Ed Brubaker
Comics A.M. | New home for CCS’s Schulz Library collection
Art by Alexis Frederick-Frost
Libraries | The Center for Cartoon Studies has found a new home for the Schulz Library, whose previous location was damaged in a flood in August: the old post office in downtown White River Junction, Vermont. The school was able to purchase the building with the help of Bayle Drubel, a real estate developer and founding CCS board member who bought the post office in 2004. Renovations are set to begin this winter to create room for instruction space, faculty offices and the Schulz Library cartoon collection. [The Center for Cartoon Studies, via The Daily Cartoonist]
Creators | The Atlantic profiles Zippy the Pinhead creator Bill Griffith. [The Atlantic]
Creators | Artist Fabio Moon talks about teaming with Zack Whedon on the new Serenity comic that makes up one-half of one of their Free Comic Book Day offerings. [ComicsAlliance]
- December 23, 2011 @ 06:55 AM by Brigid Alverson and JK Parkin
What Are You Reading? with Thom Zahler
Hiya kids, it’s time for What Are You Reading?, a weekly look into what the Robot 6 crew has been reading lately. Today’s special guest is Thom Zahler, creator of the delightful superhero/romantic comedy comic Love and Capes.
To find out what Thom and the Robot 6 crew have been reading lately, click below.
- November 20, 2011 @ 12:00 PM by JK Parkin
Previews: What looks good for January
Explorer: The Mystery Boxes
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that I don’t have to come up with a new way to say, “ Mouse Guard is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Amulet
Explorer: The Mystery Boxes - With the Flight anthologies done, the all-ages version, Flight Explorer has morphed into this. I expect it to be as lovely as its predecessors and especially like the Mystery Box theme.
Archie
Jinx – J Torres and Rick Burchett’s graphic novel aimed at tween girls.
Kevin Keller, Volume 1 and Kevin Keller #1 – Archie collects the first appearances and mini-series of their major, gay character and also launches his ongoing series.
Ardden
Flash Gordon: Vengeance of Ming – The third volume in Ardden’s Flash Gordon series.
- November 11, 2011 @ 04:00 PM by Michael May
What Are You Reading? with Jacquelene Cohen
Drunk Elephant Comics
Welcome to another edition of What Are You Reading?, your weekly look into our reading piles. Today we’re joined by special guest Jacquelene Cohen, director of publicity and promotions for Fantagraphics Books.
To see what Jacq and the Robot 6 crew have been reading lately, read on …
- November 6, 2011 @ 12:00 PM by JK Parkin
The Walking Dead, Brubaker and Romita win Scream Awards
Ed Brubaker, John Romita Jr. and The Walking Dead were among the winners of the sixth annual Scream Awards, presented last night in Los Angeles. The ceremony will air Tuesday at 9 p.m. ET/PT on Spike TV.
The awards, which honor the best in science fiction, fantasy and horror films, television shows and comic books, were voted on by fans from a list of nominees selected by an advisory committee that included Neil Gaiman, Tim Burton, Damon Lindelof, George A. Romero and Wes Craven.
The Walking Dead, by Robert Kirkman and Charlie Adlard, was named Best Comic Book or Graphic Novel, Ed Brubaker as Best Comic Book Writer and John Romita Jr. as Best Comic book Artist.
In addition to the comics-specific categories, awards went to adaptations X-Men: First Class for Best Fantasy Movie, Scott Pilgrim vs. The World for Best Comic Book Movie and Best Fight Scene, and The Dark Knight Rises for Most Anticipated Scream. Chris Evans also won Best Superhero for his turn as Captain America, and Hugh Jackman for Best Cameo in X-Men: First Class.
Here’s the complete list of winners:
- October 16, 2011 @ 08:30 AM by Kevin Melrose
NYCC | A round-up of Friday news
New York Comic Con picked up steam in its second day with announcements from Vertigo, Dark Horse, Marvel, IDW Publishing and Image, and the possibility of Sesame Street comics. Here are some of the highlights:
• Following in the footsteps of DC Comics: The New 52, most of Vertigo’s titles will be available digitally the same day as print.
