Like many, I first encountered the art of Edmund Bagwell in 2005, in the first issue of Liam Sharp’s extremely short-lived but influential anthology Event Horizon. Sharp introduced lots of new talent in those two issues, but it seemed that Bagwell was to be the book’s breakout star. Here was an artist with many strings to his bow, producing lushly rendered digital paintings and linework to accompany prose short stories in the first volume, and also illustrating Rich Johnson’s role-playing satire “Chase Variant” in the second.
U.K. comics history is full of instances of well-intentioned anthologies eventually failing, leaving that great survivor 2000AD to cherry-pick their best talent. This was again the case, with Bagwell soon working on some memorable short stories with writers Al Ewing and Arthur Wyatt. Short one-offs such as “Future Shocks” and “Terror Tales” are usually seen as dues-paying exercises by the editorial staff at 2000AD, and Bagwell was rewarded by being commissioned to draw the series “Cradlegrave,” written by John Smith.
In its 36-year history, the venerable U.K. comics anthology 2000AD has only ever featured a handful of superhero strips. Of those relative few, most commentators would say they’re a pretty strong bunch — one cold classic (“Zenith”), and a couple of neglected psychedelic gems (“Storming Heaven,” “Zaucer of Zilk”).
Darkest of them all is Rob Williams’ post-apocalyptic “The Ten-Seconders,” an ongoing tale that sets humanity against a race of superhuman aliens, the self-styled “gods.” When mankind decides to resist against the rule of their new super-powered overlords, the rag-tag group of surviving guerrillas dub themselves “The Ten-Seconders,” as 10 seconds is the average time a human can expect to last in a confrontation with a god.
During its previous two runs in 2000AD, “The Ten-Seconders” has been drawn by four artists: Mark Harrison, Dom Reardon, Sean Thomas and Ben Oliver. Now, after a five-year absence, the strip returns, revitalized by Williams’ pairing with Edmund Bagwell, an artist whose work effortlessly traverses from scenes of ordinary human life before the invasion to the graceful arrival of the gods, to their violence and terror, and onto hints of oncoming cosmic threats. Basically, Bagwell was born to work on this scale. In previous arcs, the threats were analogs for the Justice League and then the Vertigo anti-heroes. This time, we have Galactus/Celestial-styled creatures looming over the planet. Bagwell is one of those few artists whose work has a clear Kirby influence without that fully overpowering his entire style. I’ve been championing Bagwell’s work since 2006, and I literally cannot wait to see what he has in store for us this time.
2000AD has provided ROBOT 6 an exclusive first look at the full opening chapter of the return of “The Ten-Seconders.” It works as an introduction, a recap and as a secret origin for the series’ protagonist Malloy, and leaves us on a doozy of a cliffhanger. As such, it packs a hell of a lot into just six pages!
“The Ten-Seconders” returns July 3 in 2000AD Prog 1839.
Free Comic Book Day is once again upon us, the day that current and hopefully potential comic fans flock to their local comic shop to sample a buffet of comic choices from publishers large and small. There’s a lot to sink your teeth into this time around, from previews of new or upcoming stuff — like Marble Season and Superman: The Last Son of Krypton #1 to first issues of brand new comics — like The Strangers #1 and Aphrodite IX #1. There are original comics, licensed comics, kids comics, anthologies … basically something for everyone.
Some retailers will offer all-you-can-eat options, while others might have limits on what you can get … so if you have to make a choice, here are six comics we’re particularly looking to sink our teeth into.
It’s been a big couple of weeks for U.K. comics publishing, and a lot of that might have to do with this weekend’s Comica Festival (a.k.a. “the 10th London International Comics Festival”). There has been a rush of titles from British graphic novel publishers of late, no doubt timed for a big push at this most art-centric of U.K. comics conventions (it’s hosted this year at Central Saint Martins College of Arts and Design, and I dare anyone of a certain vintage to think of that place and not start humming this).
There’s a lot of great stuff out there at the minute that’s maybe not getting enough coverage internationally, so let’s do a round-up, shall we? There’s a myth that the American comics audience is insular, so let’s disprove it: These books are even already available in English, although their spelling is a bit suspect at times. Yeah, you heard me, buy a dictionary, limeys!
• The Man Who Laughs, the oddest of Victor Hugo’s novels, adapted by David Hine and Mark Stafford, published by SelfMadeHero: Hine has posted a host of panels from the book at his blog. I was previously ignorant of Stafford’s work, but these are some handsome-looking samples; they reminded me a little of the great Dave Cooper. Hine is always good value, and has a track record of making some genuinely unsettling comics (Strange Embrace, The Bulletproof Coffin), so this sounds like the perfect alignment of talent to source material.
