Why The Russos Are The Best Thing to Happen to the MCU Since Joss Whedon
Thanks to our friends at The Forbidden Planet blog for pointing us to this trailer for filmmaker Philip Rashleigh’s documentary about Guy Delisle. Here’s the blurb:
Captured over the course of a 1 year period in the south of France, the film follows the gradual realization of Guy’s latest travelogue ‘Jerusalem Chronicles’ and includes an in-depth look at Shenzhen, Pyongyang, Burma Chronicles aswell as an intriguing insight into the rise of the independent graphic novel. Equally explored are Guy’s beginnings in animation, his studio, his inspiration, his career thus far and the travelogues that never saw print: Vietnam and Ethiopia.
The film is in French, but it’s subtitled, and it looks like a nice combo of watching the artist at work and hearing what he has to say about comics in general and his comics in particular.
Joann Sfar Draws From Memory, director Sam Ball’s documentary portrait of the French comics artist and filmmaker (Dungeon, The Rabbi’s Cat, Little Vampire) will receive its world-premiere screening at 8:30 p.m. Jan. 25 at the Lincoln Center’s Walter Reade Theater in New York City.
The film follows Sfar to his favorite neighborhood spots and muses about his artistic process and the influence of his Algerian and Eastern European heritage. Tickets are still available for the screening, which also includes the U.S. premiere of The Silent Historian and a Q&A with Ball and executive producer Valerie Joseph.
Artist Ben Towle, whose credits include Midnight Sun and Amelia Earhart: This Broad Ocean, is the subject of Folktales and Airships, a documentary by Peter Salomone, a filmmaker who is working toward an MFA in filmmaking at Wake Forest University. Towle confessed to having some misgivings about the project:
One of my big personal pet peeves with comics documentaries is how the actual comics artwork is filmed and shown on-screen. Filmmakers (because they’re used to moving images I assume) have a tendency to want to make the comics images move and this often works out really really badly. It also seems to me to imply that the original static comics images are somehow deficient and need to be “augmented” for use in film. A particularly egregious example of this is Tintin and Me, in which Hergé’s artwork is separated into foreground and background elements and then subjected to some sort of half-assed animation effect. On the other hand, I can certainly see some reasoning behind not wanting just a static image on-screen for long periods. There are a lot of ways to handle this problem in film, and I had some trepidations for sure about how it would be dealt with with my artwork.
Nonetheless, he was happy with the way Folktales and Airships turned out. It’s only 9 minutes long, but the film has a nice mix of Towle’s art and interviews with the artist himself.
The Kickstarter campaign to fund the documentary Diagram for Delinquents, the story of anti-comics crusader Fredric Wertham, has hit its goal of $6,000, so the film will definitely be made. Now it’s just a matter of making it better: The creators are continuing to accept donations, which will be used to buy equipment, presumably to make the film more professional. A $50 donation gets your name into the credits (and on IMDB!) and for $70 or more, they will draw you into one of the animated sequences.
Produced by Sequart Research & Literacy Organization, the short film will put Wertham’s comics commentary into the context of his life’s work, which included fighting segregation and working with juvenile delinquents (which may have led to his erroneous conclusion that comics make good kids go bad—the problem is that he never got to see the good kids). Robert A. Emmons, Jr., will direct. Regardless of whether or not they get that extra handheld, it sounds like it’s going to be a good flick.
Specifically, he wants to raise funds to complete interviews with Hugh Hefner, Daniel Clowes, William Stout and Joe Dante about the man whose artistic “technique became the defining look of the early MAD and, subsequently, the visual style that defined a generation.” Like other Kickstarter efforts, he’s offering a range of prizes depending on how much you donate, from copies of the complete film on DVD to a credit in the film for high-dollar donations.
In addition to those named abovem the documentary will feature interviews with Maus/Raw creator Art Spiegelman, underground cartoonists Bill Griffith and Jay Lynch, actor and comedian Andy Kindler, MAD fold-in creator Al Jaffee, cartoonist Arnold Roth, artist Drew Friedman, MAD editor Nick Meglin and the late Harvey Kurtzman, Bill Gaines and Will Elder himself. If you’re interested in seeing this come to life, go check it out.
“Oh god,” Ellis wrote this morning on his blog. “The trailer made it to YouTube, and people are taunting me with it. Let’s get this over with. I have, at best, a face for radio. Unfortunately, I don’t have a voice for radio. This is horrifying and I don’t want to look.”
The documentary is scheduled for completion next year.
Now here’s a comics-to-film project I didn’t see coming. Minicomics master John Porcellino of King-Cat fame has revealed he’s the subject of an upcoming documentary by filmmaker Daniel Stafford, owner of Denver’s Kilgore Used Books and Comics. The doc is tentatively titled Root Hog or Root Hog or Die: Ballad of the King Cat.
Stafford’s started a blog to chronicle the process and post clips. So far he’s interviewed such comics luminaries as Joe Chiappetra, Jeffrey Brown, Ivan Brunetti and Zak Sally for the project, and he’s looking for fan-shot footage and photos. King-Cat fans, that’s your chance to be a part of film history!
Taking the name from the Fantagraphics book, Will Elder, The Mad Playboy of Art is a 20-minute documentary on the famous cartoonist and Mad artist. Part one is above, part two is below the jump. (via)
Seth Kushner and Carlos Molina have put together a documentary on the webcomics site ACT-I-VATE, which will debut at the Baltimore Comic-Con in October. According to Kushner’s blog, the film will include interviews with many of the site’s creators, making movie stars out of Thomas Baehr, Nick Bertozzi, Pedro Carmago, Mike Cavallaro, Kevin Colden, Nikki Cooke, Molly Crabapple, Mike Dawson, Jim Dougan, Ulises Farinas, Michel Fiffe, Simon Fraser, Maurice Fontenot, Dan Goldman, Tim Hamilton, Dean Haspiel, Jennifer Hayden, Joe Infurnari, Jason Little, Josh Neufeld, Leland Purvis, Kat Roberts, Ryan Roman, Nathan Schreiber & Jeff Newelt.
The film will also be shown at KingCon in Brooklyn this November.
Spurlock, who once spent a month eating only McDonald’s to show the effects it had on his body for his film Super-Size Me, will write Supersized: Strange Tales From a Fast Food Culture, with a mix of artists “scripting and drawing the book.” The book will even have its own Crypt Keeper of sorts, a character called MC Super-Size Me.
Spurlock will be at the Marriot Hotel & Marina this weekend, hosting a casting call for a Simpsons 20th anniversary special he’s filming for FOX. Watch for his new comic next spring.
Author and comics scholar Patrick Rosenkranz pays homage to the late, pioneering underground cartoonist Jack Jackson in this short documentary film.