Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I (only) had $15, I’d first pick up Creator Owned Heroes #2 (Image, $3.99). This format is something I revel in, and it doesn’t hurt to have good comics like those from Palmiotti, Gray, Noto, Niles and Mellon. After that I’d get the long-awaited Infernal Man-Thing #1 (Marvel, $3.99). I only found out about this delayed-’80s series in the early 2000s, but I had the chance to speak to Kevin Nowlan about a year back and we talked at length about the book. He showed me some art and I was sold. Third on my list would be Invincible #93 (Image, $2.99). The Walking Dead might be getting all the attention, but if I had to chose between all of the books Kirkman’s written it’d easily be Invincible. He and artists Cory Walker and Ryan Ottley continue to bring their A-game here, and this new format with Ottley and Walker trading pages is great. With the last bit of my $15 I’d pick up Avengers Vs. X-Men #7 (Marvel, $3.99). This has easily become one of the greatest event series since Civil War, and the last issue in particular sold it with the twin stylings of Jonathan Hickman and Olivier Coipel. You might say I have diminished thresholds when it comes to event series, but I see it as a different kind of comic than, I don’t know, Dan Clowes or something. It’s its own thing, and in this case it’s very good at it.
If I had $30, I’d get Mike Norton’s Battlepug HC (Dark Horse, $14.99). Call me a fool for buying a free webcomic in trade, but I missed the boat when this was coming out online. Norton has won me over with his work through the years and I have no problem shelling out $15 bucks to see it in this hardcover format – even if I’m not a dog person.
And for splurging, I’d get Ed Piskor’s Wizzywig HC (Top Shelf, $19.95). This is exactly the kind of book that fits in my wheelhouse, but like Battlepug I missed out on this when it was first published. Like some sort of Hackers movie done right (sorry Angelina!), I want to learn more about this and eschew my status as a neo-maxi-zoom-dweebie.
Perhaps one of the most ironic and galling things for anyone who cares about the work of the late Jean “Moebius” Giraud, who passed away last weekend, is that for all the heartfelt remembrances and accolades that were offered in his memory, virtually none of his work is currently available in print in North America. Oh, there are few titles certainly, most notably from Humanoids, but the bulk of his bibliography, including several of his major, most influential works, remain in the back rooms of used bookstores and warehouses for intrepid and hardy collectors to track down.
With that in mind, I asked my friend and noted comics critic Joe “Jog” McCulloch — whose Moebius knowledge far, far, far exceeds my own – to help me put together a quick “essential” list of Moebius comics in English that, while perhaps not necessarily available for dirt cheap, can nevertheless be tracked down and read. This is obviously is not a definitive type of list — how can it be with someone who had as extensive and stellar a bibliography as Moebius did? But still we hope it will offer a good starting point for the uninitiated, provided you have the time and money to track these comics down.
(Fair warning: A slighly nsfw image can be found after the jump)
Publishing | Charlaine Harris, author of the “Sookie Stackhouse” novels on which HBO’s True Blood is based, says that after she finishes the last two “Sookie” books, she plans to work on a graphic novel with Christopher Golden. “I’m very excited about that. It’s called Cemetery Girl with Christopher Golden, and it’s a very exciting opportunity.” Harris had mentioned wanting to do a novel called Cemetery Girl back in 2009, about “a girl raised by ghosts in a cemetery,” but put it on hold when she found out the plot was similar to Neil Gaiman’s The Graveyard Book.
Based on the description in the news report, it sounds like the story has been tweaked, as it says the graphic novel “centers on a woman who finds herself living in a cemetery with no memory of her past but a clear sense of a mysterious threat hanging over her.” This isn’t the first time Harris’ characters have found their way into comics, as IDW publishes comics based on HBO’s True Blood, and an adaptation of her Grave Sight novels has been published by Dynamite. [NBC San Diego]
Publishing | Former Marvel Comics editor and Transformers writer John Barber has joined IDW Publishing as a senior editor. IDW also announced the promotion of Tom Waltz to the company’s first senior staff writer position, in addition to his duties as editor, and the expansion of the company’s book department with longtime IDW employee Alonzo Simon becoming an assistant editor. [press release]
Here’s a great catch by blogger Corey Blake and a great “is this real life?” moment for the rest of us: An Amazon listing for a hardcover collection of the 2003 miniseries Trouble by Mark Millar and Terry Dodson, slated for release on June 8, 2011.
For those of you who don’t recall those heady days, Trouble was part of the short-lived, Bill Jemas-shepherded revival of Marvel’s Epic imprint and an attempt to create the first hit romance comic in god knows how long. (I know, nothing says “romance comic” like Wanted, Kick-Ass, Nemesis, and Superior writer Mark Millar, but this was the same Nu-Marvel era that gave us Bendis/Maleev Daredevil, Milligan/Allred X-Statix, Millar/Hitch Ultimates, Morrison/Quitely New X-Men and so on, so cut ‘em some slack.)
Quite aside from whether the book was or wasn’t a good read, Trouble caused trouble for two reasons. First, it was basically a mildly randy sex dramedy about the teen years of Aunt May, Uncle Ben, and Peter Parker’s parents Mary and Richard…and it revealed that Peter was secretly May’s son through a hushed-up teen pregnancy. (I think — I’ve never been able to figure out how the very elderly May Parker made sense as the aunt for teenage Peter Parker, and having her be a teen herself at the time of his conception only confused me further.) At the time, Millar stated that this would be Spider-Man’s new origin if the book went over well. It didn’t, so the book never made it into official continuity.