Disney Archives - Robot 6 @ Comic Book Resources
Marvel will launch a five-part miniseries next spring based on the Disney Parks roller coaster Big Thunder Mountain Railroad.
Teased Saturday with posters at the Disneyland and a Magic Kingdom attractions before an official announcement, the comic is the third series in the Disney Kingdoms line, following Seekers of the Weird and Figment.
If you’ve ever wondered how Ex Machina co-creator Tony Harris would take on some of the iconic rides at Disney parks, look no further — Harris has posted four deluxe prints done for the House of Mouse on Facebook, including his take on Pirates of the Caribbean, The Haunted Mansion and one of Maleficent of Sleeping Beauty and Maleficent fame.
When we last left Deadmau5, the world-famous DJ/producer was publicly accusing Disney of copyright infringement in retaliation for the entertainment giant’s effort to block the trademark for his signature “mau5head” logo. At 171 pages, the company’s notice of opposition was certainly thorough, but that’s nothing compared to the DJ’s formal response.
Hollywood Esq. reports that on Monday, Deadmau5 filed more than 1,000 pages — when you take exhibits into account — with the U.S. Patent and Trademark Office, addressing not only the drier issues of whether his logo might be confused with Disney’s famed mouse ears, but also some considerably more interesting matters.
Marvel will expand its forthcoming Star Wars line in April with Star Wars — Kanan: The Last Padawan, an ongoing comic that ties in to Disney XD’s Star Wars Rebels animated series.
Announced today during the “Cup o’ Joe” panel at New York Comic Con, the series will be written by animation veteran Greg Weisman (Gargoyles, Young Justice), an executive producer for Rebels‘ first season, and illustrated by Pepe Larraz (The Mighty Thor).
Law 360 reports the failed dot com argued before a panel of the Ninth Circuit that the case shouldn’t have been dismissed in 2012 by a California federal judge simply because an identical action in New York was determined two years earlier to be time-barred. However, Lee’s attorney countered that the lead plaintiff in both shareholder actions was Jose Abadin, president of Stan Lee Media.
The backstory is familiar by now to ROBOT 6 readers, but here’s the CliffsNotes version: In 1998, during Marvel’s bankruptcy, CEO Isaac Perlmutter briefly ended its $1-million-a-year lifetime contract with Lee, freeing the legendary creator to form Stan Lee Entertainment, which later merged with Stan Lee Media. That company in turned filed for bankruptcy in February 2001; just four months after SLM emerged from protection in November 2006, shareholders filed a $5 billion lawsuit against Marvel.
The publisher’s IDW Limited program, which produces small print runs of deluxe editions, will also offer select collections geared to Disney devotees, while the fledgling Micro Comic Fun Packs line will market multiple properties to a mass audience, complete with minicomics, stickers and posters.
In addition, IDW’s celebrated Library of American Comics will collect the newspaper strips that have featured Disney characters (there’s a long line of them, dating to the early 1930s with Mickey Mouse, Silly Symphony and, toward the end of the decade, Donald Duck).
“There’s nothing quite like Disney,” IDW Publishing CEO Ted Adams said in a statement. “Despite the fact that nearly all of the titles in its library were originally intended for kids, adult collectors have long sought high quality and regularly published collections of classic Disney material. IDW is thrilled to present these beloved stories in quality packages for both entry level comics readers and serious collectors alike.”
The publisher also announced it has expanded its partnership with Marvel for its Artist’s Edition line, which already includes such collections as Walter Simonson’s The Mighty Thor, John Romita’s The Amazing Spider-Man (Vol. 1 & 2), Steranko: Nick Fury, Agent of S.H.I.E.L.D. and the Marvel Covers Artist’s Edition.
Law.com has an interesting follow-up to the surprise settlement last week in the five-year-old legal battle between Marvel and Jack Kirby’s heirs, noting that the larger copyright issue at its center remain unresolved.
The children of the legendary artist filed 45 copyright-termination notices in September 2009, seeking to reclaim what they saw as their father’s stake in such Marvel characters as the Avengers, the X-Men, the Fantastic Four and the Incredible Hulk. Marvel, joined by its then-new parent company Disney, responded with a lawsuit, setting the dispute down a path that ultimately saw the Second Circuit Court of Appeals affirm Kirby’s contributions to the publisher between 1959 and 1963 were “work for hire,” and therefore not subject to copyright termination.
Under a clause in the 1976 U.S. Copyright Act, which extended the duration of copyright, authors or their heirs can reclaim rights transferred before 1978 after a period of 56 years. However, if a work is determined to be “for hire,” meaning it was created by an employee as part of his employment or specially commissioned as part of a larger work, then the publisher (or movie studio, record label, etc.) owns the copyright, and it is not subject to termination.
With its ambitious sandbox video game Disney Infinity, Disney has hit upon a way to generate sales — to the tune of $500 million worldwide — and to further promote a range of movie properties, ranging from The Pirates of the Caribbean to Frozen to The Incredibles (version 2.0 arrives next week, bringing the Avengers, Spider-Man and Guardians of the Galaxy into play). But could it also be quietly marketing comic books? Well, at least Marvel comic books?
