Earth-2 Archives - Robot 6 @ Comic Book Resources
In the near future, some sort of sentient operating system has awoken and taken over the world, transforming its inhabitants into cyborgs that then either kill or assimilate the rest of the population. To try to prevent this apocalyptic nightmare, Batman Bruce Wayne sends Batman Terry McGinnis into the past to stop that operating system from being created.
I know parts of that plot might sound familiar, but notice the presence of Batmen in it, so obviously I am describing The New 52: Futures End, DC Comics’ weekly series set five year in the future, where McGinnis is trying to alter his past to save his future.
I wonder if DC could send someone back in time, whether they would have altered the storyline of Futures End a bit. It’s always difficult to tell exactly how well a particular series is selling — in part because of the insane way the direct market sells comics, in part because publishers don’t typically release numbers — but one expects DC might have had higher hopes for Futures End, given that this year’s theme month of September is devoted entirely to tie-ins to the storyline, as the company has suspended much of its New 52 line and replaced it with
52 42 Futures End one-shots.
Last week I wrote about Earth 2 in the context of its Supermen. The most recent issue, Earth 2 #26, brought some closure to the Apokolips-invasion plot and subplots, and this week’s Worlds’ Finest #26 does much the same for its displaced heroines. The September issues of both series will jump forward five years to tie into Futures End, and October brings the Earth 2: World’s End weekly miniseries.
Therefore, as these were the last couple of issues before everything will no doubt start to change, I want to talk this week about Earth-2’s unique place in the New 52’s multiverse, and what it might say about DC’s approach to legacy characters.
On Tuesday, Comic Book Resources interviewed Superman writer Geoff Johns, penciler John Romita Jr. and inker Klaus Janson, who (as the headline put it) want to “inject optimism” into the series. As part of that interview, Johns contended that the Man of Steel’s desire to connect with his fellow Earthlings makes him “more relevant now than ever.”
Considering a couple of ongoing storylines, this current focus on positivity sounds like a voice crying in the wilderness. Today we’ll look at the end of Earth 2’s “The Kryptonian” — which features two alternate Supermen — as well as the latest installments of “Doomed” in the regular Super-books.
Naturally, SPOILERS FOLLOW for Earth 2 #26, Superman/Wonder Woman Annual #1, Action Comics Annual #3 and Action Comics #34.
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Some months the solicitations don’t inspire much in the way of analysis. The superhero serials just sort of chug along, and maybe there’ll be an unusual creative team or an idiosyncratic collection to enliven things. Not so with DC’s October solicitations, which include a number of new series, storylines, and creative changes.
This next bit will sound conspiratorial, but I don’t think it’s an unreasonable supposition. I believe — or at least I would not be surprised to learn — that all these debuts and changes are starting in October because that will give them at least six issues to resolve themselves before the big springtime move to the West Coast. For example, six issues is pretty much the minimum for a collection, so if any of the new series just drop immediately into the sales cellar (I’m looking at you, Klarion; say hi to GI Zombie), DC can still have enough for a trade paperback. That’s not to say a reboot is inevitable next spring — notwithstanding one panel in Robin Rising that should jump-start such talk — but I could see a good bit of the superhero line taking a potential victory lap over the fall and winter. (Apparently I am not alone in thinking this.)
Publishing | The latest BookScan numbers reveal June was a good month for manga in bookstores, with eight volumes of Attack on Titan making the top 20 — a new record. The first volume topped the list, which means new readers are still discovering Hajime Isayama’s dark fantasy. Overall, manga had a slight edge, with 11 titles, and all three volumes of Saga were on the list, but only one volume of The Walking Dead. And despite the Amazon-Hachette battle, the Yen Press title Sword Art Online: Aincrad made the chart. [ICv2]
Publishing | ICv2 and Comichron’s John Jackson Miller joined forces to calculate the size of the entire comics market, including the direct market, bookstore and digital channels, and both single issues and graphic novels. Inevitably some things get left out, such as subscription services, sales to libraries and the juggernaut that is the Scholastic Book Fair, but it’s a good snapshot. The bottom line: $850 million in 2013. [Comichron]
A big part of me still thinks Forever Evil would have worked a lot better as one of those late-1990s done-in-five-weeks events. I did enjoy the final issue, but it was because lots of things actually happened, and it made me wonder why they couldn’t have occurred a bit more quickly.
Still, the last-page reveal warmed my withered nerd heart. It’s the sort of thing that cries out for a boatload of analysis based on a set of comics published when I was in high school. Could be a stretch, but I’ll risk it.
SPOILERS FOLLOW, therefore, for Forever Evil #7 and probably some other stories you have already read.
