Emerald City ComiCon Archives - Robot 6 @ Comic Book Resources
Just days before HeroesCon kicks off in Charlotte, North Carolina, organizers have released a code of conduct addressing harassment and cautioning exhibitors about images and materials that exceed the event’s PG-13 standards.
Signed by founder Shelton Drum, the policy extends beyond the exhibition floor to after-hours events at host hotels, and spells out that, “HeroesCon is dedicated to providing a fun, safe and harassment-free convention experience for everyone regardless of gender, sexual orientation, disability, physical appearance, body size, race, age or religion.”
Although North America comic conventions are typically thought of as male-dominated events, that doesn’t appear to have been the case with this year’s Emerald City Comicon.
According to a survey of attendees, 52 percent identified as female, compared to 46 percent as male; 2 percent of respondents “referred to themselves in non-binary terms,” including agender, genderfluid, genderqueer and “a nebulous glow cloud.”
Of course the survey isn’t completely accurate, because not everyone filled one out, and of those who did, probably not everyone did so honestly (I’m willing to wager the person doesn’t really gender-identify as “Cthulhu”). However, as The Mary Sue notes, “at the very least, you cannot say that women were rare or a minority in the community.”
Emerald City Comicon may not come with the metric ton of announcements that Comic-Con International does, but in a way it’s all the better for it. Comics still feel as if they’re front and center just where I like them, and the announcements have more charm because they aren’t screaming to be heard over the din of film and television rollouts.
One year, I’ll get up to Seattle to experience the event firsthand, but in the meantime, I get to absorb all the news and photos like everyone else, as they’re posted online. ECCC even streamed all of its panels on flipon.tv. Anything that happened in Room 301 is free for anyone to watch. Everything else can be purchased with a full archive pass for $14.95. Or if, you don’t want to sit through hours of panel footage, there’s CBR’s coverage or, heck, try Google or something.
A number of announcements jumped out as particularly noteworthy, so let’s run through The 6 Best Things from ECCC. And from my count, Dark Horse won Emerald City. Your miles may vary though, so post your favorites in the comments.
“The message that we send when we don’t represent the broader culture in our stories is that ‘You are other.’ … As a community, as an organism, it is a thing that makes us ill. It is actually bad for us.”
– Kelly Sue DeConnick, writer of Captain Marvel and Pretty Deadly, speaking about the need to diversity the kinds of characters that appear in comics, at the “Broadening Comics Readership” panel at Emerald City Comicon
Comic Book Resources contributor George Tramountanas tapped into the Speed Force this weekend to capture an unexpected gathering of Flashes at Emerald City Comicon.
At this weekend’s Emerald City Comicon, Dark Horse announced two collections featuring early ElfQuest material by Wendy and Richard Pini.
In August, fans can expect The Complete ElfQuest Volume 1: The Original Quest, a 720-page, black-and-white collection of “what is now known as The Original Quest.” It will include a gallery of concept art, pinups and covers, as well as commentary from the Pinis.
Then October brings ElfQuest: The Original Quest Gallery Edition. In what sounds like something akin to IDW’s Artists Edition series, it will collect Wendy Pini’s original artwork from the first five issues of “The Original Quest.” According to the press release, “Each page is carefully scanned from Wendy Pini’s original art to capture every stroke and detail. At 12 1/8″ by 17″, it’s as close to holding Pini’s original art as a fan can get.”
The Complete ElfQuest Volume 1: The Original Quest goes on sale Aug. 6. ElfQuest: The Original Quest Gallery Edition will arrive in comic shops Oct. 8 and bookstores Oct. 21.
Legal | Algerian cartoonist Djamel Ghanem is seeking asylum in France as the prosecution and plaintiff appeal his acquittal on charges that he insulted Algeria’s president in an unpublished cartoon drawn for the newspaper Voix d’Oranie. The newspaper brought the criminal charges against Ghanem; in possibly related news, Ghanem is suing his employer for seven years’ unpaid wages. Ghanem now claims Algeria wants to make an example of him. [Radio France International, Ennahar Online]
Conventions | Mark Rahner, who has been going to Emerald City Comicon since the first one in 2003, initially as a reporter and then as a creator, talks about why the event has grown so big (75,000 attendees are expected this weekend) and why it’s still awesome anyway. [Seattle Weekly]
Conventions | Rob Salkowitz, who wrote a book about Comic-Con International, looks forward to this weekend’s sold-out Emerald City Comicon, and explains why it represents the convention of the future: “One reason ECCC is such an ideal place to talk about the future of comics is because the show itself looks like the future of comics–at least the one that I call ‘The Expanding Multiverse.’ Supportive of creators and celebrities alike, embracing the broadest conception of styles and subjects from indie work to mainstream superheroes, self-consciously diverse and inclusive in its conception of fandom, ECCC and shows like it represent a sustainable path forward for geek culture in an age of super-saturation and sensory overload.” Salkowitz will be a participant, not just a fan: He has developed a programming track on comics and digital culture that will feature a number of people (IDW’s Ted Adams, Monkeybrain’s Alison Baker) giving short presentations, similar to the format and spirit of TED Talks. [ICv2]
In 2012, Marvel gave Carol Danvers a promotion from “Ms. Marvel” to “Captain Marvel,” along with a new uniform and her own ongoing series. That move swiftly won over a very passionate, dedicated fanbase, and the “Carol Corps” are gathering to celebrate in Seattle on the eve of this year’s Emerald City Comicon. The venue is high-profile, and fitting given Danvers’ background as an Air Force pilot: The Museum of Flight, the world’s largest private air and space museum.