Introduced in August 2013, Disney Infinity allows players to bring an assortment of characters into the game by purchasing $13 figurines and placing them on a special scanner, and to create their own world within the Disney universe using “Toy Box Mode.”
A certified pop-culture phenomenon, Groot is seemingly everywhere these days: on the big and small screens, on toy shelves and on T-shirts and backpacks. And now he’s carved onto a pumpkin — one of what will undoubtedly be many by the time Halloween rolls around — at Disneyland’s Big Thunder Ranch, no less.
The photo comes courtesy of Disney news site Stitch Kingdom, which also has shots of pumpkins featuring Han Solo in carbonite, Scar from The Lion King, the caterpillar from Alice in Wonderland and more. Check them out on Instagram.
It may only be Tuesday, but Disney’s Oh My Disney blog has already won the week by recreating the opening credits of DuckTales using actual ducks. Wearing little hats. Riding in a submarine. And flying in a spaceship. Did I mention the little hats?
A staple of weekday-afternoon television from September 1987 to November 1990, DuckTales followed Scrooge McDuck and his three grandnephews Huey, Dewey and Louie who, with pilot Launchpad McQuack, traveled the globe in search of adventure and treasure. Or else, they fought to protect Scrooge’s massive fortune from his enemies.
The theme song, which is undoubtedly already embedded in your brain, was written by Mark Mueller and sung by Jeff Pescetto.
Bristling for a fight with Disney over its bid to prevent him from trademarking his signature mouse-head logo, DJ/producer Deadmau5 has wasted no time in returning fire.
Rolling Stone reports the progressive-house performer is accusing the entertainment giant of using one of his songs in an animated short without permission. Linking to a Disney.com video featuring footage from classic Mickey Mouse cartoons set to the tune of Deadmau5’s 2009 track “Ghosts ‘n’ Stuff,” the DJ tweeted, “Okay mouse, I never gave Disney a liscene [sic] to use my track. So. we emailed you a C&D.”
Walt Disney Animation has premiered an adorable two-minute clip from Big Hero 6 that highlights the relationship between young Hiro and his robot Baymax, and has me looking forward to the Nov. 7 release of the film.
Even from the limited glimpses we’ve gotten of them, the characters are already appealing. I sure would be down for reading more stories about them. However, Marvel has no plans to release any comic books in conjunction with the premiere of Big Hero 6 — no reprints of the original stories that inspired from the movie, no new comics … nothing.
As the first Disney animated movie to take advantage of the House of Mouse’s $4 billion purchase of the House of Ideas, you’d think this would be pretty exciting for Marvel, and something it would want to promote. And yet, Marvel is surprisingly quiet about Big Hero 6.
There are no plans to reprint the 1998 original Sunfire & Big Hero 6 miniseries by Scott Lobdell and Gus Vazquez, or the 2006 follow-up Big Hero 6 by Chris Claremont and David Nakayama . Asked about that last week by Comic Book Resources, Marvel Editor-in-Chief Axel Alonso explained, “The characters and stories that have appeared in our comics are very different from what they are in the film. Releasing material that would be viewed as movie tie-in product would be a disservice to filmgoers. We wanted the Disney folks to be able to create their own unique style and story, unencumbered by those older stories.”
Marvel has partnered with Disney Consumer Products to kick off “Marvel Super Hero September,” an ambitious national marketing campaign showcasing the company’s characters — and its brand. Marvelkids.com is being relaunched as part of the effort.
Timed to coincide with Marvel’s 75th anniversary celebration, the initiative encourages the public to “Power Up Like a Marvel Super Hero,” while spotlighting some of the properties that aren’t heating up the box office at the moment. It’s the first of what’s envisioned as an annual event.
Disney is attempting to prevent DJ/producer Deadmau5 from trademarking his signature mouse-head logo, claiming it’s too similar to the iconic Mickey Mouse silhouette. Signs that the entertainment giant would oppose the application surfaced in late March.
In a staggering 171-page notice of opposition filed Tuesday with the United States Patent and Trademark Office, and first reported by TMZ, Disney traces its use of the familiar imagery back to “at least 1928,” with the introduction of Mickey in Steamboat Willie. Disney news site Stitch Kingdom has more details about the filing, in which the company argues the mouse ears have been a key element of its consumer products “at least as early as 1955″ (that’s the year The Mickey Mouse Club premiered on television).
Fans may not be getting any new Big Hero 6 comics from Marvel to go with Disney’s upcoming animated film, but they can get their hands on some pretty adorable Pop! Vinyl figures from Funko.
Available now for preorder, 3.75-inch figures of Hiro Hamada, GoGo Tomago, Honey Lemon, Wasabi No-Ginger and Fred, plus a and a 6-inch Baymax (mech variety) will be released in October, in plenty of time for the film’s Nov. 7 premiere. A “pearlescent” version of Baymax will arrive in late November or early December.