Axel-In-Charge: Extending "Secret Wars," Excitement for a "Totally Awesome Hulk"
Brothers Fábio Moon and Gabriel Bá have finally pulled back the curtain on the follow-up to their award-winning Daytripper collaboration: Two Brothers, due in October from Dark Horse.
An adaptation of the novel The Brothers by Brazilian author Milton Hatoum, the graphic novel centers on a strained family relationship.
Like most comic creators around the world, celebrated artists Gabriel Ba and Fabio Moon work from home. That doesn’t require much in the way of a dress code, but for the past nine years the two brothers have celebrated the completion of major projects with a unique tradition: dressing up.
DC Comics’ Vertigo imprint has been releasing one-shot anthologies on a fairly regular basis, using them to dust off old titles like Strange Adventures, The Witching Hour and Mystery in Space, which gives contributors a general theme, and likely helps the publisher maintain trademarks.
Despite once being as common as mutant superheroes are today, anthologies of any kind haven’t been readily embraced in the modern marketplace, and one imagines the ever-increasing costs of comics doesn’t help. These Vertigo titles, featuring short, generally forgettable, riff-like stories from a multitude of creators — which the law of averages suggests will include some stories a reader won’t like — will run you $7.99, just two bucks shy of an ad-free, spine-having trade paperback collection of Image Comics’ Pretty Deadly … or Vertigo’s own FPB: Federal Physics Bureau.
This year the imprint is trying something slightly different: It’s still publishing $8 anthologies, with a variety of creative teams riffing on a theme, but rather than raiding long-faded DC titles (sorry if you were waiting for a revival of More Fun Comics or Adventures of Bob Hope),Vertigo is going with a sort of printing theme. Four anthologies, published on a quarterly basis, each using one of the four basic colors of traditional printing: Cyan, Magenta, Yellow and blacK. If nothing else, this will make repackaging and reselling these stories in a trade format a little easier, as the theme will be consistent between a series of anthologies.
The cyan issue debuted this week; it’s a very strikingly designed comic. The cover by designer Jared K. Fletcher is simple and understated, and it pops off the comics rack and begs for special attention. Even the two-page table of contents, in which each story is given a paint swathe-like panel of cyan/different shades of blue, is lovely (I feel tempted to make a joke about combining the thrill of reading a table of contents with the thrill of picking out a paint color, but I can’t; I genuinely dug those pages on an aesthetic level).
So the idea is rather inspired, as is the design — but how are the stories? Par for the course, I suppose. Some good, some bad, some mediocre; some clever uses of the theme, some that seem to ignore it all together. Let’s take a look, shall we?
Once in a while, when I go into the comics shop to snag my weekly pile, there will be something on the shelf that catches totally unaware. On Oct. 2, I was delighted to discover the Comic Book Legal Defense Fund’s Liberty Annual 2013 (published by Image Comics). Given that all the proceeds from the book (previewed here at CBR) benefit the CBLDF, I wanted to interview Dark Horse Editor-in-Chief Scott Allie, who directed the project. While I had his attention, I couldn’t pass up the chance to discuss some of the Dark Horse line as well.
Tim O’Shea: While seemingly an obvious question, I still think it worth asking: Why is it so important to you to volunteer your time for a project like the CBLDF Liberty Annual?
Scott Allie: Free speech is a near and dear cause, for me and for Dark Horse, and it’s still an uphill battle for comics. There are preconceptions about this art form that invite attacks, and we need to work to defend against that. I want creators and publishers to be free to put out what they want to put out, and for retailers to sell it without fear of prosecution, for readers to travel with their books without fear of incarceration. The CBLDF isn’t just about raising money in court cases. They’re about educating the population about the art form we love, and I want to be a part of that.
While American Vampire is currently on hiatus, creators Scott Snyder and Rafael Albuquerque have killed time until its return by releasing various specials. Earlier this summer we saw The Long Road to Hell, and this past Wednesday brought the American Vampire Anthology, featuring vampire tales by Becky Cloonan, Francesco Francavilla, Gail Simone, Greg Rucka, Jason Aaron, Gabriel Ba, Fabio Moon, Jeff Lemire, John Paul Leon, Declan Shalvey and many more.
Anthologies can be hit or miss from story to story, but how did this one do? Here are a few reviews from around the web:
What do you when the world around you is going crazy? If you’re a creator, you create.
