Eric Powell Archives - Robot 6 @ Comic Book Resources
Dark Horse will celebrate the 200th issue of Dark Horse Presents in February with an 80-page installment that includes the first U.S. publication of “Masks,” a short story by Gone Girl author Gillian Flynn and veteran artist Dave Gibbons.
The story, about a mother turned masked vigilante, originally appeared in April as part of The Guardian’s celebration of the opening of the “Comics Unmasked: Art and Anarchy in the U.K.” exhibition at the British Museum. “Masks” marks Flynn’s comics debut.
In the final day of HeroesCon, I was fortunate enough to meet an equal mix of industry legends and new (to me) creators. Also, if you look over the previous photo posts (Day 1, More Day 1, Day 2), you see a trend of some folks giving me the thumbs up. Had I requested the pose, the trend would not be worth noting. But I didn’t; some people just opted to go for the whimsical look, and I love it. My thanks to every creator over the three days who took a moment to pose for a photo (in some cases more than a few times).
Conventions | MCM London Comic Con have announced that 101,600 people attended the May 23-25 show, which is being dubbed “the largest event of its kind ever held in the U.K.” That figure represents an increase of more than 31,500 from the May 2013 installment, and 13,600 from the October show. [MCM London Comic Con]
Creators | Kyle Anderson talks to director John Carpenter and writer Eric Powell (The Goon) about Big Trouble in Little China, the BOOM! Studios comic that picks up where the movie left off. Powell talks about renting the movie as a kid: “My sister and I would always go in there, and we’d always need to get a funny one and a scary one. Big Trouble kind of covered both of those situations.” The comic debuts on June 4. [Entertainment Weekly]
It’s been a long time coming, but Eric Powell has offered an update on the Kickstarter-funded story reel for a CG-animated adaptation of The Goon, teasing, “we continue to inch closer to our final goal of Franky, via Paul Giamatti, screaming ‘KNIFE TO THE EYE!’ in theaters world wide!”
“I have seen about 90% of the story reel footage, and I’m super proud of the efforts of everyone involved,” he wrote Wednesday on the Kickstarter page. “Everyone remains just as passionate as ever to get this film completed, and it shows in every frame of the story reel. We still have hurtles [sic] to cross, but armed with this story reel and your overwhelming support, we remain confident we will find the right home for this film.”
Emerald City Comicon may not come with the metric ton of announcements that Comic-Con International does, but in a way it’s all the better for it. Comics still feel as if they’re front and center just where I like them, and the announcements have more charm because they aren’t screaming to be heard over the din of film and television rollouts.
One year, I’ll get up to Seattle to experience the event firsthand, but in the meantime, I get to absorb all the news and photos like everyone else, as they’re posted online. ECCC even streamed all of its panels on flipon.tv. Anything that happened in Room 301 is free for anyone to watch. Everything else can be purchased with a full archive pass for $14.95. Or if, you don’t want to sit through hours of panel footage, there’s CBR’s coverage or, heck, try Google or something.
A number of announcements jumped out as particularly noteworthy, so let’s run through The 6 Best Things from ECCC. And from my count, Dark Horse won Emerald City. Your miles may vary though, so post your favorites in the comments.
“I know there’s a certain appeal for creators to work on the classic characters like Batman, Superman and Spider-Man, but I’ve said this before: I asked creators who have worked on those books who the people were doing the books ten years ago, and they don’t know! But I can say, ‘Who worked on Sin City?’ and they’ll go ‘Frank Miller.’ Who worked on Hellboy? Mike Mignola. Who worked on The Goon? Eric Powell. They know it instantly. So to me, the lure of creating your own character and owning it — owning your own universe and being associated with that — in the long run for talented writers and artists makes me question why someone would toil away on a company owned character for years and years of their lives.”
– Dark Horse founder Mike Richardson, discussing his company’s commitment to publishing creator-owned work
Because there are few better ways to end a day than with a reference to — or better yet, a viewing of — the 1993 Bill Murray comedy Groundhog Day, we’ll close with a one-page comic from The Goon creator Eric Powell and Mac Cushing called “Groundhog Day: The Deleted Scene.”
