Axel-In-Charge: New X-Men Editorial Era, Garth Ennis' Marvel Return
Both Peter Parker and Clark Kent have managed to build a career as a comic book superhero on the back of a journalism career, and as it turns out so have a number of comic book writers. Following in the footsteps of Paul Levitz, Mark Waid and Neil Gaiman, Ian Brill first came into comics in the early 2000s as a journalist writing for the likes of Publishers Weekly and Newsarama. He went on to become an editor at BOOM! Studios, and parlayed that into his first major comics-writing gig, Darkwing Duck. That series succeeded past most anyone’s expectations, and put Brill on a path to venture into comics writing full-time in 2011.
Earlier this summer, Brill launched the first major series of his own with the self-published Dracula World Order: The Beginning one-shot. Enlisting an all-star lineup of artists, Brill distributed the comic in grassroots fashion not unlike Sam Humphries’ Our Love Is Real. Brill is already hard at work on more stories in the Dracula World Order universe, and he’s also just been announced as the writer for the upcoming BOOM! series Freelancers, profiling a female duo of kung-fu bounty hunters. Comic Book Resources spoke at length with Brill about that series last month, so here we focus on his self-published work, his career trajectory and his thoughts on Kickstarter.
Hello and welcome to What Are You Reading? Today our guest is Mark Sable, the writer and co-creator of Image’s Graveyard of Empires with Paul Azaceta and the upcoming Duplicate from Kickstart Comics with Andy MacDonald. You can find his work and thoughts at marksable.com and contact him @marksable on the Twitter.
To see what Mark and the Robot 6 crew have been reading, click below …
“Radar” is an occasional spotlight on interesting and entertaining comics and creators that are fairly new to the business or may have escaped your notice.
Today brings the release of Dracula World Order, the self-published comic by Ian Brill, Tonci Zonjic, Rahsan Ekedal, Declan Shalvey and Gabriel Hardman. It’s broken into four chapters, each drawn by a different artist, with a cover by Shalvey and colorist Jordie Bellaire. The story revolves around Dracula’s son Alexandru leading a rebellion against his father and the one-percent “vampire elite.”
It’s available on a limited basis from a handful of retailers, as well as online from Things From Another World if you want a physical copy, and comiXology if you want a digital one. I caught up with Brill to talk about the comic, his publishing plan and more.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
With my first $15 I’d get the following: The Massive #1 (Dark Horse, $3.50), X-Men #30 (Marvel, $3.99), Spider-Men #1 (Marvel, $3.99), and Saucer Country #4 (Vertigo, $2.99). That leaves me roughly 50 cents out of my budget. I dunno if it was planned this way or not, but two of Brian Wood’s latest projects, The Massive and his run on the X-Men (of the un-Ultimate variety), kick off this week. We also have the debut of Spider-Men, the crossover that features Peter Parker of the 616 Marvel U meeting up with Miles Morales from the Ultimate-verse. I’ve enjoyed the Miles Morales/Ultimate Spider-Man stories this far, which is the reason I’m getting it. Finally, Saucer Country is the best of the new Vertigo titles, featuring clever writing by Paul Cornell and great art by Ryan Kelly.
Add another $15 and I’d also get Captain America #13 (Marvel, $3.99), Uncanny X-Force #26 (Marvel, $3.99), Resurrection Man #10 (DC Comics, $2.99), and Frankenstein: Agent of Shade #10 (DC Comics, $2.99). Again, with some change left over for a candy bar or whatever. I laughed out loud at the big reveal at the end of the last issue of Captain America, as we learned who the new guy was behind the Scourge mask. I assume this is a What If? comic, along the lines of “What if (name redacted for spoiler reasons) wasn’t lame?” So I have to see this through. I mentioned this weekend on What Are You Reading? that I’d downloaded a whole bunch of the current run of Uncanny X-Force for 99 cents from comiXology, and since then I’ve completely caught up on the book, so I’ll definitley be getting the current issue. Add to that one of the final times I’ll get to see Abnett and Lanning’s Resurrection Man comic (sniff … well, it was probably a longshot anyway, based on how well his last comic did) and the debut of Matt Kindt on Frankenstein, and that rounds out my week of comics.
I don’t really have anything on my splurge radar this week, so maybe I’ll just hold onto the cash and save it for next time.
Hello and welcome to another edition of What Are You Reading? Our special guest this week is Matthew Thurber of 1-800 Mice and Infomaniacs fame. To see what Matthew and the Robot 6 crew have been reading, click below.
Following up the teaser we received earlier this week, former BOOM! Studios editor and Darkwing Duck writer Ian Brill has revealed the details behind Dracula World Order, a self-published one-shot that will be available next Wednesday at select retailers and digitally through comiXology.
Joining Brill in creating the comic are four different artists — Tonci Zonjic, Rahsan Ekedal, Declan Shalvey and Gabriel Hardman. The comic is broken into four chapters, each drawn by a different artist, with a cover by Shalvey and colorist Jordie Bellaire. The story revolves around Dracula’s son Alexandru leading a rebellion against his father and the one-percent “vampire elite.”
From a publishing/distribution standpoint, Brill seems to be following the model that worked very well for Sam Humphries last year with his self-published comics Our Love is Real and Sacrifice (Brill even mentioned Humphries in his press release). The one-shot has a print run of 300 copies, creating a collectible item, but it’s also available digitally so anyone with a mobile device or web connection can read it through comiXology. (If you’re interested in more about Humphries’ approach, he spoke extensively about it at Comic-Con last year at a panel we were both on, which is available for your listening pleasure here).
You can find some preview artwork and a list of shops selling the comic below. I have some questions out to Brill about it, so watch for an interview soon.