• Geoff Johns announced that work is about to get under way on a Robot Chicken DC Comics special that will skewer the company’s superheroes in the same way that the show tackled Star Wars. The episode, written by Johns and MAD‘s Kevin Shinick, is set to air next summer.
• Confirming last-minute speculation, Ed Brubaker announced that he and frequent collaborator Sean Phillips (Sleeper, Criminal, Incognito) will release their next project through Image Comics. Called Fatale, the series blends noir elements with the supernatural world. “I’ve been wanting for a while to do something with a more supernatural element to it,” Brubaker told Comic Book Resources. “So Fatale mixes what we do and all the ways we’ve poked fun at the noir genre. If Incognito was us doing ‘What if Doc Savage, Dashiell Hammet and Raymond Chandler had all existed in the same universe?’ then this is a weird combo of James M. Cain and Lovecraft. It’s got a real horror element to it — the first time I’ve really tried to do anything with horror — but it’s also got this really epic story to it.”
- October 15, 2011 @ 06:00 AM by Kevin Melrose
NYCC | Why would Ed Brubaker be at an Image Comics panel?
Ed Brubaker
iFanboys Ron Richards caught an interesting little aside on Image Comics publisher Eric Stephenson’s blog. Today at 4 p.m. Eastern, Stephenson will join Robert Kirkman, Rob Liefeld and Tim Seeley for the panel “Creator-Owned Comics with Robert Kirkman.”
“We won’t be joined by Ed Brubaker. Or will we?” Stephenson writes.
Is this a tease that Brubaker may be doing something for Image Comics? That might be jumping to conclusions, especially since Brubaker seems to be pretty busy at Marvel with Captain America and his various Icon series. But you may remember that Kirkman and Stephenson held a similar panel in San Diego this past summer, where Brian K. Vaughn and Fiona Staples’ upcoming project Saga was announced.
“The BKV announcement was THE news of the show, so, it’s safe to say there’s some level of expectation for a similarly sized announcement,” Richards said on iFanboy. And a new Brubaker-at-Image project would certainly fit that bill.
I guess we’ll find out at 4 p.m. if a) they actually are joined by Brubaker at the show and b) if he’ll be there to announce something. Maybe he’s just interested in talking about creator-owned comics …
Update: Brubaker was only at the panel in video form, but they did announce Fatale, an Image series by Ed Brubaker and Sean Phillips.
- October 14, 2011 @ 09:00 AM by JK Parkin
Talking Comics with Tim | Elizabeth Breitweiser
Wolverine: Debt of Death
Colorist Elizabeth Breitweiser‘s work can be seen in any number of Marvel comics these days. In fact this week sees the release of writer David Lapham and artist David Aja’s Wolverine: Debt of Death one-shot, featuring Breitweiser as colorist (Be sure to enjoy CBR’s preview of the one-shot). Regular readers of What Are You Reading? know how much of an unabashed Jeff Parker/Gabriel Hardman’s Hulk booster that I am–and it is that series where I really started to appreciate Breitweiser as a colorist. This email interview was an effort to discuss her work mostly in general terms, so admittedly I did not discuss the Wolverine one-shot, but focus on some of her ongoing series work. My thanks to Breitweiser (who can also be found on Twitter) for taking the time for this discussion, despite her continually heavy workload. I am also deeply appreciative, that when our conversation led to her discussion of recent specific work, she was kind enough to provide examples of the pages for us to use.
Tim O’Shea: What are the biggest misconceptions in terms of the demands with your job as a colorist?
Breitweiser: Probably just in people not taking my job seriously or not viewing it as a fulfilling way to make a living. Many tend to think of what I do as “easy”. Coloring to them is just an afterthought and not seen as an essential part of the storytelling. I’m pretty sure most of my family and friends still do not understand what it is I do and how I can make a successful living at it. Professional colorists in general seem to almost always be overworked and overstressed. A lot of it has to do with us being at the end of the production line, but it also has to do with people having unrealistic expectations due to an incomprehension of the effort it takes to successfully tell a story with color.
