EXCLUSIVE: "Deadpool Secret Comic" Plays Out Over 20 Variant Covers
Creators | A U.K. researcher argues that Marie Duval was the real creative force behind the wildly popular 19th-century British comic Ally Sloper, which is largely credited to her husband Charles Ross. Duval, the pen name of French cartoonist Emilie de Tessier, drew the character at the height of his popularity in the 1860s and ’70s, but historian David Kunzle now questions what role Ross actually played in his creation. [The Guardian]
Commentary | Chase Magnett pushes back on Chris Suellentrop’s statement, made in a column about GamerGate, that comics are “a medium that has never outgrown its reputation for power fantasies and is only very occasionally marked by transcendent work (Maus, or the books of Chris Ware) that demands that the rest of the culture pay attention to it.” [Comicbook.com]
Somehow it just seems all the more horrifying once you add motion, doesn’t it? (via)
This John Kerschbaum interview is long overdue. After I interviewed John Arcudi back in January 2009, he suggested I interview John Kerschbaum. In fact, he mentioned Kerschbaum in the course of our interview: “Petey and Pussy creator John Kerschbaum is the best cartoonist working in funnybooks right now. And he’s not working nearly enough.” My apologies to Kerschbaum for the time it took to make this interview happen (he agreed to it back in late January, but I was unable to get questions to him until May), so I am really glad to run this finally. Kerschbaum, who was a 2008 Eisner nominee in the Best Humor Publication category for Petey and Pussy, was kind enough to discuss this most recent Fantagraphics book as well as the work he has self-published through his own Fontanelle Press. Enjoy.
Tim O’Shea: Looking at your work to date, is there any line of comedy that you are afraid to cross?
John Kerschbaum: I don’t know if I’m motivated by fear, per se, but I tend to shy away from specifically offending people. That is, I avoid ethnic, political or religious humor, that type of stuff. I like to think I’m more of an equal-opportunity offender.
But that’s not to say I think any of those topics are taboo. There are talented cartoonists, humorists and comedians that mine those territories for humor whose work I really enjoy. It’s all about the context in which it’s being done and the abilities of the cartoonist doing it. Just because something CAN be funny doesn’t mean is always IS. There’s a time and place for everything.