Chris Pine Reportedly Closes "Wonder Woman" Deal
Hello and welcome to Shelf Porn, our weekly look at a fan’s collection. Today’s shelves come to us from author David Peck in the UK, who shares his collection of Batmobiles, figurines and more.
If you’d like to see your collection right here on ROBOT 6, you can find instructions at the end of this post.
And now here’s David …
Hello and welcome to Shelf Porn, our weekly glance into one fan’s collection. Today’s collection comes from Robert in Canada, who shows us his comics, graphic novels and more.
If you’d like to see your collection featured here on Robot 6, you can find complete details at the end of this post.
And now here’s Robert …
If it’s Saturday, it’s time for Shelf Porn — our weekly look at one collector’s pride and joy. Today’s collection of action figures, comics and lots more comes from Ryan in Toronto.
If you’d like to see your collection here on Robot 6, you can find submission details at the end of this post.
And now let’s hear from Ryan!
We’ve always heard “Nothing can stop the Juggernaut, but this week’s Shelf Porn puts that old adage to the test when Juggernaut meets an even BIGGER Juggernaut. Luckily neither of them can actually move, because they’re statues, or else we’d have quite a collision.
Today’s collection comes from Peter in Great Britain, who shows us his hardcovers, statues, books and more. If you’d like to see your collection here, you can find submission details at the end of the post.
And now let’s hear from Peter …
Saturdays are great, but what can make them greater? Shelf porn! Today’s collection comes from Charlie Whittle, who has a really clean set-up for his comics, statues and other fun stuff, including a nice Eaglemoss collection and filing cabinets for his single issues.
If you have some shelves of comics, action figures or other related collectibles you’d like to show off, send me a write-up and some jpgs at email@example.com.
Now let’s hear from Charlie …
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15, I’d start out with Prophet #22 (Image, $2.99) by Brandon Graham and Simon Roy; it’s an Old West pioneering comic set on an alien world. Next up would be my favorite comic from Marvel these days, Uncanny X-Force #22 (Marvel, $3.99). Remender was raised on Claremont-era X-Men, and this is excavating the intricacies of Captain Briton and late ’80s Excalibur comics for Otherworld, Jamie Braddock and a swashbuckling Nightcrawler. Last up with my $15 bounty would be A Long Day Of Mr. James – Teacher (Blank Slate, $7.99). A great looking piece of cartooning from an artist, Harvey James, I’m looking to learn more about.
If I had $30, I’d double back and first pick up Dark Horse Presents #9 (Dark Horse, $7.99). Seriously, this is the comic that some fans were hoping for several years back: one book containing new stories from Paul Pope, Mike Mignola, Neal Adams, Brian Wood, Kristian Donaldson… and pin-ups by Geoff Darrow? Seriously, I second-guess any comics fan I meet who isn’t buying this. Next up would be Wolverine and The X-Men #6 (Marvel, $3.99) by Jason Aaron and Nick Bradshaw. Seeing Wolverine and Kid Omega going to an outer space casino sounds like everything the X-Men haven’t been in over two decades, but I’m liking it. I can only hope they run into Lila Cheney. Lastly, I’d pick up Jeff Smith’s RASL #13 (Cartoon Books, $3.50). The last issue was history-heavy focusing on Tesla, so I hope this one is bit more kinetic.
If I could splurge, I’d go back for a second Blank Slate book—Hector Umbra (Blank Slate, $26.99). I’ve heard nothing about cartoonist Uli Oesterle, but after seeing the preview on Blank Slate’s website I’m kicking myself. Long story short, DJ kidnapped during his set (at Robot Mitchum nightclub no less, best club name ever), and his friend Hector Umbra, an artist-turned-detective, goes after him. Some people compare Oesterle’s art to Mignola,but I see some Paul Grist in there as well.