Publishing | ICv2 notes the near absence of DC Comics and Marvel on the August BookScan chart, which tracks sales in bookstores. There were no Marvel titles in the Top 20, and the four DC titles — Batman: The Dark Knight Returns, Watchmen, Batman: The Killing Joke and V for Vendetta — were all evergreens, not new releases. Particularly noticeable by their absence were any volumes of Wolverine or Kick-Ass, properties with movies released in July and August, respectively. What’s hot? Attack on Titan, apparently, with two volumes charting and Volume 1, which was released more than a year ago, getting stronger every month — which means new readers are finding the series now. Curiously, the series is not selling well in comics shops, perhaps because retailers simply aren’t ordering it. Eight of the top 20 volumes were manga, including the top seller, the 62nd volume of Naruto. Chart mainstay The Walking Dead placed four books, including the nine-year-old first volume. [ICv2]
Graphic novels | Dubbing this “the age of the graphic novel,” Glasgow, Scotland’s Sunday Herald asked an unnamed and unnumbered group of cartoonists, novelists, critics, comics historians and the like for a list of titles that should be in everyone’s library. The result is a pretty impressive, and varied, rundown — “the 50 greatest graphic novels of all time” — that ranges from Paul Pope’s Heavy Liquid and Lili Carre’s The Lagoon to Katshuiro Otomo’s Akira and Frank Miller’s Batman: The Dark Knight Returns. [Sunday Herald]
Creators | Rebecca Gross interviews Daniel Clowes about the development of his work, doing comics at a time when comics weren’t considered an art form, and the current exhibit of his work at Chicago’s Museum of Contemporary Art, “Modern Cartoonist: The Art of Daniel Clowes.” [NEA Arts]
Retailing | Publishers Weekly’s annual comics retailer survey yields some interesting commentary, although the sample size is small (just 10 stores): Sales are up, retailers are optimistic, and Saga is the hot book right now. Also, booksellers who underestimated the demand for Chris Ware’s Building Stories lost out to direct-market retailers who didn’t, making for some nice extra sales during the holiday season. And while readers seem to be getting tired of the Big Two and their event comics, they are more enthusiastic than ever before about creator-owned comics, and Image is doing quite well. [Publishers Weekly]
Awards | Ladies Making Comics presents the complete list of women Eisner nominees for this year, noting that women have been nominated in almost every category. [Ladies Making Comics]
Retailing | Naruto topped the May BookScan chart of graphic novels sold in bookstores, followed by two volumes of The Walking Dead, the latest volume of Sailor Moon, and Yen Press’ latest Twilight adaptation New Moon. Just three volumes total of The Walking Dead made the Top 20 (down from eight last month), and as usual, DC and Marvel got clobbered: DC had three titles on the list (two volumes of Court of Owls and Watchmen) while Marvel had one (Hawkeye), and none was above No. 15. Or to put it another way: Vol. 14 of Dance in the Vampire Bund, a high-numbered volume in a fairly niche manga series, placed higher than every Big Two book on BookScan last month. [ICv2]
Creators | With the second issue of their digital-only comic The Private Eye recently released, writer Brian K. Vaughan and artist Marcos Martin talk about their story, why they decided to do it digitally, and what the response has been so far. [The Verge]
Legal | A federal judge on Friday denied DC Comics’ bid for sanctions against the attorney for the heirs of Superman creators Jerry Siegel and Joe Shuster, finding that Marc Toberoff made “no deliberate attempt to mislead” during the discovery process and, perhaps more importantly, did not interfere with the publisher’s rights to the Man of Steel when he allegedly inserted himself into settlement talks in 2001. [The Hollywood Reporter]