Considering that the July solicitations also previewed September’s Futures End tie-ins, and the final issue of Forever Evil arrives this week after being scheduled originally for March, the August listings feel like just one more ingredient in a jumbled publishing stew. When it’s all done, maybe we’ll see that it’s all worked together. Now, though, we might have to wait until the October solicits for a clearer picture of where DC’s superhero line is going.
In the wake of the New 52’s various revisions, the Grant Morrison-written The Multiversity miniseries seems like an artifact — if not a relic — from the pre-relaunch days. Like the Morrison-written Batman Incorporated, it was originally conceived in that environment, when legacy characters abounded and beloved Silver Age elements were reemerging. Of course, with Earth 2, Worlds’ Finest, Forever Evil and Futures End, parallel worlds have hardly been absent from the New 52; so perhaps The Multiversity is meant to expand that storytelling device even further. I get the feeling that many things are about to change (again) for DC’s shared superhero line, and if some Morrison-infused characters are going to be part of that, I hope they stick around for a while.
For a while it felt as if DC Comics was just going to talk about all its July books without ever soliciting them. News of Grayson and Robin Rising and relaunches of Suicide Squad and Teen Titans trickled out of the DC offices before the dam finally burst on Tuesday afternoon. (That’s why this week’s planned look at the “pilot episode” of Batman Eternal will have to wait.)
In fact, these solicitations are a little overstuffed, with a list of DC’s special September issues that lets us compare and contrast. Note too that while the September issues take place in The Future, they’re only two months removed from their July predecessors — so a good bit of current storylines may well be put on hold.
BECAUSE YOU LOVE THE NUMBERS
Here are the numbers. For the superhero line, DC is soliciting 42 regular ongoing series in July, plus the penultimate issue of Superman Unchained and an extra issue of Justice League. (It’s also putting out five annuals, five issues each of Batman Eternal and Futures End, a Harley Quinn special and the Robin Rising special, for a grand total of 61 single issues.) For September, there are 40 special Futures End tie-in issues, with 3-D covers like those on last year’s “Villains Month” comics. Basically, all the regular ongoing series except All Star Western, Justice League 3000 and Secret Origins get a Futures End issue in September. That doesn’t necessarily mean those three series are canceled, as none of them is part of Futures End’s “five years later” premise. September also includes a Booster Gold: Futures End issue, which one might reasonably think is a good indication of a new series for Booster — but I guess we’ll have to wait and see to be sure. Thus, July’s 42 ongoings, minus the three non-participating series, plus the Booster Gold issue, equal September’s 40 issues.
Not a lot in DC Comics’ May solicitations really strikes me as “new.” That’s due partly to a lot of the new books being set to launch a month earlier. Generally, the superhero line continues to contract, while The New 52 — Futures End kicks off, the New 52 version of Doomsday keeps rampaging through the Superman titles, and Batman Eternal rolls on. Nevertheless, I do have the irrational sense that the line is gearing up for something even more significant, and will be adding new series over the next few months.
Still, if we’re to get excited about the regular fare, we may have to read between the solicitations’ lines — so let’s get on with it, shall we?
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A NEW 52 FOR THE NEW 52
And here it is, Futures End. Last year I wrote the New 52 needed its own version of 52, the year-long miniseries that spanned time and space to focus on the lesser lights of the superhero line. I talked about exploring the geography of the still-new shared universe, doing character studies, and essentially giving the reader a good sense of place and/or connection.
This week DC Comics released four more annuals, three of which are set in the past and one of which is a big, bridging chapter in an ongoing plot line. All are penned by the regular writers of their series, and are $4.99 for 38 pages. What else do you need to know?
Oh, who made them, what they’re about and whether they’re any good? Oh, sure, I can tell you that …
We’ve known for a while that DC’s superhero line will go through some changes in the wake of Forever Evil, and as the March solicitations bring the end of that Big Event, not surprisingly the month looks rather transitory. In fact, Forever Evil #7 is scheduled to appear on March 26, just as the final issue of Blackest Night — also written by Geoff Johns as a spinoff of his highest-profile series, in case you’d forgotten — dropped on the last week of March 2010. (It must be pure coincidence that these solicits feature a $200 White Power Battery tchotcke.) Back then, BN #8 was supposed to “set the stage” for the “next epic era of DC Comics,” which turned out to be about 18 months long and featured the biweekly sort-of-sequel miniseries Brightest Day. This time, Forever Evil #7 teases the importance of the “Hooded Man” and promises to “leave the DC universe reeling and reveal the secrets to the future.”
