Ed Brubaker

What Are You Reading? with Simon Monk

The Amazing Transformations of Jimmy Olsen

Hello and welcome to What Are You Reading? This week’s special guest is Simon Monk, an artist whose “Secret Identity” paintings we featured here on Robot 6 not too long ago. Monk is actually selling limited edition prints of his paintings on his website now, so go check them out.

To see what Simon and the Robot 6 crew have been reading, click below.

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Chain Reactions | Winter Soldier #1

Winter Soldier #1

This past week saw the release of Winter Soldier #1, as Ed Brubaker once again brings Bucky back with the help of Butch Guice, Bettie Breitweiser and Joe Caramagna. The ongoing series stars the former Captain America and Black Widow in kind of a Mr. and Mrs. Smith-like team-up book. An espionage thriller, the comic launches out of the revelation that the Russians created other Winter Soldier-like sleeper agents and features something I never thought would be a divisive plot point among readers–a gorilla with a machine gun. Isn’t that one of the universal truths in comics, that gorillas = awesome, and gorillas with machine guns = super awesome? Here are a few opinions on that, as well as the overall book itself …

Jesse Schedeen, IGN: “Darkness, espionage, and spycraft are all elements that essentially drained out of Brubaker’s Captain America series with the relaunch, to the detriment of that series. Luckily, these elements are all the prime focus of Winter Soldier. If you miss the grittier Captain America stories of 2005-2010, this book has exactly what you’re looking for.”

Greg McElhatton, Read About Comics: “…Winter Soldier is taking a mostly more-serious, grounded tone… but still reveling in all of the craziness that the Marvel Universe offers, like talking Communist gorillas, or cyborg Prime Ministers. I like that he’s taking established Marvel villains like the Red Ghost and his Super Apes and keeping their same spirit alive, but at the same time making them feel a bit more dangerous, for lack of a better word. The overall grounded feel for Winter Soldier doesn’t exclude the fantastic, it just makes them fit better into the book’s particular world view.”

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Food or Comics? | Winter squash or Winter Soldier?

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

John Romita's The Amazing Spider-man: Artist's Edition

Graeme McMillan

Congratulations, Dark Horse: You pretty much own my first $15 for the week, with Dark Horse Presents #8 ($7.99) and Star Wars: Dawn of The Jedi #0 ($3.50) both being my go-to new releases for the week. DHP has the new Brian Wood/Kristian Donaldson series The Massive launching, as well as more Beasts of Burden by Evan Dorkin and Jill Thompson and new Skeleton Key by Andi Watson, which is a pretty spectacular line-up, and the new Star Wars book coincides with the latest flare up of my irregular longing to check up on that whole universe’s goings-on. Apparently, I’m keeping it local this week, who knew?

If I had $30, I’d add Action Comics #6 (DC Comics, $3.99) and OMAC #6 (DC Comics, $2.99) to that pile — I’m particularly treasuring the latter before it goes away, although I have to admit that the time-jumping nature of these Action fill-ins has gotten me more excited than I should ‘fess up to — as well as a couple of Ed Brubaker books, Winter Soldier #1 (Marvel, $2.99) and Fatale #2 (Image Comics, $3.50). I wasn’t bowled over by Fatale‘s debut, but it intrigued me enough to want to give it another go, while the noir + super spy sales pitch for the new Marvel series pretty much guarantees my checking the first issue out at the very least.

When it comes to splurging, there is nothing I would buy – were I rich enough — more quickly than IDW’s John Romita Sr. Amazing Spider-Man Artist Edition HC ($100), because … well, it’s classic Romita as the pages originally looked on his drawing board. How anyone can resist that (other than the price point), I don’t know.

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Chain Reactions | Fatale #1

Fatale #1

Fatale #1 arrived on Wednesday, created by the Criminal and Incognito team of Ed Brubaker and Sean Phillips, with colors by Dave Stewart. The supernatural crime story features a modern-day reporter who “stumbles on a secret that leads him down the darkest path imaginable” — into a world of dames and demons.

Brubaker and Phillips have proven to be one of the best teams working in comics today, so this one comes with some high expectations. Did it meet them? Here are a few opinions from around the internet:

David Brothers, ComicsAlliance: “Crime and horror are two genres that don’t generally associate with each other, although they do share a few similarities: sudden bursts of violence and an exploration of something that is wrong at the deepest level. Fatale is more crime comic than horror comic, but it’s the horror touches that make this issue such a treat to read. It succeeds because where crime comics zig, horror comics zag.”

Alan David Doane, Trouble with Comics: “The first-person narration of main character Nicholas Lash feels comfortable and intimate, but the strange things that begin to happen to him unfold so quickly that you’re as disoriented as he is by the way the world turns out from under him. As he immerses himself in a story-within-the-story in the form of a previously unknown manuscript brought to him by a beautiful and mysterious woman who may be much more than she suggests. The scenes depicted from the manuscript really give Phillips a chance to show what he can deliver, as we get a luminously noir scene-setting city street depiction so detailed and visually stunning that it’s also called-out for the issue’s back cover illustration. We see truly creepy thugs reminiscent of The Strangers in Dark City or The Gentlemen in the “Hush” episode of Buffy The Vampire Slayer, but by way of Herge’s Thomson and Thompson. Visually witty but still filled with horror and dread.”

