Doug TenNapel Archives - Robot 6 @ Comic Book Resources
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Tobey Maguire’s Material Pictures is teaming with Fox Animation and Wedgeworks to adapt Doug TenNapel’s latest project Cardboard (I reviewed the graphic novel last month). TenNapel himself will executive produce alongside Material Pictures, with Fox Animation Chris Wedge also producing. Wedge directed the first Ice Age, and has been the voice of Scrat the squirrel throughout the hit series. He also executive produced Ice Age: The Meltdown.
According to Variety, Wedge may also direct the film, and if the project moves forward there’s a possibility that Maguire will voice one of the main characters (most likely Mike, the out-of-work dad who buys his son some magic cardboard for his birthday).
If I had $15, it’d be an eclectic bunch featuring Jesus clones, retired spec-ops workers, environmentalists and Batman. First up would be Punk Rock Jesus #2 (DC/Vertigo, $2.99), following Sean Murphy’s big-time foray into writing and drawing. Murphy’s delivering the art of his career, and while the story might not be as great as the art, it still has a synchronicity to the art that few other mainstream books have these days. After that I’d get Dancer #4 (Image, $3.50); Nathan Edmondson seemingly made his name on writing the spy thriller Who Is Jake Ellis?, and this one takes a very different view of the spy game – like a Luc Besson movie, perhaps – and Nic Klein is fast climbing up my list of favorite artists. After that I’d get Massive #3 (Dark Horse, $3.50), with what is disheartedly looking to be the final issue of artist Kristian Donaldson. No word on the reason for the departure, but with a great a story he and Brian Wood have developed I hope future artists can live up to the all-too-brief legacy he developed. Delving into superhero waters, the next book I’d get is Batman #12 (DC, $3.99), which has become DC’s consistently best book out of New 52 era. Finally, I’d get Anti #1 (12 Guage, $1). Cool cover, interesting concept, and only a buck. Can’t beat that.
If I had $30, I’d jump and get Creator-Owned Heroes #3 (Image, $3.99); man, when Phil Noto is “on” he’s “ON!” After that I’d get Conan te Barbarian #7 (Dark Horse, $3.50). I’ve been buying and reading this in singles, but last weekend I had the chance to re-read them all in one sitting and I’m legitimately blown away. The creators have developed something that is arguably better than what Kurt Busiek and Cary Nord started in 2003 and shoulder-to-shoulder with the great stories out of the ’70s. This new issue looks to be right up my alley, as Conan takes his pirate queen Belit back to his frigid homeland in search of a man masquerading as Conan. Hmm, $7 left. Any other Food or Comic-ers want to grab some grub?
If I could splurge, I’d excuse myself from the table dining with my fellow FoCers and get Eyes of the Cat HC (Humanoids, $34.95). I feel remiss in never owning this, so finally getting my hands on the first collaboration between Moebius and Alexandro Jodorowsky seems like a long time coming. I’m told its more an illustrated storybook than comic book, but I’m content with full page Moebius work wherever I can get it.
I relate to the main character from Doug TenNapel’s Cardboard more than I want to. His name is Mike, he’s the father of a pre-teen boy and he’s looking for work in a crappy economy. Fortunately, I’m not a single dad and I also haven’t had to bring home a cardboard box for my son’s birthday. That’s all that Mike can afford, but the box does come with the promise of adventure. The old man on the street corner who sells it to Mike explains that it’s “actually a father-and-son project in disguise! Slay the giant! Kill the Nazis! Hunt for buried treasure!” It’s not just a box, Gideon claims, “it’s everything mankind ever needed to accomplish pressed into a cube of corrugated pulp.” It also comes with two rules.
Any time a creepy old guy sells you something from a ramshackle shop and that thing comes with rules, you know trouble is coming. The cardboard’s rules are that 1) Mike must return all the scraps when he and his son Cam finish their project, and 2) they can’t ask for any more cardboard. Naturally, they break both.
