documentaries Archives - Robot 6 @ Comic Book Resources

Comics A.M. | Books-A-Million sees growth in manga sales

Books-A-Million

Books-A-Million

Retailing | The Books-A-Million retail chain reported significant growth in the last quarter, due in part to strong sales of manga and strategy games. “Sales in the graphic novel category … grew nicely on the strength of a significant resurgence in the interest in several manga series, particularly Attack on Titan,” CEO Terry Finley said in an earnings call. The chain’s sales increased 1.2 percent, and same-store sales were up 1.8 percent last quarter compared to the same quarter last year; by contrast, fiscal year 2013 sales were down by 9.4 percent from the previous year. [ICv2]

Creators | Jeff Lemire talks about his new graphic novel Teen Titans: Earth One, which reflects his love of Marv Wolfman and George Pérez’s The New Teen Titans: “I wanted a fresh and clean take on a teen super-team without having to rely on other heroes or continuity. So I gravitated to these unique teen characters Marv and George had created, and re-envisioned them through my own sensibilities along with artist Terry Dodson, who really helped them come to life.” [The Kindle Post]

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Film and exhibit show Seth’s real and imaginary worlds

seth

The Canadian cartoonist simply known as Seth has been the focus of two remarkable events in recent weeks: a documentary, Seth’s Dominion, that just won the grand prize for best animated feature at this year’s Ottawa International Animation Festival, and an exhibit of his model town, Dominion, at the University of Lethbridge Art Gallery in Lethbridge, Alberta.

The film was directed by Luc Chamberland and is a mix of live-action and animation based on Seth’s art. Chamberland described the start of the process in an interview:

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Comics A.M. | Driver in ZombieWalk accident offers his side

The man's car driving through the crowd

The man’s car driving through the crowd

Events | The driver who plowed through the crowd last month at the annual SDCC ZombieWalk: San Diego, injuring a 64-year-old passersby, has given an interview providing his version of the event, saying he had turned off the engine to wait for the parade to pass when participants began surrounding his car. The situation quickly escalated, he says, when a spectator sat on the hood and hit the windshield, shattering it, and another person opened the back door. “I got scared. That’s when I plowed my car through the crowd,” says the unidentified 48-year-old. “I had to do this to save my family because of the crowd. I couldn’t tell if the parade was done.” He adds, “I felt awful about it. I just couldn’t believe that I actually hit the old lady.” [iDeafNews, Times of San Diego]

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Comics A.M. | Image, Kodansha dominate May bookstore chart

Attack on Titan, Vol. 12

Attack on Titan, Vol. 12

Retailing | Image Comics took seven of the Top 20 spots on Nielsen BookScan’s list of graphic novels sold in bookstores in May, with multiple volumes of Saga and The Walking Dead once again appearing, joined by the first collection of Sex Criminals. Kodansha Comics took six spots, with the most recent volume of Attack on Titan at the top of the chart, followed by the first volume. Four more volumes were scattered around the list. Legendary’s Godzilla movie tie-in, Godzilla: Awakening, placed at No. 3. [ICv2]

Legal | The Japanese legislature has moved forward with a bill that would criminalize possession of child pornography, which is expected to pass the Diet before it recesses on June 22. The new law would ban photos and videos made using real children but excludes manga and anime. [The Japan Times]

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‘Dear Mr. Watterson’ documentary debuts new trailer

dear-mr-watterson

Gravitas Ventures has debuted a new full-length trailer for Dear Mr. Watterson, the Kickstarter-funded documentary that explores the influence of cartoonist Bill Watterson and his beloved comic strip Calvin and Hobbes.

It’s a six-year passion project by director Joel Allen Schroeder, who raised $25,000 in 2010 so he, producers Christopher Browne and Matt McUsic, and cinematographer Andrew P. Waruszewski could interview a slew of cartoonists, editors and fans, and then another $96,772 in 2012. Dear Mr. Watterson, which had its festival premiere in April at the Cleveland International Fan Festival, will debut Nov. 15 in theaters and On Demand.

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Culturally, are superhero comics following rather than leading?

shiningknight

“…like a medieval comic about female knights.”

NPR television critic Linda Holmes has spent the past couple of weeks tweeting from the Television Critics Association press tour, which ended with a panel on the PBS documentary Superheroes: The Never-Ending Battle. Debuting Oct. 8, the three-part miniseries was directed by Michael Kantor, who was on the panel with comic book writers Todd McFarlane, Len Wein and Gerry Conway.

Holmes noted that the panelists asked about the lack of diversity in superhero comics, but unfortunately, the response to that question wasn’t very satisfying. She paraphrases four reasons cited by the panel:

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Miguel Cima wants more people to ‘Dig Comics’

dig-comics

Documentary filmmaker Miguel Cima has a passion for comics and wonders why more people don’t. It’s a valid, perplexing question considering the variety of genres and formats they come in. Comics are much more ubiquitous in Japan and Europe, so what’s preventing them from taking hold the same way in the United States?

Cima explored that some in his 2008 short documentary Dig Comics (Tim O’Shea interviewed Cima about it for Robot 6 at the time). You can watch the entire, 20-minute film, which includes interviews with Jeph Loeb and Scott Shaw, below.

The filmmaker wants to do more than just ask the questions, however: He also wants to help figure out the solution. To that end, launched a Kickstarter campaign to fund a feature-length version of Dig Comics. The $250,000 budget includes filming in New York City, France and Japan to gather more insight into the history of American comics and what makes comics so popular overseas. The feature is just a step in Cima’s larger plans, though. If it’s successful, he’d also like to develop a television series to continue the campaign to make comics as popular in North America as they are in other places and once were here.