Brazil has been in turmoil over the past week after demonstrations over a rise in transit fares mushroomed into a series of protests throughout the country about a broader range of issues. Comics creators, and brothers, Fábio Moon and Gabriel Bá saw their home city of São Paolo turn into “a war zone” last week after the police reacted with extreme violence to what began as a peaceful demonstration. So they responded the way creative people do, by making comics about the demonstrations. Both are powerful statements presented in different ways; Moon simply draws himself giving his take on the protests, while Bá draws scenes of his beloved city and of the police shooting at the protestors. See their comics in full on their website.
Both brothers pledged to be at yesterday’s demonstration. “On June 17, I will go to the streets to tell my story and to defend the right of other people to tell theirs,” Bá says at the end of his comic. Watch their blog for more updates.
When Matt Fraction, Gabriel Bá and Fábio Moon reteam for the fourth volume of their acclaimed spy-fi series Casanova, they’ll bring with them a literary heavy-hitter: Pulitzer Prize-winning author Michael Chabon.
“When Casanova returns at the end of the year, the main story by Moon and me will be backed up by shorts created by Michael Chabon and Bá,” Fraction wrote on his blog. “He keeps saying ‘Like Tales of Asgard‘ and I’m not sure if he’s kidding or not.”
Chabon won the 2001 Pulitzer Prize for Fiction for The Amazing Adventures of Kavalier and Clay, which follows two Jewish cousins who partner to create the Escapist, one of the most popular heroes of the Golden Age of comic books. Many of the events of the novel, which is dedicated to Jack Kirby, are based on the lives of actual comic-book creators like Will Eisner, Jerry Siegel, Joe Shuster, Jim Steranko and Stan Lee.
Creators | Laura Sneddon talks to Neal Adams about his life in comics, including the time Stan Lee offered him the opportunity to work on any comic Marvel published: “I said, ‘Ohh okay, I see. So what’s your worst-selling title?’ He said, ‘X-Men, we’re gonna cancel it in two issues.’ I said, ‘You know what, I’d like to do X-Men.’ He said, ‘I just told you we’re gonna cancel it in two issues.’ I say, ‘Well fine! You know for two issues I will do X-Men. And that will be fine.’ He said, ‘Well okay. We’ll [write/run] it as long as we can, we’ll make you a deal. You can do X-Men, then we cancel it, then you gotta work on an important book like the Avengers.’” [The New Statesman]
It used to be that the regular place to go to get new Philip Bond art was his Flickr page, but that has been joined of late by his Instagram feed. This Wonder Woman has something of both Robert Crumb and Summer Glau about her.
Below: plenty of great pieces by Jack Teagle, Edmund Bagwell, Fabio Moon and more. Continue Reading »
Today is Free Comic Book Day, and here’s a rundown of some of the comics that caught my interest. If you want to check ‘em out before you go, CBR has previews of many of the FCBD titles. (My FCBD comics came from my favorite Boston comics shop, Comicopia.)
Hands down, the one comic everybody wants is Archaia’s hardback anthology, which includes brand-new stories from six of their titles: Mouse Guard, Labyrinth, Return of the Dapper Men, Rust, Cursed Pirate Girl, and Cow Boy. The stories stand on their own but also tie in to the books in clever ways; the Mouse Guard story is a puppet show, and the Rust story features a boy writing a letter to his father (as his older brother does in the book). This book is a keeper; it even has a nameplate inside the front cover. Here’s a list of where Archaia creators will be doing book signings this FCBD.
BOOM! Studios has a nice flipbook with several Adventure Time comics on one side and Peanuts on the other. The Peanuts comics are mildly funny, but the Adventure Time side is edgier and features extra stories by Lucy Knisley and Michael DeForge. The stories are colorful and lively, and DeForge’s contribution, about a bacon ecosystem that supports tiny breakfast organisms, is downright surreal.
The Toronto Comic Arts Festival, one of the high points of the indy comics year, has announced the first round of guests for this year. It doesn’t seem to be up on the TCAF site just yet, but Tom Spurgeon has the rundown at The Comics Reporter, and it’s an impressive list: Jeff Smith, Alison Bechdel, Guy Delisle, and Gabriel Bá and Fábio Moon are the headliners. Smith will be celebrating the 20th anniversary of Bone, while Bechdel’s Are You My Mother? and Delisle’s Jerusalem are both due out shortly before the show.
