It’s become an annual tradition during our birthday bash: No matter how much stuff we line up, people we interview, etc., there are still tons of people we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we have in past years, we have asked various comics folks what they liked in 2012 and what they are excited about for 2013.
Check out Part One, and keep reading to see more of what people shared with us, including details on their upcoming projects. Our thanks to everyone who responded this year. Also, thanks again to Tim O’Shea, Michael May and Chris Arrant, who helped collect responses.
SAM HUMPHRIES (The Ultimates, Sacrifice, Uncanny X-Force)
What was your favorite comic of 2012?
- Simon Hanselmann’s Megg and Mogg strips at http://girlmountain.tumblr.com. Hilarious, dark, and strange.
- SuperMutant Magic Academy by Jilian Tamaki at: http://mutantmagic.com/. Beautiful, funny, and heartbreaking.
A major benefit of sharing a town with Savannah College of Art and Design Atlanta is that when one of the school’s professors has a new book, if I am lucky they want to do an interview. That’s the case this week, with sequential art/foundation studies Prof. Doug Dabbs, who recently celebrated the release of Holliday (Oni Press), his collaboration with writer Nate Bowden. The creative team’s project is a modern-day noir-ish reworking of the town of Tombstone and the distinctive life of Doc Holliday. Thrown into the mix is Wyatt Earp, Curly Bill and, of course, a standoff. Once you’ve enjoyed the interview, please be sure to check out Oni’s 16-page preview of the book.
Legal | Iranian cartoonist Mahmoud Shokraiyeh has been sentenced to 25 lashes for a cartoon he drew that depicted Arak Member of Parliament Ahmad Lotfi Ashtiani in a soccer jersey. [The Daily Cartoonist]
Publishing | In a wide-ranging interview, Dynamite CEO Nick Barrucci talks about the comics market, the demise of Borders, digital comics and the slump in book sales: “[T]here are more and more trade paperbacks and hard covers coming out, so there’s less chance of getting as much attention as you’re used to, and reorders are down because of it. As the number of trade paperbacks and graphic novels increases, the number of SKUs increases, the number of units sold per SKU is decreasing. There are very few exceptions to this. I remember looking at the Diamond chart from a month or two ago and the bestselling trade paperback that month was 7,000 units. It might even have been a Walking Dead trade paperback, and as much as two years ago the bestselling trade paperback sold 12-15,000 units.” [ICv2]