As these things will, the problem begins with a creepy butthole kid who lives next door. Marcus is a rich kid whose obnoxiousness has left him with only two friends: his rat Fang and a sunglasses-wearing boy appropriately known as Pink Eye. Marcus mocks Mike when he brings home the box, but laughter turns to jealousy once Mike and Cam have created a cardboard boxer named Bill who comes to life. Meanness ensues, scraps are not returned, thefts occur and before long Marcus is creating his own army of cardboard monsters that gets horribly out of control.
If I had $15, I’d start things off with Hawkeye #1 (Marvel, $2.99). David Aja’s built up a great track record from his run on Iron Fist to his various one-off issues in and around the Marvel Universe, so seeing him re-team withIron Fist co-writer Matt Fraction is something special. Without creators like these I’d probably balk at a Hawkeye series, but they make this a must-buy. After that I’d get another first issue, Image’s Harvest #1 (Image, $3.50). AJ Lieberman’s quietly written a number of great stories, and this one seems pretty inventive. I might’ve waited for the trade on this, but newcomer Colin Lorimer’s art on it makes me think he’s going to be a big deal and I need to know about it. For the bronze in my $15 pile, it’s Avengers Vs. X-Men #9 (Marvel, $3.99). This week, Jason Aaron and Andy Kubert take point, re-teaming from their great but under-appreciated Astonishing Wolverine and Spider-Man series from a while back. Lastly, I’d get Daredevil #16 (Marvel, $2.99) because Waid is bringing his A-game, and the recent addition of Chris Samnee only makes it even more impressive. The previews for this issue shows guest appearances by Ant-Man, Doctor Strange and Iron Man, so it’ll be interesting to see how Waid factors them into Matt’s world.
If I had $30, I’d get Thief of Thieves #7 (Image, $2.99), which is becoming one of my favorite Image books and Nick Spencer’s finest at the moment. Having Shawn Martinbrough draw it only helps. After that, I’d get Earth 2 #4 (DC, $2.99). James Robinson is really living up to the “New 52” moniker by giving us one of the most imaginative and different takes on the DCU, and Nicola Scott is drawing up a storm here. After that, I’d tie things up with RASL #15 ($4.99). Jeff, you get my money sight unseen.
If I could splurge, I’d take a chance and order Absalom: Ghosts of London (2000 AD, $17.99) because it looks pretty great. British cops governing over an ages-old pact between the English government and hell? Hell yeah.
Following up on his odd-but-awesome webcomic Ratfist, which completed its run last year and has since been collected by Image Comics, Doug TenNapel has launched a new webcomic for your reading enjoyment, Nnewts. It’s about, well, Nnewts, whose lives are “full of adventure, with a little bit of magic.” TenNapel plans to update it with one page every week.
“Nnewts is a story I’ve been working on for over 15 years. I never thought it would be ready to tell, so I plunked away it in the borders of my sketchbooks until some day when I was much older, I’d roll it out proper. That didn’t happen,” TenNapel said. “Instead, my buddy Ethan Nicolle and I were talking about comics over a pint and a pipe (as usual) when I told him I was thinking about doing a webcomic. He said, ‘You should do that NEWTS project as a webcomic.’ I sat there thinking of all the reasons why I couldn’t do it, no room in my schedule being the biggest reason. Then he said, ‘You could do a page a week, no problem.’ In 15 seconds he took away every excuse I had not to make this comic. It all made sense to me.”
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
It’s a week where I’m happily embracing the superhero of it all. If I had $15, I’d go for the fifth issue of Marvel’s Fear Itself ($3.99), mostly because I’m this far in and I’ll probably keep going just to see how it turns out instead of actually enjoying it, as well as the first issue of “Spider Island” in Amazing Spider-Man #667 (Marvel, $3.99) to continue my love/hate relationship with Dan Slott’s Spider-Man run. But when it comes to full-on nostalgia, DC has me in the palm of its hand with DC Retroactive: Justice League of America – The ’80s #1 (DC, $4.99). No joke: The Justice League Detroit era is one of those guilty pleasures that I not only can’t explain, but also can’t resist – Gerry Conway revisiting that failed team for a new one-shot (especially with art by Ron Randall) is something that I literally can’t help myself but pick up.
