editorial cartoons Archives - Page 3 of 11 - Robot 6 @ Comic Book Resources
Established in 2004 by the Herb Block Foundation, the award is design “to encourage editorial cartooning as an essential tool for preserving the rights of the American people through freedom of speech and the right of expression.” Block, aka Herblock, was a three-time Pulitzer Prize-winning editorial cartoonist.
“Winning the Herblock is one of the finest moments in a political cartoonist’s life,” Sorensen, who was a 2012 finalist, told The Washington Post. “Being the first woman to win the prize makes it an extra-special thrill. I’m so grateful that this generous award exists for our profession.”
As the newspaper notes, Sorensen is also the third consecutive alt-cartoonist to win the Herblock Prize, following Matt Bors and Dan Perkins (aka Tom Tomorrow). The award comes with a tax-free $15,000 cash prize and a sterling silver Tiffany trophy.
“Jen Sorensen’s strong portfolio addresses issues that were important to Herblock, such as gun control, racism, income inequality, healthcare, and sexism,” the judges stated. “Her style allows her to incorporate information which backs up the arguments she presents. Her art is engaging and her humor is sharp and on target.”
You can see a few of Sorensen’s winning cartoons below.
Passings | Comics journalist and commentator Bhob Stewart died Monday at the age of 76. Stewart kicked off his career in 1953, at the age of 16, by publishing an EC fanzine; the following year, as Carol Tilley documented in a recent talk, he sent a copy to anti-comics crusader Fredric Wertham, along with some tart commentary. Stewart went on to become an influential voice in the conversation about comics; he wrote several books, taught classes at the School for Visual Arts, and curated the first exhibit of comics art in a major American museum. Heidi MacDonald credits him with inventing both Wacky Packages and the term “underground comics.” [The Beat]
Editorial cartoons | German cartoonist Burkhard Mohr has apologized for a cartoon depicting Facebook founder Mark Zuckerberg with a hooked nose, an image that critics said was reminiscent of Nazi propaganda. The cartoon appeared in the early editions of the Munich newspaper Sueddeutsche Zeitung, but Zuckerberg’s face was replaced by an empty hole in later editions. “I’m very sorry about this misunderstanding and any readers’ feelings I may have hurt,” Mohr said. “Anti-Semitism and racism are ideologies that are totally alien to me” [ABC News]
Publishing | Variety speaks with Madrigall President Antoine Gallimard about how the French publishing giant and its holdings (Gallimard, Casterman, Flammarion and Futuropolis, among them) handle the film rights to their many graphic novels, and the popularity of comics as source material: “I think that the French publishing and film industries feed on, complement, and ultimately do help each other. The number of films adapted from books that are produced every year in France is eloquent testimony to this.” Noting that, “In recent years, there’s a real feeding-frenzy for graphic novels, comic books,” Gaillimard says, “Comedy, in all its variants, is the most popular of adapted materials.” [Variety]
Legal | An Algerian judge has made a preliminary recommendation of 18 months’ imprisonment for cartoonist Djamel Ghanem for drawing a cartoon, which was never published, that government officials deemed offensive. In an odd twist, Ghanem was sued by his own newspaper, La Voix de l’Oranie, which tends to favor the current administration, and as a result, he has been blackballed by the Algerian media. The cartoon is critical of President Abdelaziz Bouteflika’s bid for a fourth term but doesn’t even depict the president — it shows two people in conversation, comparing the fourth term to baby diapers — Ghanem said the point was that Algerians were treated like children. Pressed by the district attorney to admit the cartoon was insulting to the Bouteflika, Ghanem insisted that wasn’t his intention. [Global Voices Online]
Legal | The Hiroshima, Japan, police arrested a 36-year-old man on Monday for illegally uploading the manga series Gin Tama to the Internet; he was charged with copyright infringement. This comes just a few days after the arrest of another unemployed man for uploading a volume of Berserk. In both cases, the publisher and the creator of the manga involved have sued the suspects. [Crunchyroll]
Creators | Batman writer Scott Snyder talks about the women of Gotham City. [Comicosity]
Creators | In the first part of a two-part interview conducted at WonderCon, writer Kelly Sue DeConnick discusses how she grew up reading comics in the 1970s, her work for Tokyopop and Marvel, and what Carol Danvers means to her fans. [Toucan]
Yesterday, we briefly reported on the case of Ecuadorian political cartoonist Xavier Bonilla, who ran afoul of the government’s Superintendency of Information and Communication (SUPERCOM) over a cartoon critical of president Rafael Correa. The cartoon showed police hauling away items from the home of journalist Fernando Villavicencio following a raid, and the caption identified the confiscated material as denunciations of Correa’s corruption. SUPERCOM ordered the newspaper that carried the cartoon, El Universo, to pay a hefty fine (2% of their revenues from the past three months) and to print a “correction.”