“Shocking unearthed Groundhog Day footage,” Powell explains. Poor, poor Ned …
If you’re beginning to think about stocking-stuffer ideas, you may want to check out Chocolate F/X if, say, you know a fan of Eric Powell’s The Goon: The chocolatier is accepting pre-orders for a limited-edition four-piece gift box featuring the Goon, Franky, the comic’s logo and the immortal words “Knife to the Eye!”
But they’re not plain ol’ milk chocolate, though. There’s”Dark Chocolate and Whiskey ganache , a Ghost Pepper caramel dipped in creamy milk chocolate, Hazelnut Coffee ganache in Milk Chocolate and a Seasonal Pumpkin pie ganache dipped in Dark Chocolate.” Yes, ghost pepper, considered the world’s hottest chili pepper.
The Kickstarter campaign to fund a feature-length story reel for the stalled CGI-animated adaptation of The Goon ended successfully Sunday, exceeding its $400,000 goal by $41,900.
“Frankly, we don’t have the words to describe our APPRECIATION, Goon Fans,” the message on the Kickstarter page states. “We NEVER could have imagined how much SUPPORT we’d receive from this fan community. It’s truly been OVERWHELMING. Through your time, energy, dedication, and donations, you’ve given us an AMAZING opportunity to help keep The Goon Movie dream alive.”
That dream dates back to at least 2008, when it was announced that producer David Fincher and Blur Studio would adapt the acclaimed comic by Eric Powell. Progress soon stalled, however, as financing proved difficult. Test footage, featuring the voices of Clancy Brown and Paul Giamatti, was at last revealed last year, giving fans hope the project might eventually see the light of day. With few additional signs of movement, Powell gave in to pressure and revealed at Comic-Con International he would turn to Kickstarter.
The result of the campaign won’t be the actual film; that budget is pegged at somewhere around $45 million. Instead the $441,900 will be used to finance a story reel to shop to studios.
You might not have a Kobo e-reader, but if you’re reading Robot 6, you probably do have some sort of tablet, iOS or Android, or maybe a smartphone, yes? Well, here’s some good news: Kobo is having a half-price sale on graphic novels, and you can get its iOS and Android apps for free. So if you have been holding off on something, and you don’t mind having it in a different app than everything else, this is your lucky day.
Of course, much depends on what you like to read. There are no Marvel or DC Comics to be found, but if you’re a Walking Dead, Star Wars, Doctor Who or Buffy fan, Kobo has you covered. Lots of good indy stuff, too: Adam Warren’s Empowered, Brian Wood and Becky Cloonan’s Channel Zero, and the superb action comic Kill Shakespeare. The publishers most prominently represented seem to be Dark Horse, Image, IDW, Digital Manga (which publishes mainly yaoi manga but also Vampire Hunter D), Top Cow and Devil’s Due.
Before you pay full price for your second graphic novel, though, you might want to do a little comparison shopping; several of the Dark Horse books I checked were much cheaper on the publisher’s own digital app than in the Kobo store, and the Parker book below is only $7.99 at comiXology. Also, the Kobo store carries both single-issue comics and graphic novels, and it’s a bit pricey for the single issues, most of which seem to go for $4.99; Archie comics seem to be the exception to that.
With those caveats, here are a couple of books that I would recommend:
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d make up for lost time and get the first collection of Mind the Gap (Image, $9.99). Rodin Esquejo is an absolute gem in my opinion, and Jim McCann looks to have crafted a story with some definite suspenseful power. After that I’d get James Stokoe’s Godzilla: Half Century War #3 (IDW, $3.99). This has become one of my favorite serials to come out, which for a work-for-hire book is tough. Instead of doing a story in service of the concept, it uses the concept to create a great story – and Stokoe really loves Godzilla and puts a face to those humans who oppose him. Finally, I’d get the free Cyber Force #1 (Image/Top Cow, $0) because, well, it’s free. I have an unabashed love for the original Cyber Force, and previous reboots haven’t really gelled the way I wanted to. I’m excited to see what Matt Hawkins brings to this, and I’m glad Silvestri is involved even if only on covers and designs.
If I had $30, I’d first stop for Glory #29 (Image, $3.99). I tend to read this series in built-up bursts, and I’m overdue to catch up. I like the monstrous rage Ross Campbell brings to this, and seeing Joe Keatinge capitalize on the artist he has to create a broader story is thrilling. After that I’d get a Marvel three-pack in Hawkeye #3 (Marvel, $2.99), Daredevil #19 (Marvel, $2.99) and AvX Consequences #2 (Marvel, $3.99). I’d buy David Aja illustrating a phone book – seeing him getting a great story is icing on the cake.
