Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
Emma Frost’s 35-year history has been marked by a series of corset calamities, with the former White Queen routinely clad (if barely) in fetish gear, impossibly high heels and/or cleavage-exposing tops. Empowering? Eh, maybe. Dated? Probably. Impractical? Definitely.
Inspired by a recent ComicsAlliance article about the character’s wardrobe, Terry Blas has launched the Emma Frost Fashion Redesign Project, which is exactly what it sounds like: a blog devoted to fan reinterpretations of the White Queen’s look.
Although some companies have had to abandon plans for licensed X-Men collectibles, Kotobukiya pushes on with the unveiling of its Emma Frost ARTFX+ statue, the second in a series inspired by the mutants of Marvel Now! (Cyclops was announced last year at New York Comic Con, and will be released later this summer.)
Based on concept art by Adi Granov, the black-clad White Queen stands a little more than 7.5 inches tall on a magnetic display stand. Kotobukiya promises the rest of the Uncanny X-Men team are “coming soon,” which should provide more fodder for message board discussions.
Remember those faked Marvel pulp covers by Calamity Jon Morris? Well, I’ve just came across these by Tony Fleecs (you may well remember his “adorable tragedies” series of illustrations), riffing on a similar theme. Fleecs will be selling prints of these designs at his many upcoming convention appearances (listed at his blog). More pulpy goodness can be found below. Continue Reading »
I can’t say I know much about the French comic artist Bengal — I wasn’t even sure of his gender until I looked up his Lambiek entry. As far as memory serves, none of the series he’s worked on in France have been translated into English. My only exposure to his work is an anglophone edition was the sizable gallery of his art in the second issue of Ashley Wood’s defunct art-mag Swallow from 2006. Lately he’s been blogging commissions of characters from U.S. comics and media. In lesser hands, the drawings would be more typical cheesecake. Bengal’s poses tend to be more interesting than that, expertly using body language to suggest characterization and narrative. Even his version of that stereotypical nerd fantasy, the slave-girl Leia, avoids a straightforward charge of exploitation by concentrating the viewer’s gaze on her indignant, accusatory stare.
“It’s a shame that the company is no longer scrappy enough to do something involving their bustier heroines. I’d pay attention to an ad that showed, say, Emma Frost talking about how it was particularly important for her to keep her breasts healthy, given how often they were on display.”
– Johanna Draper Carlson on Marvel’s Susan G. Komen for the Cure variant covers, which will grace several of their comics in October during National Breast Cancer Awareness Month
Diamond Comics Distributors announced this week the exclusive comics and merchandise they’ll offer to retailers through their Previews catalog to sell on the floor of the San Diego Comic Con, which is a little more than a month away. Check them out:
DOLLHOUSE EPITAPHS #1 2011 SDCC VERSION
Exclusive original cover! Retailer Bonus: 1 in every 5 copy that is picked up at the SDCC will be signed by the creators Jed Whedon, Andrew Chambliss, & Maurissa Tancharoen! Overwhelmed by multiple personalities after mind-altering technology, Alpha must save mankind from itself as the viral technology turns everyone into murderous automatons. The fate of the world rests in the hands of Psychotic Alpha.
LIMITED TO 2,500 COPIES
Comic SRP: $3.50
I bet you never even realized that a drawing of Emma “The White Queen” Frost quietly planning to “polish her diamond form” by Scott Pilgrim creator Bryan Lee O’Malley was exactly what your life was missing, did you? Then thank Douglas Wolk for bringing this final piece of our collective psychological puzzle to our attention.