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Neil Gaiman to get the spotlight in new Sequart documentary

neil-gaiman-documentary

Sequart Research & Literacy Organization and Respect! Films, the folks behind the documentaries Grant Morrison: Talking With Gods and Warren Ellis: Captured Ghosts, are next turning their camera on bestselling author and comics writer Neil Gaiman.

Directed by Patrick Meaney, the documentary is described as “an all-access look at the scribe’s illustrious, media-spanning career, from his first foray into published writing all the way up to the current signing tour for his new novel, The Ocean at the End of the Lane.” It will include footage from Gaiman’s lectures and readings, as well as from his performances with Amanda Palmer, and interviews with his fans, contemporaries and collaborators.

More details are expected to be revealed over the summer, with the documentary premiering in 2015. In the meantime you can check out the teaser trailer below.

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Second Kickstarter launches for ‘Stripped’ documentary

stripped

There are two remarkable things about Dave Kellett’s Kickstarter for his documentary Stripped. The first is that the pitch video includes a snippet of what Kellett claims is the first-ever audio interview with reclusive Calvin and Hobbes creator Bill Watterson. That alone is going to make this film a must-see for a lot of people.

The second is that this is a Kickstarter for a project that’s already fully funded. What Kellett is looking for with this second campaign is access to more licensed footage:

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Documentary chronicles the Boston indie comics scene

Ming Doyle

San Francisco, Seattle, Portland and Chicago may be better known as comics towns, but Boston has a thriving indie comics community, and now the city has a documentary about it as well. In this 11-minute film, The Amazing and Fantastical Boston Comics Creators, director Frank Duran talks to an array of local talent, including Jesse Lonergan, Jerel Dye, John Hilliard and Ming Doyle. It’s well worth a look both to see the amazing art some of these creators are producing and to hear them talk about their process as well as the importance of the Boston Comics Roundtable in bringing them together and nurturing their work.

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Comic-Con Episode IV: A Fan’s Hope documentary trailer debuts

Apple.com has premiered the first trailer for Comic-Con Episode IV: A Fan’s Hope, the film by Morgan Spurlock (Super Size Me) examining the cultural phenomenon that is Comic-Con International by following the lives of five attendees.

As you can see from the cosplay-heavy trailer below, the documentary also boasts plenty of familiar faces, including Kevin Smith, Seth Rogen, Eli Roth and Stan Lee (who, along with Joss Whedon, is one of the executive producers.

Comic-Con Episode IV: A Fan’s Hope opens April 6.

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Watch the trailer for the documentary Wonder Women!

A full-length trailer has been released for Wonder Women! The Untold Story of American Superheroines, a Kickstarter-funded documentary that will receive its world premiere next month at the South by Southwest Film Festival in Austin, Texas.

Directed by Kristy Guevara-Flanagan, the documentary traces the evolution and legacy of Wonder Woman and examines “how popular representations of powerful women often reflect society’s anxieties about women’s liberation.” Among those interviewed for the film are Gloria Steinem, Lynda Carter, Lindsay Wagner, Trina Robbins, George Perez, Gail Simone, Danny Fingeroth and Andy Mangels.

(via FirstShowing)

Watch the trailer for the upcoming Guy Delisle film

The Guy Delisle Chronicles from phillip rashleigh on Vimeo.

Thanks to our friends at The Forbidden Planet blog for pointing us to this trailer for filmmaker Philip Rashleigh’s documentary about Guy Delisle. Here’s the blurb:

Captured over the course of a 1 year period in the south of France, the film follows the gradual realization of Guy’s latest travelogue ‘Jerusalem Chronicles’ and includes an in-depth look at Shenzhen, Pyongyang, Burma Chronicles aswell as an intriguing insight into the rise of the independent graphic novel. Equally explored are Guy’s beginnings in animation, his studio, his inspiration, his career thus far and the travelogues that never saw print: Vietnam and Ethiopia.

The film is in French, but it’s subtitled, and it looks like a nice combo of watching the artist at work and hearing what he has to say about comics in general and his comics in particular.

Joann Sfar Draws From Memory gets world premiere Jan. 25

Joann Sfar Draws From Memory, director Sam Ball’s documentary portrait of the French comics artist and filmmaker (Dungeon, The Rabbi’s Cat, Little Vampire) will receive its world-premiere screening at 8:30 p.m. Jan. 25 at the Lincoln Center’s Walter Reade Theater in New York City.

The film follows Sfar to his favorite neighborhood spots and muses about his artistic process and the influence of his Algerian and Eastern European heritage. Tickets are still available for the screening, which also includes the U.S. premiere of The Silent Historian and a Q&A with Ball and executive producer Valerie Joseph.

Ben Towle talks cartooning on film

Folktales and Airships from Peter Salomone on Vimeo.

Artist Ben Towle, whose credits include Midnight Sun and Amelia Earhart: This Broad Ocean, is the subject of Folktales and Airships, a documentary by Peter Salomone, a filmmaker who is working toward an MFA in filmmaking at Wake Forest University. Towle confessed to having some misgivings about the project:

One of my big personal pet peeves with comics documentaries is how the actual comics artwork is filmed and shown on-screen. Filmmakers (because they’re used to moving images I assume) have a tendency to want to make the comics images move and this often works out really really badly. It also seems to me to imply that the original static comics images are somehow deficient and need to be “augmented” for use in film. A particularly egregious example of this is Tintin and Me, in which Hergé’s artwork is separated into foreground and background elements and then subjected to some sort of half-assed animation effect. On the other hand, I can certainly see some reasoning behind not wanting just a static image on-screen for long periods. There are a lot of ways to handle this problem in film, and I had some trepidations for sure about how it would be dealt with with my artwork.

Nonetheless, he was happy with the way Folktales and Airships turned out. It’s only 9 minutes long, but the film has a nice mix of Towle’s art and interviews with the artist himself.


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