X-POSITION: Yost Gives His X-Men an "Amazing" End
Creators | Robot 6 contributor J. Caleb Mozzocco interviews Danica Novgorodoff about The Undertaking of Lily Chen, her graphic novel about a young man who sets out to find a female corpse to be buried with his dead brother—and winds up with a woman who is very much alive. [Good Comics for Kids]
Creators | Audrey Niffenegger, author of the prose novel The Time Traveler’s Wife and the graphic novel The Night Bookmobile, describes how she collaborated with Eddie Campbell to make a comic for special comics issue of The Guardian’s Weekend magazine. [The Guardian]
If you’re looking for some Monday reading, The Guardian has released online all six comics created for the special issue of its Weekend magazine that brought together novelists like Gillian Flynn, Audrey Niffenegger and Margaret Atwood with comics artists like Dave Gibbons, Frazer Irving and Christian Ward. There are also articles in which Dave Eggers, Roger Langridge and Michel Faber, and Flynn offer a bit of insight into their contributions.
The issue, released in print on Saturday, is designed to celebrate he British Library’s upcoming exhibition “Comics Unmasked: Art and Anarchy in the U.K.”
To celebrate the British Library’s upcoming exhibition “Comics Unmasked: Art and Anarchy in the U.K.,” The Guardian’s Weekend magazine is devoting Saturday’s issue the medium, with six new collaborations between well-known novelists and established comics artists.
The Guardian website has already debuted Do You Hear What I Hear? by A.M. Homes (The End of Alice) and Frazer Irving, and Masks by Gillian Flynn (Gone Girl) and Dave Gibbons. Still to come: Freeforall by Margaret Atwood and Christian Ward; Thursdays, 6-8pm by Audrey Niffenegger (The Time Traveler’s Wife) and Eddie Campbell; Having renewed my fire by Dave Eggers (A Heartbreaking Work of Staggering Genius); and Art and anarchy by Michel Faber (The Crimson Petal and the White) and Roger Langridge.
The magazine will appear in print on Saturday.
New comics come out every week, by the dozens. Add that up by the month or the year, and it’s virtually impossible to keep track. Certain runs on some titles rise to the top by a mixture of critical acclaim, proper marketing and the right timing, but if all of those factors aren’t perfectly aligned, good comics fall by the wayside.
In this edition of ROBOT 6’s “Six by 6,” we look at six noteworthy creative runs on superhero comics worth a second look, even if that means a trip to the back-issue bin.
Eddie Campbell has made a name for himself among the upper echelon of modern comics creator, both for his collaboration with Alan Moore, From Hell, and for his own stories like Alec, Bacchus and the recent, great look at the concept of money, The Lovely Horrible Stuff. He’s created a lot of stories, but he’s far from finished.
This summer William Morrow will release the cartoonist’s illustrated version of Neil Gaiman’s The Truth is a Cave in the Black Mountains, and Top Shelf will publish a two-part omnibus edition of Bacchus. In addition, the Glasgow-born artist is working on two new projects, the first being a book about the roots of sports cartoons in late 19th-century San Francisco, and the other a collaboration with Audrey Niffenegger, author of the smash prose novel The Time Traveler’s Wife. ROBOT 6 spoke with Campbell about these upcoming projects, as well as his past works and the stories behind them — including last year’s From Hell Companion, which he compiled and wrote using never-before-seen materials from both himself and Moore.
Comics strips | Matt Saracini looks at the impact on Australian cartoonists of a cost-cutting decision by media giant News Corp. Australia to replace individual comics pages in their largest newspapers with one national page. In the process, some more expensive locally produced strips were jettisoned in favor for cheaper syndicated ones from overseas, like Garfield and The Phantom. News Corp. owns more than a hundred daily, weekly, biweekly and triweekly newspapers. [SBS.com]
Creators | Syrian cartoonist Ali Ferzat, now living in Kuwait after troops loyal to Syrian President Bashar al-Assad attacked him and broke both his hands, talks about his decision to portray al-Assad explicitly in his cartoons, rather than sticking to more generic themes like freedom and human rights: “It was a big decision to start to draw Bashar and, yes, I was scared of what might happen, particularly when I was attacked. But I had a responsibility to do what I did. If I am not prepared to take risks I have no right to call myself an artist. If there is no mission or message to my work I might as well be a painter and decorator.” [The Guardian]
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. After an almost-uninterrupted string of U.S. conventions, from Emerald City Comicon and Fabletown & Beyond to WonderCon and MoCCA Arts Fest, eyes turn to Europe this weekend for the Torino Comics festival.