But wait! There’s more! Kate Beaton, German creator Arne Bellstorf, Scottish creator Tom Gauld (whose Goliath is due out soon from Drawn and Quarterly) Gabriella Giandelli, Jennifer and Matt Holm (Babymouse), Jason, Kazu Kibuishi (creator of Amulet and editor of the Flight anthologies), Bryan Lee O’Malley (Scott Pilgrim), Gary Panter, Michel Rabagliati, Andy Runton (Owly), Olivier Schrauwen, and Adam Warren (Empowered) will also be gracing the halls of the Toronto Reference Library this May. That’s an amazingly eclectic and talented group. If you have been thinking “Some day I’ll make it to TCAF,” this should probably be the year.
Libraries | The Center for Cartoon Studies has found a new home for the Schulz Library, whose previous location was damaged in a flood in August: the old post office in downtown White River Junction, Vermont. The school was able to purchase the building with the help of Bayle Drubel, a real estate developer and founding CCS board member who bought the post office in 2004. Renovations are set to begin this winter to create room for instruction space, faculty offices and the Schulz Library cartoon collection. [The Center for Cartoon Studies, via The Daily Cartoonist]
Creators | The Atlantic profiles Zippy the Pinhead creator Bill Griffith. [The Atlantic]
Creators | Artist Fabio Moon talks about teaming with Zack Whedon on the new Serenity comic that makes up one-half of one of their Free Comic Book Day offerings. [ComicsAlliance]
Welcome to What Are You Reading?, where each week we talk about what comics, graphic novels, books and what-have-you we’ve been reading lately. This week our special guest is Brian Ralph, creator of Daybreak, Cave-In and Reggie 12.
To see what Brian and the Robot 6 crew have been reading lately, click below.
Legal | Edward Kramer, co-founder of the 25-year-old Dragon*Con held each Labor Day in Atlanta, was arrested Tuesday and charged with misdemeanor reckless endangerment of a child after police allegedly found him in a Connecticut motel room with a 14-year-old boy. Kramer, who was first charged 11 years ago with child molestation and aggravated child molestation, never went to court after his lawyers argued that Kramer was physically incompetent to stand trial, due to a degenerative spinal condition and chronic pain. Kramer was under house arrest until 2008, when a judge ruled that he could travel, although conditions of his bond stipulated that he report his whereabouts on a weekly basis to the district attorney’s office and that he have no unsupervised contact with anyone under the age of 16. On Wednesday a judge signed an order revoking Kramer’s bond, and the district attorney said Kramer will be extradited back to Georgia.
Pat Henry, current chairman of Dragon*Con, posted a statement on the convention’s website: “Edward Kramer resigned from the Dragon Con Convention in the year 2000 after being indicted on felony charges in Gwinnett County. He has not had any role in Dragon Con planning or activities since that time. Since 2000 the convention has been managed by three of the other founders. These men have been involved with the convention since the beginning. They are chairman Pat Henry, and board members Dave Cody and Robert Dennis. In these eleven years the convention attendance has grown from less than 10,000 to over 46,000 this past Labor Day.” [Atlanta Journal Constitution]
Legal | Jury selection is set to begin today in Mount Clemens, Michigan, in the second trial of former retailer Michael George, charged with first-degree murder in the 1990 shooting death of his first wife Barbara in their Clinton Township comic store. George, 51, was convicted in 2008, but later that year a judge set aside the conviction, citing prosecutorial misconduct and the emergence of new evidence that might have resulted in a different verdict. [The Detroit News]
Retailing | Retailer Mike Sterling answers questions about DC’s relaunch, noting his store saw an uptick in sales before the relaunch: “In our case, comic sales have been increasing … slowly, but steadily. And judging by demand for the new Justice League #1 and the interest we’ve seen in DC’s next batch of first issues, we’re expecting a bit of a bump in sales over the next few weeks. Whether that bump sticks, even as a slight net gain after the initial excitement over the new launches peters out and we see what the sales levels on these titles will actually be, remains to be seen. But I’m optimistic. My fear was that our upward store sales trend may have been derailed by DC cancelling everything and starting again, alienating the readership we were building, but for the most part that doesn’t seem to be happening. But, you know, in six months or a year or so, we’ll know for sure.” [Progressive Ruin]