Manga | Eight manga creators, including Rumiko Takahashi (InuYasha, Maison Ikkoku), will create new comics featuring the characters they are known for and donate the royalties to the effort to rebuild the Tohoku region of Japan, which was devastated by the 2011 earthquake and tsunami. The fund-raiser is being spearheaded by Gallery Fake creator Fujihiko Hosono. [The Japan Times]
Awards | While we were all busy at New York Comic Con, the Frankfurt Book Fair was going on in Germany, and Torsten Adair rounds up the comics awards that were given at the fair to German and international creators. [The Beat]
Conventions | Christopher Spata talks to some of the attendees at this past weekend’s Tampa Bay Comic Con, including the parents of a 1-year-old who was in costume—and already has a room full of superhero items. [Tampa Bay Online]
Comics | Ahead of Joe Quesada’s appearance tonight on ABC’s Jimmy Kimmel Live, and the debut Wednesday of Uncanny Avengers, Marvel unpacks its Marvel NOW! initiative for the national press. “This ain’t a reboot, we’re simply hitting the refresh button. ‘Marvel NOW!’ simply offers a line-wide entry-point into the Marvel Universe that you’re already reading about,” Editor-in-Chief Axel Alonso says. Tom Brevoort, senior vice president of publishing, calls it “a game of musical chairs” for creators, who will be switched around to make things interesting. [The Associated Press]
Creators | Writer Gail Simone discusses the coming battle between Batgirl and Knightfall in Batgirl #13, as well as the impending return of The Joker: “The Joker is really the Elvis of comic-book villains. There’s no one with his primal star power, there’s no one else anywhere who has sent more chills up the spines of readers, because there genuinely is something terrifying about him.” [USA Today]
Publishing| Comics sales in the direct market were down in September relative to last year, but that may be because the launch of DC’s New 52 pushed sales unusually high in September 2011. Graphic novels were up by 14.4 percent, making for a slight uptick in the overall market. Year-to-date and third-quarter sales were also up by a goodly amount from last year. [ICv2]
Editorial cartooning | The position of editorial cartoonist as a staff job on a newspaper is rapidly becoming a thing of the past, but attendees at the American Association of Editorial Cartoonists meeting in Washington, D.C., don’t seem too downhearted; new opportunities are opening up, and this year’s presidential campaign is presenting them with plenty of material. “Times are tough for the old idea of cartoonists, but all kinds of other things have opened up,” said cartoonist Chip Bok, “And editorial cartoons, all cartoons, are more popular than ever. You see them all over the Internet. The problem now is figuring out how to get paid.” [Voice of America]
Publishing | IDW Publishing CEO Ted Adams discusses the company’s new IDW Limited program, which will produce small print runs of deluxe editions that will be marketed direct to the consumer. How small? The print run for the Blue Label edition of Teenage Mutant Ninja Turtles, Vol. 1 Deluxe Limited Edition will be 10 copies. “The only fair thing to do is to give the fans direct access on a first come first served basis,” he said. “We’re putting an incredible emphasis on quality, and that directly affects the quantity of books IDW Limited can produce. We’re designing new covers, building custom cases and paying the artists to do hand drawn sketch work to go with these books. The reality is that that’s all very expensive and unfortunately it makes it difficult for us to offer this line at the deep discount needed for traditional retail distribution.” [ICv2]
Libraries | Following the firestorm sparked last month when a youth library in Stockholm briefly removed Tintin comics because of their racial caricatures of Africans and Arabs, a survey finds that 10 percent of Swedish libraries have removed or restricted Herge’s books due to “racist content.” [The Local]
Indian cartoonist Aseem Trivedi is free on bail today after being jailed Saturday in Mumbai on charges of sedition and insulting Indian national symbols. The case, which stems from a display of cartoons at a protest in December and on his website Cartoons Against Corruption, has led to a widespread public outcry within the country.
Trivedi was arrested after a complaint was filed by a law student, Amit Katarnayea:
“I saw the exhibition of cartoons at the protest organised by [anti-corruption activist] Anna Hazare at Bandra-Kurla Complex in December 2011. It had Kasab’s face on animals peeing on Constitution, the lions of the Ashoka emblem were replaced by wolves and Parliament was shown as a commode. As a responsible citizen, I felt duty bound to complain to the police against Trivedi for exhibiting such insulting cartoons,” the third-year law student from DY Patil College, Nerul, said on Monday.
“Anna and his team should have stopped the exhibition.” Katarnaware said the charges of sedition have been rightly applied as the cartoons are an insult to Constitution.
