WATCH: "Fantastic Four" Power Up In New Promo Spot
The publisher’s IDW Limited program, which produces small print runs of deluxe editions, will also offer select collections geared to Disney devotees, while the fledgling Micro Comic Fun Packs line will market multiple properties to a mass audience, complete with minicomics, stickers and posters.
In addition, IDW’s celebrated Library of American Comics will collect the newspaper strips that have featured Disney characters (there’s a long line of them, dating to the early 1930s with Mickey Mouse, Silly Symphony and, toward the end of the decade, Donald Duck).
“There’s nothing quite like Disney,” IDW Publishing CEO Ted Adams said in a statement. “Despite the fact that nearly all of the titles in its library were originally intended for kids, adult collectors have long sought high quality and regularly published collections of classic Disney material. IDW is thrilled to present these beloved stories in quality packages for both entry level comics readers and serious collectors alike.”
The publisher also announced it has expanded its partnership with Marvel for its Artist’s Edition line, which already includes such collections as Walter Simonson’s The Mighty Thor, John Romita’s The Amazing Spider-Man (Vol. 1 & 2), Steranko: Nick Fury, Agent of S.H.I.E.L.D. and the Marvel Covers Artist’s Edition.
Retailing | A federal judge has issued a temporary restraining order halting the $21.4 million purchase of retail chain Hastings Entertainment by Joel Weinshanker, president and sole shareholder of Wizkids parent National Entertainment Collectibles Association. The order was granted at the request of two Hastings shareholders who sued to stop the sale, insisting the price paid for the retailer is too low; it will remain in effect until a hearing can be held on June 12. Hastings issued a statement Monday pledging to “vigorously dispute these claims.” Hastings operates a chain of 149 stores that sells books, comics, video games and more. [Amarillo Globe-News, via ICv2]
Retailing | Amazon may be charging full price for Hachette’s graphic novels as part of its continuing contract dispute with the publisher, but Barnes & Noble has leaped into the breach with big discounts and a buy-two-get-one-free promotion on Hachette’s Yen Press manga and Little, Brown’s Tintin books. [ICv2]
Emerald City Comicon may not come with the metric ton of announcements that Comic-Con International does, but in a way it’s all the better for it. Comics still feel as if they’re front and center just where I like them, and the announcements have more charm because they aren’t screaming to be heard over the din of film and television rollouts.
One year, I’ll get up to Seattle to experience the event firsthand, but in the meantime, I get to absorb all the news and photos like everyone else, as they’re posted online. ECCC even streamed all of its panels on flipon.tv. Anything that happened in Room 301 is free for anyone to watch. Everything else can be purchased with a full archive pass for $14.95. Or if, you don’t want to sit through hours of panel footage, there’s CBR’s coverage or, heck, try Google or something.
A number of announcements jumped out as particularly noteworthy, so let’s run through The 6 Best Things from ECCC. And from my count, Dark Horse won Emerald City. Your miles may vary though, so post your favorites in the comments.
Renowned Disney cartoonist Don Rosa, who left comics in 2012, has returned to the character for which he’s best remembered — with the cover art for a concept album based on his Life and Times of Scrooge McDuck. Yes, read that last part again.
Titled Music Inspired by the Life and Times of Scrooge, likely in hopes of avoiding the all-seeing eye of Disney, it’s a solo album by Finnish keyboardist/songwriter Tuomas Holopainen, founder of the symphonic metal band Nightwish, and a major Rosa fan.
“This is my longtime dream come true, 14 years in the making,” Holopainen says on his website. “And a homage to one of the best storytellers of our time.”
Holopainen spent most of last year writing and producing the album, which contains 10 tracks, including “Glasgow 1877,” “Cold Heart of the Klondike,” and the first single “A Lifetime Adventure,” which arrives with a video. The full album will be available April 15.
