Marvel NOW! Teasers Pay Off With Enigmatic 'Divided We Stand' Group Shot
Awards | Riad Sattouf’s graphic memoir Arab of the Future has won this year’s Los Angeles Times Book Prize in the graphic novel category. The first volume of a planned trilogy, Arab of the Future also won top honors at the Angouleme International Comics Festival two years ago. [Los Angeles Times]
Political cartoons | The French satirical magazine Charlie Hebdo is in the headlines again, this time because of a cartoon that asks “What would little Aylan have become if he grew up? A groper of buttocks in Germany.” The cartoon shows two lecherous men running after women; in an inset is a drawing of the famous photograph of the body of three-year-old Alan Kurdi, who drowned off the coast of Turkey while fleeing Syria. The cartoon refers to reports that large numbers of men who appeared to be Arab robbed and sexually assaulted women in several German cities during the New Year’s celebrations. While many critics accused the magazine of racism, others countered that the cartoon is a commentary on how quickly European public opinion has swung from sympathy to xenophobia. The cartoon was drawn by Charlie Hebdo staffer Laurent “Riss” Sourisseau, who survived the deadly January 2015 attack on the magazine’s Paris offices.[CNN]
Legal | On the day his trial on sedition charges was due to begin, Malaysian political cartoonist Zunar threw a curve ball, asking the high court to declare the sedition law unconstitutional. The Malaysian government has repeatedly attempted to ban or censor Zunar’s cartoons, but this case actually stems from a series of nine tweets he wrote following the conviction of opposition leader Datuk Seri Anwar Ibrahim on sodomy charges; Zunar accused the court of following the wishes of the prime minister. On Friday, Zunar’s lawyers (one of whom has also been charged with sedition) filed a petition with the high court saying that the lower court that was to hear the case had no authority to do so. The Malaysian Federal Court recently dismissed a challenge that made a similar argument; Zunar’s case is now scheduled to be heard on Dec. 8, with a decision expected a week later. [Index on Censorship]
The big news about this year’s Ignatz Awards, presented over the weekend at the Small Press Expo in Bethesda, Maryland, is that all the winners were women.
The second piece of big news is that Sophia Foster-Dimino took home three awards, while Sophie Goldstein won two.
Named in honor of the brick-wielding mouse in George Herriman’s Krazy Kat strip, the Ignatz Awards recognize achievement in comics and cartooning. Nominees are selected by a panel of five cartoonists, and then voted on by SPX attendees.
Over the past few weeks, thousands — probably tens of thousands — of graduates of received diplomas in a broad range of studies, but it’s safe to say that none of them is as cool as the ones handed out by the Center for Cartoon Studies in White River Junction, Vermont.
Each year the school commissions a cartoonist to create the diploma for that graduating class. This year, it was Jason (I Killed Adolf Hitler, The Last Musketeer). You see those from previous years, from the likes of Ed Koren, Jim Rugg, R. Sikoryak, Eleanor Davis, Michael Kupperman and Ivan Brunetti, on the CCS Flickr page.
Continuing with our annual “Looking Forward, Looking Back” feature, we asked some creators and other industry figures what they liked in 2014, what they’re looking forward to in 2015, and what projects they have planned for the coming year.
In this installment, hear from Greg Rucka, Stuart Moore, Rico Renzi, Elizabeth Breitweiser, Miss Lasko-Gross, Aaron Kuder, Jimmie Robinson, Curt Pires, Eleanor Davis, Shof and Shobo Coker, Amber Love and Keith Dallas!
Be sure to check out Part 1, and don’t forget to come back later today for more.
Conventions | The Rhode Island Convention Center exceeded capacity Saturday for what may be the first time in its history, leading the state fire marshal to temporarily bar entry to Rhode Island Comic Con. At one point, about 1,500 attendees were left out in the rain, including some people who stepped out for a minute and couldn’t get back in. Organizers sold a reported 23,000 tickets for a venue that holds just 17,000, and the way the show was configured reduced the capacity to about 15,000. They apologized Saturday afternoon for the “hiccup.” [Providence Journal]
Comics | Joshua Rivera picks the best comics and graphic novels of October. [Entertainment Weekly]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Two sure signs the year is drawing to an end: It’s snowing in Massachusetts and the Best of the Year lists are starting to appear. Publishers Weekly released theirs yesterday, and there’s something interesting about it: Although there is a separate category for comics, several graphic novels are nominated in other categories as well.
