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Inspired by the 2007 Marvel/Dynamite Entertainment crossover Marvel Zombies vs. The Army of Darkness, director/editor Brian Rosenthal and his co-writer Eli David have crafted a short film that begins with Peter Parker, Gwen Stacey and a mysterious bag on the eve of the zombie outbreak … and then turns into something else. Namely, a showdown between Ash Williams and an undead Wolverine.
Conventions | WonderCon organizers have announced that next year’s show, set for April 18-20, will again be held in Anaheim, California. This will be the third year for the event at that location, after having been uprooted from its longtime home at San Francisco’s Moscone Center first because of remodeling and now because of scheduling conflicts. [Los Angeles Times]
Publishing | Nick Barrucci, CEO and publisher of Dynamite Entertainment, looks back on 10 years in the business, and discusses some upcoming comics, including J. Michael Straczynski’s Twilight Zone and the new kids’ line Li’l Dynamites. [Previews World]
Conventions | A even bigger obstacle than the San Diego Chargers to the proposed $520 million expansion of the San Diego Convention Center could be the California Coastal Commission, which must approve the project before it can proceed (the stage agency has regulatory oversight of land use and public access to the California coastal zone). The commission’s 11 members are meeting today through Friday in Mission Valley, where they’re expected to consider staff objections about reduced access to the bay; a bridge, estimated to cost about $42 million, from the foot of Fourth Avenue in the Gaslamp Quarter has been floated as a solution. A public hearing is being held Thursday. The expansion of the convention center is viewed as critical to keeping Comic-Con International in the city past 2015. [U-T San Diego]
Pandasaurus, the Austin, Texas-based publisher of such tabletop games as Yedo, New Amsterdam and Tammany Hall, will oversee design, production and distribution for the new division.
“We’re well known for diversity at IDW, in the world of entertainment and comics,” IDW CEO & Publisher Ted Adams said in a statement.“With all of the great properties we publish, it seemed natural that a lot of them would make fantastic games. We’ve found the perfect partner in Pandasaurus Games to help us make that happen.”
According to ICv2, 30 Days of Night — based on the IDW cornerstone franchise created by Steve Niles and Ben Templesmith — “will be an intense, story-driven, survival horror game,” while Kill Shakespeare — based on the comic created by Anthony Del Col, Conor McCreery and Andy Belanger — “will be a semi-cooperative ‘gamers game’” designed by Thomas Vande Ginste and Wolf Plancke (Yedo).
News of IDW Games arrives only days after Dynamite Entertainment announced the creation of Dynamite Toys and Games, a division devoted to the manufacture of action figures, board games, novelty products and more.
In case you didn’t notice, Comic-Con International happened last weekend. As always, it was an epic affair with tons of announcements, stunts and surprises. Amid cannons firing, actors dressing up as themselves, and big movie plans, there were also a good number of genuine surprises from comics.
Usually I end up picking a winner of Comic-Con, but after Dynamite Entertainment flooded the air waves with announcements the days before the event, no one else seemed to stand out as the clear winner. It’s not that everyone slacked off, however: They brought a good variety of interesting and exciting projects, and a number of standout announcements made my ears perk up. So instead of declaring a winner, I’m going to run down my Top 6 Comic-Con surprises in comics.
Before I start, though, two publishers deserve a little recognition for serious contenders for the Comic-Con crown. Top Shelf Productions classed up the joint by bringing in Congressman John Lewis for the debut of his graphic novel, March: Book One with artist Nate Powell and co-writer Andrew Aydin. I have little doubt this trilogy will end up being a historic release with profound benefits for schools, libraries and organizations looking for a powerful teaching tool and first=person account of the Civil Rights Movement and non-violent resistance. Plus, come on, photos of Lewis meeting Neil deGrasse Tyson and Lou Ferrigno? Everybody else, just pack it up. Maybe not as much of a milestone, but IDW Publishing also deserves a nod for the pure quantity and variety of good-looking books announced.
OK, on with my list:
As the Comic-Con International hangover sets in and the industry goes silent while creators, editors, publishers and publicists stagger home from San Diego, we’ll take a few minutes to try to collect the comics-related highlights of this year’s event. We’ll attempt to update as more panel reports appear and other information trickles out.
• Saga by Brian K. Vaughn and Fiona Staples, Hawkeye‘s David Aja, and Building Stories by Chris Ware were the big winners at the 2013 Eisner Awards.
