Emily Carroll Archives - Robot 6 @ Comic Book Resources
Legal | The San Diego Police Department is asking anyone with video of the July 26 car accident during the annual SDCC ZombieWalk: San Diego to come forward. Police already have several videos of the incident, in which a driver plowed into the crowd, injuring at least three people, but they are hoping to get additional information. [Fox 5 News]
Legal | A Tokyo District Court judge sentenced Hirofumi Watanabe to four years and six months in prison for sending more than 400 threatening letters to venues connected with the manga Kuroko’s Basketball. The 35-year-old man admitted during his first day in court that he had sent the threatening letters, but he also refused to apologize or pay restitution and says he does not feel guilty. [Anime News Network]
A few of the short, scary stories in Emily Carroll’s Through the Woods evoke elements of classic fairy tales. Some are quite direct, like the young woman in the conclusion who dons a red hood and cape to walk through the wilderness, avoiding a wolf. Others are more indirect, like the possibly murderous, Bluebeard-like husband in “A Lady’s Hands Are Cold,” or simply in the patterns of repeating events, like what happens to the three sisters in “Our Neighbor’s House” or to the pairs of characters in “His Face All Red” and “My Friend Janna.”
However, there are two sharp and immediate differences between Carroll’s stories and the fairy tales they sometimes evoke.
First, Carroll’s stories are told in comics form, although more artfully constructed than what you might expect to find on the new racks each Wednesday (her book comes courtesy of a Simon and Schuster imprint, rather than a traditional comics publisher).
Second, they’re terrifying, some of them more H.P. Lovecraft or August Derleth than August Derleth or Wilhem and Jacob Grimm at their, well, grimmest. For example, the Little Red Riding Hood allusion in the conclusion, part of the set of stories that bookend the five gothic (in the traditional, literary sense) short stories that form the bulk of Carroll’s collection, ends with the wolf, if that’s really what it is, appearing in the dark outside the girl’s window.
Publishing | John Jackson Miller mines the circulation statements provided once a year to put together a 54-year sales history of Archie Comics’ flagship title Archie (the publisher is one of the few that still prints annual statements of ownership, allowing the numbers to be traced back, unbroken, to 1960). As he points out, Archie was a big newsstand title, selling almost 600,000 copies in the late 1960s, but it didn’t fare well when comics moved to the direct market — although Archie Comics has done well nonetheless with its digests, which far outsell its single-issue comics. [Comichron]
Publishing | Annie Koyama of Koyama Press talks with Dan Berry about how comics publishing works, and how she got into the field. [Make It Then Tell Everybody]
Emily Carroll, Drew Friedman, Brandon Graham and Mimi Pond will make their Small Press Expo debuts, joining previously announced guests like Jules Feiffer, Lynda Barry and James Sturm at the Sept. 13-14 event in Bethesda, Maryland.
“Having Brandon, Emily, Drew and Mimi for the first time at SPX is a great thrill for both the SPX Executive Committee and the SPX community,” SPX Executive Director Warren Bernard told The Washington Post. “Their diverse styles and the mediums they work in really reflect the wide view that the SPX community has of the comics world. We are totally stoked about them coming to this year’s show.”
As we noted just last week, it’s been a particularly good year professionally for Carroll, who won both the Cartoonist Studio Prize and a Doug Wright Award. The first print collection of her fairy-tale horror comics, Through the Woods, will be released next month by McElderry Books, an imprint of Simon and Schuster.
Cartoonist Emily Carroll, who has entertained (and unnerved) with such haunting webcomics as “His Face All Red,” “Margot’s Room” and “Out of Skin,” is back with another chilling tale called “The Hole the Fox Did Make.” I won’t say anything to spoil the story, except to say that it includes those dark fairy-tale elements you probably already love about her work.
It’s been a particularly good year professionally for Carroll, who won both the Cartoonist Studio Prize and a Doug Wright Award. The first print collection of her work, Through the Woods, will be released next month by McElderry Books, an imprint of Simon and Schuster.
The winners of the 2014 Doug Wright Awards, recognizing the best in English-language comics by Canadians, were announced Friday in conjunction with the Toronto Comic Arts Festival. This year’s recipients were:
Best Book: Paul Joins the Scouts, by Michel Rabagliati (Conundrum Press)
The Spotlight Award (aka “The Nipper”): Steven Gilbert for The Journal of the Main Street Secret Lodge
Pigskin Peters Awards (for experimental or avant-garde work): Out of Skin, by Emily Carroll
Taiyo Matsumoto and Emily Carroll are the recipients of the second annual Cartoonist Studio Prize, presented by The Slate Book Review and the Center for Cartoon Studies.
The two were selected by The Slate Book Review editor Dan Kois, the faculty and students of CCS and this year’s guest judge, Chris Butcher, manager of The Beguiling in Toronto and co-founder of the Toronto Comic Arts Festival. Each winner receives $1,000.
Crime | A man in Augusta, Georgia, told police someone stole his collection of nearly 30,000 comics from a storage building at his friend’s home sometime between Nov. 13 and Dec. 30. Although the 85 boxes allegedly included signed issues, police valued the comics at just $1 each. [The Augusta Chronicle]
Publishing | ICv2 concludes its three-part interview with Marvel Publisher Dan Buckley with questions about variant covers, Marvel NOW!, and staying in New York City. [ICv2]
Publishing | Heidi MacDonald profiles new graphic novel publisher Magnetic Press, which is spearheaded by former Archaia and BOOM! Studios executives Mike Kennedy and Wes Harris. Magnetic will launch in April with a varied line that will focus strongly, but not exclusively, on translations of French comics. [Publishers Weekly]
Welcome to Best of 7, our new weekly wrap-up post here at Robot 6. Each Sunday we’ll talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out on Wednesday.