- September 5, 2011 @ 12:00 PM by Tim O'Shea
What Are You Reading? with Elisabeth Forsythe
Criminal: The Last of the Innocent #3
Hello and welcome once again to What Are You Reading? This week our special guest is Elisabeth Forsythe, marketing manager for online comic shop Things From Another World and frequent contributor to The Blog From Another World.
To see what Elisabeth and the Robot 6 crew have been reading lately, read on.
- August 28, 2011 @ 12:30 PM by JK Parkin
What Are You Reading? with Chris Butcher
Casanova: Avarita #1
Welcome to another edition of What Are You Reading? Our special guest today is Chris Butcher.
Butcher is the manager of The Beguiling in Toronto and founder of The Toronto Comic Arts Festival. He’ll be at the UDON Booth #5037 and The Beguiling Original Art Sales Booth #1629 at San Diego Comic-Con this weekend.
To see what Chris and the Robot 6 crew have been reading, click below …
- July 17, 2011 @ 02:30 PM by JK Parkin
Graphicly to post free comics on G4′s Fresh Ink
Blair Butler reviews a stack of new comics every Friday on G4TV.com’s Fresh Ink Online, and now Graphicly is getting in on the act by providing one of those comics each week, for free, in an embedded comics reader.
They are starting with a demo of Criminal: The Last of the Innocent, by Ed Brubaker and Sean Phillips, but it’s not the whole comic, just a 5-page preview. Let’s hope the publishers aren’t too stingy with this and are willing to put up whole issues, as that would make the feature a lot more worthwhile.
- July 15, 2011 @ 08:00 AM by Brigid Alverson
Food or Comics? | Steak or Schism? Red Wing or Red Wine?
X-Men: Schism
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item. We’re coming a little late today due to a power outage in my neck of the woods — due to a blackout, not because I spent the money for the electric bill on Flashpoint or Fear Itself tie-ins.
Check out Diamond’s release list or ComicList, and tell us what you’re getting in our comments field.
Chris Arrant
If I had $15, I’d make a mad grab for American Vampire: Survival of the Fittest #2 (DC/Vertigo, $2.99); I love what Snyder and Murphy are doing here, and anyone who knows me knows how big a fan I am of Murphy’s work. Next up would be the debut of Jonathan Hickman’s Redwing #1 (Image, $3.50); after seeing Hickman blossom at Marvel, it’s great to see him re-invest in creator-owned comics. Third would be Jason Aaron and Carlos Pacheco’s X-Men Schism #1 (Marvel, $4.99); I have a sense Aaron’s the kind of writer to bring his “A” game when it comes to special stories (he did it recently in Scalped #50), so I’m interested to see what he does here. Last up would be Northlanders #42 (DC, $2.99).