The event, dubbed “Carol Corps Celebration,” will include appearances from Kelly Sue DeConnick (writer of both the original Danvers-as-Captain Marvel solo series and the subsequent relaunch debuting in March), Ms. Marvel writer G. Willow Wilson and Christopher Sebela, who’s co-written several Captain Marvel issues with DeConnick. Tickets are $20, and will include “the opportunity to meet awesome featured guests, mingle with them and each other, socialize and enjoy the main exhibits in the Museum of Flight,” plus light snacks and beverages. (ECCC admission is not included.) All proceeds will be donated to the Girls Leadership Institute, an Oakland-based nonprofit.
The Carol Corps Celebration happens 7 p.m. to 10 p.m. on Thursday, March 27; Emerald City Comicon takes place March 28-March 30 at the Washington State Convention Center in Seattle.
Publishing | Dark Horse President Mike Richardson discusses how he became one of the first publishers of manga in the United States, explains how the company selects its titles, and suggests some manga for first-time readers. [Previews]
Digital comics | Retailer Ron Catapano points to the comiXology server crash triggered by the response to the free Marvel comics promotion as “the problem with digital content that fans keep complaining about”: “I can’t read the books I paid for because I can’t save them on my own computer and I’m limited in what I can save to my tablet by the small storage on tablets. Instead, the books I pay for are kept by comiXology and as long as I have a high speed internet connection available… I can log on and read my books on their web site or I can download a few to my tablet. BUT NOT TODAY … because someone decided it was a good idea to put 700 Marvel issue #1’s up for free at the same time.” [ICv2.com]
Welcome to “Cheat Sheet,” ROBOT 6’s guide to the week ahead. Below you’ll find a breakdown of the big announcements that came out of this weekend’s Emerald City Comicon, our contributors’ picks for the comics of the week — from Age of Ultron to Al Capp — and the top events to look for in the next seven days (hint: convention season is fully under way).
Awards | Slate Book Review and the Center for Cartoon Studies have awarded the Cartoonist Studio Prize for Best Graphic Novel of 2012 to Chris Ware for Building Stories, and the prize for Best Web Comic to Noelle Stevenson for Nimona. Each winner receives $1,000. [Salon.com]
Comics | Tom Spurgeon talks at length to Gary Groth, co-founder of Fantagraphics and editor-in-chief of The Comics Journal, about the prospects for young creators today versus years ago, changes at The Comics Journal, and Groth’s own interview with Maurice Sendak, which runs in the latest issue of TCJ. [The Comics Reporter]
Matt Fraction said at the Emerald City Comicon this weekend that he’ll write an issue of Hawkeye about sign language when the character once again has his hearing damaged. That’s pretty cool.
Now it might seem wrong to wish hearing loss on anyone, even a fictional character, but it’s the latest in a series of cool moves by Marvel. If you’ve been following along, you know that last week Marvel and hearing aid makers Phonak kicked off a poster campaign aimed at hearing-impaired kids who feel awkward about wearing hearing aids. That poster campaign came about after a mom, Christina D’Allesandro, reached out to Marvel last May because her son refused to wear his hearing aid. He said superheroes don’t wear them, and his mom was hoping Marvel could point out one who did.
“Tom Brevoort brought up Hawkeye’s loss of hearing back in the ‘80s, which spurred me to send a shot of the West Coast Avengers #1 cover to Christina, suggesting that she tell Anthony that not only do superheroes definitely wear hearing aids, but that he could be an honorary Avenger if he wore his,” Marvel Editor Bill Rosemann told me last year.
At their RevolutiONIze panel at the Emerald City Comicon today, Oni Press announced a new science fiction series, Letter 44, by Charles Soule (Swamp Thing, Strongman, Strange Attractors) and Alberto Alburquerque (Elle, Skullkickers).
“Letter 44 is a new sci-fi series that asks, ‘How would people act when faced with a true threat?’ It begins with the newly inaugurated President Blades sitting down in the Oval Office, reading the letter left to him by the outgoing president. That letter is simply addressed to ’44,’” Oni Press’s Editor-in-Chief James Lucas Jones, said in a press release.
“The contents of that letter? Seven years ago NASA discovered some sort of construction project out in the asteroid belt. No one on Earth knows what it is, and the outgoing President sent astronauts up there to investigate. As the story opens, they’re about six months away,” Soule said. “This is a story I’ve been working on for several years, and I’m very excited to see it come to fruition. Alberto’s very conscious of the technical details of the spacecraft and other sci-fi elements, as well as the Earth-based stuff. His work is amazing, and I couldn’t be happier with the look of the book.”
Letter 44 goes on sale this October. Check out a page of art from it below.
If you want to capture a ghost, call the Ghostbusters, but if you want to steal a ghost, apparently you need Jackson T. Winter.
Winter is the main character in Ghosted, a new series from Skybound by Joshua Williamson (Masks & Mobsters) and Goran Sudzuka (Y: The Last Man). Announced at the “Skybound On The Rise” panel at the Emerald City Comicon, the five-issue miniseries is about a thief, Winter, who is broken out of jail by a collector putting together an Oceans 11-esque team of experts with the intent to “steal” a ghost.
“Winters is not a good guy. He’s cold, but you can see fire in his eyes — a genius criminal who takes planning capers to another level,” Williamson told USA Today, who have several preview pages from the first issue. “It’s about money and he uses people to get what he wants. He’s seen some really screwed up things that have left him feeling cursed and haunted. The man has seen death in many forms and understands its power.”
Fatale artist Sean Phillips will provide covers for the comic, which starts in July.