This is by no means unprecedented—after all, Maus, one of the first graphic novels, won a Pulitzer Prize—but we seem to be seeing more of it. Roz Chast’s Can’t We Talk About Something More Pleasant? won the inaugural Kirkus Prize for Nonfiction. This is a prize with only three categories, yet two graphic novels made the final round (the other was Cece Bell’s El Deafo, which was a finalist in the Young Readers category). Gene Yang was a speaker at the National Book Festival gala in September, giving him a prominent platform to speak to general readers who might pick up a graphic novel, as opposed to die-hard fans of the medium, and it’s become more and more common for graphic novels to make the shortlists for general book awards.
On Friday, How to Be Happy creator Eleanor Davis embarked on a 17-hour drawing marathon to raise money for her friend Kyle Coldwell (“a 23-year-old Phoenix, Arizona, resident with a severe congenital condition called Spinal Muscular Atrophy [SMA]“), who is the midst of a $10,000 GoFundMe campaign for funds to repair or replace his wheelchair van.
Comics | Writing for The Advocate, Jase Peeples takes note of the diversity of DC Comics’ extended Batman family — from Batwoman to Batwing to Barbara Gordon’s roommate Alysia Yeoh — and talks with writers Gail Simone, Grant Morrison, Marc Andreyko, Tom Taylor and Chip Kidd. “I would like to think that people can pick up books like Batman Incorporated or The Multiversity and see their own lives reflected,” Morrison says. “But I’d always caveat that with the need for us to see more diverse writers and artists, because that’s when I think the walls will really come down. As a straight [white guy from Scotland] I can only do so much, and I find even sometimes when you do this, you do get accused of tokenism or pandering. I don’t mind it. I can put up with that, but I’d rather see a genuine spread of writers and artists creating this material.” [Advocate.com]
We’re a little more than halfway through the year, which makes it the perfect time to pause and separate the truly exemplary comics from the merely mediocre.
Below are six of my favorite comics of the year thus far. Many of them will likely make their way into my final “best of 2014″ list come December, but I reserve the right to completely change my mind between now and then.
In any case, let me know what comics you’ve enjoyed reading thus far (or how crazy I am for forgetting Graphic Novel X) in the comments section.
Lest you mistake Eleanor Davis‘ new collection How to be Happy for a self-help book, she spells out everything in the opening pages. It won’t help a depressed person become less depressed, but Davis does recommend two books that benefited her — a situation we briefly discussed.
I’ve long had an affinity for the Athens, Georgia-based storyteller, whom I first interviewed in 2011. That affection is partly because we live in the same state, but also because her work often strikes me as the comics equivalent of an interpretive dance. I have no other way to describe the core response that her work elicits from me. I look repeatedly at some of the pages in this collection and still find something new each time.
Comics | Liam Burke, editor of the essay collection Fan Phenomena: Batman, discusses the enduring appeal of the Dark Knight, who of course turns 75 this year: “This isn’t a guy who’s from an alien planet, this isn’t someone who was bitten by a radioactive spider. This is an average guy, albeit incredibly wealthy and incredibly intelligent, at the peak of human fitness, but an average guy nonetheless. That sort of aspirational quality has been identified as the reason Batman sort of stands above Spider-Man, Superman or any number of heroes.” [RN Drive]
Publishing | David Harper looks at the economics of monthly creator-owned comics, as well as how trades fit into the picture; for creators, the monthlies provide a regular stream of income so they can always be working on the next issue. Brandon Montclare, Jim Zubkavich and others provide some first-hand commentary on how things work in the real world. [Multiversity Comics]
Conventions | Phoenix Comicon, which in 2013 drew a record 55,000 people, has placed a limit on attendance for the June 5-8 show, raising the possibility that the convention could sell out for the first time. However, convention director Matt Solberg said organizers have been working with the fire marshal to increase capacity at the Phoenix Convention Center. This year’s guests include Andy Kubert, Andy Runton, Camilla d’Errico, Chris Claremont, Christopher Golden, Dennis Calero, Don Rosa, Francis Manapul, John Layman, Katie Cook, Kevin Maguire, Marc Andreyko and Mark Bagley. [Facebook, via Modern Times]
Manga | Lillian Diaz Przybyl, who was the senior editor at Tokyopop until shortly before its demise, talks about her early days in fandom, her experiences at the company when it was a market leader, and the issue of piracy and creators’ rights. She also sheds some light on why the manga publishers were so slow to go to digital: The Japanese licensors were reluctant to put content from different publishers together and worried that their books would be re-imported back to Japan. [Organization Anti-Social Geniuses]
This as-yet-untitled book will be Davis’ first major work since 2009’s The Secret Science Alliance and the Copycat Crook from Bloomsbury Children’s. In that time the cartoonist has created extensive shorter works for Fantagraphics’ Mome anthology as well as for Little House Comics, the boutique publishing imprint she co-owns with her husband Drew Weing.