projects at IDW Publishing
- Cindy Fournier, vice president of operations for Diamond Comic Distributors
- David Gabriel, senior vice president of sales and circulation for Marvel
- Bill Schanes, vice president of purchasing for Diamond Comic Distributors
- Eric Stephenson, publisher of Image Comics
When Challengers Comics + Conversation opened nearly five years ago in Chicago’s Bucktown neighborhood, owners Patrick Brower and W. Dal Bush expected their clientele would be predominantly men. However, families with young children soon began walking through the door.
“When we first started in March 2008, we were surprised by the number of families that would come in,” Brower told Time Out Chicago. “Over the years, that’s grown, and it seems like a large portion of our regular customers have just started to have kids. They’re just infants, but those comic readers will want their kids to read comics.”
So after a 2010 expansion into an adjacent storefront for a sequential-art gallery didn’t prove as popular as they had hoped, the owners decided to transform the 400-square-foot retail space into Sidekicks, a “comic shop within a comic shop” devoted exclusively to family-friendly fare.
Creators | Colorist Jordie Bellaire launches a protest against a convention that refuses to include colorists as guests. “Your one sentence, ‘this is not a colorists thing,’ was surely the most pigheaded and dismissive thing I’ve been told since I began professional coloring,” she writes, and then goes on to point out all the things colorists do to make comics great and make a forceful argument for including them (as many major cons already do). In a later post she explains why she won’t name the convention. [Jordie Colors Things]
Graphic novels | A study soon to be released by a University of Oklahoma researcher shows that students who read a textbook in graphic novel form retained more than those who read a straight prose textbook. [The Oklahoman]
Publishing | The Amazing Spider-Man #700 led the pack in the December comics numbers with 200,000 copies selling to comics shops, and with a cover price if $7.99, it racked up a cool $1.6 million in sales. Avengers #1 sold 186,000 copies but at a more reasonable price, so the dollars didn’t pile up as high for that one. ICv2 also has the December charts for the Top 300 comics and graphic novels in the direct market. John Jackson Miller takes it to the next level with sales estimates for the top 1,000 comics and trades of 2012. [ICv2]
Publishing | At the other end of the scale, Rob Clough talks to Chuck Forsman, the guy behind micropublisher Oily Comics. [The Comics Journal]
The popular owner of Legends in Rome, Georgia, Lee was arrested in 2004 after participating in a trick-or-treat event in which thousands of comics were given away for free. Among the books was Alternative Comics #2, which contained an excerpt from Nick Bertozzi’s graphic novel The Salon depicting a nude Pablo Picasso in a non-sexual context. The comic accidentally was given to a minor, whose parents filed a complaint with the police. Although Lee acknowledged the mistake and offered to make a public apology, he was arrested and charged with two felony counts of distributing material depicting nudity or sexual content and five misdemeanor counts of unlawful disposition of materials to minors. Several of those counts didn’t name victims.
The Comic Book Legal Defense Fund became involved with the case in early 2005, challenging the constitutionality of the law as well as the counts that didn’t name victims. Subsequently, the felony charges and two misdemeanor counts were dropped. However, the case trudged on, with charges dropped and then refiled, hearings postponed and then, in November 2007, a mistrial was declared before opening statements could be finished. Finally, in April 2008, Lee’s case was dismissed entirely.
