Publishing | Along with the usual statistics — dollar and unit share, sales rankings, etc. — Diamond Comics Distributors this month began reporting the number of new titles shipped by the top publishers: DC Comics, which edged out Marvel in terms of market share in July, had only a handful more, with 121 comics and graphic novels versus Marvel’s 118. [ICv2]
Conventions | Sean Kleefeld gives a brief account of a number of panels he attended at Wizard World Chicago, including the “Batman & Psychology” panel and two by webcomics maven Brad Guigar. [Kleefeld on Comics]
Creators | Avengers writer Jonathan Hickman talks about the upcoming six-issue event series Infinity. [USA Today]
Voting for the 2013 Eisner Awards concludes Wednesday, but that doesn’t mean we have to stop talking about them. Last year, I had the privilege of being an Eisner judge, and it was one of the greatest experiences of my life. This year I’m back to being a civilian, and that means once again I can complain about the judges’ choices. Let the games begin!
Actually, I thought the selections were pretty good, and I’m happy that the judges decided to continue having three categories for young readers, as we did last year. However, children’s and YA graphic novels are a burgeoning sector of the market, and there’s a lot of good work out there. Here are six graphic novels that I would have been arguing for this year had I been in the judging room. And incidentally, all of them are good reads for adults as well.
Little White Duck, written by Na Liu, illustrated by Andrés Vera Martínez: This book deserves the Eisner for the beautiful art alone, but the story is wonderful as well. It’s Liu’s tale of growing up in China in the 1970s, and she starts with her parents mourning the death of Chairman Mao. The view of Chinese life in the Communist era is very different from what we are accustomed to; Liu writes matter-of-factly about the hardships (their family had two children, so she was not allowed to go to school) but also the joys of family life. It’s a very personal and three-dimensional perspective on an era we often view in flat black and white, and both Liu and Martínez are master storytellers.
Amid all of the best-of-the-year lists, National Public Radio’s comics go-to guy Glen Weldon takes a different approach, focusing on “outstanding works that haven’t gotten the column inches they deserve” — in short, the graphic novels and collections that might’ve slipped beneath the mainstream radar. Of course, half of his selections have already made best-of lists this year:
• The Crackle of the Frost, by Lorenzo Mattotti and Jorge Zentner (Fantagraphics)
• Little White Duck: A Childhood in China, by Andres Vera Martinez and Na Liu (Graphic Universe)
• Drama, by Raina Telgemeier (Scholastic/Graphix)
• Gloriana, by Kevin Huizenga (Drawn & Quarterly)
• Saga, Vol. 1, by Brian K. Vaughan and Fiona Staples (Image Comics)
• Wonder Woman, Vol. 1: Blood, by Brian Azzarello and Cliff Chiang (DC Comics)
You can read what Weldon has to say about each off the books on the NPR website.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15: Whoah, another tough week to narrow things down. Is every Brian Wood-written title required to come out the same week of each month? Do Dark Horse and Marvel get together and plan it that way, so that people who only buy Wood comics only have to go to the store once a month? I think more than half the DC titles I buy come out this time every month, too. So yeah, lots to pick from …
Anyway, I’d start with one of those Brian Wood comics, Conan the Barbarian #8 (Dark Horse, $3.50), which features Vasilis Lolos on art. Lolos drew one of my favorite issues of Northlanders, “The Viking Art of Single Combat,” so it’s cool to see the two of them working together again. I’d also get a comic I’m sure will be popular with a few of my colleagues, the first issue of the new Stumptown miniseries by Greg Rucka and Matthew Southworth (Oni Press, $3.99). Next I’d get Manhattan Projects #6 (Image, $3.50); this issue turns the focus from America’s secret science program to Russia’s secret science program. Jonathan Hickman and Nick Pitarra are having a lot of fun with this one. Finally, I’d get Uncanny X-Force #31 (Marvel, $3.99), which really picked things up last issue … and this is a comic that’s usually running on twice as many cylinders anyway.
If I had $30, I’d also grab two finales from DC Comics — Shade #12 and Resurrection Man #0 (both $2.99). Honestly, I never expected to see a Resurrection Man comic again, much less by the guys who wrote the original, so the fact that we got a good run of 13 issues is a pleasant surprise. Shade, of course, was planned as 12 issues from the beginning, and was a nice return to the Starman-verse by writer James Robinson. That leaves me room for three more $2.99 comics, which means I’m going to bypass X-Men, The Massive and Avengers Assemble this week (let’s assume that I’ll one day spend my splurge money on the trades) and instead go with Chew #28 (Image, $2.99), It Girl and the Atomics #2 (Image, $2.99) and Demon Knights #0 (DC Comics, $2.99).
Splurge: Assuming I wouldn’t spend my unlimited gift card on single issues, I’d be looking at the first Bucko collection from Dark Horse ($19.99) and Fantagraphics’ Is That All There Is? trade ($25).
Welcome to What Are You Reading?, our weekly rundown of what comics and other stuff we’ve been checking out recently. Today our special guest is cartoonist Austin English, creator of the graphic novel Christina and Charles and publisher of Domino Books.
To see what Austin and the Robot 6 crew have been reading, click below.
Raina Telgemeier has been busy — it seemed like she made it to every single comic convention in the United States and several in Canada over the past year — and last weekend she capped it off by picking up the Eisner Award for Best Publication for Teens for her graphic novel Smile. Despite all that traveling, she has managed to start work on her next graphic novel, and she announced it over the weekend: It will be called Drama, and, she says, “It’s about middle school theater geeks, stage crew, putting on a play, love and hate and friendship, and that’s all I can talk about for now.” The book is due out in fall 2012 from Scholastic/Graphix.