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Comics | Wim Lockefeer translates and digests the annual report of the ACBD, the French association of comics journalists, which reveals that Asterix continues to rule the roost: The latest album had a print run of 2.25 million, dwarfing the next largest, Titeuf, with 550,000. Overall, sales are up 3.5 percent, but some of the old standards — like Asterix — are down from their historical peaks. Oh, and relevant to the recent debate involving Angouleme: The report lists about 1,400 active comics creators in France and French-speaking Switzerland and Belgium, of whom only 173 are women. [Forbidden Planet]
Manga | Masashi Kishimoto’s Naruto ended its weekly serialization in Shonen Jump magazine in November, but a spinoff miniseries, Naruto Gaiden: Nanadaime Hokage to Akairo no Hanatsuzuki (Naruto Spinoff: The Seventh Hokage and the Scarlet Spring Month), will launch in the April 27 issue of Japanese Shonen Jump. The magazine teases, “”Urgent News: The story enters a new generation …” [Anime News Network]
Auctions | A page of original artwork from 1971’s Asterix and the Laurel Wreath sold at auction Sunday for more than $158,000, with proceeds going to benefit the families of those killed in the attack on Charlie Hebdo‘s offices. The art included a special dedication by Asterix co-creator Albert Uderzo, who came out of retirement in the days after the attack to draw tributes to the victims. The auction house Christie’s waived its commission for Sunday’s sale. [BBC News]
Political cartoons | Ecuadorean cartoonist Xavier Bonilla, who has been sued, threatened and reprimanded by his own government because of his political cartoons, revealed last week that he has also received threats from an Ecuadorean member of ISIS over a cartoon making fun of the extremist group. While he ultimately decided the threat wasn’t credible, Bonilla said, “It has to be understood within this climate of hostility and harassment that’s been created within the country. It’s gotten to the point where even humor is being persecuted and oppressed by the president.” Reporter Jim Wyss also looks at some other cases of government suppression of political cartoons in Latin America [Miami Herald]
Manga | Japanese publisher East Press has released a manga adaptation of the Koran as part of its series devoted to classic or historical literature. “The Koran is the foundation of the daily life and ideology of people who believe in the teachings of Islam,” the publisher writes on its website. “The name Islam is often heard in the daily news, but because we Japanese aren’t usually familiar with it, a perverted image [of Islam] as abstemious or linked to terrorism is liable to persist. So what kind of teachings do [Muslims] actually believe in? What are they thinking about? To understand the modern international community and Islam, let’s try to experience the scriptures where all that is written down.” East Press has adapted 133 famous works, ranging from War and Peace to the Bible to Mein Kampf. [Anime News Network]
Conventions | The third Taipei International Comics and Animation Festival kicked off today in Taiwan, where organizers expect as many as 400,000 attendees over the next five days. Forty-seven artists, authors, actors and producers from Taiwan, Japan and South Korea are participating in the event, which last year attracted 409,000 fans and generated about $5.9 million in sales. [Want China Times]
Creators | “This is really a government of the cartoon, for the cartoon and by the cartoon,” Malaysian cartoonist Zunar said in an interview following the police raid on his Kuala Lumpur office. Zunar was in London at the time of the raid but expects to be summoned to the police station on his return to face charges under the Printing Presses Act, Sedition Act and Penal Code. “Why are the police involved in this?” he said. “If it is true I have defamed certain people, why not filed a civil suit? The government condemned Charlie Hebdo’s attacker but now they are ‘attacking’ me.” He also sent out some photos of the raid. [Malaysian Digest]
Freedom of Speech | Phil Robertson, deputy director of Human Rights Watch Asia, called the raid Zunar’s office “shocking and outrageous” and demanded the government to return the confiscated books and drop all charges against him. [The Malaysian Insider]
Crime | Sigolène Vinson, a writer for Charlie Hebdo, gives her account of the Jan. 7 shootings that killed 12 at the French satire magazine’s headquarters. Vinson was in the kitchen and heard brothers Chérif and Saïd Kouachi shoot her coworkers; she hid in a colleague’s office but came face to face with Saïd Kouachi, who told her “Don’t be afraid, calm down. I won’t kill you. You’re a woman, we don’t kill women. But think about what you do, what you do is bad. I’m sparing you and because I’ve spared you, you will read the Qur’an.” (However, Chérif killed writer Elsa Cayat, the only female victim of the attack.) [The Guardian]