So, yeah, sounds like another cliffhanger ending, perhaps even leading into another big-deal miniseries — specifically, the May-debuting weekly Futures End. Considering that the three tie-in miniseries (ARGUS, Arkham War and Rogues Rebellion) all seem to feed into FE #7, the actual content of that final issue may well be a giant scrum, not unlike the final issue of Flashpoint, in which some cosmic button is pushed, defeating the Crime Syndicate but at a significant cost to DC-Earth. As it happens, there’s no mention of the “Blight” sub-crossover (bringing together Phantom Stranger, Pandora, Constantine and JL Dark) feeding back into Forever Evil, but I’m not sure how much it’s supposed to relate, beyond being about the JLD trying to pick up the post-invasion pieces.
It’s been more than a year and a half — 19 issues and an annual — but the New 52 version of Earth 2 still feels like a work in progress.
The series began with the last battle of an Apokoliptian war that claimed the lives of Superman, Batman, and Wonder Woman, which was followed soon afterward by the debuts of “wonders” (not “marvels,” no sir) like the Flash, Green Lantern and Hawkgirl. To a certain extent, each was meant to remind readers of the heroes of the original Earth-Two, where Superman and Lois Lane met in 1938 and married in the early 1950s, and where Batman and Catwoman saw their daughter Helena become a successful attorney. When everything started getting organized into a Multiverse in 1961, Earth-Two became the home of DC’s Golden Age characters, including Jay Garrick’s Flash and Alan Scott’s Green Lantern. Indeed, for more than 70 years Jay and Alan were part of DC’s first generation of superheroes, serving as inspiration for the many who followed.
Not so with the current Earth 2, where Jay and Alan are themselves inspired by the heroic sacrifices of that world’s Trinity. On one level, Earth 2 is a way to reintroduce those characters in a present-day context, breaking them down into more basic forms and building them up through a series of fiery trials. Talk about a “never-ending battle” — in Earth 2, war is never far away, whether it’s the reminders of past devastation or the dark portents of new tragedies. Originally I thought this might be writer James Robinson’s way to evoke the world-at-war atmosphere of the 1940s, but now I’m not so sure. Current writer Tom Taylor may simply want to put the “wonders” through a pretty rigorous series of tests. Now, that in itself has become a well-worn DC trope (Geoff Johns personified it some 10 years ago with his updated Reverse-Flash), and it’s not one of which I am especially fond. It has tended to emphasize the “testing” more than the eventual triumph, so it threatens to become a trial for the reader as well.
And yet, like Caleb appreciating the Taylor-written Injustice: Gods Among Us,I have looked forward to each new issue of Earth 2. It’s definitely not the original. Sometimes it’s barely an homage to the original. However, it needs to be its own thing, and this week I’ll tell you why.
Editorial cartoons | The Durban, South Africa, police have confirmed they’re investigating criminal charges against cartoonist Jonathan Shapiro, who goes by the pen name Zapiro, stemming from a cartoon that portrayed the Hindu god Ganesha in a manner many Hindus found offensive.
The cartoon, which criticizes the local cricket organization for corruption, depicts a scowling Ganesha holding a cricket bat and piles of cash while the head of the cricket organization is being sacrificed before him. Businessman Vivian Reddy, whom the newspaper The Citizen notes is also a benefactor of the African National Congress, filed a criminal complaint; the cartoon has also sparked protests among local Hindus, who marched on the offices of the Sunday Times last week. The ANC is also taking the anti-Zapiro side, perhaps in part because of his depictions of its president, Jacob Zuma. Zapiro, meanwhile, isn’t taking calls, but he stated a few days ago that he stands by his cartoon, adding, “It didn’t cross our minds that so many people would be upset.” [The Citizen]
Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So read on to find out what we thought about Lazarus and Earth 2, as well as to review the news of the week!
If you’ve been keeping up with the events in the DC Universe, then you know things are looking particularly grim for the good guys.
At the conclusion of “Trinity War,” the Justice Leagues faced an invasion from the Crime Syndicate of Earth-3 — “The birthplace of all evil,” as one character called it — evil counterparts of the Justice League. In the first issue of Forever Evil, these villains claimed to have killed all of the Justice Leaguers, they freed all the supervillains from all the super-prisons and organized them into an army called The Secret Society, they did some awful things to Nightwing and then even moved the moon to permanently block out the sun.
To mark the occasion of evil temporarily winning (again), DC declared September Villains Month, and is interrupting the ongoing adventures of its heroes with special “.1″ issues starring various villains. Each of these was to bear a fancy plastic 3D cover that jacked the price up a buck and ultimately created shortages, an artificial collectors/speculators market and irritated a whole bunch of retailers, many of whom were already pretty irritated by having to figure out how to order something like, say, Justice League #23.3: Dial E, which fused one of the publisher’s best selling comics with one of its worst.
We — and by that I mean you and I, for the course of this post — aren’t going to concern ourselves with that aspect of the books, however. Instead, let’s look under those covers, whether they’re the fancy plastic 3D ones or the regular, cheaper “standard edition” ones and concern ourselves with the quality of the comics concealed behind the covers.