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Comics A.M. | Bandai halts new manga, anime releases

Bandai Entertainment

Publishing | The anime and manga company Bandai Entertainment will stop distributing new products in February, although its existing catalog will continue to be available until the licenses expire. The company will shift its focus to licensing its properties for digital distribution and merchandising. President and CEO Ken Iyadomi said the decision to shut down new-product operations was made by the Japanese parent company without his input, and he strongly implied the underlying problem was that the corporate parent wanted to charge more for its anime than the current market will bear. Bandai published the Lucky Star, Kannagi and Eureka Seven manga, among others; all new manga volumes have been canceled, which means Kannagi will be left incomplete, at least for now. [Anime News Network]

Awards | The finalists for the Cybils, the blogger’s literary awards for children’s and YA books, have been posted, and they include five nominations each in the children’s and YA graphic novel categories. [Cybils Awards]

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Food or Comics? | Fatale fondue

Fatale

Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.

Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.

Chris Mautner

If I had $15: I’d be all over Fatale #1, as I’ll grab anything Brubaker and Phillips do together. I’d go out on a limb and say that’s one of the best and consistently stellar collaborations in comics going on right now. I’d probably get the latest issue of The Boys as well, because that’s what I do.

If I had $30: Well, I haven’t read the first volume yet, but everyone says that the transgender manga series Wandering Son is stellar so I’d at least give it a look through, and perhaps nab volume one as my splurge for the week.

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Exclusive Preview | Winter Soldier #1

Marvel has provided Robot 6 with an exclusive first look at February’s Winter Soldier #1, by Ed Brubaker and Butch Guice. Officially announced in early November, the ongoing series stars Bucky Barnes and Black Widow as what Brubaker describes as “a bit like the Mr. & Mrs. Smith team,” with Nick Fury as a member of the supporting cast.

An espionage thriller, the comic launches out of the revelation that the Russians created other Winter Soldier-like sleeper agents, and will feature new villains linked to Bucky’s Cold War history.

Check out the preview pages and solicitation text below. Winter Soldier #1 goes on sale Feb. 1.

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Comics A.M. | New home for CCS’s Schulz Library collection

Art by Alexis Frederick-Frost

Libraries | The Center for Cartoon Studies has found a new home for the Schulz Library, whose previous location was damaged in a flood in August: the old post office in downtown White River Junction, Vermont. The school was able to purchase the building with the help of Bayle Drubel, a real estate developer and founding CCS board member who bought the post office in 2004. Renovations are set to begin this winter to create room for instruction space, faculty offices and the Schulz Library cartoon collection. [The Center for Cartoon Studies, via The Daily Cartoonist]

Creators | The Atlantic profiles Zippy the Pinhead creator Bill Griffith. [The Atlantic]

Creators | Artist Fabio Moon talks about teaming with Zack Whedon on the new Serenity comic that makes up one-half of one of their Free Comic Book Day offerings. [ComicsAlliance]

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What Are You Reading? with Thom Zahler

Hiya kids, it’s time for What Are You Reading?, a weekly look into what the Robot 6 crew has been reading lately. Today’s special guest is Thom Zahler, creator of the delightful superhero/romantic comedy comic Love and Capes.

To find out what Thom and the Robot 6 crew have been reading lately, click below.

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Previews: What looks good for January

Explorer: The Mystery Boxes

It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that I don’t have to come up with a new way to say, “ Mouse Guard is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.

Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.

Amulet

Explorer: The Mystery Boxes - With the Flight anthologies done, the all-ages version, Flight Explorer has morphed into this. I expect it to be as lovely as its predecessors and especially like the Mystery Box theme.

Archie

Jinx – J Torres and Rick Burchett’s graphic novel aimed at tween girls.

Kevin Keller, Volume 1 and Kevin Keller #1 – Archie collects the first appearances and mini-series of their major, gay character and also launches his ongoing series.

Ardden

Flash Gordon: Vengeance of Ming – The third volume in Ardden’s Flash Gordon series.

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What Are You Reading? with Jacquelene Cohen

Drunk Elephant Comics

Welcome to another edition of What Are You Reading?, your weekly look into our reading piles. Today we’re joined by special guest Jacquelene Cohen, director of publicity and promotions for Fantagraphics Books.

To see what Jacq and the Robot 6 crew have been reading lately, read on …

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The Walking Dead, Brubaker and Romita win Scream Awards

Ed Brubaker, John Romita Jr. and The Walking Dead were among the winners of the sixth annual Scream Awards, presented last night in Los Angeles. The ceremony will air Tuesday at 9 p.m. ET/PT on Spike TV.

