Awards | Brian Crane (Pickles), Rick Kirkman (Baby Blues) and Stephan Pastis (Pearls Before Swine) have been nominated for the 2012 Reuben Award for Outstanding Cartoonist of the Year, presented by the National Cartoonists Society. [National Cartoonists Society]
Awards | Nominations are being sought for the Russ Manning Most Promising Newcomer Award, which will be presented July 19 at Comic-Con International during the Eisner Awards ceremony. The deadline is April 5. [Comic-Con International]
Creators | Alan Moore will make a rare convention appearance in September — his first in 25 years, according to this article — at the inaugural Northants International Comics Expo in Northamptonshire, England. To attend Moore’s hour-long talk on writing comics or the hour-long question-and-answer session, convention-goers are required to donate graphic novels to the Northamptonshire Libraries, which will have a table at the event. [Stumptown Trade Review]
Creators | Mark Waid gets the NPR treatment, as Noah J. Nelson interviews him about his digital comics initiatives. “I got news for you: I’ve been doing this for 25 years, and this is the hardest writing I’ve ever had to do,” Waid says of creating digital comics. [NPR]
Publishing | Abrams ComicArts editorial director Charles Kochman discusses the publisher’s spring lineup, which will include William Stout’s Legends of the Blues, Darryl Cunningham’s What the Frack, a history of Bazooka Joe comics, and a Will Eisner artbook written by Paul Levitz. [ICv2]
Passings | The Comics Journal collects tributes to Maurice Sendak, the legendary children’s book author and illustrator who passed away Tuesday at age 83. Philip Nel, director of Kansas State University’s Program in Children’s Literature, also writes an obituary for the influential creator of Where the Wild Things Are. [TCJ.com]
Publishing | In an interview with the retail news and analysis site ICv2, IDW Publishing President and CEO Ted Adams says that while digital sales are at 10 percent of print sales, both are going up: “There’s just no question at this point that selling comics digitally is definitively not impacting [print] comic book sales. If anything you could make the argument that the success of digital is driving more print comic book sales. The correlation at this point is that increased digital has resulted in increased print. Whether or not that is a direct correlation, I don’t know how you would figure that out. I can say with no uncertainty that our increased digital revenue has come at a time when we’ve had increased comic book sales.” [ICv2]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d go all-in on AvX: Vs #1 (Marvel, $3.99). As a story format-junkie, this seems like an ideal supplemental series to the event comic series as we know it – I may have read it wrong, but this seems low on continuity and high on action – kind of a throwback to the condensed comics of the ’60s, I hope. And seeing Kathryn and Stuart Immonen on this together is a big deal – wish they’d get more chances like this! Next up would be the finale of The Twelve, #12 (Marvel, $2.99). I argued with myself about waiting for the trade at this point, but at the end of the day I’m more interested in this than a lot of everything else going on out there. Plus, I bought the eleven previous issues so I should finish it out, right? Next up would be Spaceman #6 (DC/Vertigo, $2.99). I’m finding this series benefits from a deeper re-reading prior to each new issues, but it’s paying off in spades in terms of my enjoyment. This is definitely a palate cleanser after Azzarello and Risso’s run on 100 Bullets, but in a good way. Finally, I’d get Daredevil #11 (Marvel, $2.99). The Eisner Awards judges got this one right when they piled nominations on this book, because Waid, Martin, and Rivera have really made the quintessential superhero book here. The fill-ins from Khoi Pham and Marco Checchetto seem off-putting, but they’ve earned some lee-way after the murderer’s row of creators who started the book. Can’t wait to see Samnee on this, however.
If I had $30, I’d start off with an interesting looking project that’s gotten no press – Airboy: Deadeye #1 (Antarctic Press, $3.50). Chuck Dixon and Ben Dunn — what a pairing. After that I’d go back to get Supercrooks #2 (Marvel/Icon, $2.99); Mark Millar knows how to sell a high-concept, but it’s Leinil Yu that’s making me come back past the first issue. After that would be an Avengers two-fer: New Avengers #25 (Marvel, $3.99) and Secret Avengers #26 (Marvel, $3.99). I dropped off New a few issues back, but with this new issue covering some never-before-seen connections between Iron Fist and the Phoenix Force, I’m back in for this one. And Secret Avengers, well, Remender’s on a roll with his Marvel work and this is continuing on that without being an Uncanny X-Force retread. And guest artist Renato Guedes seems a better fit for this than his work on Wolverine.
If I could splurge, I’d lunge for a copy of The Art of Amanda Conner (IDW/Desperado, $29.99). I was fortunate enough to get a digital review copy of this earlier, and seeing it like that only made me want this more. Rather than just being a template art book plugging in her work, the design and packaging really go along with what you’d expect from Amanda’s tongue-in-cheek comic style. Reading this makes me want to go back and track down her earlier work that I missed.
Retailing | The inventory Arizona retail chain Atomic Comics, which abruptly closed its four locations in late August amid the bankruptcy of owner Michael Malve, will be sold at auction
Jan. 3 Jan. 10 in Phoenix, both live and online. Known nationally for its in-store signings, innovative marketing and sheer size, the 23-year-old chain gained international exposure last year when its name and logo were featured prominently in Kick-Ass, the film adaptation of the comic by Mark Millar and John Romita Jr. Photos of the inventory to be liquidated can be found on the website of the auction company. Update: The date of the auction has changed to Jan. 10. [Sierra Auction Management]
Publishing | Tim Stroup, co-founder of the Grand Comics Database, recently dug up some old comics sales figures from the 1940s; John Jackson Miller analyzes them and reaches an interesting conclusion: “comics may be reaching far fewer eyeballs, but it’s a more profitable business to be in today.” [The Comichron]
Welcome once again to our weekly round of “What would you buy if your budget was limited?” — or, as we call it, Food or Comics? Every week we set certain hypothetical spending limits on ourselves and go through the agony of trying to determine what comes home and what stays on the shelves. So join Brigid Alverson, Chris Mautner and me as we run down what comics we’d buy if we only had $15 and $30 to spend, as well as what we’d get if we had some “mad” money to splurge with.
Check out Diamond’s full release list if you’d like to play along in our comments section.
If I had $15 …
Morning Glories #2 ($3.50)
Image promoted this book pretty heavily before it came out, and I hope it paid off … I really enjoyed the first issue, and I hope it sticks around for awhile.
Unwritten #17 ($3.99)
This issue hearkens back to the days of my youth with a “Choose Your Own Adventure” issue, as Mike Carey and Peter Gross continue to have fun with literature of all sorts (with an assist from Ryan Kelly this issue). I was always a total cheater — I would read ahead to get a good ending, which is probably what I’ll do with this issue.
Over at his blog, Drew Friedman has unveiled the official cover to Fantagraphics’ upcoming book, The Best American Comics Criticism. And, lest you fear those portraits are supposed to be of you or someone you may know, let him put your mind at ease:
I created these lovely faces for this new book cover from Fantagraphics, designed by Alexa Koenings and due out next month. The idea was conceived by the author, journalist/historian Ben Schwartz, to be an homage/parody of THE BELIEVER covers, although I had no intention, or interest in parodying the regular Charles Burns portraits. The faces are not meant to be any one in particular, rather I wanted to capture certain “types’ who write Comics Criticism.