Meanwhile, our contributors select their picks for the best comics going on sale Wednesday, including Batman: Li’l Gotham #1, Relish and The Flash Chronicles, Vol. 4.
Digital comics | Today, Viz Media marks the first anniversary of the launch of its digital magazine by changing its name from Shonen Jump Alpha to Weekly Shonen Jump (the same as its Japanese counterpart) and going to simultaneous release of most series with Japan as well. Editor-in-Chief Andy Nakatani talks about the changes as well and looks back at how the magazine has done in the year since it changed from a print monthly to a digital weekly. [ICv2]
Digital comics | The U.K. children’s comic The Phoenix just became available internationally with its release as an iOS app, and I interviewed Russell Willis of Panel Nine, which created the app, about the challenges involved. Panel Nine has also published Eddie Campbell’s Dapper John comics, David Lloyd’s Kickback, and the works of underground cartoonist Hunt Emerson as standalone apps, and Willis has big plans for more digital indy comics in the future. [Good E-Reader]
With Labor Day weekend upon us, now is a good time to stock the virtual longbox with some digital comics. We reported the other day that Image has made 20 of its #1 issues free on comiXology; here’s a roundup of some other free’ n’ cheap digital comics to check out over the holiday.
Centsless Books is a website that rounds up all the free Kindle books on Amazon, and it has a dedicated section for comics and graphic novels. There’s a preview of Batman: Earth One up there, and a lot of first issues of different indy series. Some of the graphic novels aren’t really — at least one book I checked was prose not a graphic novel, and Little Nemo’s Wild Sleigh Ride is a picture book that uses Winsor McCay’s illustrations (which are in the public domain). Well worth checking out, especially if you’re a First Second fan, are the two Between the Panels books, which are promotional pieces put out by Macmillan, with creator essays, character sketches and side stories, all related to different First Second graphic novels. Aside from that, it’s a pretty mixed bag, but one that looks like it will be fun to rummage around in. These Kindle comics will also work on the Kindle iPad and Android apps.
Infinity is a free iPad fanzine from Panel Nine, which has published Eddie Campbell’s Dapper John and David Lloyd’s Kickback as standalone iPad apps. The inaugural issue includes an interview with Lloyd, a preview of Dapper John, a roundup of digital-comics news, a couple of app reviews, art by Simon Russell, and an interview with PJ Holden, the creator of Murderdrome, a short comic that was booted from the iTunes store for being too violent (it’s actually a spoof). It’s a nice collection and well worth the effort of clicking that iTunes button.
Hello and welcome to another edition of What Are You Reading? Our guest today is writer and artist Jimmy Palmiotti, who you know from All-Star Western, Monolith, Phantom Lady, Unknown Soldier, Creator-Owned Heroes, Queen Crab and countless more.
To see what Jimmy and the Robot 6 crew have been reading, click below.
Here’s a digital choice for you: You could pay $3.99 for a single issue of some Marvel comic, or you could get two plump e-books by well-known creators for a penny less.
First, Panel Nine is offering its collection of Eddie Campbell’s Dapper John comics, Dapper John: In the Days of the Ace Rock ‘n’ Roll Club, for $1.99 for the month of August, to celebrate the release of the app on iPhone as well as iPad. The collection is regularly priced at $9.99, so this is a temporary deal. Panel Nine is a small publisher that is developing comics as single apps; it’s also behind the iPad version of David Lloyd’s Kickback. When you have a bit of time, check out From Under the Stairs, the blog of publisher Russell Willis, who’s pulling out his 1990s British comics memorabilia and posting it online.