• At Diamond Comic Distributors’ Retailer Appreciation Lunch, Marvel teased the arrival of Marvelman — it’s been four years since the publisher revealed it had acquired the rights to the property — and, scheduled for January, a new wave of Marvel NOW! titles. In convention panels, the company announced: Wolverine: Origin II, by Kieron Gillen and Adam Kubert; the return of Nightcrawler in the first arc of Amazing X-Men, by Jason Aaron and Ed McGuinness; the November debut of Longshot Saves the Marvel Universe, by Chris Hastings and Jacopo Camagni; “Afterparty,” a two-issue arc of Young Avengers that celebrates Gillen and Jamie McKelvie’s first year on the series; Steve McNiven will join Rick Remender in November on Uncanny Avengers; Cataclysm: The Ultimates Last Stand, a Galactus-focused Ultimate Universe event by Brian Michael Bendis and Mark Bagley; and the January-launching Revolutionary War, in which writer Andy Lanning and “various superstar artists,” will resurrect some of the Marvel UK characters.
Well, hello there, Dynamite!
Each year at Comic-Con International, the flurry of press releases, announcements, exclusives, previews and rumors gets more and more dizzying. Before we know it, four and a half crazy days scream by, the confetti settles onto the ground, and it’s time to go home. After the chaos, there are always those few that stand above the clutter, those few that linger in the mind as something just a little bit more special. And while it’s trite to reduce Comic-Con to a competition with a select few winners, I can’t help but walk away almost every July with an opinion of who had the most exciting news.
Granted, my barometer might be attuned slightly different from everyone else. I don’t really care about all of the big Hollywood announcements; sure, they’re exciting, I’d be lying if I said I didn’t pay attention, but I go to Comic-Con for the comics. For me, everything else is the side show. I watch for the creators and companies with the most ambitious comics projects, the most promising books, and the biggest potential to spread even further the love of comics to the world.
This is probably the first year where there’s been so many announcements leading up to the event that I like I can call a pre-Comic-Con winner. There no doubt will be a different winner or winners once the convention is over, but before the early stuff gets buried under the avalanche, let’s take a moment to appreciate what we’ve gotten so far. And so I bequeath the Pre-Con Crown to Dynamite Entertainment.
Continuing its avalanche of pre-convention announcements, Dynamite Entertainment this morning revealed it has partnered with 20th Century Fox Consumer Products to develop a comic based on the animated comedy Bob’s Burgers.
Debuting in January 2011 as part of Fox’s Sunday night animation block, Bob’s Burgers centers on the Belcher family — Bob, his wife Linda and their children Tina, Gene and Louise — who run a hamburger restaurant. Although overshadowed on the schedule by The Simpsons and Family Guy, Bob’s Burgers may be one of the most consistently funny, and quirky, shows on television (animated or otherwise). The fourth season premieres in September.
Sean Phillips has posted previews of the upcoming Art of Sean Phillips book, which arrives in September from Dynamite Entertainment.
One of the noteworthy things about these images is that Phillips (or more likely, a friend or member of his family) must have kept all the comics he produced as a kid. Most of us probably did this kind of stuff as children, but few would ever bother to preserve it (that said, someone in Brandon Graham’s family clearly has, too). Phillips’ kith and kin must have foreseen his inevitable rise to greatness: Indeed, it’s within a just a few short years that Sean was being published professionally by DC Thomson, while still a teenager. A couple of years later, Phillips would be working for 2000AD, the usual launchpad for international success for U.K. creators.
If that was all Red Sonja was, I wouldn’t want to write about her at all. She’s a lot more than that to me, and to her fans, I’m sure. A thousand imitators showing more flesh have come and gone, and Sonja is still here. [...] But I also think it does a bit of a disservice to lump all male readers together like that, as well. I have found the male readership to be remarkably supportive of great female characters again and again, with Birds of Prey, with Wonder Woman, with Batgirl. I want a Red Sonja that isn’t just a cult title, with every character I love, when I take them over, I want to preach their gospel, I want people to know why I love them so much. Red Sonja kicks a megatonnage of ass, that’s what she does.
— Gail Simone, whose Red Sonja series debuts in July from Dynamite Entertainment, in a Q&A with ICv2
Simone goes on to say she will be changing the character somewhat: “I think she’d gotten a bit omnipotent, and a bit icy, over the years. I want her to be more impulsive and prone to rash judgment.” And she’s going to tinker with Red Sonja’s origin story because “it needs to be reconsidered and retold in a way that’s less about weird gender politics from ages ago.”
The metal bikini, though? That’s gonna stay, apparently. But Dynamite has commissioned regular and variant covers from some of the top female artists in the business, including Colleen Doran, Fiona Staples, Amanda Conner, and Steph Buscema, which opens the door to some interesting interpretations of the character.