- July 12, 2011 @ 06:00 PM by JK Parkin
Comics A.M. | B&N has $74M loss; Lew Sayre Schwartz passes away
Barnes & Noble
Retailing | As the bankrupt Borders Group weighs competing bids, Barnes & Noble — the largest book chain in the United States — reports a loss of $74 million for the fiscal year, in part because of heavy investment in its digital initiatives. However, the company saw a 50-percent sales increase at BN.com, fueled by Nook devices and digital content sold through the Nook Bookstore. [Publishers Weekly]
Passings | Lew Sayre Schwartz, one of Bob Kane’s ghost artists on Batman and Detective Comics, passed away June 7 as the result of an injury suffered in a fall. He was 84. Schwartz drew as many as 120 Batman stories between 1948 and 1953, all signed “Bob Kane,” before leaving comics after a junket entertaining troops in Korea. Eddie Campbell quotes Schwartz as saying, “’When I got back, I couldn’t stand drawing another page’ of Batman.” He went on to work in television advertising, co-founding the commercial production company Ferro, Mogubgub and Schwartz. [Mark Evanier, ComicMix]
Conventions | Scott Lewis looks at the plan by Mayor Jerry Sanders to pay for the $500-million expansion of the San Diego Convention Center: the Convention Center Assessment District, an entity that will add an additional 3 percent tax on room bills for hotels downtown, 2 percent on those out to Mission Valley, and 1 percent on those farther away. [Voice of San Diego]
- June 22, 2011 @ 06:55 AM by Kevin Melrose
Comics A.M. | Archie addresses gays in military; NYT explains Crisis
Kevin Keller #2
Publishing | We noted in late April that Archie Comics appeared to be embracing cultural and political commentary with its upcoming Kevin Keller miniseries, which features Riverdale’s first openly gay character and his father, a retired three-star general. But now the publisher, or at least the character, is going a step further, marching into the middle of the debate over gays and lesbians openly serving in the armed forces by revealing that Kevin aspires to be a journalist, but only after attending the U.S. Military Academy and becoming an Army officer. “Even though we don’t tackle the specific issue of Don’t Ask Don’ Tell, the goal was to show that patriotism knows no specific gender, race or sexual orientation,” cartoonist Dan Parent says. “While it sounds like heavy subject matter, I tried to show it simply that Kevin, like his dad, loves his country. Being gay doesn’t effect that in any way.” [The Associated Press]
Publishing | DC Comics’ line-wide reboot has received extensive coverage by mainstream media outlets, based largely on the original USA Today article or The Associated Press report. But my favorite piece is this one by George Gene Gustines that turns back the clock to 1985 and attempts to explain to The New York Times audience the effects, and problems, of Crisis on Infinite Earths, and the publisher’s subsequent attempts to streamline continuity: “… If the goal was to make the DC universe easier to understand, the end result was the opposite: to this day, fans frequently mention ‘pre-Crisis‘ and ‘post-Crisis‘ as a way to distinguish stories. Twenty years later, in the Infinite Crisis limited series, DC tried to clean continuity up again: Superman’s career as Superboy was back; Batman knew who murdered the Waynes; and Wonder Woman was a founder of the Justice League again.” [The New York Times]
- June 2, 2011 @ 06:55 AM by Kevin Melrose
Quote of the day | Ed Brubaker on superheroes, violence, and the villainy of closure
Captain America and Bucky discuss their relationship
[I've] pretty much been given free rein on Captain America and Daredevil and all the stuff I’ve written for [Marvel] to do whatever I do because they like what I do. Still, I know what I’m doing. I know the superhero comic has to have a fight in it. I know there has to be a bad guy. I know that at the end of the day, the problem will not be solved by talking about it but will be solved by two people punching each other in the face. Although I have gotten away with letting the bad guys win a lot of the time, which is more true, I think.
David Milch said, when he created Deadwood, that part of Deadwood was wanting to exorcise — I think he worked on Hill Street Blues and NYPD Blue, and he thought it was bullshit that every week they were solving crimes when in the real world people were always getting away with it. He wanted to do something about crime the way crime really is, where crime is corruption and crime is behind everything. It’s much more about what’s really going on in our country right now, where Bill Clinton deregulates the media and now we have seven companies that basically own America. Sometimes when I’m writing a superhero story I wonder if they really have to punch each other in the face. Is that really going to solve anything? I feel the same way sometimes when I watch episodes of Law & Order. I’m like, “Yeah, right. You found the sex offender and now everything is fine.” TV is big on closure, but I think closure is horseshit in real life. I’m still haunted by stuff I did in my teen years when I think about it too much.
There’s a lot to chew on and pick apart and mull over in Tom Spurgeon’s long, fascinating interview with writer Ed Brubaker on the occasion of the launch of the next installment of his and Sean Phillips’s crime comic Criminal this week, but this is the passage that jumped out to me. I’ve often said that the core idea behind superhero stories is “extraordinary individuals solving problems through violence”; now that I think about it, what sets Brubaker’s Captain America and many of his other superhero comics apart is that the violence committed by their extraordinary individuals tends not to solve much of anything.
- May 31, 2011 @ 09:00 AM by Sean T. Collins