Comics | Green Lantern writer Geoff Johns talks with The Wall Street Journal about the introduction this week of the newest member of the Green Lantern Corps Simon Baz, an Arab-American Muslim from Dearborn, Michigan: “As fantastic as the concept of Green Lantern is of an intergalactic police force, the comic has had a history of grounding in the now and dealing with modern characters and concepts and Simon Baz is that. I wanted to create a character that everyday Americans have to deal with. When 9/11 hit, he was 10-years-old. His family was devastated, just like every other American. He’s grown up in that world. It’s just part of the daily life, the new normal.” [Speakeasy]
Comics | The new Spider-Man, Miles Morales, reaches a key moment in Ultimate Comics: Spider-Man #14, when Aunt May gives him Peter Parker’s web-shooters and the formula for for his web fluid. Writer Brian Michael Bendis explains why he waited so long to pass along the iconic tools: “‘This is like Excalibur. This is it. This is like being bequeathed the sword,’ Bendis says. ‘But, young Miles and (his friend) Ganke trying to figure out how to make web fluid is going to be my favorite stuff to write ever in the history of writing of anything. Just because someone gives you a formula and says, “Here, cook this,” doesn’t mean you can.’” [USA Today]
Publishing | Vertical Inc. announced Sunday at Otakon in Baltimore that it has licensed Yoshikazu Yasuhiko’s 23-volume Mobile Suit Gundam: The Origin and Mitsuhisa Kuji’s Wolfsmund. [Anime News Network]
Publishing | A year after the launch of Kodansha Comics, general manager Kimi Shimizu and Dallas Middaugh of Random House Publisher Services discuss their re-release of Sailor Moon, Kodansha’s fall line and the state of the manga market in the post-Borders landscape. “Manga numbers have been in decline for the past couple years, but what we’ve discovered in the past year or so is that decline is dramatically slowing,” Middaugh said .”So the simple fact of the matter is that most manga readers —usually when they’re committed, they’re committed—are reading a series. I actually believe that it takes more than the loss of a retail outlet to keep them from pursuing the manga that they want to read.” [ICv2]
Awards | Frank Doyle, who wrote thousands of Archie Comics scripts, and Steve Skeates, who wrote for both Marvel and DC Comics, will be honored with this year’s Bill Finger Award for Excellence in Comic Book Writing. Both were chosen by a unanimous vote of a committee headed by Mark Evanier. The awards will be presented July 13 during the Eisner Awards ceremony at Comic-Con International in San Diego. [Comic-Con International]
Legal | The Oatmeal creator Matthew Inman’s war with Funnyjunk has heated up the Internets over the past few days, but Andrew Orlowski questions why Inman didn’t simply send FunnyJunk a takedown notice under the Digital Millennium Copyright Act when he realized his comics were being posted without permission. “Without the DMCA, Inman found himself in a knife fight armed with just a stick of celery,” Orlwoski said, and he blames his failure to use it on “nerd web culture.” “Inman didn’t use the ammunition available to him at all — he simply decided to play the victim. Whether he did so through naivety, ignorance or cynicism, it is impossible to say.” [The Register]
Graphic novels | The Will and Ann Eisner Family Foundation and the American Library Association will launch the Will Eisner Graphic Novel Prize for Libraries at the ALA summer conference, held June 21-26 in Anaheim, California. Three libraries each year will be selected to receive all the books nominated for the Will Eisner Comic Industry Awards, as well as a $2,000 voucher to buy additional graphic novels and a $1,000 stipend to hold comics-related or author events. Libraries to register to win at the ALA conference; winners will be announced June 24. [Publishers Weekly]
Graphic novels | Calvin Reid and Heidi MacDonald look at the graphic novel presence at last week’s BookExpo America. [Publishers Weekly]
The Cartoonists Rights Network International (CRNI) has bestowed the 2012 Courage in Editorial Cartooning Award on two artists who have experienced persecution for their work, Syrian Ali Ferzat and Indian Aseem Trivedi.
Ferzat, who is 60 years old, has been a cartoonist for many years, but he didn’t encounter trouble until 2011, when he drew a number of cartoons critical of dictator Bashar Al-Assad’s brutal suppression of the democracy movement. Syrian security forces abducted Ferzat and beat him, deliberately breaking both his hands. This did not silence him; on the contrary, he went public about the abuse, and his work is available (in Arabic) at his website. He also has a Facebook page.
Trivedi is the force behind the Cartoons Against Corruption website, which collects editorial cartoons protesting against not only government corruption but also attacks on free speech, including restrictions on the internet. Trivedi was charged with treason and “insulting national symbols” for this, but he nonetheless remains active in the free speech movement in India.
CRNI will present the awards during the Association of American Editorial Cartoonists convention in September.