Meanwhile, Top Shelf is publishing a volume a month of James Kochalka’s diary comic American Elf, with each volume covering a year of Kochalka’s life. The first volume includes 1999 and a bit of 1998, so it’s 454 pages altogether. And each volume is priced at $1.99
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d walk out of the comic store with one book this week Fatale, Vol. 1: Death Chases Me (Image, $14.99). I fell off this book after the first issue, preferring to read in trades, and now that time has come. I’m looking forward to being surprised at what Brubaker and Phillips have done in this first arc as the debut issue was very promising.
If I had $30, I’d load up at Image with Manhattan Projects #4 (Image, $3.50), Prophet #26 (Image, $2.99) and Hell Yeah #4 (Image, $2.99). Prophet is becoming my favorite Image book because it unites my comic heroes of childhood (Prophet!) and one of the top cartoonists out there (Brandon Graham) with a surprising introduction of BD-style science fiction. Hell Yeah is a fun romp reimagining the staples of ’80s and ’90s comics as if John Hughes were the eighth Image founder. Last up I’d get Wolverine and the X-Men #12 (Marvel, $3.99). I was worried this series would get derailed by Avengers Vs. X-Men, but Aaron and Co. have managed to keep it on point as best as conceivably possible. It’s an ideal opening to bring Rachel Summers to the forefront, and the smirking Kid Gladiator on the cover is full of win.
If I could splurge, I’d get Michel Rabagliati’s Song of Roland hardcover (Conundrum Press, $20). I’ll always admire Free Comic Book Day, because it was there that a little Drawn and Quarterly one-shot introduced me to Rabagliati’s work. I’m surprised to see this new volume of his work not published by D&Q, instead published by Canadian house Conundrum. Anyway, this book appears to deal with the death of the father-in-law of the lead character, Paul. It’s been extremely engaging to see Paul grow through the series, and having him deal with events like this as I myself grow up and experience similar events is really touching.
Conventions | ReedPOP has officially announced it will fold the New York Anime Festival into New York Comic Con, rather than continue them as separate events held at the same location. “This move has nothing to do with our loyalty or commitment to the anime community and everything to do with the growth and identity of New York Comic Con as a leading pop culture event,” ReedPOP’s Lance Fensterman said in a statement. “NYCC embraces all elements of the pop culture world, including anime, and we have evolved to a point where the existence of NYAF outside our universe is almost a contradiction. We will be better able to serve the anime community from within the NYCC infra-structure rather than have a show which is separate and which will always be dwarfed by everything that New York Comic Con represents and is.” [press release]
Passings | Cartoonist Jim Unger, whose one-panel comic Herman served as an inspiration for Gary Larson’s The Far Side, passed away Monday at his home in British Columbia. He was 75. The comic appeared in about 600 newspapers worldwide from 1974 until Unger’s retirement in 1992. [The Daily Cartoonist]
Creators | Rich Burlew discusses the staggering $1.25 million Kickstarter campaign for reprints of collected editions of his Order of the Stick webcomic, and reveals initial postage for the five waves of shipments is estimated at $350,000. He also delves into how much time he devoted to the fundraising drive, and his strategy for reinvestment. [Publishers Weekly]
Conventions | Table space for September’s Small Press Expo has sold out: “The hardest part about producing SPX each year is not being able to accommodate all of the awesome talented folks who would like to exhibit at the show. Even with our largest show floor ever we’ve sold through all of our available table space in record time.” [SPX]
Publishing | Three million-dollar Kickstarter drives, including Rich Burlew’s $1.2 million campaign for The Order of the Stick, make the fund-raising site look like a pot of gold to some folks, but it’s not that easy: Suw Charman-Anderson, who;s contemplating a Kickstarter drive herself, looks at the factors that make the big money-makers so successful. [Forbes]
Editorial cartoons | The New York Times has responded to Daryl Cagle’s criticism of its hiring policy and fees for editorial cartoonists, saying the newspaper will delay bringing political cartoons back to its Sunday review section until editors have had time to revisit their policies. [The Cagle Post]
Editorial cartoons | For those who want a look at the bigger picture, Columbia Journalism Review surveys the landscape of editorial cartooning and in particular, the economics of syndication. [Columbia Journalism Review]