Legal | Stan Lee will be deposed this week by lawyers representing Stan Lee Media in its multi-billion-dollar lawsuit against Disney involving the rights to the characters the legendary writer co-created for Marvel. Stan Lee Media, which no longer has ties to its namesake, claims Disney as infringed on the copyrights Iron Man, the Avengers, X-Men and other heroes since 2009, when it purchased Marvel. The long, tortured dispute dates back to a sequence of events that occurred between August 1998, when Marvel used its bankruptcy proceedings to terminate Lee’s lifetime contract, and November 1998, when Lee entered into a new agreement with the House of Ideas and signed over his likeness, and any claims to the characters. Stan Lee Media has long claimed that on Oct. 15, 1998, Lee transferred to that company the rights to his creations and his likeness. SLM asserts in the latest lawsuit that neither Marvel nor Disney, which bought the comic company in 2009, has ever registered Lee’s November 1998 agreement with the U.S. Copyright Office. [The Hollywood Reporter]
Metropolitan Books has plans to publish Magdy Al-Shafei’s graphic novel Metro, which was slated to be published in 2008 by the Egyptian publisher Malameh but fell victim to state censorship: The Egyptian police broke into the publisher’s office, confiscated the book, and arrested Al-Shafei and publisher Mohammed Al-Sharkawi. The book had run afoul of the Mubarak-era’s strict censorship rules because it portrayed homosexuality and portrayed the Egyptian police in a negative light. Here’s the key quote:
The attorney who filed the complaint against Metro, Saleh al-Derbashy, told al-Ahram Online that despite those topics being present and accepted in regular literature, their graphic depiction renders the book “dangerous” and “disturbing to public morals.”
That’s certainly an attitude one hears expressed about sex and violence in graphic novels, especially by self-appointed gatekeepers for the young, but it’s the first time I have heard it applied to political discourse. Are political comics really more dangerous than political literature?
Graphic novels | Metro, the graphic novel by Egyptian cartoonist Magdy El Shafee that was banned in 2009 under Hosni Mubarak’s regime, will be published in English next year by Metropolitan, a division of Macmillan. El Shafee who, along with his publisher Mohammed al Sharqawi was convicted of disturbing public morals, has appealed to Egypt’s new Ministry of Culture to have the ban lifted. “I’m waiting to hear if the minister of culture will allow it to be published again,” El Shafee says. “They will have to consult with the courts. I’m hoping there may be some kind of apology.” [CNN.com]
Legal | In an article that’s heavy on background and light on new information, Matthew Beloni reports that the attorney representing the heirs of Superman creators Jerry Siegel and Joe Shuster has asked the Ninth Circuit Court of Appeals to determine exactly what elements from the Man of Steel’s mythology his clients can reclaim as a result of the 2008 court ruling. [THR, Esq.]
Retailing | Barnes & Noble stock fell 16 cents following a report that bookstore chain, the largest in the United States, will likely end its months-long search for a buyer. Although the auction isn’t over, initial interest from at least seven potential buyers is said to have waned following the first round of bidding. [Bloomberg]
The revolution will be live-streamed: Domatille Collardey and Sarah Glidden’s “Egypt from 5,000 Miles Away”
If you were like me, the Egyptian Revolution that unfolded over the past several weeks and culminated (for the moment) in President Hosni Mubarak’s ouster on Friday was a complicated thing to know how to react to. Don’t get me wrong, I’m not like Glenn Beck prophesying the coming Luthor/Braniac-style Communist/Islamist team-up against the West, nor am I even a more run-of-the-mill conservative commentator rumbling ominously about the power of the Muslim Brotherhood. And my feelings upon seeing untold millions of ordinary, unarmed people weather the attacks of government goons quads and kick out a man who’s looted and tortured them and their country for decades (in part at America’s behest) with nonviolent protest was unalloyed joy.
But how to express that joy? Should I, even? After all, I know no more about the real political situation inside Egypt than any of the overnight experts who suddenly popped up to opine on the talk shows and cable news nets. My information was coming primarily from Al Jazeera English’s invaluable live-streaming broadcast on its website and from the Twitter streams of international and native Egyptian reporters on the ground, and from the relative oasis of calm analysis that was MSNBC’s The Rachel Maddow Show and its dialogues between host Maddow and correspondent Richard Engel. Was that enough?