Fables Archives - Robot 6 @ Comic Book Resources
Telltale Games has debuted the launch trailer for the third episode of its adventure series The Wolf Among Us, based on Bill Willingham’s Vertigo comic Fables.
Set 30 years before the events of Fables #1, the game allows players to control Bigby Wolf as he investigates the gruesome murder of a Fable, which leads to an even bigger mystery. In Episode 3, titled “A Crooked Mile,” Bigby “is just steps behind the prime suspect of a horrific murder, but he’s not the only one; other forces in Fabletown will stop at nothing to protect their interests.”
Be warned, though: The trailer contains spoilers for the first two episodes.
Telltale Games has released the red-band trailer for the second episode of its adventure series The Wolf Among Us, based on Bill Willingham’s Vertigo fantasy Fables.
Set 30 years before the events of Fables #1, the game allows players to control Bigby Wolf as he investigates the gruesome murder of a Fable, which leads to an even bigger mystery. The new episode, titled “Smoke & Mirrors,” is expected to debut next month, although Telltale teases only that it’s “coming soon.”
The Wolf Among Us premiered in October across multiple platform. You can read the Comic Book Resources review of the first episode here.
Creators | Newsday picks up the story of Al Plastino’s original art for the John F. Kennedy comic that was canceled when the president was assassinated, and then published a few months later at the request of the Johnson administration. Plastino, now 91, had been told the artwork would be donated to the Kennedy Library, but last month at New York Comic Con he learned that a private individual had the art and was planning to sell it through Heritage Auctions, which now says it won’t move forward until the ownership question is resolved. Copyright lawyer Dale Cendall, former DC Comics President Paul Levitz and artist Neal Adams weigh in on the case. [Newsday]
Kickstarter | In the wake of the successful Fantagraphics Kickstarter campaign, Rob Salkowitz looks at the evolution of the crowdfunding platform from a way for individual creators to connect with their audiences to a pre-sale mechanism that eliminates a lot of the risk for smaller publishers. [ICv2]
DC Comics hasn’t had a particularly good run of things lately. To be frank, the publisher has done blown it a number of times over the past few years. But don’t worry, DC fans — I’m sure it’ll soon be Marvel’s turn, as the two rivals seem to trade off every five years or so.
I’ve been calling out DC for the past couple of weeks, but that doesn’t mean everything it does strikes me as wrong. It’s important to declare shenanigans, but it’s also important to recognize when a publisher does something that’s good for comics.
So here are six things DC is doing right:
1. Digital comics: Legends of the Dark Knight and Adventures of Superman are digital-first anthology series that feature some excellent creators (from Jeff Parker and Chris Samnee to J.M. DeMatteis and Jeff Lemire) producing completely accessible and entertaining stories that stand on their own; no college course on the New 52 or Crisis on Infinite Earths required. Yes, these stories are out of continuity — so for a percentage of readers, they don’t count. That’s a mistake, because there’s nothing wrong with a straight-up superhero tale that exists on its own terms. These two anthologies are the gems of DC’s digital-first line-up, but Batman ’66 and Batman: Li’l Gotham also offer fantastical takes on the iconic Caped Crusader that are bright and fun. For those exhausted by the angsty versions of serious stories, you owe it to yourself to check these out.
As the finishing touches are put on Comic-Con International ahead of Preview Night, The Hollywood Reporter releases an interview with DC Entertainment President Diane Nelson that’s a blend of polite sidestepping of delicate or unannounced subjects — the departure from Warner Bros. of her boss Jeff Robinov, Man of Steel 2, the long-developing Justice League movie — and insight into how the media giant views the DC properties.
Naturally, given the outlet, much of the discussion involves film and television, with Nelson addressing why she thinks Man of Steel succeeded while Green Lantern didn’t, and why DC’s movie plans have been developing so slowly, the conversation veers a little closer to comic books when she’s asked what five characters she’d like to seen on the screen.
“Sandman is right on top,” Nelson responds. “I think it could be as rich as the Harry Potter universe. Fables. Metal Men. Justice League. And yes, I’m going to say it: Aquaman.”
At least a couple of times over the course of the weekend, Bill Willingham talked about his goal for the Fabletown and Beyond convention he hosted in Rochester, Minnesota. He may not have actually used the term “bucket list,” but that’s essentially what the show seems to have been for him: an opportunity to throw the kind of comics convention he wanted to attend and to see if other creators and fans would enjoy it just as much. From the standing ovation he received at Sunday’s closing ceremony, it appears he was right.
