Axel-In-Charge: Waid & Samnee on "Black Widow" and the Dawn of the All-New, All-Different Era
At least one constructive thing came out of Jess Fink‘s latest battle with copyright thieves, I became aware that her new “erotic, robotic” book, Chester 5000, was set to be released this May from Top Shelf. Be advised (if the erotic adjective was not clear enough) that as beautiful as I find Fink’s work, a good majority of it is NSFW, so be aware of that before clicking any links (though in Top Shelf’s defense, its five-page preview carries nothing too erotically risque [though proceed with caution if you’re at the office reading this]). Mindful of the fast approaching release date, I emailed some questions to Fink this past week. Here’s the official Top Shelf description of the book: “1885: an age of industrial revolution and sexual frustration. Pricilla is a woman with needs, and her inventor husband Robert is a little too busy with his experiments to keep her fully satisfied. Science to the rescue! With a few gears and springs, the proper appendages, a little lubrication, and a lot of love, Chester 5000 is born! He’s the perfect tool for the job… but what if Chester is more than just a machine? What are the consequences of trying to engineer love?” We also discuss her other Top Shelf book, We Can Fix It!, as well the stress of battling the copyright crooks.
Tim O’Shea: Chester 5000 is definitely erotically charged, but I think you’re also enamored of working diagrams into your stories (Extendo Limbus, for example). Where does your love of things mechanical and diagrams begin?
Jess Fink: I really love mechanical drawings from the 1800’s. Or even just product drawings from adds and catalogs. After photography was invented it was still much cheaper to hire artists to draw your products so we get these lovely, detailed little drawings of just about anything you can imagine. The diagrams in Chester were partly inspired by these. You can find a great deal of reference for Victorian items in the Sears and Roebuck catalog.