EXCLUSIVE: Lemire, Ramos Launch "Extraordinary X-Men" Post-"Secret Wars"
Crime | Two cosplayers on their way to G-Anime were arrested Friday in Gatineau, Quebec, and their fake weapons were confiscated. The two men, who were wearing camouflage and carrying what appeared to be guns, were spotted in a parking lot near a number of government buildings (the Canadian Parliament was attacked by a lone gunman in October). Someone called the police, and they dispatched about a dozen officers who cordoned off the area and searched for the men. The cosplayers, who were both 18, were taken into custody and fined $270 for violating a municipal bylaw that prohibits carrying certain weapons in public or in a vehicle, although the law seems to be aimed at knives, bows and arrows, and swords, not guns. Their car was impounded, and their weapons are being held as evidence. G-Anime organizers posted a notice Friday asking attendees wearing camouflage or carrying replica weapons to wait until they arrive a the convention to change into costumes. [Ottawa Sun]
Editorial cartoons | The Indianapolis Star first altered a cartoon by Gary Varvel and then removed it from its website after receiving an outpouring of protests from readers. The cartoon, a reaction to President Obama’s executive actions delaying deportations, showed a white family sitting around a Thanksgiving table, looking in horror as brown-skinned people, presumably immigrants, climbed in the window. The caption was “Thanks to the president’s immigration order, we’ll be having extra guests this Thanksgiving.” “Gary did not intend to be racially insensitive in his attempt to express his strong views about President Barack Obama’s decision to temporarily prevent the deportation of millions of immigrants living and working illegally in the United States,” Executive Editor Jeff Taylor said in a post explaining the removal of the cartoon. “But we erred in publishing it.” Tom Spurgeon offers some commentary. [Indianapolis Star]
Canadian purveyor of fine comics Renegade Arts Entertainment has sent along some preview images from its 2014 slate.
I’ve recently spotted Dept. of Monsterology artist Paul “PJ” Holden tweet of his disappointment that the positive buzz and great reviews for the comic haven’t necessarily translated into sales, and that’s a shame. The first three issues were among my favorite comics of 2013, jam-packed with old-school pulp action, with writer Gordon Rennie filling it with Easter eggs to be spotted by fans of classic sci-fi and horror.
I’d heartily recommend it to fans of the Mignola-verse, Doug Moench’s Master of Kung Fu comics, or Moore and O’Neill’s League of Extraordinary Gentlemen. 2014 will see the first miniseries end, to be collected as a trade paperback at some later point, and hopefully we’ll also see a second series commissioned soon, too.
Veteran U.K. writer Gordon Rennie has been using his Facebook account this week to tease several upcoming projects, including a new edition of the long-out-of-print White Trash, the series that propelled the late, great Martin Emond to stardom. Emond loved rock ‘n’ roll, and rock ‘n’ roll loved him: He was regularly employed by Glenn Danzig at his horror/smut imprint Verotik, and had signed a deal to develop his character Switch Blade into an animated series with Interscope Records just days before he committed suicide in 2004.
White Trash features thinly veiled analogs for Elvis Presley and Axl Rose going together on an anarchic road trip across America. Rennie posted this image when he released the news, a cover from the original Tundra/Atomeka miniseries. I’m presuming this new Titan collection may well include shorts featuring these characters done for other sources, such as Heavy Metal and the U.K. anthology Blast!
One of the best new strips in 2000AD in recent years is Gordon Rennie and Tiernen Trevallion’s “Absalom,” and now they’ve reteamed, alongside co-writer Emma Beeby, to produce the original graphic novel Robbie Burns — Witch Hunter for Renegade Arts, coming in 2013. Tiernen has sent along an exclusive glimpse at the project, including a first look at a completed page, as well as some typically amazing developmental character sketches from the book.
Trevallion is in possession of a great style that should make him a comic book superstar — a little bit Mike Mignola, a little bit Kev Walker, with a pinch of Simon Bisley. And of course Rennie, the comics industry’s equivalent of Private Frazer, is the perfect man to document with a straight face this little-known period in the life of Scotland’s national poet. *Cough*. Excuse me.