Chris Roberson pointed out to me that Fabletown and Beyond was a lot like fantasy and sci-fi literary conventions. It had that feel from the opening ceremony (an idea Willingham freely admits to stealing from fantasy/sci-fi shows) to the final farewell. It was completely focused on comics and storytelling, and it was a uniquely intimate experience. The show was only designed to accommodate a maximum of 500 attendees, and it got 505. That meant I kept seeing the same faces over and over again all weekend — creators and fans alike — so that by the third day, even people I never talked to were familiar. Instead of a hectic event where people rushed from place to place trying to see and do everything they wanted to, it was a relaxed environment that felt more like just hanging out with friends. Really smart, interesting friends.
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Following events like last year’s ImageCon and MorrisonCon, Fabletown and Beyond is the most recent comic convention devoted to serving a specific segment of readers: in this case, fans of what Fables creator Bill Willingham describes as “Mythic Fiction.” Fabletown and Beyond takes place this weekend in Willingham’s community of Rochester, Minnesota, and celebrates comics that include and update “fairytales, folklore, myth, legend, talking animals, and characters from literature.”
The festivities begin at 3 p.m. Friday and run practically non-stop until 6 p.m. Sunday. Programming is scheduled to go late into the evening on Friday and Saturday with the convention’s bar (an even more important element of this convention than most) staying open until 2 a.m.
The convention will take place in two locations, connected by skyways to allow attendees protection from the Minnesota weather. The dealers’ area, Artist
Alley Boulevard, and programming rooms will be located in in the Mayo Civic Center, with the opening ceremony and other special events held in the Kahler Grand Hotel. The hotel is also the location of the Elizabethan bar (re-named the Kill Shakespeare Bar for the weekend) that will be taken over for the exclusive use of the convention.
Digital comics | Vertical Inc. becomes the latest manga publisher to take the plunge into digital, beginning with the release of three series: Twin Spica, Drops of God and 7 Billion Needles for Kindle, Nook and iBooks. [Anime News Network]
Conventions | Fables creator Bill Willingham is the host of this weekend’s Fabletown and Beyond convention in Rochester, Minnesota, focusing on “mythic fiction.” He and organizer Stacy Sinner give a preview of what is to come. “I’m the host of the event, which means I get a lot of people to do the actual hard work, while I sit back imperiously on my throne and say ‘Yes,’ to this, and, ‘No,’ to that,” Willingham said. “The downside is, of course, I also have to write the checks.” [Rochester Post-Bulletin]
The gold and silver finalists were selected over the weekend for the 20th Spectrum Fantastic Art Annual, which honors the best in fantasy, science fiction and horror art.
Tor.com has the complete rundown of the nominees in all the categories, ranging from advertising to books to concept art — readers will recognize such names as Shaun Tan, Charles Vess, Dan Dos Santos and Greg Ruth — but what we’re really interested in are the comics finalists. You’ll find those below, with their art.
The winners will be announced at Spectrum Fantastic Art Live, held May 17-19 in Kansas City, Missouri.
Graphic novels | BookScan’s January list of the Top 20 graphic novels sold in bookstores shows a bit more variety than the previous month, in which 10 of the slots were taken by volumes of The Walking Dead. This time it’s just
six, with Building Stories, Saga, and the latest volumes of Sailor Moon and Fables cracking the Top 10. An adaptation of the Book of Revelation from evangelical publisher Zondervan was No. 9, followed by perennial bestseller Watchmen. (Note: The original version erroneously reported the number of Walking Dead titles in the Top 20.) [ICv2]
Creators | Paul Pope talks about his graphic novel Battling Boy, due out this summer, as well as the prequel comic The Death of Haggard West, which will released in in July. [Kotaku]
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start with Black Beetle #1 (Dark Horse, $3.99), Francesco Francavilla’s pulp action hero who jumps into his own miniseries after a run in Dark Horse Presents. I’d also grab Threshold #1 (DC Comics, $2.99), which continues the story from last week’s New Guardians annual, featuring a new Green Lantern and a whole bunch of cosmic DC characters. I’d also grab Comeback #3 (Image, $3.50), as I just got around to reading the first issue and really enjoyed it. They’re doing some fun stuff with time travel that should make for a cool series. That leaves room for one more, which is a hard choice … but let’s go with Indestructible Hulk #3 (Marvel, $3.99), because I love the new direction and take on the character and his status quo.