So without further ado, let’s get to it …
Cartoonist Emily Carroll is a favorite at ROBOT 6, and now we’ have something from her to look forward to next year: her first standalone book.
In July McElderry Books (an imprint of Simon and Schuster) will release Through the Woods, a collection of previously released webcomics like the popular “His Face All Red” as well as unseen stories Carroll has been working on. This is poised to be a major entry into comics for Carroll, and will act as a precursor to several other new longer-format projects the Canadian artist has in the works.
Carroll got her start in webcomics, and has made notable appearances in anthologies as varied as DC’s The Unexpected and The Witching Hour, Dark Horse’s Creepy s well as the kid-friendly Flight spinoff Explorer. Professionally trained as an animator, Carroll does work for comics, animation, and even video games.
Here’s a look at the cover to Through The Woods, available July 2014. You can see a preview at Comics & Cola.
We’ve been fans of Emily Carroll‘s haunting webcomics for a few years now, dating back to at least 2010 and her nightmarish tale “His Face All Red,” and continuing with “Margot’s Room.” And now, just in time for Halloween, we’re treated to another: “Out of Skin,” a chilling tale that begins with a woman discovering a half-dozen bodies in a pit in the woods, and ends with … well, you’ll have to read it for yourself.
(via Becky Cloonan)
Conventions | Retailers in the Boston area talk about the importance of Boston Comic Con to their bottom line. This year’s event will be held Saturday and Sunday. [The Boston Globe]
Creators | Nate Powell, who got his start distributing photocopied minicomics at punk-rock shows, talks to his hometown newspaper about working with Rep. John Lewis on March, drawing a Percy Jackson graphic novel, and life as a full-time comic artist: “There’s a whole lot of constant hustling as a cartoon artist, and really I credit DIY punk as far as shaping the way that I navigate the world to allow me to still tap into the constant hustling necessary to keep my head above water.” [Arkansas Times]
The nominees have been announced for the 2013 Joe Shuster Awards, and faithful readers of Robot 6 will notice many familiar names on the list, including Fiona Staples, Brandon Graham, Jim Zubkavich, Ryan North and Darwyn Cooke. As you can see from that sampling, the nominees are broad in terms of styles and genres.
Named in honor of Superman co-creator Joe Shuster, the awards recognize the best of the Canadian comics world; nominees must be either Canadian citizens or permanent residents in Canada. The nominees are chosen by a committee and the winners by a jury, so there is no public vote. The awards will be presented Aug. 25 at a location to be announced later.
And with no further ado, here are the nominees:
• Isabelle Arsenault – Jane, le renard & moi (La Pastèque)
• Patrick Boutin-Gagné – Brögunn (Soleil)
• Stuart Immonen – All-New X-Men #1-4, AvX: VS #1, #6, Avenging Spider-Man #7, Secret Avengers #21 (Marvel Comics)
• Yanick Paquette – Swamp Thing #5, 7-9, 13-14 (DC Comics)
• Ramón K. Pérez – John Carter and the Gods of Mars #1-5, AvX:VS #6 (Marvel Comics)
• Fiona Staples – Saga #1-8 (Image Comics)
• Marcus To – Batwing #9-15, 0, The Flash #10,15, Huntress #4-6 (DC Comics)
Or, “Betty & Veronica & Brandon & Emily.”
Cartoonist Brandon Graham is well known for thinking about the mechanics of comics. Recently, he and fellow cartoonist Emily Carroll went about examining a throw-off five-page Betty & Veronica comic be redoing it in their own styles. The results? Marvelous.
Here’s the first page from each. If you’re enticed, click over to Graham’s blog post containing both full comics as well as the original Betty & Veronica comic they are based on.
Today is the first day of the Comix Institute series of workshops at the Emily Carr University of Art and Design in Vancouver. As part of its Continuing Studies program, ECUAD is hosting a variety of speakers for “a week of intensive workshops, panels, public lectures and events.” Guests include Scott Hampton, Chris Moeller, Brian Stelfreeze, Mark Smylie and various Dark Horse editors, among many others.
The workshops all go from today through Thursday and are:
On Friday, the university will host a Comics Industry Day with editors from Dark Horse.
While the workshops are designed as bona fide Continuing Education courses — and the prices reflect that — the week finishes up with Emily Con, a free, public event on Saturday, Sept 29. Intended to “invite the public to engage with the comic book community,” the convention will feature exhibiting comics artists from Vancouver and beyond (Ed Brisson and Rebecca Dart, to name two), how-to panels, an open comics jam, and a live taping of the Inkstuds podcast.
Other comics courses available at ECUAD include:
The Contemporary Comic with Julian Lawrence, Sept 12 – Oct 31
A History of Graphic Novels with Miriam Libicki, Oct 15 – Dec 10
Expression and Character with Julian Lawrence, Oct 25 – Dec 13
Narrative Structures in Graphic Novels with Robin Thompson, Nov 10 – Dec 15