Publishing | Although there’s been no official announcement beyond an Amazon listing, Fantagraphics is set to publish a Don Rosa Library line, beginning next summer with the 248-page hardcover Uncle Scrooge and Donald Duck: “The Son of the Sun.” That was the title of the cartoonist’s first Scrooge McDuck comic, released in 1987. [The Comics Reporter]
Creators | Writer and editor J.W. Rinzler talks about adapting George Lucas’ initial draft of the Star Wars screenplay into the Dark Horse comic The Star Wars: “This is not something you could film. Here’s a giant city and then here’s a giant vista filled with huge spacecraft. (Lucas) was doing his blue sky version of what he wanted to do. He knew this was not going to be filmable.” [The Associated Press]
This was a tough year for Boston Comic Con: It was originally scheduled for the weekend after the Boston Marathon, and although organizers worked tirelessly not to cancel the event, the venue was within the lockdown zone following the bombings, and the load-in day coincided with the massive manhunt forsuspect Dzhokhar Tsarnaev. In the end, they had no choice but to shut down the convention. As most of the talent was already in town, local retailers sponsored a number of mini-cons.
Despite the cheerful we-can-get-through-this attitude of that weekend, things were looking pretty bleak. And then Boston Comic Con came roaring back, in a new venue and with a new attitude. This year, it felt less like a local event and more like a big-city con, with a smattering of publisher booths and an array of top-tier talent. The convention has grown quickly, from 1,000 attendees at the first con in 2007 to 15,000 last year. This year, with a bigger venue and more guests, I’m guessing the final number will be even higher.
“[T]hey broke my spirit,” Don Rosa wrote in an epilogue to his autobiography in comics, explaining why he retired from the job he so dearly loved. The whole tale is heart-breaking but also beautiful in the cartoonist’s abundant gratitude and humility.
“They” of course are Disney and its publishing licensees who don’t pay their comics talent any royalties whatsoever despite the incredibly healthy exporting of Disney comic books around the world. Rosa created Donald Duck and Uncle Scrooge comics for almost 20 years and only ever received a flat page rate, as though it were the 1940s. His rate was better than other Disney comics artists at the time because he was so popular, but his wife was still the primary provider for the family. She was a school teacher, a profession not typically known for financial excess.
Whenever I hear about these kinds of stories, I always wonder why the creator doesn’t turn to creator-owned comics, which allow freedom on many levels, and a greater potential for financial benefit. The Walking Dead, anyone? Rosa, the internationally beloved cartoonist, doing his own comic book series or graphic novel would be an event. It seems like a no-brainer. But it’s easy to forget that for some creators, despite the opportunities, that option is a non-starter.
Don Rosa, who drew Disney’s Scrooge McDuck and Donald Duck comics for many years has written a lengthy and fascinating piece on why he gave up creating comics.
Rosa, who started working on the series in early middle age, gave up making comics entirely in 2012 for a variety of reasons, including vision problems caused by a detached retina, depression, and frustration that the studio pays no royalties on his comics — a situation that he says is unique to the comics, as other Disney creators do get royalties. (One possible reason for this is that the Disney comics are produced by freelancers working for third-party companies, not for Disney itself.) That became particularly galling once Rosa was well enough known that the collections featured his name in the title — but he still didn’t see a dime. His response was a clever one: He copyrighted his name so publishers would have to ask his permission to use it to promote the books.
Rosa also explains why he didn’t make the switch to creator-owned comics:
Hello and welcome to another edition of What Are You Reading? Our guest today is writer and artist Jimmy Palmiotti, who you know from All-Star Western, Monolith, Phantom Lady, Unknown Soldier, Creator-Owned Heroes, Queen Crab and countless more.
To see what Jimmy and the Robot 6 crew have been reading, click below.
1. What comic-related gift or gifts would you recommend giving this year, and why?
2. What gift (comic or otherwise) is at the top of your personal wish list, and why?
Ho-ho-hopefully you’ve gotten the chance to check out the previous three installments. If not, it isn’t too late:
Part 1: Jim McCann, Matt Kindt, Daryl Gregory, Jim “Zub” Zubkavich, Jamie S. Rich, Ryan Cody
Part 2: Jeff Parker, Tim Seeley, Ross Campbell, Kody Chamberlain, Ian Brill, Jamaica Dyer
Part 3: Mike Carey, Kelly Sue DeConnick, Kagan McLeod, Kevin Colden, Thom Zahler, Van Jensen
And here is today’s round-up …
1. For the kids (or kids-at-heart): Okie Dokie Donuts by Chris “Elio” Eliopoulos – One of my favorite books of the year. Each page is crammed to the brim with kinetic artwork and fun comics!