It’s time once again for our monthly trip through Previews looking for cool, new comics. We’ve each picked the five comics we’re most anticipating in order to create a list of the best new stuff coming out two months from now.
As usual, please feel free to play along in the comments. Tell us what we missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Crater XV HC (Top Shelf, $19.95): I’ve been following (and loving) the serialization of Kevin Cannon’s follow-up to Far Arden in the digital pages of Double Barrel, but I know that I’ll be picking up this hardcover collection of the further adventures of sea dog Rusty Shanks nonetheless. The Canadian space program deserves no less.
In The Days of the Mob HC (DC Comics, $39.99): To say that Kirby’s 1970s take on the organized-crime world of the 1930s is something I’ve been longing to read since I first discovered its existence would be an understatement, so I’m definitely looking forward to this deluxe reprint, complete with material that wasn’t in the original edition.
Indigo Prime: Anthropocalypse TP (Rebellion/2000AD, $24.99): John Smith’s cosmic authorities are one of comics’ most secret treasures, I think, especially when he’s paired with an artist like Edmund Bagwell, who brings a wonderful Euro-Kirby influence to the stories in this collection. Really looking forward to this one.
Relish: My Life in the Kitchen GN (First Second, $17.99): As a sucker for good autobiographical comics and also good food writing, the idea of Lucy Knisley creating a food-centric memoir — complete with recipes! — is far too good to ignore. I love that publishers like First Second are publishing work like this.
Solo Deluxe Edition HC (DC Comics, $49.99): Even though I own most of these issues from their original appearance, the oversized hardcover format is waaaay too tempting when you consider some of the material this book has up its 500+ page sleeve: Paul Pope covering Kirby! Brendan McCarthy channeling Ditko as only he could! The amazing Darwyn Cooke issue! The only thing that could make this better would be if it included work completed on follow-up issues before the plug had been pulled … But maybe that can appear in a second volume, one day…
Of the talented bunch in regular rotation at 2000AD these days, it’s Bagwell whose style I always think would transfer most successfully to the American market. He produces work with a similar commercial gloss as Michael Golden or Chris Sprouse, but with a taste for the far-out like Chris Weston or Brian Bolland, and can do a mean Jack Kirby pastiche, usually for his own amusement. Such is the case as the piece above: Shen I tapped him up for a preview of his upcoming next 2000AD strip “The Ten-Seconders,” written by Rob Williams, he sent this along instead, along with his congratulations to Robot 6 for reaching its fourth anniversary. It’s a companion piece to this illustration, posted at his blog back in December 2011. Bloomin’ glorious.
Hello and welcome to another edition of What Are You Reading?, where each week we talk about comics and other stuff we’ve been checking out lately. Today we welcome special guest Joshua Williamson, writer of Masks and Mobsters, Captain Midnight (which has been running in Dark Horse Presents), Uncharted, Voodoo and much more.
To see what Joshua and the Robot 6 crew have been reading, click below …
I remember that a year or two ago, Chris Weston playing a little game with his Twitter followers: casting an imaginary Carry On X-Men film. If memory serves, I may even have contributed to it myself; I think I might have been the first to suggest Bernard Bresslaw as Colossus. And that was the end of that, we thought — until he updated his blog with this image.
Surely he’s not been working on this all that time? Weston is something of a movie poster nut, regularly uploading fine examples from his collection, and I’m also enough of an illustration nerd to realize he’s copping the style used by the great Renato Fratini on several U.K. Carry On movie posters.
It used to be that the regular place to go to get new Philip Bond art was his Flickr page, but that has been joined of late by his Instagram feed. This Wonder Woman has something of both Robert Crumb and Summer Glau about her.
Below: plenty of great pieces by Jack Teagle, Edmund Bagwell, Fabio Moon and more. Continue Reading »
Edmund Bagwell, artist on 2000AD‘s Cradlegrave and Indigo Prime has been previewing pages from something over at his blog lately, but from what exactly? It looks like it starts with a shoot-out between an American Indian and an old-school George Raft-looking gangster, ends badly for all involved, then heads out into the cosmic. Bagwell seems to be dialing up his ever-present Kirby influence for this, with a 1970s-inked-by-Berry-lettered-by-Royer thing going on. Nice moldy old newsprint texture on the backgrounds, too. Continue Reading »