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“Should Batman kill the Joker?” is a perennial favorite among superhero fan conversation topics, always leading to a variety of different answers. A Golden Age appearance aside, Batman’s bosses at DC Comics have always answered the question the same way, however: Hell no.
Part of the reason for that is practical. You don’t kill off a popular, money-making character (well, you can now and then if it will make more money, but then you have to bring the character back to life somehow). Part of it is smart franchise management. If Batman kills off his enemies, then he runs out of guys to fight awfully quickly. There’s a reason Spider-Man has such a big and colorful rogue’s gallery to fill movies, cartoon and toy lines with, while The Punisher doesn’t. But a big part of it has to do with Batman’s characterization. Maybe it doesn’t make sense to not kill a mass-murderer you find yourself in deadly combat with on a bi-monthly basis, and sure, it makes even less sense to go out of your way to save the life of said mass-murderer as Batman regularly does for The Joker and his other foes, but then, dressing up as a bat to fight crime doesn’t make much sense either—Batman’s weird, and that’s what makes him so appealing. Of course his moral code is weird too.
The red, un-crossable line Batman has drawn between beating someone within an inch of their life and actually killing them is one shared by most superheroes. The hero pushed to the limit finally getting the villain at their mercy at the climax and forced to decide whether or not to end the villain’s life of evil once and for all is a staple of super-comics.
And it hasn’t changed all that much in the years since, say, “The Trial of The Flash.” Particularly in the DC Universe (The Marvel heroes embraced killing foes en masse during 2008’s Secret Invasion, in which they went to war with the alien Skrulls).
Following yesterday’s Twitter-thon of artwork from DC’s “New 52″ titles, several more tweets featuring various pages from various books hit today — including another puzzle by David Macho that revealed the above Grifter art by CAFU.
Follow the hash tag #52splash for more, or check out additional pieces after the jump.
Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.
So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.
It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”
So let’s get to it ….
Welcome to What Are You Reading?, our weekly look at the comics and other stuff we’ve been enjoying lately. Our special guests this week are Aaron Alexovich (Invader Zim, Avatar: The Last Airbender, Serenity Rose, Fables) and Drew Rausch (Sullengrey, The Dark Goodbye, Cthulhu Tales), the creative team behind the horror/comedy comic Eldritch!
To see what Aaron, Drew and the Robot 6 crew are reading, click below …
Creators | Renowned artist Steve Rude and his family are in danger of losing their home, so the co-creator of Nexus is auctioning art in hopes of raising the money to meet a Nov. 15 deadline. [Steve Rude’s Facebook, The Comics Reporter]
Publishing | Retailer news and analysis site ICv2.com suggests Bryan Lee O’Malley’s Scott Pilgrim series could close out 2010 as the No. 1 graphic-novel property of the year, surpassing the top-selling adaptation of Stephen Meyer’s Twilight. [ICv2.com]
Digital comics | David Brothers wonders how the rise of digital comics might change comics “culture,” and the Wednesday ritual. [4thletter!]
Yesterday the eighth and final issue of Geoff Johns and Ivan Reis’s hit event comic Blackest Night came out, and DC has been celebrating its successful conclusion (how about that fold-out spread, huh???) in grand fashion. On Tuesday, DC’s official blog, The Source, hosted an open thread for fans to share their favorite Blackest Night moments and memories. Source blogger and PR guru Alex Segura posted a heartfelt encomium to the series, its spinoffs, and its creators once it wrapped on Wednesday. Today, editor Eddie Berganza contributed a eulogy of his own.
All well-deserved, as far as I’m concerned: Blackest Night clearly worked for its intended audience, myself included. A hook everyone could understand, a huge (and fun!) expansion of the Green Lantern mythos that convincingly roped in characters from the Flash to Lex Luthor to Hawk and Dove, rock-solid art from Ivan Reis, perhaps the most t-shirt-friendly concept in comics history…I had a hoot with this book and its parallel Green Lantern tie-ins as well, and judging from the uniformly positive fan feedback in the comments for Segura’s tribute, I’m far from alone.