What could possibly go wrong with that plan?
This time, Bonilla’s cartoon shows Villavicencio inviting authorities into his home, inviting them to take everything they want, and blaming them for being too courteous.
“Call your lawyer,” one of the policemen tells him in a frame, to which Villavicencio responds: “Don’t worry, I trust all of you.”
Clearly Bonilla is mocking the government sanction, although his editors probably aren’t laughing: The newspaper has paid the fine (which amounted to $93,000), although it is appealing.
SUPERCOM’s complaint against the cartoon is that it violates an Ecuadorian law that prohibits newspapers from taking an “institutional position” on an open legal case. Meanwhile, the head of SUPERCOM complained that Bonilla’s assertion that the confiscated materials were evidence of corruption was an opinion rather than fact, which suggests a lack of understanding of what editorial cartoons are. This raises the question of whether the government is treating cartoonists as journalists; given that the official accused Bonilla of a “deliberate act of disinformation,” it seems that they are.
Comics | Once the paperwork is complete, the John F. Kennedy Presidential Library will officially own the original artwork for the 1964 DC Comics story “Superman’s Mission For President Kennedy,” fulfilling one of artist Al Plastino’s final wishes. Plastino, who passed away Nov. 25 at age 91, was surprised to discover at New York Comic Con a month earlier that the pages hadn’t been donated to the library five decades earlier, as he’d been led to believe, but were instead set to be sold at auction on the 50th anniversary of the Kennedy assassination. The auction was put on hold until questions of ownership could be resolved, and Plastino spent the final weeks of his life campaigning for the return of the artwork, even petitioning a judge to force the auction house to reveal the name of the seller. DC Entertainment intervened in December to acquire the pages and give them to the library. “We are thrilled to receive this historic artwork and look forward to sharing it with the public when the legal transfer is completed,” library director Tom Putnam said in a statement. [Newsday]
Awards | March: Book One, by John Lewis, Andrew Aydin and Nate Powell, was honored this morning at the American Library Association Midwinter Meeting in Philadelphia with the Coretta Scott King (Author) Book Award, recognizing an African American author and illustrator of outstanding books for children and young adults. Other youth media winners include: Lucy Knisley’s Relish, the Alex Award as one of the 10 best adult books that appeal to teens; Chip Kidd’s Go: A Kidd’s Guide to Graphic Design, a finalist for the YALSA Award for Excellence in Nonfiction for Young Adults; and Brian Selznick, recipient of the May Hill Arbuthnot Honor Lecture Award. [press release]
Passings | One of Fiji’s best-known cartoonists, Laisiasa Naulumatua, was remembered by his former editor as someone who relied on humor rather than venom to make his point. A number of former government officials, including a former prime minister, came to pay their respects to the cartoonist, who used the pen name Lai, at his funeral on Saturday. [The Fiji Times]
Events | The British Library is staging a “long overdue” exhibit on comics, called “Comics Unmasked: Art and Anarchy in the U.K.,” which will feature comics in a variety of genres from the 19th century to the present. Featured items include The Trials of Nasty Tales, which chronicles the 1972 obscenity trial of the editorial staff of Nasty Tales. “I went to a very traditional school where they would raid desks and take comics off to the orchard to burn them,” said Dave Gibbons, one of the contributors to The Trials of Nasty Tales. “Fast forward 40 years and they now invite me to the school to lecture on graphic novels.” The exhibition runs May 2-Aug. 14. [The Guardian]
Events | The second annual Black Comic Book Festival will take place this weekend at the Schomburg Center for Research in Black Culture in New York City. The lineup of guests includes Norwood Steven Harris, Grey Williamson and Tim Fielder. “It is the largest gathering of black comic book fans in the country,” says Schomburg Director Khalil Gibran Muhammad. “There is something for everyone from the aspirational 9-year-old illustrator, to the costumed superheroes, to the lifelong collectors.” [New York Daily News]
Creators | Ed Brubaker discusses the exclusive deal he and Sean Phillips signed with Image Comics, announced last week at Image Expo: ” It’s almost like having your own label or something. Just the fact that we can green-light our own projects and we have approval over format, everything. … I feel like we have such a core audience that seems to follow us from thing to thing, so let’s take advantage of that and really just experiment and go crazy and just be artists.” [IGN]