Publishing | Sales of comic books and graphic novels in July fell 6.17 percent versus July 2010, with dollar sales of comic books sold through Diamond Comic Distributors falling 4.27 percent and graphic novels falling 10.10 percent year-over-year. Unit sales for comics were only down slightly, at .52 percent, which ICv2 points out “indicates that comic book cover prices have in fact declined. The problem is that circulation numbers have not risen enough to make up for the decline in revenue from lower cover prices.” Marvel’s Amazing Spider-Man #666, which kicked off the “Spider-Island” event, was the best-selling comic of the month, while League of Extraordinary Gentlemen III Century #2 from Top Shelf topped the graphic novel chart. John Jackson Miller has commentary.
Marvel saw a slight increase in its dollar market share for July when compared to June, while DC’s jumped from 28.03 percent in June to 30.55 percent in July. IDW, the No. 5 publisher in terms of dollar share in June, moved to the No. 3 position in July. The top seven publishers were rounded out by Image, Dark Horse, Dynamite and BOOM! [ICv2]
To see what Daniel and the Robot 6 crew have been reading, click below.
I’ve long been a fan of Doug TenNapel‘s graphic novels, like Creature Tech, Earthboy Jacobus and the more recent Ghostopolis. My only complaint is the long wait between them. If you’re impatient like I am, here’s the cure — TenNapel has launched a new webcomic, Ratfist, which I believe is his first foray into the world of superheroes. There are only two pages up right now, as it launched yesterday, but his plans are to update every weekday.
In December of last year, brothers Ethan and Malachai Nicolle concocted Axe Cop and posted the first five episodes as webcomics in January 2010. A mixture of factors–including being declared Entertainment Weekly‘s Site of the Day as well asa deluge of Tweets (as well as getting praised by Robot 6’s Sean T. Collins of course)–allowed the buzz to build on the webcomic fairly quickly. The stories (aptly described by Dark Horse as “We live in a strange world, and our strange problems call for strange heroes. That’s why Axe Cop–along with his partner Flute Cop and their pet T. rex Wexter–is holding tryouts to build the greatest team of heroes ever assembled.”) were collected and released by Dark Horse in Axe Cop Volume 1 last week. For those who have not heard about Axe Cop before, I kind of buried my lead regarding Ethan’s co-creator and brother: Malachai is six years old. I recently email interviewed Ethan about the collected edition and the creative process to date as well as going forward, including the three-issue Axe Cop: Bad Guy Earth miniseries that launches in March 2011.
Tim O’Shea: It’s clear that you are careful to make sure your co-creator/six-year-old brother Malachai enjoys the creative experience and does not get burned out. How hard is it to involve him in the process while at the same time not burdening him?
Ethan Nicolle: I simply have to work at his pace. If he is burdened he simply will not write… he is not like writers in comics or in Hollywood who are writing to try to put food on the table. In fact thing he is kind of weirded out that I am still asking him “so then what happens?” a year later. He is just playing, and if it doesn’t feel like play, his short attention span will switch him to something else in an instant. Since most of our writing is done on the phone, I have to wait until he has some inspiration (usually after he has seen a movie or cartoon or has not noticed an update on the site recently). For the Bad Guy Earth series I actually went and spent an entire month with him writing it in person, and it was all based on a month of actual play time together doing fake car chases in my car, in his room playing with toy dinosaurs and going to the playground. I just kept bringing our narrative back into the playtime. He will say “we need to work, Ethan” but that’s him saying “let’s play”. The word work means play to Malachai. He is learning early why so many people want to be writers and comic artists.
Welcome to What Are You Reading?, our weekly look at what the Robot 6 crew has been enjoying on the comics front. Today our special guest is our friend Ron Richards, one of the co-founders of the popular comics website iFanboy.com. To see what Ron and the Robot 6 crew have been reading, click below.
Welcome to What Are You Reading?, where we give a great big hug to all the comics, graphic novels and what have you we’ve been reading lately.
To see what Ben and the Robot 6 crew have been reading recently, hit the link …