The awards, which honor the best in science fiction, fantasy and horror films, television shows and comic books, were voted on by fans from a list of nominees selected by an advisory committee that included Neil Gaiman, Tim Burton, Damon Lindelof, George A. Romero and Wes Craven.

The Walking Dead, by Robert Kirkman and Charlie Adlard, was named Best Comic Book or Graphic Novel, Ed Brubaker as Best Comic Book Writer and John Romita Jr. as Best Comic book Artist.

In addition to the comics-specific categories, awards went to adaptations X-Men: First Class for Best Fantasy Movie, Scott Pilgrim vs. The World for Best Comic Book Movie and Best Fight Scene, and The Dark Knight Rises for Most Anticipated Scream. Chris Evans also won Best Superhero for his turn as Captain America, and Hugh Jackman for Best Cameo in X-Men: First Class.

Here’s the complete list of winners:

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NYCC | A round-up of Friday news

New York Comic Con picked up steam in its second day with announcements from Vertigo, Dark Horse, Marvel, IDW Publishing and Image, and the possibility of Sesame Street comics. Here are some of the highlights:

• Following in the footsteps of DC Comics: The New 52, most of Vertigo’s titles will be available digitally the same day as print.

• Geoff Johns announced that work is about to get under way on a Robot Chicken DC Comics special that will skewer the company’s superheroes in the same way that the show tackled Star Wars. The episode, written by Johns and MAD‘s Kevin Shinick, is set to air next summer.

• Confirming last-minute speculation, Ed Brubaker announced that he and frequent collaborator Sean Phillips (Sleeper, Criminal, Incognito) will release their next project through Image Comics. Called Fatale, the series blends noir elements with the supernatural world. “I’ve been wanting for a while to do something with a more supernatural element to it,” Brubaker told Comic Book Resources. “So Fatale mixes what we do and all the ways we’ve poked fun at the noir genre. If Incognito was us doing ‘What if Doc Savage, Dashiell Hammet and Raymond Chandler had all existed in the same universe?’ then this is a weird combo of James M. Cain and Lovecraft. It’s got a real horror element to it — the first time I’ve really tried to do anything with horror — but it’s also got this really epic story to it.”

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NYCC | Why would Ed Brubaker be at an Image Comics panel?

Ed Brubaker

iFanboys Ron Richards caught an interesting little aside on Image Comics publisher Eric Stephenson’s blog. Today at 4 p.m. Eastern, Stephenson will join Robert Kirkman, Rob Liefeld and Tim Seeley for the panel “Creator-Owned Comics with Robert Kirkman.”

“We won’t be joined by Ed Brubaker. Or will we?” Stephenson writes.

Is this a tease that Brubaker may be doing something for Image Comics? That might be jumping to conclusions, especially since Brubaker seems to be pretty busy at Marvel with Captain America and his various Icon series. But you may remember that Kirkman and Stephenson held a similar panel in San Diego this past summer, where Brian K. Vaughn and Fiona Staples’ upcoming project Saga was announced.

“The BKV announcement was THE news of the show, so, it’s safe to say there’s some level of expectation for a similarly sized announcement,” Richards said on iFanboy. And a new Brubaker-at-Image project would certainly fit that bill.

I guess we’ll find out at 4 p.m. if a) they actually are joined by Brubaker at the show and b) if he’ll be there to announce something. Maybe he’s just interested in talking about creator-owned comics …

Update: Brubaker was only at the panel in video form, but they did announce Fatale, an Image series by Ed Brubaker and Sean Phillips.

Talking Comics with Tim | Elizabeth Breitweiser

Wolverine: Debt of Death

Colorist Elizabeth Breitweiser‘s work can be seen in any number of Marvel comics these days. In fact this week sees the release of writer David Lapham and artist David Aja’s Wolverine: Debt of Death one-shot, featuring Breitweiser as colorist (Be sure to enjoy CBR’s preview of the one-shot). Regular readers of What Are You Reading? know how much of an unabashed Jeff Parker/Gabriel Hardman’s Hulk booster that I am–and it is that series where I really started to appreciate Breitweiser as a colorist. This email interview was an effort to discuss her work mostly in general terms, so admittedly I did not discuss the Wolverine one-shot, but focus on some of her ongoing series work. My thanks to Breitweiser (who can also be found on Twitter) for taking the time for this discussion, despite her continually heavy workload. I am also deeply appreciative, that when our conversation led to her discussion of recent specific work, she was kind enough to provide examples of the pages for us to use.

Tim O’Shea: What are the biggest misconceptions in terms of the demands with your job as a colorist?

Breitweiser: Probably just in people not taking my job seriously or not viewing it as a fulfilling way to make a living. Many tend to think of what I do as “easy”. Coloring to them is just an afterthought and not seen as an essential part of the storytelling. I’m pretty sure most of my family and friends still do not understand what it is I do and how I can make a successful living at it. Professional colorists in general seem to almost always be overworked and overstressed. A lot of it has to do with us being at the end of the production line, but it also has to do with people having unrealistic expectations due to an incomprehension of the effort it takes to successfully tell a story with color.

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