Awards | This year’s grand prix de la ville d’Angoulême, the lifetime achievement award given every year at the Angoulême International Comics Festival, won’t be given to the staff of Charlie Hebdo, despite a petition started by jury president Gwen de Bonneval that garnered 1,200 signatures plus significant support on Twitter and Facebook. Two Charlie Hebdo cartoonists, Wolinski, who was killed in the Jan. 7 attack, and Willem, who wasn’t in the office that day, have been awarded the grand prix in previous years. The festival has announced a special Charlie Hebdo award that will go to a cartoonist whose work embodies resistance to oppression and censorship, and organizers will also publish a special album of cartoons drawn in response to the attacks. [France Inter]
Conventions | Clem Bastow notes a disconnect at Oz Comic-Con in Melbourne, Australia, where women were a slight majority in the audience but were severely underrepresented as guests; DC artist Nicola Scott was the only woman in the comics contingent. Organizer Rand Ratinac said it was purely a matter of availability: “We offered for literally dozens if not hundreds of different guests, we always do, because you’re dealing with people whose schedules they sometimes can’t lock in until a month before the event. This time, of the people that we wanted, there were just a lot of guys that were available. Next year, it could be a whole bunch of girls; it all just depends who can come.” But Scott points out that there are simply fewer women in superhero comics than in the other sectors of the industry and superhero creators are what brings the audience in the door. [The Guardian]
Yesterday, we briefly reported on the case of Ecuadorian political cartoonist Xavier Bonilla, who ran afoul of the government’s Superintendency of Information and Communication (SUPERCOM) over a cartoon critical of president Rafael Correa. The cartoon showed police hauling away items from the home of journalist Fernando Villavicencio following a raid, and the caption identified the confiscated material as denunciations of Correa’s corruption. SUPERCOM ordered the newspaper that carried the cartoon, El Universo, to pay a hefty fine (2% of their revenues from the past three months) and to print a “correction.”
What could possibly go wrong with that plan?
This time, Bonilla’s cartoon shows Villavicencio inviting authorities into his home, inviting them to take everything they want, and blaming them for being too courteous.
“Call your lawyer,” one of the policemen tells him in a frame, to which Villavicencio responds: “Don’t worry, I trust all of you.”
Clearly Bonilla is mocking the government sanction, although his editors probably aren’t laughing: The newspaper has paid the fine (which amounted to $93,000), although it is appealing.
SUPERCOM’s complaint against the cartoon is that it violates an Ecuadorian law that prohibits newspapers from taking an “institutional position” on an open legal case. Meanwhile, the head of SUPERCOM complained that Bonilla’s assertion that the confiscated materials were evidence of corruption was an opinion rather than fact, which suggests a lack of understanding of what editorial cartoons are. This raises the question of whether the government is treating cartoonists as journalists; given that the official accused Bonilla of a “deliberate act of disinformation,” it seems that they are.
Comics | Once the paperwork is complete, the John F. Kennedy Presidential Library will officially own the original artwork for the 1964 DC Comics story “Superman’s Mission For President Kennedy,” fulfilling one of artist Al Plastino’s final wishes. Plastino, who passed away Nov. 25 at age 91, was surprised to discover at New York Comic Con a month earlier that the pages hadn’t been donated to the library five decades earlier, as he’d been led to believe, but were instead set to be sold at auction on the 50th anniversary of the Kennedy assassination. The auction was put on hold until questions of ownership could be resolved, and Plastino spent the final weeks of his life campaigning for the return of the artwork, even petitioning a judge to force the auction house to reveal the name of the seller. DC Entertainment intervened in December to acquire the pages and give them to the library. “We are thrilled to receive this historic artwork and look forward to sharing it with the public when the legal transfer is completed,” library director Tom Putnam said in a statement. [Newsday]
Legal | Ecuadorean cartoonist Xavier Bonilla has received a court summons on unspecified charges that seem to relate to a cartoon that President Rafael Correa finds offensive. The case was brought by Ecuador’s new media regulator; Correa has stepped up attacks on the press in recent years, and the newspaper that runs Bonilla’s cartoons, El Universo, has been prosecuted in the past. [Business Standard]
Censorship | Michael Dooley looks at successful and unsuccessful attempts to remove comics from schools and libraries over the past 13 years; this short roundup is informative in its own right, and it’s apparently a sidebar to a longer article that’s not available for free. [Print Magazine]