Publishing | As part of its coverage of the Consumer Electronics Show in Las Vegas, Variety spotlights DC Entertainment’s digital moves, particularly its “Digital First” initiative, with titles like Smallville, Arrow and Batman: Arkham Unhinged, and the increase in sales since the company began going day-and-date with its comic books in September 2011. “What we launched last year as an experiment, we’ll increase the frequency now because it’s gotten so popular,” Hank Kanalz, senior vice president of Vertigo and Integrated Publishing, says of Digital First. [Variety]
Retailing | Halifax, Nova Scotia, comics retailer Calum Johnston is looking for a new location for Strange Adventures, as the current location is being redeveloped and the rent will go up as a result. Johnston would rather pay for more staff than pay a higher rent: “When people come in looking for a major title like the death of Peter Parker in Marvel Comics’ The Amazing Spider-Man, they inevitably have questions about other titles. It is important to have staff available to keep customers up to date on new developments and titles.” [The Chronicle Herald]
Diamond Comic Distributors this week released its lists of the bestselling comics and graphic novels of 2012, and ahead of all the expected big titles from Marvel and DC was The Walking Dead by Robert Kirkman, Tony Moore, Charlie Adlard and Cliff Rathburn. While the splashy headline is that The Walking Dead‘s 100th issue is the bestselling comic of the year — possibly of the past 15 years — what makes the achievement so remarkable is that the success is so thorough and consistent.
Not only did The Walking Dead top both the comic and the graphic novel lists, but nearly every conceivably qualifying product with the words The, Walking and Dead appears significantly high on both direct-market charts. Nine issues of the comic book are in the Top 300. In additional, all 17 volumes of the softcover trade paperback are among the Top 30 graphic novels, with Volume 1 claiming the top spot for the third year in a row. But wait, there’s more: Both oversized Compendiums, all eight hardcover collections and The Walking Dead Survivor’s Guide all appear elsewhere on the graphic novel chart. These are all remarkable achievements for an indie comic, and in many ways has primed the direct market for the success of Saga, Chew, Fatale and other titles that didn’t come from established franchises.
Just in case there were any lingering doubt, Diamond Comic Distributors has made it official: The landmark 100th issue of The Walking Dead was the top-selling comic in the direct market in 2012.
As we noted in August, the issue by Robert Kirkman, Charlie Adlard and Cliff Rathburn set a new record for highest orders for a comic in a single month with an estimated 366,000 copies copies, beating The Amazing Spider-Man #583 (the Barack Obama issue, with 352,800 copies), the previous top seller for the 21st century, and The Darkness #11 (357,000), Image’s previous all-time top seller.
According to the distributor, comics book sales finished the year up nearly 15 percent over 2011, and graphic novels up more than 14 percent. Marvel was the top publisher, with a 34.06 percent dollar market share and a 37.59 percent unit market share. DC Comics followed at No. 2 with a 31.94 percent dollar market share and a 36.75 unit market share. Marvel also published nine of the Top 10 comics of 2012: Uncanny Avengers #1, Avengers vs. X-Men #1-6, The Amazing Spider-Man #700 and Avengers #1.
The Walking Dead, meanwhile, dominated the graphic novels chart, claiming seven of the Top 10 spots.
“2012 was a terrific year for comic books and graphic novels,” Diamond CEO Steve Geppi said in a statement. “Our publishers did a tremendous job of creating compelling storylines that comic book fans wanted to see – from Marvel’s Avengers vs. X-Men followed by its Marvel NOW! titles later in the year to DC’s powerful New 52 ongoing titles. Add in Dark Horse Comics’ horror line-up, IDW’s My Little Pony and Image Comics’ creator-driven hits and it was quite a year. In addition, I would like to mention what a wonderful job comic shop retailers did in 2012, by continuing to establish a great environment that readers and fans want to come and visit.”
Creators | Michael Cavna talks to cartoonist Richard Thompson in-depth about his Parkinson’s disease, its effect on his cartooning, and the brain surgery he had this year to combat it, and shows the cartoon Thompson drew during the surgery. The story includes an update on how Thompson has been doing since the surgery and interviews with other cartoonists, including a rare comment from Calvin and Hobbes creator Bill Watterson, about Thompson’s work and his struggle against the illness. [Comic Riffs]
Publishing | The French satirical weekly Charlie Hebdo, whose offices were firebombed in 2011 after it published cartoons mocking Mohammed, has released a comic-book biography of the Muslim prophet. Editor Stephane Charbonnier, who has lived under police protection since the magazine first published the cartoons, says the biography is a properly researched educational work edited by Muslims: “I don’t think higher Muslim minds could find anything inappropriate.” [AFP]