"Justice League": Exploring How Superman Returns (Again)
Film, Comic Books
Have you ever wondered what popular cartoon characters would look like if they aged like you and me? Look no further! Artist Andrew Tarusov has taken characters from across the spectrum — from Mickey Mouse and Donald Duck to Tom and Jerry — and reimagined them as they would look if they were born in the year they were first created.
In this Imgur set, Tarusov tackles Donald Duck, Daisy Duck, Tom & Jerry, Wile E. Coyote, Road Runner, Goofy, Sylvester, Tweety Bird, Bugs Bunny, Lola Bunny, Daffy Duck, Porky Pig, Mickey Mouse and Minnie Mouse. You can check out a few of these golden aged characters below.
The comics medium allows for diverse interpretations of characters, both narratively and visually. Artist Jaakko Seppälä has taken 10 of the most iconic comic characters — from Asterix to Batman to Lucy van Pelt — drawn in the style of 10 famous artists (including their respective creators or most popular illustrators).
Dozens of drivers in Fort Lee, New Jersey, were ticketed on Halloween for failing to yield at a crosswalk to a 6-foot-8-inch Donald Duck. Go ahead, read that sentence again.
The police department saw the holiday as a perfect opportunity to deploy its decoy program, and dressed an officer as the Disney character to ensure motorists are stopping for pedestrians. By day’s end, WABC-TV reports, 130 drivers received tickets of $230, plus two points on their licenses.
However, one motorist insists the Duckburg-style sting wasn’t fair, and pledges to fight her ticket.
The publisher’s IDW Limited program, which produces small print runs of deluxe editions, will also offer select collections geared to Disney devotees, while the fledgling Micro Comic Fun Packs line will market multiple properties to a mass audience, complete with minicomics, stickers and posters.
In addition, IDW’s celebrated Library of American Comics will collect the newspaper strips that have featured Disney characters (there’s a long line of them, dating to the early 1930s with Mickey Mouse, Silly Symphony and, toward the end of the decade, Donald Duck).
“There’s nothing quite like Disney,” IDW Publishing CEO Ted Adams said in a statement. “Despite the fact that nearly all of the titles in its library were originally intended for kids, adult collectors have long sought high quality and regularly published collections of classic Disney material. IDW is thrilled to present these beloved stories in quality packages for both entry level comics readers and serious collectors alike.”
The publisher also announced it has expanded its partnership with Marvel for its Artist’s Edition line, which already includes such collections as Walter Simonson’s The Mighty Thor, John Romita’s The Amazing Spider-Man (Vol. 1 & 2), Steranko: Nick Fury, Agent of S.H.I.E.L.D. and the Marvel Covers Artist’s Edition.
Pop culture | Eighty years ago today, Donald Duck was introduced as a supporting character in the animated short “The Wise Little Hen,” part of Walt Disney Productions’ Silly Symphonies series. His comic strip debut came a few months later, in an adaptation of the short by Ted Osborne and Al Taliaferro that ran in Sunday newspapers between Sept. 16 and Dec. 16. To mark the milestone, the National Turk publishes “a love letter to the duck,” while The Telegraph offers 10 surprising facts about the character. [National Turk, The Telegraph]
Political cartoons | The South African cartoonist Zapiro, himself no stranger to controversy, said the Eyewitness News cartoon depicting the South African legislature and the people who voted for them as clowns (and calling the voters “poephols,” or idiots) was a mistake. “I think the EWN cartoonists made a big error in the way they depicted the voters, what they called them and the shadow in the bottom corner, which could be misconstrued as meaning black voters,” he said. “They should have – and the editors of EWN should have – picked it up. But, they have apologised and anything that goes beyond that now is just bandwagoning by politicians.” Meanwhile, a fake Zapiro cartoon made the rounds on social media over the weekend. It’s based on a real 2002 cartoon that showed doctors finding the brain of then-president George W. Bush while giving him a colonoscopy; the fake cartoon substitutes South African President Jacob Zuma, who went into the hospital over the weekend. [Times Live]
Hello and welcome to What Are You Reading? To see what the Robot 6 crew — or at least two of us — has been reading lately, click below.