Journalist Saeed Kamali Dehghan tweeted this morning:
Iranian MP who brought a case against a cartoonist, which resulted in a sentence of 25 lashes, has withdrawn his complaint – Fars #Iran
No other details are available at the moment, but it’s clear the move was backfiring on lawmaker Ahmad Lofti Ashtiani, who brought the complaint about cartoonist Mahmoud Shokraye’s depiction of him in a soccer uniform (the Iranian government has been criticized lately for meddling in sports). Iran’s “media law” court last week sentenced Shokraye to 25 lashes, a move that has drawn a growing chorus of protest both inside and outside Iran. “Iran’s online community has taken to social networking websites such as Twitter and Facebook to express anger,” the Guardian reports, and cartoonists have been calling on other cartoonists to draw even more caricatures of Ashtiani. The Guardian has a gallery of Ashtiani cartoons by Iranian and non-Iranian creators, including their own cartoonist Martin Rowson’s depiction of him as a big baby.
Eurasia Review quotes prominent Iranian cartoonist Masooud Shojai Tabatabai, who gives a more nuanced view of the situation in Iran:
Comics | A near-mint copy of 1940′s Batman #1, which marks the first appearances of the Joker and Catwoman, sold this week for $850,000 — a record for that issue — in a private transaction arranged by Heritage Auctions. The seller purchased the comic just two years ago for $315,000. [CNN]
Publishing | Cory Casoni is leaving his position as director of marketing for Oni Press for a position with NAMCO BANDAI Games Inc. as the head of marketing for ShiftyLook comics. Thomas Shimmin and Amber LaPraim, who joined Oni earlier this year, are taking joint positions as marketing coordinators. [press release]
Creators | Alison Bechdel discusses her family, her psyche, and the challenges of drawing a memoir that’s set in therapy sessions: “I watched all the episodes of “In Treatment” at one point, to see how they managed to make two people sitting in a room so very dramatic. And it was basically just good writing and good acting. So that gave me the hope that I could pull this story off without adding a car chase or an explosion. Though there is a kind of a car chase, now that I think of it, when a Sunbeam bread truck almost runs me off the road. My story also goes in and out of other texts — movies, psychoanalytic papers, children’s books — which creates some more overt visual excitement. And I use a dream to begin each chapter. I know you’re not supposed to write about your dreams, but the dreams have a dramatic sweep that everyday life doesn’t.” [The New York Times]
Creators | Ali Ferzat, the Syrian cartoonist who was abducted and beaten last year because of his criticisms of the government, was named one of Time magazine’s “100 Most Influential People in the World.” “Tyrants often don’t get the jokes, but their people do,” Pulitzer Prize-winning Politico cartoonist Matt Wuerker writes in his tribute to Ferzat. “So when the iron fist comes down, it often comes down on cartoonists.” [Time]
Publishing | In one of its wide-ranging interviews with comics publishers, the retail news and analysis site ICv2 talks with Dark Horse CEO Mike Richardson about the state of the market, the loss of Borders, his company’s 2011 layoffs, webcomics, and some early missteps with its digital program: “Quite honestly we’ve run into a few issues because the programs that we’ve done haven’t worked as well as we wished. We created some exclusive material and got less participation than we had hoped for. [...] We gave codes out to retail stores to drive customers into their stores. They could pick up the exclusive content by going to their participating comic shop. Evidently we didn’t do a good enough job getting the word out, so we’re retooling that.” [ICv2.com]
Legal | The New York Times ventures deep into the legal battle between Archie Comics Co-CEOs Nancy Silberkleit and Jonathan Goldwater, noting the two sides have gone into court-approved mediation. “Competing lawsuits filed in State Supreme Court in Manhattan and State Supreme Court in Westchester County lay out a litany of bitter allegations. He punctured her car tires, destroyed her Web site and claimed that she sexually harassed employees. She ordered him to fire several longtime employees because they were too old, too fat or too buxom, and let her dog, Willow, roam the offices and defecate in the art department.” [The New York Times]
Conventions | Although no figures have been released for last weekend’s Chicago Comic & Entertainment Expo, organizer Lance Fensterman said attendance was “way up,” noting that, “the size of the show floor doubled and the aisles were much more full than last year. That tells you how much attendance jumped to keep pace with the floor growth.” [Publishers Weekly]
Conventions | The hotel reservation system for Comic-Con International in San Diego will open Thursday at 9 a.m. PT, as the yearly mad dash for discounted hotel rates begins. CCI has posted a list of hotels, and if you’re willing to stay in Mission Valley, you can book a room early. The process will be the same as last year — select up to 20 hotels where you’d be willing to stay, and you’ll get a confirmation email no later than April 1. You can leave your April Fool’s jokes in the comments below. Also of note this year, shuttles to and from hotels will run 24 hours a day during the show, beginning at 5 a.m. Thursday. [CCI]
Editorial cartoons | Michael Cavna rounds up nine editorial cartoons commenting on the killing of Florida teenager Tryavon Martin. [The Washington Post]