Digital comics | ComiXology CEO David Steinberger dicusses the growth of the digital-comics platform, which was the top-grossing non-game iPad app for the third year in a row. “We’re finding that a larger and larger percentage of our user base — our new user base — is people who are buying comics for the very first time with us,” he tells Wired. Steinberger also hints at a next step for comiXology: curation. [Wired.com]
Comics | Torsten Adair looks back at some comics trends in from 2013 and looks ahead to what we can expect in 2014. [The Beat]
Comics | Dark Horse Editor-in-Chief Scott Allie discusses the relaunch of the publisher’s Alien, Predator and Alien vs. Predator series and the debut of Prometheus. [io9]
Conventions | So you think Comic-Con International is too big? The Taipei International Comics and Animation Festival drew 330,000 attendees last year — its first year — and with Attack on Titan creator Hajime Isayama as a guest, this year’s show promises to be just as big. [Focus Taiwan]
Conventions | Crystal Gutierrez files a report on Albuquerque Comic Con, which took place over the weekend. [KRQE]
Comics | Gene Demby talks to several “thoughtful geeks” about race and superheroes, using as a starting point Orion Martin’s project in which the X-Men were re-colored to appear to be brown-skinned. Related: Writing for CBC News, Niigaanwewidam Sinclair looks at the depictions of indigenous peoples in comic books. [NPR]
Passings | Lew Stringer reports that British artist Charles Grigg died Wednesday at age 97. Grigg is probably best known for drawing Korky the Cat, whose adventures graced the cover of the weekly comic The Dandy for decades, and he drew a number of other strips for The Dandy and The Topper as well. After he retired he had a second career drawing naughty postcards. [Blimey!]
Retailing | The direct-market trade organization ComicsPRO has announced its annual membership meeting will be held Feb. 26-March 1 in Atlanta. [ICv2.com]
Creators | Art Spiegelman talked to students at Lakeland College recently and then sat down to answer some questions about his love of comics, how his depression affected his work, and whether he has any regrets about the way he portrayed his father in Maus. [The Lakeland Mirror]
Manga | While Hajime Isayama’s Attack on Titan has been burning up the bookstore sales charts in the United States, the dystopian manga is also giving the smash-hit One Piece a run for its money in Japan. According to market research firm Oricon, Attack on Titan sold more than 15.9 million copies in the past year, just behind One Piece‘s 18.1 million (Kuroko’s Basketball is a distance third with about 8.8 million). Of course, Eiichiro Oda insanely popular pirate manga has little to fear: The 72-volume (and counting) series has 300 million copies in print in Japan, and 345 million worldwide. Kodansha’s Attack on Titan, meanwhile, is on its 11th volume. [ICv2]
Auctions | Select titles from Don and Maggie Thompson’s collection of rare comics — among them, The Avengers #1, Journey Into Mystery #83 and The Incredible Hulk #1 — sold at auction last week for a combined $835,384. A 9.6 copy of Tales of Suspense #39 alone fetched $262,900. [Heritage Auctions]
Manga | Hayao Miyazaki’s samurai manga will be serialized in the Japanese magazine Model Graphix, but progress is reportedly slow: Miyazaki, the director of classic animated films including My Neighbor Totoro and Spirited Away, has completed just three pages. [Anime News Network]
Creators | Veteran Archie artist Stan Goldberg, who most recently has been drawing Nancy Drew graphic novels for Papercutz, was in a serious car accident recently, along with his wife Pauline. Tom Spurgeon suggests you send them a car. [The Comics Reporter]
Conventions | Cleveland’s small-press comics convention Genghis Con is this weekend, with a guest list that includes Derf Backderf (My Friend Dahmer) and Mike Sangiacomo (Tales of the Starlight Drive-In). [The Plain Dealer]
Digital comics | Apple rejected 59 comics this year for in-app buying, although many of them were allowed into the iBookstore. I looked at the phenomenon, and talked to Image Comics Publisher Eric Stephenson about the effect that had on Matt Fraction and Chip Zdarsky’s Sex Criminals, which is available via the comiXology website and Android app, iBooks, and Image’s own website, but can’t be bought in-app from comiXology’s iPad app. “”It absolutely hurt digital sales on Sex Criminals #2,” Stepheneson said. “This is a series that is getting fantastic word of mouth, it’s amazing work by Matt and Chip that is receiving rave reviews and selling out instantly. Not being able to offer the book to curious readers through our app or the comiXology app is a significant deterrent to reaching the widest possible audience.” [Publishers Weekly]