Passings | The New Yorker cartoonist Ed Fisher has died at the age of 86. Mike Lynch has a nice appreciation, with a sampling of cartoons and links to other obituaries. Fisher was diagnosed with Alzheimer’s in 2000, Lynch says, but even so, he often came to the New Yorker offices on “look day”: “He would be sitting on the couch, in the cartoonists’ waiting room, with his portfolio, ready to chat. I introduced myself and was really glad to meet him. More than once he pulled out his roughs and showed them to me. Ed treated me like an equal.” [Mike Lynch Cartoons]
Legal | Palestinian cartoonist Muhammad Saba’aneh, who was detained by Israeli authorities in early March, has been sentenced to five months in jail and must pay a fine of 10,000 shekels. Saba’aneh was charged with contacting “enemy entities,” according to his lawyer. He was originally arrested and held without specific charges, raising fears that he would be detained indefinitely. [FARS News Agency]
“[T]hey broke my spirit,” Don Rosa wrote in an epilogue to his autobiography in comics, explaining why he retired from the job he so dearly loved. The whole tale is heart-breaking but also beautiful in the cartoonist’s abundant gratitude and humility.
“They” of course are Disney and its publishing licensees who don’t pay their comics talent any royalties whatsoever despite the incredibly healthy exporting of Disney comic books around the world. Rosa created Donald Duck and Uncle Scrooge comics for almost 20 years and only ever received a flat page rate, as though it were the 1940s. His rate was better than other Disney comics artists at the time because he was so popular, but his wife was still the primary provider for the family. She was a school teacher, a profession not typically known for financial excess.
Whenever I hear about these kinds of stories, I always wonder why the creator doesn’t turn to creator-owned comics, which allow freedom on many levels, and a greater potential for financial benefit. The Walking Dead, anyone? Rosa, the internationally beloved cartoonist, doing his own comic book series or graphic novel would be an event. It seems like a no-brainer. But it’s easy to forget that for some creators, despite the opportunities, that option is a non-starter.
Don Rosa, who drew Disney’s Scrooge McDuck and Donald Duck comics for many years has written a lengthy and fascinating piece on why he gave up creating comics.
Rosa, who started working on the series in early middle age, gave up making comics entirely in 2012 for a variety of reasons, including vision problems caused by a detached retina, depression, and frustration that the studio pays no royalties on his comics — a situation that he says is unique to the comics, as other Disney creators do get royalties. (One possible reason for this is that the Disney comics are produced by freelancers working for third-party companies, not for Disney itself.) That became particularly galling once Rosa was well enough known that the collections featured his name in the title — but he still didn’t see a dime. His response was a clever one: He copyrighted his name so publishers would have to ask his permission to use it to promote the books.
Rosa also explains why he didn’t make the switch to creator-owned comics:
I’m sharing this mostly because I just like holiday cards from comics publishers, whether I get them in the mail or see them on someone’s blog. But I also appreciate that this one includes three comics incons and the reminder that Fantagraphics has Christmas-related books featuring each of those characters. I’ve already mentioned Charlie Brown’s Christmas Stocking a couple of times (I have a copy and it is indeed as sweet and lovely as it looks), but didn’t realize that Nancy Likes Christmas and Walt Disney’s Donald Duck: A Christmas for Shacktown are also things that exist. Gonna need at least that Donald Duck one.
Buried within a lengthy Comics Journal discussion about the bizarre — and ultimately unsuccessful — public negotiations between Dave Sim and Fantagraphics to release collected editions of Cerebus, Gary Groth announced Thursday the next books in the publisher’s acclaimed Carl Barks and EC Comics lines.
The next installment of the Carl Barks Library, titled The Old Castle’s Secret, will include reprints of Donald Duck stories from 1947 and 1948: “The Old Castle’s Secret,” “In Darkest Africa,” “Wintertime Wager” “Watching the Watchman,” “Wired,” “Going Ape,” “Spoil the Rod,” “Bird Watching,” “Horseshoe Luck,” “Bean Taken,” “Rocket Race to the Moon,” “Donald of the Coast Guard,” “Gladstone Returns,” “Links Hijinks,” “Sorry to be Safe,” “Sheriff of Bullet Valley,” “Best Laid Plans,” “The Genuine Article,” “Pearls of Wisdom” and “Foxy Relations.”
Following the January release of “50 Girls 50″ and Other Stories by Al Williamson and “Taint the Meat … It’s the Humanity” and Other Stories by Jack Davis, Fantagraphics will expand its EC Comics Library with a crime volume dedicated to the work of Johnny Craig and a science fiction devoted to Al Feldstein.
“I’m very happy I didn’t have to negotiate these contracts on an internet thread,” Groth said.
(via The Beat)
It’s time once again for our monthly trip through Previews looking for cool, new comics — now with 100 percent more JK Parkin! Michael May, Graeme McMillan, Chris Arrant and JK have each picked the five comics they’re most anticipating in order to create a Top 20 (or so; we overlap sometimes) of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
47 Ronin #1 (Dark Horse, $3.99): Mike Richardson, Dark Horse’s head honcho, teams with Usagi Yojimbo creator Stan Sakai to retell the story of the 47 ronin who avenged their master after he was forced to commit ritual suicide for assaulting a court official. It will be both very cool and a little odd to see Sakai drawing samurai that aren’t anthropomorphic animals and aren’t in black and white (the book’s full color), but I’ve always admired his clean style. As an added bonus, Kazuo Koike of Lone Wolf and Cub fame consulted on the project, so this should be a treat.
