X-POSITION: Yost Gives His X-Men an "Amazing" End
The Forever Evil and “Gothtopia” crossovers don’t exactly dominate DC Comics’ January solicitations, but compared to the more mundane goings-on in the other series, they tend to stand out. For that matter, Forever Evil doesn’t sound like it’s promising much more than a lot of clenched jaws, dark humor and grim spectacle.
Still, if it has to happen sometime, it might as well be in January. I don’t mind January so much; it’s the darkest month of the year, but after a hectic holiday season it’s a chance to catch one’s breath. Going back to work after New Year’s Day and realizing there’s not much more to do but look forward to spring is like waking up at the crack of dawn and surveying a wide, flat, featureless plain — gray from the winter cold and just barely lit by the first rays of the distant sun — and realizing that if you’re going to make it across that plain, you’d better start walking.
Sometimes you just have to get through January, is what I’m saying — but sometimes getting through it isn’t so bad.
Whew! How was that for an intro? Weren’t we talking about comics?
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Hello and welcome to What Are You Reading? Our guest this week is writer and letterer Ed Brisson, whose comic Comeback with artist Michael Walsh arrives in November. He’s also the writer of Murder Book and Black River.
To see what Ed and the Robot 6 crew have been reading, click below.
Happy Father’s Day and welcome to What Are You Reading?, where each week we talk about what comics and other stuff have been on our reading piles. Today’s guests are two of the contributors to Skullkickers #18, which features several “Tavern Tales” short stories by different creative teams. Joining us today are Charles Soule of 27, Strange Attractors and Strongman fame, and Aubrey Sitterson, winner of the Skullkickers Tavern Tales Contest. He’s also the writer of Gear Monkey for Double Feature Comics and community manager for WWE Games.
To see what Charles, Aubrey and the Robot 6 crew have been reading, click below.
There is a fundamental tension between the horror and superhero genres. Clearly the two aren’t incompatible, but in the stories which blend them, often one genre will dominate. At the risk of gross oversimplification, there’s no guarantee of a horror story having a happy ending; whereas superhero stories are generally about saving the day. Put another way, superheroes generally stop monsters.
Such was the case with 1991’s graphic novel Batman & Dracula: Red Rain, in which the Lord of Vampires comes to Gotham City. Red Rain was written by longtime Bat-scribe Doug Moench, boasted the distinctively eerie pencils of Kelley Jones, and polished off its sinister, downbeat mood through Malcolm Jones III’s inks, Les Dorscheid’s colors, and Todd Klein’s letters. SPOILERS FOLLOW … but is not much of a spoiler to note that Batman defeats Dracula, because a) that is what Batman does, and b) Tomb of Dracula notwithstanding, that is how Drac usually winds up. Furthermore, Red Rain was far from the Darknight Detective’s only run-in with more malevolent creatures of the night, because he’d been fighting vampires and werewolves as far back as 1939’s Detective Comics #30.
No, what makes Red Rain and its two sequels different is their overwhelming sense of doom. Red Rain is a superhero horror story which eventually turns Batman’s world inside-out more than any traditional deconstruction ever could.