INTERVIEW: Gail Simone Guides 'Blockbuster Update' of Red Sonja, Vampirella and Dejah Thoris
Legal | A judge has ordered Matthew Pocci to stand trial on charges of felony reckless driving for an incident at last year’s SDCC ZombieWalk: San Diego that left one woman seriously injured. In a preliminary hearing held Wednesday, the defense argued that Pocci, who is deaf, was scared for his and his family’s safety, and was just trying to drive through an opening in the crowd of spectators, but the prosecution countered that he had grown angry and impatient. [CBS 8 San Diego]
Comics | Michael Dooley looks at Marvel’s Daredevil through the years, with an emphasis on the art. [Print Magazine]
Mythology is the intellectual gateway that’s gotten many readers interested in becoming a writer or artist. But few are as passionate about the subject as George O’Connor, creator of Olympians, the 12-book series from First Second recounting the Greek myths. This month, he releases one of the volumes he’s clearly looked forward to since first embarking on the project: Ares: Bringer of War.
Ahead of the book’s release, O’Connor spoke with ROBOT 6 on what appeals to him about mythology and these characters in particular, and the challenges of adaptation. He also recounts how became friends with Age of Bronze creator Eric Shanower not through their shared fondness for classical mythology, but rather a mutual appreciation of Oz.
Skottie Young revealed over the weekend that, after nearly six years, he has finished work on Marvel’s Oz series, his Eisner Award-winning collaboration with writer Eric Shanower and colorist Jean-Francois Beaulieu. The final issue, The Emerald City of Oz #5, arrives Dec. 11.
“I’ve never been emotional about a book I’ve worked on,” Young wrote on his blog. “As an artist in today’s comic landscape, you get used to spending 6-8 months on one title and then moving onto another. The long run of characters being yours and yours alone is very rare. To come to work every day for nearly 6 years and spend time with the same characters in the same world is something I grew to love and depend on. Leaving it behind is bitter sweet. I’m excited face new challenges but a bit sad to leave one of the most reliable things in my life.”
Marvel’s adaptations of L. Frank Baum’s novels launched in 2008 with the eight-issue Wonderful Wizard of Oz, and continued with The Marvelous Land of Oz, Osma of Oz, Dorothy and the Wizard of Oz, The Road to Oz and, now, The Emerald City of Oz. Although Baum wrote eight more books in the Oz series, this is the end of the journey for Young.
Whether there will be more Oz adaptations from Marvel remains to be seen. It’s certainly worth noting the publisher is releasing a new hardcover collection of The Wonderful Wizard of Oz, complete with a new cover by Young, in January.
“A giant thanks to Dan Buckley, Joe Quesada, CB Cebulski, David Bogart, Axel Alonso and David Gabriel for being my champions,” Young wrote. “The word ‘cartoony’ can be a four letter word in our world and these gentlemen carved out a little corner for me to throw that four letter word around as loud as I wanted.”
In case you didn’t notice, Comic-Con International happened last weekend. As always, it was an epic affair with tons of announcements, stunts and surprises. Amid cannons firing, actors dressing up as themselves, and big movie plans, there were also a good number of genuine surprises from comics.
Usually I end up picking a winner of Comic-Con, but after Dynamite Entertainment flooded the air waves with announcements the days before the event, no one else seemed to stand out as the clear winner. It’s not that everyone slacked off, however: They brought a good variety of interesting and exciting projects, and a number of standout announcements made my ears perk up. So instead of declaring a winner, I’m going to run down my Top 6 Comic-Con surprises in comics.
Before I start, though, two publishers deserve a little recognition for serious contenders for the Comic-Con crown. Top Shelf Productions classed up the joint by bringing in Congressman John Lewis for the debut of his graphic novel, March: Book One with artist Nate Powell and co-writer Andrew Aydin. I have little doubt this trilogy will end up being a historic release with profound benefits for schools, libraries and organizations looking for a powerful teaching tool and first=person account of the Civil Rights Movement and non-violent resistance. Plus, come on, photos of Lewis meeting Neil deGrasse Tyson and Lou Ferrigno? Everybody else, just pack it up. Maybe not as much of a milestone, but IDW Publishing also deserves a nod for the pure quantity and variety of good-looking books announced.