If I had $30, I’d also pick up Saga #9 (Image, $2.99) and Daredevil #22 ($2.99), because, well, Saga and Daredevil. I’m also really digging what Kelly Sue Deconnick is doing with the Avengers, so next I’d get Avengers Assemble #11 (Marvel, $3.99). Lastly, I’d grab Captain America #3 (Marvel, $3.99), as I’m really worried about Cap and the kid, and hope they come out of Zola’s world OK.
Finally, for my spulrge, I’d go with the big Paul Pope book from Image, One Trick Rip-Off ($29.99).
Publishing | Pulp heroes The Spirit, Doc Savage and The Avenger disappeared from the DC Comics lineup more than a year ago, with Co-Publisher Dan DiDio now confirming on his Facebook page that the company’s rights to the characters have lapsed. Brian Azzarello paired the vintage characters with Batman, Black Canary, the Blackhawks and other current DC heroes in his First Wave miniseries, which launched in 2010. Heidi MacDonald adds, “we’ve heard that at WB it was pointed out that DC paying good money to license old characters didn’t make much sense when they had their own catalog of little-used characters to exploit.” [Blog@Newsarama]
Digital comics | As noted here Monday, comiXology was No. 3 on the list of top-grossing iPad apps of 2012, and in the press release announcing this, the comiXology folks dropped another number on us: They have served more than 2 billion pages since their launch three years ago. [comiXology]
The news of Karen Berger leaving Vertigo spread quickly. It wasn’t so much that it was a surprise, but that it finally happened. DC
Comics Entertainment has been going through significant changes over the past couple of years, including grabbing characters long associated with Vertigo and returning them to the DC Universe, and rumored changes to creator contracts. Despite the unfortunate end, Berger leaves behind an amazing legacy no matter what becomes of the nearly 20-year-old imprint.
I have a very clear memory of high school in the 1990s where kids much cooler than me were reading The Sandman. These were kids who otherwise didn’t read comics, and certainly not the superhero stuff from Marvel and DC. This was not an isolated incident. Vertigo in the ’90s brought a new audience to comics, a maturing audience with interests in horror, fantasy, suspense and mythology. These readers didn’t have access to, and probably weren’t ready for, the underground or alternative comix scene. As superhero comics turned into garish collector items, Vertigo provided the alternative: stories.
After a late afternoon opening to the general public on Thursday, the New York Comic Con kicked into high gear today with panels, announcements and the usual con craziness we’ve come to expect from big shows. Here’s a round-up of comic-related news and announcements coming out of Friday. If you missed anything from Thursday, I’ve also got your back. I’d also point you to Brigid Alverson’s rundown of the ICv2 sessions before NYCC that go deep on comic sales in 2011 and 2012 thus far, if you’re into that.
• Keith Giffen returns to the stars next year with Threshold, a new DC Comics series that features Blue Beetle, Space Ranger, Star Hawkins, the original Starfire and other space heroes, with a Larfleeze back-up. Giffen also seemingly confirmed that the current Blue Beetle series is coming to an end.
• Vertigo announced several new projects today, including The Wake by Scott Snyder and Sean Murphy, Trillium by Jeff Lemire and an Unwrtten/Fables event that will see the Unwritten characters wander into the Fables comic. Snyder said that American Vampire will go on hiatus after issue #34 so he and artist Rafael Albuquerque can catch up on it. When it returns, it’ll jump ahead to the 1960s.
Retailing | DC Comics dominated bookstore graphic novel sales in August, probably because of the release of The Dark Knight Rises and a “buy two, get one free” sale on DC graphic novels at Barnes & Noble. Six of the Top 10 titles are Batman comics, with The Walking Dead, Watchmen, Avatar: The Last Airbender and Naruto each taking a slot as well. [ICv2]
Creators | Judge Dredd writer John Wagner talks about the origins of his character, the importance of U.K. publisher DC Thomson, and his dislike of digital comics. [The Daily Record]
Creators | Nick Spencer guests on Kieron Gillen’s podcast to discuss Morning Glories. [Kieron Gillen's Workblog]