Great Pacific #1 (Image Comics, $2.99): Joe Harris and Martin Morazzo have come up with a book that I just love the high concept behind: the heir to one of America’s most successful oil companies moves to the infamous Great Pacific Garbage Patch and declares it a sovereign country. He then fights giant sea monsters, based on the preview art that’s been released, which is an added bonus.
Marvel NOW!: This might be cheating, but Marvel has 10 new comics debuting in November under the Marvel NOW! banner. Mark Waid on Hulk? John Romita on Captain America? Matt Fraction writing Fantastic Four and FF? Jonathan Hickman on Avengers? Yeah, I’ll just lump all these together and hope no one notices I’m gaming the system here …
Walt Disney’s Donald Duck: A Christmas for Shacktown: Fantagraphics continues its series of high-end collections of the best of Carl Barks’ duck stories, with the Christmas-themed third volume arriving just in time to be stuffed in somebody’s stocking.
Retrovirus (Image Comics, $16.99): Jimmy Palmiotti and Justin Gray’s latest graphic novel, drawn by Norberto Fernandez, is about a research scientist who specializes in viruses heading to Antarctica to examine a perfectly preserved caveman. I’m a fan of Palmiotti and Gray’s work together, from Jonah Hex to The Monolith (which gets the collection treatment in November), and this one sounds like it could be a lot of fun.
A production error in a reprint of a 1972 Donald Duck story led a German publisher to recall the comic after the word “Holocaust” mistakenly appeared in place of “Congratulations.”
Spiegel Online reports the error crept into a panel in the Carl Barks story “Where’s the Smoke?” in which a Duckburg dignitary honors a team of firefighters for pinpointing an “awesome” blaze. However, instead of using the word “fire” or “inferno,” the legendary cartoonist went with the phrase “awesome holocaust!”
Fast-forward some 40 years, when, according to German publisher Egmont Ehapa, “holocaust” wasn’t thoroughly removed from the original English text, resulting in the dignitary praising “our brave and always alert fire lookouts! Holocaust!” in the latest reprint.
The publisher quickly recalled copies of Micky Maus Comics #6, which was released on May 8, and blacked out the offending word by hand (as you can see above). However, The Telegraph reports the incident prompted humorous allegations in the German press about the political leanings of Donald Duck, “and revealed the occasional perils of reusing aging cartoons in different cultures.”
Legal | The New York Times ventures deep into the legal battle between Archie Comics Co-CEOs Nancy Silberkleit and Jonathan Goldwater, noting the two sides have gone into court-approved mediation. “Competing lawsuits filed in State Supreme Court in Manhattan and State Supreme Court in Westchester County lay out a litany of bitter allegations. He punctured her car tires, destroyed her Web site and claimed that she sexually harassed employees. She ordered him to fire several longtime employees because they were too old, too fat or too buxom, and let her dog, Willow, roam the offices and defecate in the art department.” [The New York Times]
Conventions | Although no figures have been released for last weekend’s Chicago Comic & Entertainment Expo, organizer Lance Fensterman said attendance was “way up,” noting that, “the size of the show floor doubled and the aisles were much more full than last year. That tells you how much attendance jumped to keep pace with the floor growth.” [Publishers Weekly]
The publisher does the heavy-lifting of finding, formatting and even contextualizing the work of one of comics’ undisputed (and, in some way, unrivaled) masters and putting it all together in an easy to find and read source, making Barks’ influential work available to casual readers to either easily finally find out why The Good Duck Artist has the reputation he has, or to discover his work for the first time.
Before cracking the cover, I will admit there was one aspect I was a little leery about. Because so many of Barks’ stories dealt with the Ducks visiting exotic lands, because the stories in this collection were produced between 1948 and 1949 and because Disney doesn’t exactly have the most sterling reputation when it comes to representing diverse nationalities or ethnicities, I was sort of concerned about what the lily-white ducks would be faced with when they journeyed to South America or Africa. Or, more precisely, how Barks would present what they would be faced with.
Reading Will Eisner’s Spirit comics and being confronted by his Ebony White or Osama Tezuka’s work and seeing the various racial stereotypes that pop up in it can be a bit like finding a fly in your soup—by biting down on it. It’s great stuff, but there’s that extremely unpleasant moment you could have done without, you know? (Also, while I haven’t read it, it’s my understanding that Tintin may have had at least one less than politically correct adventure in the Congo).