If I could splurge, I’d lash onto Charles Burns’ The Hive (Pantheon, $21.95). I’m reluctantly late to the game when it comes to Charles Burns, but X’ed Out clued me into his awesome cartooning power. After devouring his previous work, I’m excited to read The Hive as it first comes out. I don’t quite know what to expect, but after finally coming around to Burn’s skill I’m up for pretty much anything. Continue Reading »
Three months after teasing he would give in to pressure and use Kickstarter to help fund the stalled CG-animated adaptation of his comic, The Goon creator Eric Powell launched the campaign this morning. Although the film’s budget has been pegged at $45 million, the drive’s goal is $400,000 to pay for a feature-length story reel to shop around to studios.
Billed as an effort by Powell, producer David Fincher, Blur Studio and Dark Horse Entertainment, the campaign asks fans to “Help us make a NEW KIND of animated film … one that’s LOUD, VIOLENT and OFFENSIVE TO YOUR GRANDMA.”
Announced in 2008, the animated movie has been slow moving as the producers searched for financial backers. “The Goon is in the exact same position it’s been in for the past couple of years,” Powell said in January. “Prepping the design and script while searching for funding.” About a year ago, the cartoonist shared well-received test footage that featured the voice talents of Clancy Brown and Paul Giamatti, who are set to return for the story reel and the eventual feature.
Now available On Demand, the documentary Comic Book Independents by director Chris Brandt receives wider distribution at an interesting time. In the midst of a migration of comic book creators from work-for-hire to creator-owned projects, and just as a renewed discussion about creator rights gains momentum, this documentary offers fascinating insight on what it means to go it alone in comics.
It’s not your usual comics documentary, and if you’re a creative type yourself, or are interested by those who are, you’ll probably find yourself inspired. Framed by information from cognitive psychologist Dr. James Kaufman, the human process of creativity as it is realized in comics is broken down and explored by some of the art form’s most interesting thinkers and voices.
Comic-Con International kicked into full gear Friday in a bustling second day that was capped off last night with the presentation of the 24th annual Will Eisner Comic Industry Awards. Here’s the highlights of the announcements emerging from the second day — and a few holdovers from the first day — of the San Diego convention:
• During its annual “Cup O’ Joe” panel, Marvel teased post-Avengers Vs. X-Men plans that include: A+X, described as “the opposite of [AvX: VS],” by such creators as Jeph Loeb, Dan Slott, Dale Keown and Ron Garney; Avengers Vs. X-Men: Consequences, a five-issue miniseries written by Kieron Gillen that addresses the effects of the summer crossover; Marvel NOW! Point One, featuring Nick Fury Jr.; and an October one-shot called Avengers Vs. X-Men: Babies, by Skottie Young.
• After initially dismissing Kickstarter as a potential source of money for the stalled Goon animated movie, creator Eric Powell teased he plans to launch a campaign on the crowd-funding website.
Although The Goon creator Eric Powell had previously dismissed the notion of using Kickstarter to fund the stalled CG-animated adaptation of the comic, noting the project’s budget is $45 million, he’s now caved to public pressure.
Taking to Twitter this morning from his booth at Comic-Con International, Powell wrote, “Ok, everybody that’s been yelling at me for us to do a Kickstarter for the Goon film,” and included the above photo of a flier bearing the headline, “Let’s Kickstart This Fuckin’ Film!” and information on how to be notified when the campaign launches.
Produced by Blur Studio and David Fincher from a script by Powell, The Goon film stars Paul Giamatti and Clancy Brown as the voices of the Goon and Franky. Although announced in 2008, the project has been slow moving as the producers searched for financial backers. “The Goon is in the exact same position it’s been in for the past couple of years,” Powell said in January. “Prepping the design and script while searching for funding.”
More recently, he explained the delay to Comic Book Resources, saying, “It’s just the combination of finding the right people, the people who understand it and get it and don’t want Goon to have a singing, talking dog and coming up with the right budget. They’re still plugging away, they’re still talking to people — it’s not dead by any means. But it’s just a waiting game, it’s finding the right people.”
However, more than a year ago we got a look at test footage, which you can see below.