OK, on with my list:
Age of Bronze creator Eric Shanower and Locke & Key artist Gabriel Rodriguez will produce a series for IDW Publishing based on Winsor McCay’s pioneering early 20th-century comic strip Little Nemo in Slumberland.
Debuting in 1905, and unquestionably decades ahead of its time, the surreal Sunday strip initially followed the nightly dreams of a little boy named Nemo as he attempted to reach the realm of King Morpheus, who wanted him as a playmate for his daughter. Each installment ended with Nemo abruptly waking just as he was about to experience a mishap in dreamland. The strip, later retitled In the Land of Wonderful Dreams when it changed newspapers, ran until 1914 before being revived from 1924 to 1947. (ROBOT 6 contributor Chris Mautner provided an overview of McCay’s work in a March installment of “Comics College.”)
Titled Little Nemo: Return to Slumberland, the IDW series will launch next spring, with Nemo setting out on a new voyage. “However,” the publisher’s press release states, “everything else is different, even Nemo himself—in search of a new playmate for the princess of Slumberland, King Morpheus enlists the Candy Kid to help bring the latest playmate, our titular Nemo, into the dream realm. There, Nemo embarks on a visceral journey full of adventure and danger.”
“There are people like Ray Bradbury, Neil Gaiman, Hayao Miyazaki and Winsor McCay that can grasp what dreams are made of, transform them, and share that with all of us,” Rodríguez said in a statement. “I think we’re lucky that McCay not only left us his wonderful stories, but also created a whole universe filled with windows opened for every one of us, inviting us to explore it, too. And Eric and I are taking the challenge, not trying to redo what he previously did, but trying to invite kids and adults from today to enjoy and have fun in of the Land of Wonderful Dreams.”
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start the new year off right with Invincible #99 (Image, $2.99). The build-up (or teardown?) to Issue 100 has been great, and honestly I never quite trusted Dinosaurus to begin with so I’m glad to see this finally boil over. I’m all ears – and eyes – for this and the next issue. Next up I’d get another Image joint, Prophet #32 (Image, $3.99). Kudos to Brandon Graham for being confident in himself enough – and choosy enough in his collaborators – that he’s stepping back and letting artist Simon Roy write and draw a one-off issue. And the story of a Prophet clone gone native sounds mighty enticing. Third in this week’s haul would be Punk Rock Jesus #6 (DC/Vertigo, $2.99). I feel a slight bit of remorse at how fast this series has gone – it seemed like a whole lot of introduction, a brief second act and now we’re being pushed into the finale. Still, one of the best series of 2012 (with this finale sneaking out two days after 2012). Finally, I’d get James Stokoe’s Godzilla: Half-Century War #4 (IDW, $3.99). I’ve become big fans of Ota and Kentaro here, and Stokoe has really populated this world with all kinds of special and grotesque. Excited to see what comes up here!
If I had $30, I’d continue my mad dash through my local comic shop with two Marvel picks: All New X-Men #5 (Marvel, $3.99) and New Avengers #1 (Marvel, $3.99). All-New X-Men has been surprisingly refreshing for me; I always love Stuart Immonen’s, but what’s startled me is how fresh and unencumbered Brian Bendis seems here with the writing. On the New Avengers #1 tip, I liked Hickman’s other Avengers work so far but I’m even more interested in how artist Steve Epting draws this unique cast. Plus, I loved Epting’s first run on Avengers – leather jackets, people! Next up I’d return to Image and get Glory #31 (Image, $3.99). This is going to be a great collection when the whole thing is done, but right now we’re knee-deep in the series itself as Glory faces off with her sister Silverfall. Hey Rob Liefeld – this Silverfall character could be something special for more after this series ends! And finally, I’d get Manhattan Projects #8 (Image, $3.50) and anxiously await the big reveal of the secret powerbrokers in the MP universe. I can’t wait for Hickman to blow my mind.
If I could splurge, I’d buy the back-to-back first and second volume of Chimpanzee Complex (#13.95 each, Cinebook). Coming to America with no press at all, I found this in Previews a while back and have been excited by its potential: a Franco-Belgian comic that reveals the astronauts who returned from the moon in 1969 were doppelgangers, and the fallout from that discovery. 2010 meets Orbiter. Bring it on.