For the art lover: “Behold! The Dinosaurs!” print by Dustin Harbin – Absolutely gorgeous print featuring one of my favorite subjects: Dinosaurs!
For the comic strip enthusiast: Mickey Mouse by Floyd Gottfredson – Super engaging strips that are full of life and very funny. I’m very glad that Fantagraphics is publishing these.
For the manga reader: Cross Game by Mitsuru Adachi – A recent series that I’ve been infatuated with after having it recommended to me by several friends. A manga with a very welcoming atmosphere and tons of heart.
For the indie-minded: A few comics from Blank Slate Books: Dinopopolous by Nick Edwards and The Survivalist by Box Brown – Two great-looking books from a publisher that might be off some folks’ radars at the moment. I haven’t even read these yet, and I feel confident recommending them!
2. Well, my dad has a long-standing tradition of giving me a volume of the Complete Peanuts collections for birthdays and holidays, so I’ve got that covered. Let’s see…
I suppose there are a few Japanese imported books that would make the top of my list of things I’ve had my eye on, but haven’t had the chance/extra cash to buy for myself. These fall under the category of “Things That I’m Not Likely to Stumble Across In-Person and Say, ‘Oh yeah, I’ve been meaning to get that!’” Two that come to mind are One Piece Green, a “databook” which contains a treasure-trove of sketches and notes from Eiichiro Oda from the years leading up to and during his epic manga series One Piece. I’ve also been eyeing some Shigeru Mizuki (Gegege No Kitaro, Onward Towards Our Noble Death) yokai encyclopedias that pop up on eBay. Those look Beautiful with a capital B!
Hello and welcome to What Are You Reading? Our special guest today is Nate Cosby, co-writer of the upcoming Image series Pigs and editor of the upcoming Jim Henson’s The Storyteller anthology, which will feature stories by an impressive group of talented creators.
To see what Nate and the Robot 6 crew have been reading lately, click below.
In a video by Chris Sparks, Famed Disney “Duck” artist Don Rosa explains his eyesight and how it affects his ability to draw, after surgery for retinal detachment wasn’t completely successful. Very interesting and somewhat inspiring, especially after watching other videos of Rosa in action.
BOOM! Studios has made quite a splash since taking over the Disney licenses, with their Darkwing Duck and Ultra Heroes collections, but it has also been continuing Disney’s standard lines with modern-style stories (mostly from Italy) featuring Mickey Mouse, Donald Duck, Uncle Scrooge, and the rest of the classic stable.
A few weeks ago, BOOM! announced announced that starting in January, it would be marking the 70th anniversary of Walt Disney’s Comics and Stories with a return to classic content in these standard lines. The new comics will drop the contemporary work in favor of older stories, sometimes with new illustrations, as well as older content that has been released overseas but not in the U.S. The relaunch begins with Walt Disney’s Comics and Stories #715, which features a story written by Carl Barks and redrawn by Daan Jippes, as well as several classic reprints, and Mickey Mouse #304, which includes two Floyd Gottfredson stories from 1932 and 1944 and an Italian story by Romano Scarpa that is making its first appearance in English. Both comics are 40 pages long, which takes a bit of the sting out of the $3.99 cover price.
Next up is the 400th issue of Uncle Scrooge, in which Barks makes an appearance as himself and meets with Scrooge McDuck and the other denizens of Duckburg.
And just yesterday, BOOM! announced a quartet of collections that continues the theme: Walt Disney Treasury: Donald Duck vols. 1 and 2, Walt Disney’s Comics and Stories Archive vol. 1, and Disney’s Four-Color Adventures vol. 1. The Donald Duck books will feature some of Don Rosa’s early stories, while Walt Disney’s Comics and Stories Archive is a completist’s dream, the whole series presented in chronological order. All four books are due out in late spring and early summer 2011.