Events | Heidi MacDonald beats everyone else to the punch and files the definitive report on the Toronto Comic Arts Festival, which featured a flurry of graphic novel debuts and appearances by artists as diverse as Taiyo Matsumoto (Tekkonkinkreet) and Andrew Hussie (Homestuck). [Publishers Weekly]
Publishing | BOOM! Studios will publish a line of Robocop comics beginning in August. Dynamite Entertainment had the license previously, but company President Nick Barrucci said the rights reverted to the licensor, who granted them to BOOM! [ICv2]
Publishing | Brian Truitt takes a look at Valiant’s lineup for the second summer of its new life, and he talks to the creators about the relaunch and their plans for the future. [USA Today]
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. Below you’ll find a breakdown of the big announcements that came out of this weekend’s Emerald City Comicon, our contributors’ picks for the comics of the week — from Age of Ultron to Al Capp — and the top events to look for in the next seven days (hint: convention season is fully under way).
Welcome to the very last Food or Comics. Next week our new-release picks will take a different format, but this week we’re still talking about what comics we’d buy at our local shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Let’s be honest, if I had $15, I’d make sure that Batman Incorporated #8 (DC Comics, $2.99) was first on my list. Not because of any controversy — I’ve been enjoying the series all along — but because I’d be worried it’d sell out if I waited. I’d also grab two Dynamite books: Jennifer Blood #23 and Masks #4 (both $3.99); Al Ewing has done just insane, amazing things on the former, and the Chris Roberson/Dennis Calero team on the latter is just killing it.
If I had $30, I’d find myself time traveling to all the weeks prior in which I didn’t use all $30 to borrow a dollar from past-me, just so that I could get Showcase Presents Justice League of America, Vol. 6 (DC Comics, $19.99), which takes the series firmly into the 1970s and brings the team face to face with villains including the Shaggy Man, Amazo and countless other favorites of my childhood.
Should I have some splurging left in me after that nostalgia-fest, I’d likely go for the Judge Anderson: PSI Files, Vol. 3 collection (Rebellion, $32.99), which picks the series up just after I’d dropped off the 2000AD radar for awhile, and hopefully gives me the chance to get back into the character, now that I am firmly into Thrill Power again.
Creators | Gene Luen Yang, creator of American Born Chinese, has revealed his latest project Boxers and Saints, a set of two graphic novels about the Boxer Rebellion in China; one story is about a peasant who joins the Boxers, while the other is about a woman who converts to Catholicism. First Second will publish them as a slipcased set. There’s a 10-page preview as well as an interview at the link. [Wired]
Comics | Jim Rugg notices that his print copy of Hellboy in Hell doesn’t look as good as his friend’s digital copy, and where most of us would have just shrugged and moved on, he takes the time to think about why that is and how careful publishers can ensure that print comics look their best. [Jim Rugg]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 this week, it’d be all first issues, all the time. Being a Trek fan, I couldn’t resist IDW’s Star Trek: Countdown to Darkness #1 ($3.99), offering some glimpses into the new movie for the first time outside of the trailer, for one thing. Kieron Gillen and Jamie McKelvie’s Young Avengers #1 (Marvel, $2.99) looks to be equally unmissable judging from both the previews and interviews heralding its launch, and also Gillen’s performance on Iron Man and other titles recently, so that’d make it in there, too. Finally, I’d grab The Answer #1 (Dark Horse, $3.99), Dennis Hopeless and Mike Norton’s new superhero/mystery series. I’ve been back and forth about Hopeless in the past (loved his X-Men: Season One; hate his Avengers Arena), but the hook for this one looks pretty solid and Norton’s work is always nice to gaze at.
Should I suddenly find myself with an additional $15, I’d add some current favorites to the pile: Chris Roberson and Dennis Calero’s pulp dystopia Masks #3 (Dynamite, $3.99), Jonathan Hickman and Jerome Opena’s Avengers #3 (Marvel, $3.99, and less a “favorite” than an “undecided about, but was surprised by how much I appreciated that second issue”) and Greg Rucka and Matt Southworth’s Stumptown #5 (Oni, $3.99). After the fourth issue of Stumptown, I’d pick that last one up even if Rucka had accidentally forgotten to write any dialogue in there. Did you see that last issue? Man …
Were I to splurge, it’d almost feel greedy after this week of bounty. Nonetheless, I’d grab The Spider, Vol. 1: Terror of The Zombie Queen (Dynamite, $19.99), the collected edition of the first storyline from David Liss’ revival of the pulp hero that I loved based on the first issue but somehow fell off of before the end of that first arc for reasons that escape me. Definitely curious to revisit it.